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1-50 of 17,165
- Documentary on the Bolivian social battle between the Cocaleros union and the American government against the backdrop of the Amazon Forest and the life and struggle of a Padre Antonio Berta in trying to rescue the conflict's orphans.
- A seventeen year old girl lives by herself in a luminous attic bedroom. Her father watches over her from a little town a few miles away, where he lives on his own. Its summertime and very, very hot. The bright clear light of Apulia accompanies this young woman in her summer holiday. Some relief comes from frequent showers. She often stands at the window her hair dripping wet, and watches out as she did when she was a child and enjoyed looking out of windows or lerning out of balcony rails. She loves her eyes for what they can get but about all for what they can give, to her dear ones or to the people she comes across, like the disables old man who accepts her cares and company. In the evening to earn some pocket money, she works as a waitres in a little pub where she meets a photographer who enables her to remember her mother who has recently dead and stimulates her love for photography. That's why some photos are suddenly inserted in the film, as a link between the girl's personal experience and the historical context of the last troubled decades. The girl in spite of her young age, has well realized the importance of observation and caught the precariousnes and instability of times. A september afternoon. The girl is going to see her father. She knocks at the door but nobody opens. She takes the key from her bag and walks in.
- In a Bagnoli squeezed between the beauty of the Phlegrean coastline and the ruins of the former-Italsider, two siblings live out the last days as teenagers. They have big dreams and will have to decide whether to stay or leave.
- 'Soon you'll be 30 years old and for your birthday I want to offer a journey to the place you've always wished to go ever: Auschwitz. A journey in our memories to start talking again.'
- This project is undoubtedly Gaetano Donizetti's best known work, even if its production was prolific. It has also been the most performed and staged since its premiere in 1835 at the San Carlo Theater in Naples. It is one of the beacons of Italian Bel Canto and also one of the most typically romantic Italian operas. In 16th century Scotland, torn by the wars of religion and succession between the Catholics of Mary Stuart and the reformist Protestants of James VI, two families, the Ravenswoods and the Ashtons, quarrel. In the middle is an impossible love between Lucia, Ashton's daughter, and Edgardo, Ravenswood's son and nemesis of Enrico, Lucia's brother. It is performed at the Gran Teatre del Liceu in Barcelona in an original staging by Damiano Michieletto.
- Dogmatics - Truths of Destiny The story of how three people's lives can be turned upside down in the space of one night.
- The plan of a rich criminal to avoid a trial by expatriating involves many characters.
- The artist solitude, the rediscovery of the past, The family values to find himself in the eyes of the others, and a project anchored to the heart, finishing a sculpture of an elephant. all in the fascinating context of the Valley Verzasca of the hermitage of San Bartolomeo in Switzerland. The story of Gianmario Togni is marked by a sensitivity that borders on the dreamlike, in the constant search for a link between past, present, future, marked by a strong desire for memory.
- The film-documentary tells about Claudio Abbado and the Orchestra Mozart in Bologna in the occasion of the Celebrations to mark the 250th anniversary of Wolfgang Amadeus Mozart. During a part of the year 1770 Wolfgang Amadeus Mozart lived in Bologna, Italy where passed the examination at Accademia Filarmonica of Bologna, one of the best schools of the musical culture of the XVIII° century. Claudio Abbado and the Orchestra Mozart live again today in Bologna the extraordinary music of one of the greatest composer of all times.
- The emergency of living quarters, as told through the experiences of the inhabitants of Roma Residence, a residential complex located in Bravetta, not far from downtown Rome.
- A film on the plots of the southern mafia, between Calabria, Sicily, Naples, Rome; a film starring Rome that saw hundreds of workers participate including the extraordinary participation of the director Angelo Faraci himself for a film produced by Modern Film Pictures in the name of Ferdinando who wanted this project to be reality. I Clan del Sud is a film shot in a large part of Lazio and the small town of Artena.
- Bari, a few yards from central station. A disused little hostel, a constant flow of people going in and out. Youngsters from Somalia, the majority has not reached 30. In their pocket they carry a visa, and the war back in their country seems endless. They are not illegal immigrants. They have occupied a little public-owned place in town to make it on their own.
- Checo, son of poor Friulian farmers, is a young boy different from the others because he is more intelligent, sensitive and gifted with imagination. The comrades isolate him and mock him, giving him the nickname of scarecrows, and Checo ends up identifying himself with that macabre scarecrow. One day, exasperated, he decided to flee to go to Venice, with the dream of becoming a painter. When he returned home, began a very difficult period of poverty and hunger for him and his family. Checo will end up reacting by destroying the scarecrow, the nightmare of his childhood, and beginning, as a man, to work with men.
- During eight years I filmed, in her village in Italy, Ede Bartolozzi which suffered from the Alzheimer's disease, I filmed what was disappearing. I was aware of it. She was aware of it. Attracted by that « minuscule life » I filmed Ede, the closer I was getting to her, the more that « minuscule life » was growing. Ede and her daughter Paola were sharing an extraordinary love. This movie shows this love in their village within family, friends, neighbors, bodies embracing, faces and hands talking. A testimony of what will remain, the immense joy of living and having loved. I am filming life since I am eleven years old, trying to hold it. *** Filming is for me very close to what Annie Ernaux says about writing, "To write is to pay attention in a different way to the others, places, time and oneself." It's what I call asylum, as shelter, refuge, and the fruits of this asylum are the rushes of what I film. Watching the world with my camera, detailing it carefully, patiently, listening to it, is a way to keep on learning, inventing, loving; an obsession to save the memory of what could be missing later.