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- The interior monologue of a young man (Andrea Zirio), confused by the chaos of modern life that generates fear and disorientation, leads him to a undefined place: desert and isolated. Memories, regrets, fears, thoughts and faces of loved person takes then shape and so starts to color the sky over this wild place with dream s visions that materialize into grotesque apparitions. The regrets and upsets weight so inhibits any attempt to refocus the face of a loved person (Gaia Messerklinger) and the decision to permanently delete this tangle of feelings will cost him the loss of everything: memories, faces, images of the past and even the opportunity to refocus that face that then goes away forever.
- Sunday is the day that Gaia dreams. Sunday is the day that makes Andrea feared. Sunday is a blank paper sheet, that has to be filled with dreams and plans, or may become a break from the daily routine that encourages forced introspection sometimes. Sunday is disorienting. All that happens to Andrea just because all this can happen to anyone. You lose yourself into Sunday between different meanings: the game, friends, girlfriend and sleep until noon. Thinking to Sunday. Andrea tries to think of what to expect from Gaia , for Sunday. While theorizes Andrew does not advance: in the long run is actually stalling. Stalling without advancing: this seems to be the condemnation of an entire generation who can not imagine the future and can not do anything except stall. Andrea's confused thoughts are coloring a desertic landscape on the banks of a river when he realizes that there is no time to refocus what is still clouded: is coming soon the day of an important game. Sunday comes Andrea greets friends within he just shared a little night of celebration, and returns home. He is woken up by a vampire on TV: he has a bad feeling, Gaia wants to ruin his Sunday? We wondered, "What we usually do on Sundays?" The answer was: We do "Sunday".