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- In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. "La Delpi" is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.
- Vicenta lives with Laura, her 19-year-old daughter, who suffers from a developmental delay. Laura is pregnant, the product of rape by a family member. She is legally allowed to have an abortion, but the system will put all kinds of obstacles to make sure this doesn't happen.
- Sebastián, Guzmán and Email discuss how the death of a teacher would not change things until classes are suspended due to the death of their music teacher. Feeling guilty, but not anguished, they roam around the suburbs of the city.
- A moving tribute to the Argentine film laboratory that stood as a pioneer -together with so many producers and directors- in the local film industry, and became the main film lab in Latin America. It includes the testimonial support of our cinema, unseen footage, and a moving reunion.
- Conversation with an elite soldier. The soldier's speech, innocent and conventional, but revealing a dark area, where it is clear that he does not want to talk about his personal experience in the conflict, and he refers to something called kill rush, an addiction that is acquired when one has started to kill.