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1-43 of 43
- Vera lives in Argentina in 1978 during a dictatorial government. She is being persecuted. Ariel lives in the same apartment as Vera, but in 1996. Their telephone lines connect in between times and a very special story develops between them.
- The events occur during the Armenian-Azerbaijanian/Nagorno-Karabakh conflict. Because of a corpse in a zinc coffin with an arguable address two families get excited. Having cut the lid off the coffin for identification of a dead soldier they find out that he is not Azerbaijanian but Armenian - former dweller of Baku.
- 'Black & White' is a story about seven women living in a remote mountain village during the war, waiting for their husbands. Their children don't survive the hunger and cold. Their husbands perish on the battlefields. Now, the war is over and only one man comes back to this village of widows. But life and love are unbearable, poisoned by death and solitude.
- Nicky escapes from prison somewhere between Alabama and Utah, sometime in the future. He looks for his girl in the bars and hotels. All he can see in his new freedom is that no one cares for the future of human culture.
- Snake Feed is a glimpse into the lives of Irene and Rick, two people struggling with life-long addiction and marginal employment. The film follows a day in their lives at a time when Rick is dealing in the small-time pill trade and Irene is intent on rebuilding her life. In the course of the story, Rick betrays Irene's trust, which causes her to take action on behalf of herself and her children. The setting, a small town in upstate New York, is woven into the film through the inclusion of details of daily life.
- The destruction of a home for the building of a road is captured and contrasted with quotations from the residents.
- Aleksander Sokurov brings the treasures of the Hermitage back into the light by making films about artists and their paintings. He has chosen the painter Hubert Robert, who spent a long time in Italy, and whose preference was for creating ancient ruined landscapes and naturalistic portrayals of times past. He was successful with the wealthy, who bought his works from him. The camera pans across the paintings while Sokurov speaks of a happy era, when the artist was at one with the spirit of the times, and agreed with the taste of his clients. Just how far removed from us this is, is shown by pictures of a "Nô" performance which are inter-cut on the screen. No words are necessary to describe what everybody knows today.
- Begun with a speech by Vito Russo, Letters enjoins a chorus of speakers to sound off on aids, love and death. Impelled with a variety of formal procedures, this series of mini-portraits are generously furnished with found footage extracts, hand processed dilemmas, home movies, super-8 psycho-drama, pixillated phantasms, intergalactic warfare and a hot kiss in a cool shower.
- In brief flashes, as if a snapshot is taken, the face of one person changes to that of another, developed into a lookalike or remembrance of a face ever known. The installation "Blink" shows how we generalise apparent differences and agreements and poses questions about personal identity. Each pair has its own sound identity that exposed on two projections grows into the acutal musical scene.
- The camera pursues the life of two Dutch brothers, Herman and Egbert over the course of several months. Their mother wanted to disassociate herself from the petty bourgeois atmosphere in Holland during the fifties. In 1959 she took her two boys and left for Marnhac, a deserted village in southern France. After living in France for the the next 35 years both brothers have become almost fully alienated from society. They don't have the courage to leave their very aged and dominant mother.
- Germany 1937. Paul v. Kammer has lived with his grandfather in Germany for ten years. He has just finished school and faces a difficult decision: His mother, who is French, urges him to leave Germany and start university in France. His grandfather demands that he enters into the family business which would also mean conscription for Paul. Only one day left to make his decision. Paul meets his friend Max. A decisive day? Two friends and a girl in the summer of 1937.
- Chronic is an experimental narrative which explores the life of Gretchen, a woman who began using self-mutilation as a coping mechanism when she was a girl. The visually surreal scenes, which are comprised of both scripted and documentary footage, illustrate the culture Gretchen lives in, her inner life, and various relationships. A number of optical printing techniques and different film stocks were used to create different levels of perception so the viewer might experience Gretchen's story on an emotional or visceral level. The elements of the film are assembled together in attempt to create an understanding of the suicidal mind that goes beyond intellectual knowledge.
- Gift was shot in the notorious post-industrial lunar landscape of the Wolfen-Bitterfeld district of former East Germany, where composer Ulf Langheinrich was born. The area is famous as a great environmental disaster, a product of uncurbed open-cast mining and chemical production. Although the devastation belongs to a past era of massive state industry, some coal mining continues, using vast mobile diggers built in the 1930s. This object lesson in environmental vandalism, is now an eco-tourist attraction, reflecting the tensions between the old East Germany and the new, post-unification Germany. The hypnotic electronic music is constructed and mixed from the industrial sounds recorded on location.
- For 11-year-old Tino, being the eldest of five children in a Samoan family is no easy task. Tino plays guardian and protector to his younger siblings. As Tino strives to cope in an adult world, the birth of yet another baby brings about more burdens and responsibilities. The children endure in silence, their world a weave of vision and sound.
- Because the driver is unable to fulfill correctly his order to kill somebody, he and his friends have to pay the price. "Alabama" is a road-movie. The camera is constantly in the back of the car shooting through the back window... But more important than this story is how the song "All Along the Watchtower" by Bob Dylan is changing when it is interpreted by Jimi Hendrix. And the recurring album of the Stones "His Satanic Majesty's Request".
- What Farocki Taught is a stubborn film, containing a perfect replica, shot-for-shot, in color and English, of Harun Farocki's 1969 b/w German film 'Inextinguishable Fire' - about the production of Napalm, the abuses of human labor, and filmmaking. The film radically questions the significance and conclusiveness of "found footage" or handed-down material by denying any historical distance to the political situation criticised by Farocki.
- On October 9th, 1972 an exhibition of John Lennon/Yoko Ono's art, designed by the Master of the Fluxus movement, George Maciunas, opened at the Syracuse Museum of Art, curated by David Ross, presently Director of Whitney Museum, in New York. On the same day an unusual group of John's and Yoko's friends, including Ringo, Allen Ginsberg, Paul Krasner, and many others, gathered to celebrate John's birthday. This film is an visual and audio record of that event.
- A work produced for the Morimura Yasumasa Exhibition at the Yokohama Museum of Art, (April 6 to June, 1996). It was shown in an old-style theater constructed within the exhibit space that featured photographs of Morimura playing famous foreign and Japanese actresses.
- A man faces his approaching death. He takes a journey, his last perhaps, and ends up at the Pensão Globo in Lisbon, where he sets out on an aimless excursion through the city. The film depicts a life in a state of transition. "Sometimes it's like I'm already gone, become a ghost of myself."
- A man is released from prison. All he wants is to live in peace with his wife. His former partners intercept him since as an accessory to their crime he is a risk. The man is not intimidated. His "friends" kill his wife to make him change his opinion. The man cracks up and gets himself a machine gun to fight the killers who destroyed his life.
- You take several mixed reels of old Soviet negative film, then mix: Elvis Presley, Jesus Christ, Frank Zappa, pinball, drugs, girls, crime, American dream, jokes, Bulgarian superstitions, NBA stars, motorbikes, a ghost and a porcupine. Remix all this. Reel it till it blends movie-like.
- In 1987, I went to Yugoslavia as a sound engineer for a film about the bear-keeper Gypsies. One day, while Yugoslavia had sunk into barbarity for two years already, the pictures and sounds of those gypsies had come back to the surface of my mind again.
- The village is preparing for the big event: its French twin town Villeneuve is coming to visit. Only Paul, the little village rebel, does not seem to care too much for the French - until he sees Catherine. A film about the missed right moment.
- Fifteen individuals tell how it was to be children of dissidents killed, imprisoned or "disappeared" by a Brazilian military dictatorship. The camera becomes a kind of confessional as these survivors time-trip back to childhood. The directors themselves participate in this testimonial.
- A black father and son discuss the ways in which popular myths have shaped their everyday experiences. Go West Young Man, created on an Amiga home computer, parallels their dialogue with a montage of historical moments that have influenced Western perceptions of black masculinity.