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1-38 of 38
- The film tells the story of the Prussian family von Krauss living in the Puck area, as well as the love between the Kashubian boy Mateusz and the German aristocrat Marita and is set between 1900 and 1945. The script depicts the complicated fate of three nations inhabiting the former Polish-German borderland in northern Kashubia, where the line of the border in Versailles after the First World War divided not only the land but also the people of Germans, Kashubs, and Poles, causing riots and often hatred. The script goes through four decades showing the complex attitudes and choices that people have to make here. Prussian anti-Polishism fought with Kashubian patriotism, which in 1939 ended in mass murder committed in thousands of Kaszubians in forests near Piasnica.
- "Their Lucky Stars" is a charming summer-holiday-vibe story of love that appears in unexpected circumstances. The peaceful and organized life of Robert (Piotr Adamczyk), a symphony orchestra musician and single dad to a ten-year- -old boy, Filip (Maks Balcerowski), takes a sudden turn when Marta (Roma Gasiorowska), a charming and energetic popular fitness star runs into it. Two dissimilar characters, two different takes on love and life. Marta has her own TV-shows and writes culinary books, and her face appears on the covers of the most popular magazines. Robert is a walking denial of the "sporty way of life". A go-getting celebrity and a man intimidated by her charm. Why did fate bring them together? Will they be able to find their happiness with each other?
- A first-person narrator uses filmmaking tools in an unusual way. The creator unveils his sensitivity to sunlight, movement and space by emphasizing the elusiveness of these elements that build the microcosm of sensations.
- "The Photograph" tells the story of 17-year-old Adam who discovers an old picture of his mother with a strange man and tries to find out who his real father is. This is also a story about first love, infidelity and encounter with death.
- A poetic documentary feature movie filmed entirely using a mobile phone. The whole work is impressionistic in nature - it presents the life of the director but the fact that the frame is divided into four separate channels provides "Et Cetera" with another dimension - the manner in which various elements and scenes are assembled is contrapunctual and symbolic, and the film takes on the characteristics of a philosophical discourse through presenting such elements of life as birth, adult life, friendship, entertainment, love, senility, death and an unbreakable bond with nature. The film was inspired by the fascination with American avant-garde classics, but it is a completely authorial and individual artistic project. The basis for the creation of "Et Cetera" was the interest in testing the limits of transferring a subjective film message through a project being realized by a one man. It is a kind of an attempt to create a filmed memoir documenting events in one's life
- A Poetic cinematic impression referring back to the 20s avant-garde film, surrealism and impressionism. A young man unable to control the visions of approaching death and the apocalypse, is sinking into paranoia, losing any sense of reality. The man becomes a threat not only for himself but also for his loved one
- A documentary impression in which Werner Feliks Rzeznikowski, a member of The Polish Scouting Association and Gray Ranks, an ex-prisoner of the Stutthof Concentration Camp, and a survivor of the Death March, tells the difficult story of his life. A history from the perspective of an inhabitant of a small town in the Province of Pomerania sheds a new light on the life of Kashubians during the pre-war period, World War II, and in the post-war Poland. The documentary does not portray a life of a man broken by his experiences, but emphasizes the fact that even after such a trauma it is still possible to enjoy everyday life
- A poetic experimental documentary movie filmed entirely using a mobile phone. The whole work is impressionistic in nature - it presents the life of the director but the fact that the frame is divided into four separate channels provides "Et Cetera or Fragments of Video Diary" with another dimension - the manner in which various elements and scenes are assembled is contrapuntal and symbolic, and the film takes on the characteristics of a philosophical discourse through presenting such elements of life as birth, adult life, friendship, entertainment, love, senility, death and an unbreakable bond with nature. It is a kind of an attempt to create a filmed memoir documenting events in one's life
- A couple of lovers goes to a cinema to watch a film. Despite the girl's lack of enthusiasm, her partner takes her to a projection of old movies. Unexpectedly, the girl falls in love with old cinematography. A nostalgic tribute to local and studio cinemas
- Three characters - two men and a woman follow a separate path in the world of uncontrolled nature, abandoned sites and buildings. All are immersed in a somnambulistic trance. One of the men is dreaming of an ideal world, the other is fascinated by death and decay. The woman is searching for love and her unity with nature. The meeting of all three of them leads to inevitable tragedy.
- A video experiment executed in the analog system, connecting - as the title indicates - reference to shape-shifting of not a film as a whole, but individual elements of it such as a depicted world in a film, and VHS cassette as a basic storage medium
- A young man arrives to a house in a village to summarize his life. The protagonist desires to find the proper way of further existence. A coincidental meeting with a girl effects in a realization that nothing will be clear nor easy anymore. The film is an attempt to connect a feature film with contemplative neomodernist arts and slow cinema