History is an undesired guest taking the backseat in Mr Scott's sprawling epic on Napoleon's life.
Mr Scott's craftsmanship is such that it's undoubtedly able to offer the viewer some unique experiences. But stunning battle visuals and great performances by the lead actors don't make up for gross historical approximation.
I have no doubt whatsoever that Mr Scott knows his history and, if he didn't, he surely has a fat staff of assistants to tell it to him; so what he does here (as he did already in Gladiator) is a very deliberate and blatant choice to bend historical reality to the purposes of his own art, which looks like an act of unforgivable artistic hubris.
Mr Scott's craftsmanship is such that it's undoubtedly able to offer the viewer some unique experiences. But stunning battle visuals and great performances by the lead actors don't make up for gross historical approximation.
I have no doubt whatsoever that Mr Scott knows his history and, if he didn't, he surely has a fat staff of assistants to tell it to him; so what he does here (as he did already in Gladiator) is a very deliberate and blatant choice to bend historical reality to the purposes of his own art, which looks like an act of unforgivable artistic hubris.