Director and writer Tamara Jenkins is a chronicler of what one might call the familial claustrophobia. Characters in close quarters suffer allergies to one another, though apart they don’t fare much better. Her films concern dysfunctional families, its separate units and the whole, and the makeshift homes that they create. For the motherless, rudderless family in her debut, The Slums of Beverly Hills (1998), home is wherever they are, traipsing by the carload from one road-side motel to the next. In The Savages (2007), two disgruntled, unfulfilled siblings try find a home for their father, both unwilling to let him into theirs. Arriving after nearly a decade, her third film, Private Life, probes a married couple exhausting everything in their power to have a child and complete their family. That the film is being released by Netflix seems like both rebuff and blessing; on the one hand, affirmation of the industry...
- 10/23/2018
- MUBI
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