South Australia is small, but it packs a punch.
According to data from Screen Australia’s most recent Drama Report, in the five financial years from 2012-13 to 2016-17, South Australia captured on average 5 per cent of drama production expenditure in Australia. However, the state’s output often ranks among the most country’s most notable.
In recent years, the South Australian Film Corporation (often alongside the Adelaide Film Festival) has supported feature films like Jennifer Kent’s The Nightingale and The Babadook, Anthony Maras’ Hotel Mumbai, Yolanda Ramke and Ben Howling’s Cargo, Warwick Thornton’s Sweet Country and Samson and Delilah, Sophie Hyde’s 52 Tuesdays, Rosemary Myers’ Girl Asleep, Rolf de Heer’s Charlie’s Country, John Curran’s Tracks and Jeremy Sims’ Last Cab to Darwin. Upcoming Sa projects also include Wayne Blair’s Top End Wedding and Shawn Seet’s reimagining of Storm Boy.
The...
According to data from Screen Australia’s most recent Drama Report, in the five financial years from 2012-13 to 2016-17, South Australia captured on average 5 per cent of drama production expenditure in Australia. However, the state’s output often ranks among the most country’s most notable.
In recent years, the South Australian Film Corporation (often alongside the Adelaide Film Festival) has supported feature films like Jennifer Kent’s The Nightingale and The Babadook, Anthony Maras’ Hotel Mumbai, Yolanda Ramke and Ben Howling’s Cargo, Warwick Thornton’s Sweet Country and Samson and Delilah, Sophie Hyde’s 52 Tuesdays, Rosemary Myers’ Girl Asleep, Rolf de Heer’s Charlie’s Country, John Curran’s Tracks and Jeremy Sims’ Last Cab to Darwin. Upcoming Sa projects also include Wayne Blair’s Top End Wedding and Shawn Seet’s reimagining of Storm Boy.
The...
- 9/25/2018
- by jkeast
- IF.com.au
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