With over 500 scripted shows on TV and streaming platforms, one of the mandates of “peak TV” is that in order to get the audience’s attention shows need to be bold. While that certainly has impacted the type of stories being told, it also applies to visual storytelling. One of the most noticeable shifts in the last couple of years is that not only are half-hour shows pushing the envelope in terms of narrative structure, but how they have redefined what we expect in terms of the cinematography and filmic language in a TV comedy.
This year three sophomore shows – in three very different ways – have brought a cinematic style that challenges the notion that TV comedy must depend on the dialogue to carry the story. IndieWire talked to the cinematographers, directors and creators behind “Atlanta,” “Dear White People,” and “The Good Place” to go behind-the-scenes and learn how these...
This year three sophomore shows – in three very different ways – have brought a cinematic style that challenges the notion that TV comedy must depend on the dialogue to carry the story. IndieWire talked to the cinematographers, directors and creators behind “Atlanta,” “Dear White People,” and “The Good Place” to go behind-the-scenes and learn how these...
- 6/22/2018
- by Chris O'Falt
- Indiewire
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