A diffident gay soccer player enters into a stormy relationship with a straight-identified builder in “Land of Storms,” a remarkably confident debut from Adam Csaszi. Boasting exceptional performances and evocative visuals, thanks to well-considered lensing paired with deep tonalities possible only on celluloid, “Land” barely puts a foot wrong. Too bad the last scene has such unfortunate resonances: The script discarded several facts from the case it’s based on, so why retain a finale that harks back to a more moralistic era? Notwithstanding this miscalculation, Csaszi’s trenchant drama of desire and homophobia deserves fest and arthouse attention.
Hungarian Szabolcs, nicknamed Szabi (Andras Suto), is a star player on a German team awash in the usual athletic machismo. Unsure about his direction in life and distressed by a fight with roommate Bernard (Sebastian Urzendowsky, “Goodbye First Love”), Szabi sabotages his favored position in the coach’s esteem and suddenly...
Hungarian Szabolcs, nicknamed Szabi (Andras Suto), is a star player on a German team awash in the usual athletic machismo. Unsure about his direction in life and distressed by a fight with roommate Bernard (Sebastian Urzendowsky, “Goodbye First Love”), Szabi sabotages his favored position in the coach’s esteem and suddenly...
- 2/20/2014
- by Jay Weissberg
- Variety - Film News
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