Even if professional wrestling may not be everyone’s cup of tea, numerous stories behind the sports entertainment phenomena are usually quite engaging. Darren Aronofsky has been able to give a heartbreaking look into the complex life using various real-life inspirations for his film, The Wrestler. We will also be getting an equally rough drama with the upcoming Von Erich biopic, The Iron Claw. Even a lighter, more inspiring film like Fighting with My Family can prove to be just as compelling. Prime Video has just released a trailer for a film that gives us a look at the Mexican legacy of pro wrestling, the Lucha Libre, with Cassandro. The film is a biopic of real-life luchador, Saúl Armendáriz.
The official synopsis from Prime Video reads,
“Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character ‘Cassandro,’ the “Liberace of Lucha Libre.
The official synopsis from Prime Video reads,
“Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character ‘Cassandro,’ the “Liberace of Lucha Libre.
- 8/22/2023
- by EJ Tangonan
- JoBlo.com
Gael García Bernal transformed into an iconic gay amateur wrestler, luchador Saúl Armendáriz, for “Cassandro,” based on Armendáriz’s legacy as the “Liberace of Lucha Libre.”
“Cassandro” follows Armendáriz as he upends not just the macho wrestling world but also his own life. The film is based on a true story, with “Life, Animated” Oscar winner Roger Ross Williams directing from a script he co-wrote with David Teague. The real-life Armendáriz served as a consultant on the film.
In addition to Bernal, Roberta Colindrez, Perla de la Rosa, Joaquín Cosío, and Raúl Castillo also star, with with special appearances from El Hijo del Santo and Benito Antonio Martínez Ocasio.
Director Williams previously collaborated with Armendáriz for 2016 Prime Video documentary short “The Man Without a Mask.” Williams was inspired to fictionalize Armendáriz’s story to showcase the dichotomy of macho Mexican culture along with Armendáriz’s fandom.
“All of these macho guys were embracing him backstage,...
“Cassandro” follows Armendáriz as he upends not just the macho wrestling world but also his own life. The film is based on a true story, with “Life, Animated” Oscar winner Roger Ross Williams directing from a script he co-wrote with David Teague. The real-life Armendáriz served as a consultant on the film.
In addition to Bernal, Roberta Colindrez, Perla de la Rosa, Joaquín Cosío, and Raúl Castillo also star, with with special appearances from El Hijo del Santo and Benito Antonio Martínez Ocasio.
Director Williams previously collaborated with Armendáriz for 2016 Prime Video documentary short “The Man Without a Mask.” Williams was inspired to fictionalize Armendáriz’s story to showcase the dichotomy of macho Mexican culture along with Armendáriz’s fandom.
“All of these macho guys were embracing him backstage,...
- 8/22/2023
- by Samantha Bergeson
- Indiewire
Buenos Aires — Launching their new production house, La Corriente de Golfo, last April, Gael García Bernal and Diego Luna have tapped Mexican writer-director Kyzza Terrazas as the company’s head of development.
The appointment will certainly help build the company appointing an old-rounder capable of overseeing and implementing development, writing and directing, and a longtime friend of manny of the leading lights of a new creative generation of Mexican directors which has made its marks in cinema but is often now diversifying into TV.
It also builds on past relationships: a longtime friend and work colleague of both García Bernal and Luna, Terrazas co-wrote García Bernal’s feature debut “Deficit,” headed up development at Canana, the company Garcia Bernal and Luna created with Pablo Cruz from 2005. Terrazas ankled Canana in 2009 to make his feature debut, “Machete Language,” produced by Mexico City shingle Mr. Woo and exec-produced by García Bernal and Diego Luna.
The appointment will certainly help build the company appointing an old-rounder capable of overseeing and implementing development, writing and directing, and a longtime friend of manny of the leading lights of a new creative generation of Mexican directors which has made its marks in cinema but is often now diversifying into TV.
It also builds on past relationships: a longtime friend and work colleague of both García Bernal and Luna, Terrazas co-wrote García Bernal’s feature debut “Deficit,” headed up development at Canana, the company Garcia Bernal and Luna created with Pablo Cruz from 2005. Terrazas ankled Canana in 2009 to make his feature debut, “Machete Language,” produced by Mexico City shingle Mr. Woo and exec-produced by García Bernal and Diego Luna.
- 12/9/2018
- by John Hopewell
- Variety Film + TV
Los Cabos, Mexico — Paula Amor, the former head of communications of Mexico’s Morelia Festival, now has one of the most exciting jobs in Mexico, running La Corriente del Golfo, the new film-tv production shingle launched by Gael García Bernal and Diego Luna in April.
An inevitable major production force, it also marks a pivot in a film-tv company’s range and focus of operations.
At Canana, Luna and García Bernal leveraged their fame as actors to ensure movies got made at a budgetary level which their directors required. Think Pablo Larraín’s “No.” García Bernal once remarked that launching Ambulante, the touring documentary festival, was one of his proudest achievements. They have now applied this leverage in a different sphere with the launch of The Day After.
“The idea is to provide a base for their projects in film, TV, theater, projects with a social impact,” she explained to...
An inevitable major production force, it also marks a pivot in a film-tv company’s range and focus of operations.
At Canana, Luna and García Bernal leveraged their fame as actors to ensure movies got made at a budgetary level which their directors required. Think Pablo Larraín’s “No.” García Bernal once remarked that launching Ambulante, the touring documentary festival, was one of his proudest achievements. They have now applied this leverage in a different sphere with the launch of The Day After.
“The idea is to provide a base for their projects in film, TV, theater, projects with a social impact,” she explained to...
- 11/12/2018
- by John Hopewell and Jamie Lang
- Variety Film + TV
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