![Image](https://m.media-amazon.com/images/M/MV5BM2M3NGM2MmUtYWQyOC00NTY5LTk2MDUtMWJlZWFjYzJkYjhhXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Albert Brooks: Defending My Life (Rob Reiner)
One of the most brilliant comedic minds to ever live finally gets his due in Rob Reiner’s loving documentary. Framed around a conversation between the two, Brooks dives into all of his creative output while still proving he’s as witty as ever––and indeed, if you’ve never seen some of his early late-night bits, you’ll be howling along. And since you’ll be looking for more from Brooks to watch after watching, Lost in America and Defending Your Life are on Max, Modern Romance is on Tubi, and Real Life is on Kanopy.
Where to Stream: Max
Before, Now & Then (Kamila Andini)
In Before, Now & Then the social...
Albert Brooks: Defending My Life (Rob Reiner)
One of the most brilliant comedic minds to ever live finally gets his due in Rob Reiner’s loving documentary. Framed around a conversation between the two, Brooks dives into all of his creative output while still proving he’s as witty as ever––and indeed, if you’ve never seen some of his early late-night bits, you’ll be howling along. And since you’ll be looking for more from Brooks to watch after watching, Lost in America and Defending Your Life are on Max, Modern Romance is on Tubi, and Real Life is on Kanopy.
Where to Stream: Max
Before, Now & Then (Kamila Andini)
In Before, Now & Then the social...
- 11/17/2023
- by Jordan Raup
- The Film Stage
![Image](https://m.media-amazon.com/images/M/MV5BZGJkNDZkZjEtZTA3OS00YmFkLTkyMTUtMjE4YjIwZDVmNjRkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR10,0,500,281_.jpg)
Let’s start with the good news: “Manodrome” runs zero risk of inadvertently launching an online army of right wing grifters who use their misunderstanding of its message to hawk dubious supplements and training courses 25 years after its release. Which is more than can be said for David Fincher’s “Fight Club,” the movie it desperately wants to emulate. The bad news is that fact owes less to the film’s articulation of its ideas than its lack of charisma, which is almost certain to prevent it from making the kind of cultural imprint that would allow for misinterpretations in the first place.
While it’s often unfair to compare one movie so directly to another, the blatant similarities between “Manodrome” and “Fight Club” make it unavoidable here. John Trengrove’s new film follows Ralphie (Jesse Eisenberg), a directionless man who finds solace in lifting weights after being laid off from his maintenance job.
While it’s often unfair to compare one movie so directly to another, the blatant similarities between “Manodrome” and “Fight Club” make it unavoidable here. John Trengrove’s new film follows Ralphie (Jesse Eisenberg), a directionless man who finds solace in lifting weights after being laid off from his maintenance job.
- 11/10/2023
- by Christian Zilko
- Indiewire
![Image](https://m.media-amazon.com/images/M/MV5BOWU4OTRhOTktOTgyNy00MmQ4LTkzMWUtMTI0ZTRlZGI4M2U4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,21,140,207_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BOWU4OTRhOTktOTgyNy00MmQ4LTkzMWUtMTI0ZTRlZGI4M2U4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,21,140,207_.jpg)
Premiering earlier this year at Berlinale, John Trengove’s The Wound follow-up Manodrome sets Jesse Eisenberg and Adrien Brody in a Fight Club-esque tale following a man wrestling with his own demons who gets welcomed into a mysterious family of men. Ahead of a November release from Lionsgate, the first trailer has now arrived.
Rory O’Connor said in his Berlinale review, “In Manodrome, cinema’s enduring love for frustrated male loners is brought, kicking and screaming, into the cold light of the present day. Set in an unnamed, crumbling city in the Northeast, it stars an against-type Jesse Eisenberg as a jacked-up, emotionally stunted gym bro who joins a cult of voluntarily and involuntarily celibate men. The director is John Trengrove, whose previous feature The Wound used a very real Xhosa rite of passage as a way to examine the ever-knotted rituals of male bonding. The subcultures in Manodrome...
Rory O’Connor said in his Berlinale review, “In Manodrome, cinema’s enduring love for frustrated male loners is brought, kicking and screaming, into the cold light of the present day. Set in an unnamed, crumbling city in the Northeast, it stars an against-type Jesse Eisenberg as a jacked-up, emotionally stunted gym bro who joins a cult of voluntarily and involuntarily celibate men. The director is John Trengrove, whose previous feature The Wound used a very real Xhosa rite of passage as a way to examine the ever-knotted rituals of male bonding. The subcultures in Manodrome...
- 10/30/2023
- by Leonard Pearce
- The Film Stage
![Image](https://m.media-amazon.com/images/M/MV5BYzAzNjQ1NGUtOTA4My00MzI1LTllYjMtNjZkNjI4YmVkNjE0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
WME Independent and UTA co-rep for North America.
UK sales outfit HanWay has boarded erotic horror The One, from US writer-director team Kevin Armento and Jaki Bradley, with the film set in the confines of a reality TV dating show.
HanWay Films is handling worldwide sales, which it will launch at Cannes this month, with WME Independent and UTA co-repping the film for North America.
The cast is led by Scream VI’s Melissa Barrera, alongside Lana Condor and Nicholas Hoult. Hoult also produces alongside Whitaker Lader via their production company Dead Duck Films which has a first-look TV deal...
UK sales outfit HanWay has boarded erotic horror The One, from US writer-director team Kevin Armento and Jaki Bradley, with the film set in the confines of a reality TV dating show.
HanWay Films is handling worldwide sales, which it will launch at Cannes this month, with WME Independent and UTA co-repping the film for North America.
The cast is led by Scream VI’s Melissa Barrera, alongside Lana Condor and Nicholas Hoult. Hoult also produces alongside Whitaker Lader via their production company Dead Duck Films which has a first-look TV deal...
- 5/9/2023
- by Mona Tabbara
- ScreenDaily
![Jesse Eisenberg in Manodrome (2023)](https://m.media-amazon.com/images/M/MV5BYTBmYzA3MTMtMDg4Zi00NzQ1LTljODAtNGQxMTkwMjQ5MjY3XkEyXkFqcGdeQXVyMDYxMjcxMQ@@._V1_QL75_UX140_CR0,21,140,207_.jpg)
![Jesse Eisenberg in Manodrome (2023)](https://m.media-amazon.com/images/M/MV5BYTBmYzA3MTMtMDg4Zi00NzQ1LTljODAtNGQxMTkwMjQ5MjY3XkEyXkFqcGdeQXVyMDYxMjcxMQ@@._V1_QL75_UX140_CR0,21,140,207_.jpg)
In Manodrome, cinema’s enduring love for frustrated male loners is brought, kicking and screaming, into the cold light of the present day. Set in an unnamed, crumbling city in the Northeast, it stars an against-type Jesse Eisenberg as a jacked-up, emotionally stunted gym bro who joins a cult of voluntarily and involuntarily celibate men. The director is John Trengrove, whose previous feature The Wound used a very real Xhosa rite of passage as a way to examine the ever-knotted rituals of male bonding. The subcultures in Manodrome are ostensibly a work of fiction but, exaggerated as they may be, are no less plausible or rife with intrigue.
What Manodrome suffers from is a case of spreading itself too thin. Eisenberg stars as Ralphie, a taxi driver with money problems and a meds addiction. Though they might be the least of his worries. Out shopping for baby supplies with his...
What Manodrome suffers from is a case of spreading itself too thin. Eisenberg stars as Ralphie, a taxi driver with money problems and a meds addiction. Though they might be the least of his worries. Out shopping for baby supplies with his...
- 3/2/2023
- by Rory O'Connor
- The Film Stage
![Image](https://m.media-amazon.com/images/M/MV5BNDNmMDI5YTktYmFlZS00ODgxLTliYTItMjUyZWViNTE4MGNjXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR10,0,500,281_.jpg)
There’s a rich history of movies being entirely at odds with their cryptic titles—step forward Quantum of Solace—but for his follow-up to The Wound, South African director John Trengrove has picked a doozy, a title that sounds more like a dystopian Adam Sandler comedy than the dour story of urban disintegration that it actually is. Images of star Jesse Eisenberg sporting a mop of red hair for the film have been also something of a misdirect, perhaps giving some the impression that Manodrome, which premiered in Competition at the Berlin Film Festival, could be some kind of satirical emo Fight Club for sad-sacks. Fight Club comparisons actually do turn out to be (lightly) relevant, as are callbacks to Taxi Driver, but Manodrome is so achingly laborious and serious that it won’t be encroaching on either for virtual shelf space in the Toxic Masculinity section of anyone’s streaming library.
- 2/18/2023
- by Damon Wise
- Deadline Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BNzNhOGNiOGItZDdjNi00Zjg1LTk1OGYtNzc1YjBiMWVlYTVjXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
The first rule of “Manodrome” is you don’t talk about “Fight Club.”
“Fight Club” looms large over writer-director John Trengrove’s unsettling second feature, even if no one overtly mentions David Fincher’s provocative late-’90s movie in this dark psychological-thriller-cum-social-critique, which finds the state of masculinity even more fraught than Fincher did a quarter-century ago. Trengrove, who is gay and hails from South Africa, brings a queer sensibility to his otherwise unsatisfying analysis of contemporary manhood, enlisting Jesse Eisenberg to play yet another scrawny white guy seeking an outlet for deep wells of festering aggression.
Here, he finds it in a secret society of like-minded dudes, spearheaded by Adrien Brody as a self-appointed father figure who calls himself “Dad Dan,” and who teaches Eisenberg’s character, Ralphie, to “man up.” In what feels like a case of lazy (type)casting, “Manodrome” finds its once-shrimpy star back in “The Art of Self-Defense” mode,...
“Fight Club” looms large over writer-director John Trengrove’s unsettling second feature, even if no one overtly mentions David Fincher’s provocative late-’90s movie in this dark psychological-thriller-cum-social-critique, which finds the state of masculinity even more fraught than Fincher did a quarter-century ago. Trengrove, who is gay and hails from South Africa, brings a queer sensibility to his otherwise unsatisfying analysis of contemporary manhood, enlisting Jesse Eisenberg to play yet another scrawny white guy seeking an outlet for deep wells of festering aggression.
Here, he finds it in a secret society of like-minded dudes, spearheaded by Adrien Brody as a self-appointed father figure who calls himself “Dad Dan,” and who teaches Eisenberg’s character, Ralphie, to “man up.” In what feels like a case of lazy (type)casting, “Manodrome” finds its once-shrimpy star back in “The Art of Self-Defense” mode,...
- 2/18/2023
- by Peter Debruge
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BYjdiOTYwMWMtMzM3Ny00MWI5LTk5MzAtYzE4MmZjMGQyZmRhXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
The debut feature from Riley Keough and Gina Gammell was previously known as ‘Beast’.
UK-based sales outfit Protagonist Pictures and CAA Media Finance are handling sales for Cannes Un Certain Regard title War Pony, the directorial debut of Riley Keough and Gina Gammell, which was previously titled Beast.
Protagonist will introduce the title to international buyers at Cannes, while CAA Media Finance takes on North American sales.
Bill Reddy, Franklin Sioux Bob, Gammell, and Keough wrote the film, which was inspired by real events and tells the stories of two Lakota boys living in the Pine Ridge Indian Reservation in South Dakota,...
UK-based sales outfit Protagonist Pictures and CAA Media Finance are handling sales for Cannes Un Certain Regard title War Pony, the directorial debut of Riley Keough and Gina Gammell, which was previously titled Beast.
Protagonist will introduce the title to international buyers at Cannes, while CAA Media Finance takes on North American sales.
Bill Reddy, Franklin Sioux Bob, Gammell, and Keough wrote the film, which was inspired by real events and tells the stories of two Lakota boys living in the Pine Ridge Indian Reservation in South Dakota,...
- 4/27/2022
- by Mona Tabbara
- ScreenDaily
![Jesse Eisenberg](https://m.media-amazon.com/images/M/MV5BNTE3MzQzODE3OV5BMl5BanBnXkFtZTcwMDE0ODY1NA@@._V1_QL75_UY207_CR3,0,140,207_.jpg)
![Jesse Eisenberg](https://m.media-amazon.com/images/M/MV5BNTE3MzQzODE3OV5BMl5BanBnXkFtZTcwMDE0ODY1NA@@._V1_QL75_UY207_CR3,0,140,207_.jpg)
Jesse Eisenberg, Adrien Brody and Riley Keough will star in “Manodrome,” a thriller from South African director John Trengrove as he makes his English-language directorial debut.
“Manodrome” is being presented to buyers and financiers at the Cannes virtual market this week, and the film is described as a “nihilistic thriller” about an Uber driver and aspiring bodybuilder (Eisenberg) who is inducted into a libertarian masculinity cult and loses his grip on reality when his repressed desires are awakened. Trengrove also wrote the script.
Riley Keough will also produce through her banner Felix Culpa with Gina Gammell and Ryan Zacaria, as is Ben Giladi’s Rainmaker Entertainment. CAA Media Finance are arranging the financing and represent the film’s domestic rights.
“The Social Network” star Jesse Eisenberg is in post-production on “When You Finish Saving the World” for A24, which is his directorial debut that stars Julianne Moore. Keough will next...
“Manodrome” is being presented to buyers and financiers at the Cannes virtual market this week, and the film is described as a “nihilistic thriller” about an Uber driver and aspiring bodybuilder (Eisenberg) who is inducted into a libertarian masculinity cult and loses his grip on reality when his repressed desires are awakened. Trengrove also wrote the script.
Riley Keough will also produce through her banner Felix Culpa with Gina Gammell and Ryan Zacaria, as is Ben Giladi’s Rainmaker Entertainment. CAA Media Finance are arranging the financing and represent the film’s domestic rights.
“The Social Network” star Jesse Eisenberg is in post-production on “When You Finish Saving the World” for A24, which is his directorial debut that stars Julianne Moore. Keough will next...
- 6/22/2021
- by Brian Welk
- The Wrap
![Image](https://m.media-amazon.com/images/M/MV5BOTJkODUxNmItNWRjMC00M2FiLTg4NzctNzk3ODc4ZmVjYTE2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
Jesse Eisenberg, Adrien Brody, and Riley Keough have been cast in director John Trengrove’s English-language feature debut “Manodrome.”
Launching sales at the virtual Cannes market, the South African director of “The Wound” presents a nihilistic thriller following Ralphie (Eisenberg), an Uber driver and aspiring bodybuilder who is inducted into a libertarian masculinity cult and loses his grip on reality when his repressed desires are awakened.
Keough, Gina Gammell, and Ryan Zacarias are producing the project via Felix Culpa, with Ben Giladi’s Rainmaker Entertainment. CAA Media Finance has arranged financing and will sell the film’s domestic rights.
An Oscar nominee for “The Social Network,” Eisenberg’s credits include the “Now You See Me” franchise and “Zombieland.” He’ll next present his directorial debut “When You Finish Saving the World” with A24, starring Julianne Moore. He is represented by CAA and Felker, Toczek, Gellman, Suddleson.
Brody, a Best Actor Oscar winner for “The Pianist,...
Launching sales at the virtual Cannes market, the South African director of “The Wound” presents a nihilistic thriller following Ralphie (Eisenberg), an Uber driver and aspiring bodybuilder who is inducted into a libertarian masculinity cult and loses his grip on reality when his repressed desires are awakened.
Keough, Gina Gammell, and Ryan Zacarias are producing the project via Felix Culpa, with Ben Giladi’s Rainmaker Entertainment. CAA Media Finance has arranged financing and will sell the film’s domestic rights.
An Oscar nominee for “The Social Network,” Eisenberg’s credits include the “Now You See Me” franchise and “Zombieland.” He’ll next present his directorial debut “When You Finish Saving the World” with A24, starring Julianne Moore. He is represented by CAA and Felker, Toczek, Gellman, Suddleson.
Brody, a Best Actor Oscar winner for “The Pianist,...
- 6/22/2021
- by Matt Donnelly
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BOTdkZDRjNTEtMjU0YS00YTQ1LThkYTYtNzA2N2U1YTljZTg3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Jesse Eisenberg, Adrien Brody and Riley Keough will star in Manodrome, a film written and to be directed by South African helmer John Trengrove, marking his English-language debut. Pic package will be presented to buyers and financiers during the Cannes virtual market just getting underway.
Felix Culpa’s Keough, Gina Gammell and Ryan Zacarias are producing with Ben Giladi’s Rainmaker Entertainment. CAA Media Finance is arranging the financing and represents the film’s domestic rights.
A nihilistic thriller, Manodrome tells the story of Ralphie (Eisenberg), an Uber driver and aspiring bodybuilder who is inducted into a libertarian masculinity cult and loses his grip on reality when his repressed desires are awakened.
Trengove’s Xhosa-language debut feature The Wound was shortlisted for an Academy Award and screened at numerous festivals including Sundance where it was featured in the World Cinema Dramatic Competition, the Berlin Film Festival, Göteborg Film Festival, and the Palm Springs Film Festival.
Felix Culpa’s Keough, Gina Gammell and Ryan Zacarias are producing with Ben Giladi’s Rainmaker Entertainment. CAA Media Finance is arranging the financing and represents the film’s domestic rights.
A nihilistic thriller, Manodrome tells the story of Ralphie (Eisenberg), an Uber driver and aspiring bodybuilder who is inducted into a libertarian masculinity cult and loses his grip on reality when his repressed desires are awakened.
Trengove’s Xhosa-language debut feature The Wound was shortlisted for an Academy Award and screened at numerous festivals including Sundance where it was featured in the World Cinema Dramatic Competition, the Berlin Film Festival, Göteborg Film Festival, and the Palm Springs Film Festival.
- 6/22/2021
- by Mike Fleming Jr
- Deadline Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BYzhhMGJlMjktMDI4Ni00YTI3LTgzMGQtMDdhMGFhNTQ1YmFlXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
India’s Oscar entry is screening from Jan 27, 3pm UK time.
Screen International has partnered with film market platform Archipel Market on an exclusive series of screenings focused on the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
The upcoming screenings are listed below, with more titles set to be added during this year’s awards season.
The screenings are open to awards voters and industry professionals and will be available for 24 hours after the start time.
Click here to RSVP or fill out the form below
For more...
Screen International has partnered with film market platform Archipel Market on an exclusive series of screenings focused on the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
The upcoming screenings are listed below, with more titles set to be added during this year’s awards season.
The screenings are open to awards voters and industry professionals and will be available for 24 hours after the start time.
Click here to RSVP or fill out the form below
For more...
- 1/24/2021
- by Screen staff
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BNjg4YTU0NzEtMTU0YS00YzQ3LTk4MmMtYjEyOGI4MTNjMzA5XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Nigeria’s Oscar entry is screening from Jan 22, 3pm UK time.
Screen International has partnered with film market platform Archipel Market on an exclusive series of screenings focused on the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
The first screenings in the programme are the Oscar entries for India (Jallikattu); Latvia (Blizzard Of Souls); Nigeria (The Milkmaid); and South Africa (Toorbos). More titles will be added during this year’s awards season.
The screenings are open to awards voters and industry professionals and will be available for 24 hours after the start time.
Screen International has partnered with film market platform Archipel Market on an exclusive series of screenings focused on the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
The first screenings in the programme are the Oscar entries for India (Jallikattu); Latvia (Blizzard Of Souls); Nigeria (The Milkmaid); and South Africa (Toorbos). More titles will be added during this year’s awards season.
The screenings are open to awards voters and industry professionals and will be available for 24 hours after the start time.
- 1/20/2021
- by Screen staff
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BNWM2OTQxNjctODMzMC00Yjk0LWFmZWMtMjU2NDc0MTliYTFkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
The first titles are the Oscar entries for India, Latvia, Nigeria, and South Africa.
Screen International has partnered with film market Archipel Market on an exclusive series of screenings focused on the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
The first screenings in the programme are the Oscar entries for India (Jallikattu); Latvia (Blizzard Of Souls); Nigeria (The Milkmaid); and South Africa (Toorbos). More titles will be added during this year’s awards season.
The screenings are open to awards voters and industry professionals and will be available...
Screen International has partnered with film market Archipel Market on an exclusive series of screenings focused on the international feature awards race.
This initiative is designed to enable each country to organise an event around their submission.
The first screenings in the programme are the Oscar entries for India (Jallikattu); Latvia (Blizzard Of Souls); Nigeria (The Milkmaid); and South Africa (Toorbos). More titles will be added during this year’s awards season.
The screenings are open to awards voters and industry professionals and will be available...
- 1/12/2021
- by Screen staff
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BZGI4N2VkMWItMDIwMC00YjIzLWJkNmEtZTg1ZmNhZGY0ZjExXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Bookmark this page for all the latest international feature submissions.
Submissions for the best international feature film award at the 2021 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
Scroll down for the full list
The 93rd Academy Awards is set to take place on April 25, 2021. It was originally set to be held on February 28, before both the ceremony and eligibility period were postponed for two months due to the Covid-19 pandemic.
Submitted films must have been released in their respective countries between the expanded dates of October 1, 2019, and December 31, 2020. (Last year it was October-September.
Submissions for the best international feature film award at the 2021 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
Scroll down for the full list
The 93rd Academy Awards is set to take place on April 25, 2021. It was originally set to be held on February 28, before both the ceremony and eligibility period were postponed for two months due to the Covid-19 pandemic.
Submitted films must have been released in their respective countries between the expanded dates of October 1, 2019, and December 31, 2020. (Last year it was October-September.
- 11/17/2020
- by Ben Dalton¬Michael Rosser
- ScreenDaily
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BNTkyZmExYzQtMmI1Yi00ZjhkLTgzNWItYTQ4MjY3MDA3MTQ1XkEyXkFqcGdeQXVyNjUxMjc1OTM@._V1_QL75_UY207_CR6,0,140,207_.jpg)
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BNTkyZmExYzQtMmI1Yi00ZjhkLTgzNWItYTQ4MjY3MDA3MTQ1XkEyXkFqcGdeQXVyNjUxMjc1OTM@._V1_QL75_UY207_CR6,0,140,207_.jpg)
Screen’s regularly updated list of foreign language Oscar submissions.
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
- 9/24/2018
- by Ben Dalton
- ScreenDaily
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BNTkyZmExYzQtMmI1Yi00ZjhkLTgzNWItYTQ4MjY3MDA3MTQ1XkEyXkFqcGdeQXVyNjUxMjc1OTM@._V1_QL75_UY207_CR6,0,140,207_.jpg)
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BNTkyZmExYzQtMmI1Yi00ZjhkLTgzNWItYTQ4MjY3MDA3MTQ1XkEyXkFqcGdeQXVyNjUxMjc1OTM@._V1_QL75_UY207_CR6,0,140,207_.jpg)
Screen’s regularly updated list of foreign language Oscar submissions.
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
- 9/24/2018
- by Ben Dalton
- ScreenDaily
Substantial drops across the top 10 recorded as good weather hits the UK.
Rank Film / Distributor Weekend Gross (Fri-Sun) Running Total Week 1 Rampage (Warner Bros) £1.4m £6.5m 2 2 A Quiet Place (Paramount) £1m £8.3m 3 3 The Guernsey Literary And… (Studiocanal) £824,847 £824,847 1 4 Ready Player One (Warner Bros) £502,000 £15.4m 4 5 Peter Rabbit (Sony) £486,000 £38.9m 6
Today’s Gbp to Usd conversion rate - 1.40
Warner Bros
The UK basked in the country’s first spell of warm weather of 2018 and it wasn’t good news for the box office this weekend.
Rampage stayed top despite falling a substantial 55%, a drop that was consistent across the majority of titles on releases this weekend.
Rank Film / Distributor Weekend Gross (Fri-Sun) Running Total Week 1 Rampage (Warner Bros) £1.4m £6.5m 2 2 A Quiet Place (Paramount) £1m £8.3m 3 3 The Guernsey Literary And… (Studiocanal) £824,847 £824,847 1 4 Ready Player One (Warner Bros) £502,000 £15.4m 4 5 Peter Rabbit (Sony) £486,000 £38.9m 6
Today’s Gbp to Usd conversion rate - 1.40
Warner Bros
The UK basked in the country’s first spell of warm weather of 2018 and it wasn’t good news for the box office this weekend.
Rampage stayed top despite falling a substantial 55%, a drop that was consistent across the majority of titles on releases this weekend.
- 4/23/2018
- by Tom Grater
- ScreenDaily
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