The ideal cinema trip after new year festivities should be filled with fun and merriment, so how fortunate that Ying Chi-wen’s “Everything Under Control” has arrived at the dawn of the Year of the Rabbit. Straddling the line between wacky comedy and old-fashioned adventure, it has arrived just in time for international audiences to jumpstart their cinematic year against the grain of Oscar season. This is a film that couldn’t be less concerned with awards prestige, and instead, with just using every traditional mode of blockbuster entertainment, it can to stimulate a good time: action, comedy, adventure, horror, musical, it’s all here…even if it is spread a little too thinly to form its own distinct identity.
If any Asian Movie Pulse reader has seen Fu-Hsiang Hsu’s “Treat or Trick” or Shin Jung-won’s “To Catch a Virgin Ghost”, then “Everything Under Control” might seem more than a bit familiar.
If any Asian Movie Pulse reader has seen Fu-Hsiang Hsu’s “Treat or Trick” or Shin Jung-won’s “To Catch a Virgin Ghost”, then “Everything Under Control” might seem more than a bit familiar.
- 2/6/2023
- by Simon Ramshaw
- AsianMoviePulse
The Osaka Asian Film Festival will return in March for its 18th edition with a lineup of current Asian feature and short films and a spotlight on works from Hong Kong.
The competition section, which selects from films that are currently unreleased in Japan, numbers 13 titles. These include: Kai Ko’s “Bad Education,” “December” from Japan-based Indian director Anshul Chauhan, and two Indian-made films Rima Das’ “Tora’s Husband” and Padmakumar Narasimhamurthy’s “Max, Min and Meowzaki.”
The indie section comprises a mix of Japanese feature and short films from challenging or emerging talents, with a winner set to receive the separate Japan Cuts prize.
A Spotlight section of other independent films by up-and-coming directors includes: Martika Ramirez Escobar’s “Leonor Will Never Die,” Mejbaur Rahman Sumon’s Bangladesh-France production “Hawa,” Thitipong Kerdtongtawee’s “Omg! Oh My Girl” and documentary “Jiseok.”
The Hong Kong spotlight, consisting of five titles, cuts...
The competition section, which selects from films that are currently unreleased in Japan, numbers 13 titles. These include: Kai Ko’s “Bad Education,” “December” from Japan-based Indian director Anshul Chauhan, and two Indian-made films Rima Das’ “Tora’s Husband” and Padmakumar Narasimhamurthy’s “Max, Min and Meowzaki.”
The indie section comprises a mix of Japanese feature and short films from challenging or emerging talents, with a winner set to receive the separate Japan Cuts prize.
A Spotlight section of other independent films by up-and-coming directors includes: Martika Ramirez Escobar’s “Leonor Will Never Die,” Mejbaur Rahman Sumon’s Bangladesh-France production “Hawa,” Thitipong Kerdtongtawee’s “Omg! Oh My Girl” and documentary “Jiseok.”
The Hong Kong spotlight, consisting of five titles, cuts...
- 1/31/2023
- by Patrick Frater
- Variety Film + TV
‘Babylon’ lands third overall in UK-Ireland box office chart.
RankFilm (distributor)Three-day gross (Jan 20-22)Total gross to date Week 1. Avatar: The Way Of Water (Disney) £2.8m £67.6m 6 2. M3GAN (Universal) £1.4m £4.7m 2 3. Babylon (Paramount) £1.32m £1.32m 1 4. Whitney Houston: I Wanna Dance With Somebody (Sony) £766,097 £9.6m 4 5. Roald Dahl’s Matilda The Musical (Sony) £661,279 £25.8m 9
Gbp to Usd conversion rate: 1.24
This weekend’s highest-grossing new opener at the UK-Ireland box office is Damien Chazelle’s Babylon, taking £1.32m for Paramount, and landing third in the weekend’s overall chart.
La La Land and Whiplash filmmaker Chazelle depicts the hedonistic days of the pre-sound film industry,...
RankFilm (distributor)Three-day gross (Jan 20-22)Total gross to date Week 1. Avatar: The Way Of Water (Disney) £2.8m £67.6m 6 2. M3GAN (Universal) £1.4m £4.7m 2 3. Babylon (Paramount) £1.32m £1.32m 1 4. Whitney Houston: I Wanna Dance With Somebody (Sony) £766,097 £9.6m 4 5. Roald Dahl’s Matilda The Musical (Sony) £661,279 £25.8m 9
Gbp to Usd conversion rate: 1.24
This weekend’s highest-grossing new opener at the UK-Ireland box office is Damien Chazelle’s Babylon, taking £1.32m for Paramount, and landing third in the weekend’s overall chart.
La La Land and Whiplash filmmaker Chazelle depicts the hedonistic days of the pre-sound film industry,...
- 1/23/2023
- by Mona Tabbara
- ScreenDaily
Titles include ‘A Guilty Conscience’, ‘Everything Under Control’ and ‘Say I Do To Me’.
In Hong Kong, local films A Guilty Conscience and Everything Under Control are set to open tomorrow (January 21) on the eve of Chinese New Year while Donnie Yen’s Sakra and Kiwi Chow’s Say I Do To Me are also joining the festive race.
It marks the first year since 2020 that Hong Kong cinemas can open for business during the lucrative holiday period, following two consecutive years of blackout due to the Covid pandemic that led to cancellations both in the city and overseas markets that scheduled day-and-date releases.
In Hong Kong, local films A Guilty Conscience and Everything Under Control are set to open tomorrow (January 21) on the eve of Chinese New Year while Donnie Yen’s Sakra and Kiwi Chow’s Say I Do To Me are also joining the festive race.
It marks the first year since 2020 that Hong Kong cinemas can open for business during the lucrative holiday period, following two consecutive years of blackout due to the Covid pandemic that led to cancellations both in the city and overseas markets that scheduled day-and-date releases.
- 1/20/2023
- by Silvia Wong
- ScreenDaily
Also out this weekend: ’Holy Spider’, ’Alice, Darling’ and ’Dreaming Walls’.
Damien Chazelle’s Babylon is the widest new release at the UK-Ireland box office this weekend, playing at 631 sites for Paramount, and hoping to make a dent on Avatar: The Way Of Water’s box office dominance, after five weeks atop the chart for Disney.
It is Chazelle’s widest release in the territory – beating his Oscar-winning musical La La Land, which opened at 606 sites in 2017 for Lionsgate, and took £5.6m at the box office in its opening weekend, plus £943,751 in previews.
Chazelle’s latest paints a hedonistic portrait of 1920s and 1930s Hollywood,...
Damien Chazelle’s Babylon is the widest new release at the UK-Ireland box office this weekend, playing at 631 sites for Paramount, and hoping to make a dent on Avatar: The Way Of Water’s box office dominance, after five weeks atop the chart for Disney.
It is Chazelle’s widest release in the territory – beating his Oscar-winning musical La La Land, which opened at 606 sites in 2017 for Lionsgate, and took £5.6m at the box office in its opening weekend, plus £943,751 in previews.
Chazelle’s latest paints a hedonistic portrait of 1920s and 1930s Hollywood,...
- 1/20/2023
- by Mona Tabbara
- ScreenDaily
Gangster mashup deserves credit for fighting the corner of the city’s cinema in the face of the mainland film behemoth
Hoping to sustain a recent mini-resurgence of Hong Kong films through to lunar new year, Ying Chi-wen’s second feature is a silly, initially laboured but increasingly endearing comedy mashup. A remake of 2021 Taiwanese gangster film Treat or Trick, which is itself a do-over of 2004 Korean horror-comedy To Catch a Virgin Ghost, it manages to hit virtually every branch on the genre tree on the way down: Bad Boys buddy action comedy, dead wet girl Asian horror, knockabout Beijing opera farce, wuxia parody.
Yau Shing (Hong Kong singer Hins Cheung) is a hotshot point man in Ray-Bans for So Good security firm. Told to escort a consignment of diamonds across the city, he fails to anticipate his driver Jelly (Kaho Hung) hightailing it with the bling, which also cheeses...
Hoping to sustain a recent mini-resurgence of Hong Kong films through to lunar new year, Ying Chi-wen’s second feature is a silly, initially laboured but increasingly endearing comedy mashup. A remake of 2021 Taiwanese gangster film Treat or Trick, which is itself a do-over of 2004 Korean horror-comedy To Catch a Virgin Ghost, it manages to hit virtually every branch on the genre tree on the way down: Bad Boys buddy action comedy, dead wet girl Asian horror, knockabout Beijing opera farce, wuxia parody.
Yau Shing (Hong Kong singer Hins Cheung) is a hotshot point man in Ray-Bans for So Good security firm. Told to escort a consignment of diamonds across the city, he fails to anticipate his driver Jelly (Kaho Hung) hightailing it with the bling, which also cheeses...
- 1/18/2023
- by Phil Hoad
- The Guardian - Film News
Multi-territory distributor, Trinity CineAsia has acquired U.K. and North American rights to Hong Kong comedy film “Everything Under Control.”
The film will be released in the U.S. and U.K. on Jan. 21, simultaneously with its commercial outing in Hong Kong, on the eve of the Chinese New Year holidays. A theatrical release in Canada will follow on Feb. 3.
The film is a remake of 2021 Taiwanese movie “Treat Or Trick,” directed by Hsu Fu-Hsiang. That film was itself a remake of 2004 Korean horror comedy “To Catch A Virgin Ghost.”
The story, as retold by director Ying Chi Wen for Emperor Motion Pictures, involves two security guards who travel to a village to retrieve some stolen jewellery, and there encounter feisty villagers and a ghost.
The film stars an A-list cast from Hong Kong, Hins Cheung and Ivana Wong (“Table for Six”), who are known for their on-stage chemistry and...
The film will be released in the U.S. and U.K. on Jan. 21, simultaneously with its commercial outing in Hong Kong, on the eve of the Chinese New Year holidays. A theatrical release in Canada will follow on Feb. 3.
The film is a remake of 2021 Taiwanese movie “Treat Or Trick,” directed by Hsu Fu-Hsiang. That film was itself a remake of 2004 Korean horror comedy “To Catch A Virgin Ghost.”
The story, as retold by director Ying Chi Wen for Emperor Motion Pictures, involves two security guards who travel to a village to retrieve some stolen jewellery, and there encounter feisty villagers and a ghost.
The film stars an A-list cast from Hong Kong, Hins Cheung and Ivana Wong (“Table for Six”), who are known for their on-stage chemistry and...
- 1/6/2023
- by Patrick Frater
- Variety Film + TV
Upcoming Hong Kong comedy will star Hins Cheung and Ivana Wong.
Hong Kong’s Emperor Motion Pictures (Emp) is set to release comedy Everything Under Control over the Chinese New Year period in mid-January 2023, buoyed by the recent commercial success of a string of Hong Kong productions.
It marks the second feature of director Ying Chi Wen and stars popular Hong Kong singer Hins Cheung in his second leading film role, Ivana Wong of recent hit comedy Table For Six and Michael Ning (Port Of Call) along with upcoming actors Jeffrey Ngai and Joey Hung Ka-Ho. Ying’s feature debut...
Hong Kong’s Emperor Motion Pictures (Emp) is set to release comedy Everything Under Control over the Chinese New Year period in mid-January 2023, buoyed by the recent commercial success of a string of Hong Kong productions.
It marks the second feature of director Ying Chi Wen and stars popular Hong Kong singer Hins Cheung in his second leading film role, Ivana Wong of recent hit comedy Table For Six and Michael Ning (Port Of Call) along with upcoming actors Jeffrey Ngai and Joey Hung Ka-Ho. Ying’s feature debut...
- 10/31/2022
- by Silvia Wong
- ScreenDaily
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