"What should I do now that I lost my faith?" Magnolia Pictures has released their own official US trailer for About Endlessness, the final film from iconic Swedish filmmaker Roy Andersson. This first premiered at the 2019 Venice Film Festival, where Andersson won Best Director, primarily as a nod to all of his work over the years.. Andersson's last film before this was A Pigeon Sat on a Branch Reflecting on Existence in 2014, and this one looks just as bleak and absurd and fascinating. As is usual with his films anyway, this one only features a description says it is "a reflection on human life in all its beauty and cruelty, its splendour and banality." Featuring Tatiana Delaunay and Martin Serner. Andersson is one of those funky niche filmmakers that not many are familiar with, but he has a very distinct style and I recommend exploring his work if you're brave enough.
- 3/4/2021
- by Alex Billington
- firstshowing.net
"It's September already." Cinetic has debuted a festival promo trailer for the new film from iconic Swedish filmmaker Roy Andersson, titled About Endlessness. This premieres at the Venice Film Festival this week, which is why the trailer has arrived, and then it will stop by the Toronto Film Festival next after that. Andersson's last film was A Pigeon Sat on a Branch Reflecting on Existence in 2014, and this one looks just as bleak and absurd and fascinating. As is usual with his films anyway, this one only features a description that says it is "a reflection on human life in all its beauty and cruelty, its splendour and banality." Featuring Tatiana Delaunay and Martin Serner. Andersson is one of those funky niche filmmakers that not many are familiar with, but he has a very distinct style and I highly recommend exploring his work if you're brave enough. I'm curious about...
- 9/2/2019
- by Alex Billington
- firstshowing.net
Every year, the Cannes Film Festival hosts the largest gathering of cinephiles in the world, and its program is scrutinized down to every last detail. While Cannes has contended with many changes over the decades, it remains one of the few A-list festivals to offer splashy red carpet premieres for a range of international cinema, but its coveted Official Competition slots only tell part of the story.
A handful of major directors will compete for the Palme d’Or, but other titles will wind up generating heat throughout the Official Selection, Directors’ Fortnight, and Critics’ Week. Assessing the potential films that will make the cut at Cannes takes a little educated guesswork, some well-placed sources, and a little wishful thinking, but it’s also a welcome excuse to explore some of the potential films that could make a lot of noise in the months ahead.
In that regard, 2019 has a...
A handful of major directors will compete for the Palme d’Or, but other titles will wind up generating heat throughout the Official Selection, Directors’ Fortnight, and Critics’ Week. Assessing the potential films that will make the cut at Cannes takes a little educated guesswork, some well-placed sources, and a little wishful thinking, but it’s also a welcome excuse to explore some of the potential films that could make a lot of noise in the months ahead.
In that regard, 2019 has a...
- 3/21/2019
- by Eric Kohn, Christian Blauvelt, Kate Erbland, David Ehrlich, Chris O'Falt, Zack Sharf, Jude Dry and Michael Nordine
- Indiewire
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