![Chasing Coral (2017)](https://m.media-amazon.com/images/M/MV5BOTkwMGM3MzgtOGVlMy00ZGY1LWEwNTYtM2E2NzhhYTAyYTVkL2ltYWdlXkEyXkFqcGdeQXVyMTE1NjQzNDI@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Chasing Coral (2017)](https://m.media-amazon.com/images/M/MV5BOTkwMGM3MzgtOGVlMy00ZGY1LWEwNTYtM2E2NzhhYTAyYTVkL2ltYWdlXkEyXkFqcGdeQXVyMTE1NjQzNDI@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Coral has a branding problem, if you will. Like a beautiful sunset over a pollution-choked city, some of the most striking images of underwater ecosystems stem from environmental mistreatment. If you’ve ever seen an ocean shot of pristine white reefs contrasting the blue of the water, you might be looking at an impending graveyard. “Chasing Coral” (which follows director Jeff Orlowski’s glacier erosion chronicle, “Chasing Ice”) takes that optics problem head on. In the process, his environmental film becomes something akin to a behind-the-scenes look at a political campaign. How do you meld the larger cause with individual efforts to sway the public into action?
Like other conservation docs (this year’s Sundance has an entire program devoted to climate), “Chasing Coral” features a heavy dose of natural majesty. In addition to the hi-res footage you’d expect from a ocean-centric portrait (clownfish and anemone fans will be...
Like other conservation docs (this year’s Sundance has an entire program devoted to climate), “Chasing Coral” features a heavy dose of natural majesty. In addition to the hi-res footage you’d expect from a ocean-centric portrait (clownfish and anemone fans will be...
- 1/26/2017
- by Steve Greene
- Indiewire
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