Erroneously romanticised has been the transition into adulthood, a rite of passage taking on no one form across the vastness of cultures and sociologies seen the world over; by design this serialised levelling up involves the paths of career, wealth, and family, usually all interlocking under the banners of manhood and womanhood, presenting themselves as milestones while seldom considering the exponentially prominent requirement of contingencies to take effect should said transition meet bumps along the road. The privileged pinnacle of youth manifests in the decisions taken towards these heavily trivialised stepping stones; more often than not life, it would seem, has other ideas in mind not as some predestined twist of fate but as cruel twists of the blade pushing ever deeper into an already open wound. Innocence, and naivete, become abandoned, and the vessels they were once attached to are assaulted daily by the grim realities of the world outside of the classroom.
- 7/25/2022
- by James Cansdale-Cook
- AsianMoviePulse
Four years after the first live action Tokyo Ghoul film, a new story based on Sui Ishida's manga comes to screens. This time around, gastronomically restrained half-ghoul hero Ken Kaneki (Masataka Kubota) is no longer wrestling with his conscience, having found a way to live without doing harm, but risks ending up on the menu himself after attracting the attention of the vicious and charismatic Gourmet (Shota Matsuda). Meanwhile, his mentor Tôka (Maika Yamamoto) is trying to persuade him to make more use of his ghoul-based fighting skills, and their friend Shun'ya Shiraishi is caught up in a romance with a human girl (Mai Kiryû). The result is a slice of cannibal horror with a distinctly soapy aftertaste.
If you've left high school and the teen drama that makes up the bulk of this film doesn't do much to hold your interest, what else does it have to offer?...
If you've left high school and the teen drama that makes up the bulk of this film doesn't do much to hold your interest, what else does it have to offer?...
- 4/26/2021
- by Jennie Kermode
- eyeforfilm.co.uk
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