![Image](https://m.media-amazon.com/images/M/MV5BYjgxNGRlNDItZjI1Ny00MjAxLWEwYWYtMzBlZjkyMWMzOWZkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR120,0,500,281_.jpg)
The second episode in “Joko Anwar's Nightmares and Daydreams”, titled “Orphan”, is this time directed by Tommy Dewo and written by Rafki Hidayat, and implements a much tamer approach than “Old House”.
Click on the image below to follow our Tribute to Netflix
Ipah and Iyos are an impoverished couple who try to make a living by picking garbage from a vast landfill. Expectedly, the money they make is not enough, not even being able to pay the rent in the rundown hut they live in. When Iyos learns of a child, Syafin, who wields the power to shower riches upon whoever adopts him, he is eager to jump at the opportunity, even despite the rumors about the couples who have adopted him and ended up dead after 7 days with him. Eventually, he manages to convince both his wife and the adoption agency, and the two soon find themselves living with the boy,...
Click on the image below to follow our Tribute to Netflix
Ipah and Iyos are an impoverished couple who try to make a living by picking garbage from a vast landfill. Expectedly, the money they make is not enough, not even being able to pay the rent in the rundown hut they live in. When Iyos learns of a child, Syafin, who wields the power to shower riches upon whoever adopts him, he is eager to jump at the opportunity, even despite the rumors about the couples who have adopted him and ended up dead after 7 days with him. Eventually, he manages to convince both his wife and the adoption agency, and the two soon find themselves living with the boy,...
- 6/19/2024
- by Panos Kotzathanasis
- AsianMoviePulse
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Joko Anwar, a driving force behind Indonesia’s modern film industry, is the creator of Netflix’s new anthology series Nightmares and Daydreams. The Satan’s Slaves filmmaker slips in and out of these seven episodes, with his fingers directly on the pulse of a select few. However, even when not personally directing or writing, Anwar’s unique touch can be felt in every inch of the journey. What initially looks to be a chain of unconnected stories turns out to be an odyssey with a specific and often unsettling destination.
Unlike other anthologies, there is no particular character who guides the audience in and out of the sub-stories and clarifies their experience. On the contrary, each tale kicks off with no kind of formal introduction — apart from a surreal opening sequence — thus allowing the series to access that certain sensation of nodding off and slipping into a dream. Everything appears...
Unlike other anthologies, there is no particular character who guides the audience in and out of the sub-stories and clarifies their experience. On the contrary, each tale kicks off with no kind of formal introduction — apart from a surreal opening sequence — thus allowing the series to access that certain sensation of nodding off and slipping into a dream. Everything appears...
- 6/17/2024
- by Paul Lê
- bloody-disgusting.com
![Image](https://m.media-amazon.com/images/M/MV5BMzI0M2Q5OTMtY2E1ZS00OTZlLTg2ZmMtMGMzY2MxYjU1MGFlXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Projects from South Korea, Japan and the Philippines among winners.
The Passport from Malaysian director Ananth Subramaniam has scooped the top Bucheon Award at the 16th Network of Asian Fantastic Films (Naff) project market, which runs alongside South Korea’s Bucheon International Fantastic Film Festival (Bifan).
The black comedy drama, produced by Bel Choo Mun of Malaysia’s Sixtymac Production and Idio Sync, received a cash prize of KRW15m.
Scroll down for full list of winners
Set in the 1970s, the story follows a budding Indian rock star set to embark on her first international tour but who experiences...
The Passport from Malaysian director Ananth Subramaniam has scooped the top Bucheon Award at the 16th Network of Asian Fantastic Films (Naff) project market, which runs alongside South Korea’s Bucheon International Fantastic Film Festival (Bifan).
The black comedy drama, produced by Bel Choo Mun of Malaysia’s Sixtymac Production and Idio Sync, received a cash prize of KRW15m.
Scroll down for full list of winners
Set in the 1970s, the story follows a budding Indian rock star set to embark on her first international tour but who experiences...
- 7/3/2023
- by Matt Schley
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BNjc3NDQ0NWMtNjNjNy00ZTJhLWE4NzEtNDk4MjZlYjZkMGMzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
The Bucheon film festival’s Network of Asian Fantastic Films project market wrapped up three days of meetings and pitching sessions on Monday with a prize ceremony that disbursed cash, post-production support and invitations to related genre film events.
“The Passport,” a Tamil- and English-language Malaysian project about an Indian rockstar who is forced to confront cultural expectations and her interactions with an imaginary friend, won the headline Bucheon Award for director Ananth Subramanian and producer Bel Choo Mun. It was both a popular choice among other Naff participants and the unanimous decision of the jury.
The numerical winner was “Please Bear With Me,” which saw director Gabriela Serrano and producer Gale Osorio from the Philippines collect three prizes. The project is a sci-fi and social issues mash-up about a call center operative who gets paid in dream-time and uses it to relive her glory days as a pop star.
“The Passport,” a Tamil- and English-language Malaysian project about an Indian rockstar who is forced to confront cultural expectations and her interactions with an imaginary friend, won the headline Bucheon Award for director Ananth Subramanian and producer Bel Choo Mun. It was both a popular choice among other Naff participants and the unanimous decision of the jury.
The numerical winner was “Please Bear With Me,” which saw director Gabriela Serrano and producer Gale Osorio from the Philippines collect three prizes. The project is a sci-fi and social issues mash-up about a call center operative who gets paid in dream-time and uses it to relive her glory days as a pop star.
- 7/3/2023
- by Patrick Frater
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BNTI4NTAwZjctZjE1MC00MDNjLWFkOGQtMjc5MmQ5ZWZiM2JhXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Previous projects include Cannes Critics’ Week winner ‘Tiger Stripes’.
South Korea’s Bucheon International Film Festival (Bifan), Asia’s largest genre film festival, has revealed 29 titles from 18 countries for this year’s Network of Asian Fantastic Films (Naff) project market.
The 17 titles selected for the It Project strand include Biraa from Taiwanese writer/director Bhaskar Hazarika, whose transgressive love story Ravening played Tribeca in 2019.
Scroll down for full list
Naff received 279 submissions from 40 countries, up nearly 30% from 217 projects in 2022. One-to-one meetings will take place with producers, investors, and distributors from June 30 to July 3.
This year, Naff will expand its support...
South Korea’s Bucheon International Film Festival (Bifan), Asia’s largest genre film festival, has revealed 29 titles from 18 countries for this year’s Network of Asian Fantastic Films (Naff) project market.
The 17 titles selected for the It Project strand include Biraa from Taiwanese writer/director Bhaskar Hazarika, whose transgressive love story Ravening played Tribeca in 2019.
Scroll down for full list
Naff received 279 submissions from 40 countries, up nearly 30% from 217 projects in 2022. One-to-one meetings will take place with producers, investors, and distributors from June 30 to July 3.
This year, Naff will expand its support...
- 5/31/2023
- by Michael Rosser
- ScreenDaily
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