In TV’s new world of HD cameras, tighter-than-tight deadlines and all-angles shooting, costume designers must strive to withstand the kinds of physical and technological strains that could pull their creations apart.
Whether making a wardrobe for performance shows including ABC’s “Dancing With the Stars,” NBC’s “The Voice” or VH1’s “RuPaul’s Drag Race”; for sketch comedies such as NBC’s “Saturday Night Live”; or scripted dramas like Netflix’s “A Series of Unfortunate Events,” costume designers must contend with HD and what it means for their color and fabric choices.
“Purple is a perfect example of how HD can affect what you’re doing because it’s a mixture of red and blue so you don’t really know how it’s going to look on camera, and we don’t do camera tests because there’s no time, and sometimes we get a request for...
Whether making a wardrobe for performance shows including ABC’s “Dancing With the Stars,” NBC’s “The Voice” or VH1’s “RuPaul’s Drag Race”; for sketch comedies such as NBC’s “Saturday Night Live”; or scripted dramas like Netflix’s “A Series of Unfortunate Events,” costume designers must contend with HD and what it means for their color and fabric choices.
“Purple is a perfect example of how HD can affect what you’re doing because it’s a mixture of red and blue so you don’t really know how it’s going to look on camera, and we don’t do camera tests because there’s no time, and sometimes we get a request for...
- 6/1/2018
- by Karen Idelson
- Variety Film + TV
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