Thierno Souleymane Diallo’s former film tutor tells him that Guinea was once the capital of African cinema. What happened? His own students now struggle to come up with a list of seven Guinean filmmakers, some of whom are dead or work overseas. In this documentary, which screened as part of the 2024 Glasgow Film Festival, Diallo sets out to locate a copy of the first ever film made by a Black Guinean; and in the process, his own film emerges as the potential herald of a national cinematic revival.
Mouramani, directed by Mamadou Touré in 1953, is a film which many older people have heard of and some have seen, but nobody seems to know what happened to it. It was made when the country was under French colonial rule, and that was three coups, a civil war and two epidemics ago. Though rich in natural resources, Guinea is now...
Mouramani, directed by Mamadou Touré in 1953, is a film which many older people have heard of and some have seen, but nobody seems to know what happened to it. It was made when the country was under French colonial rule, and that was three coups, a civil war and two epidemics ago. Though rich in natural resources, Guinea is now...
- 3/11/2024
- by Jennie Kermode
- eyeforfilm.co.uk
Mouramani, a film by Mamadou Touré made in the mid fifties, was by all accounts the first African film shot in the French language. But nobody in Guinea seems to have seen it, as director Thierno Souleymane Diallo is finding out. So he sets out to find a potential remaining copy of Mouramani, which leads him to all sorts of unexpected places. The gist of this documentary The Cemetery of Cinema is that Diallo is mainly using Mouramani as a setting of point to explore film culture in Guinea. He visits an abandoned cinema, an demolished archive, a retired censor, an elderly director. They all seem to say the same thing: Mouramani does not exist anymore, and this is a fool's errand. As one person...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 12/9/2023
- Screen Anarchy
The programme for Doclisboa’23 is now known; the festival will take place between 19 and 29 October at the usual venues: Culturgest, Cinema São Jorge, Cinemateca Portuguesa – Museu do Cinema and Cinema Ideal. In all, the 21st edition of Doclisboa is showing 250 films from 42 countries, including 35 world premieres and 39 Portuguese films. The films reveal the pulse of the world and those who inhabit it.
Doclisboa travels to the inside of the human brain through the lens of Werner Herzog (Theater of Thought), and to the pressing issues of work in The Liberated Broom, Listen to the Story I Was Told, by Coline Grando; delves into memories of past wars and to the current war in Ukraine; film archives; music; and dance.
The press conference was held this morning at Culturgest and was hosted by Miguel Ribeiro (Director of Doclisboa), Mark Deputter (Chairman of the Board – Culturgest), Marco Guerra (Head of the Cultural...
Doclisboa travels to the inside of the human brain through the lens of Werner Herzog (Theater of Thought), and to the pressing issues of work in The Liberated Broom, Listen to the Story I Was Told, by Coline Grando; delves into memories of past wars and to the current war in Ukraine; film archives; music; and dance.
The press conference was held this morning at Culturgest and was hosted by Miguel Ribeiro (Director of Doclisboa), Mark Deputter (Chairman of the Board – Culturgest), Marco Guerra (Head of the Cultural...
- 9/30/2023
- by Rouven Linnarz
- AsianMoviePulse
Movies have always thrived on the power of nostalgia, of viewers placing themselves in a historical context and seeing that self represented on screen — and this is just some of what Guinean filmmaker Thierno Souleymane Diallo explores in his debut feature “The Cemetery of Cinema.” Ostensibly the story of a quest to find a lost film — “Mouramani,” made in 1953 by Diallo’s compatriot Mamadou Touré — this documentary becomes both a playful meditation on why films matter and a rather sober examination of how history can be lost when not preserved. Diallo’s command of the thin line between absurdity and profundity makes it both an entertaining and contemplative watch.
No one is even sure what “Mouramani” is about — only that it’s the first film ever made by a Black French-speaking director who was a pioneer of the form in that region of the world, and whose work should be...
No one is even sure what “Mouramani” is about — only that it’s the first film ever made by a Black French-speaking director who was a pioneer of the form in that region of the world, and whose work should be...
- 4/28/2023
- by Murtada Elfadl
- Variety Film + TV
D. Smith’s Sundance audience award winner Kokomo City has won over Berlin cinemagoers as well, winning the audience award for best documentary in Berlin’s Panorama section. Apolline Traoré’s Sira won the audience prize for best narrative feature.
A raw depiction of the lives of four Black trans sex workers fro New York and Georgia, Kokomo City won both the audience prize and the Next Innovator Award for D. Smith in Sundance. Chilean documentary The Eternal Memory, a look at Alzheimer’s disease from director Maite Alberdi, and the follow-up to her 2020 Oscar-nominated The Mole Agent, was the documentary runner-up among Panorama audience voters, with Thierno Souleymane Diallo’s The Cemetery of Cinema, an attempt to rediscover the birth of filmmaking and the lost film heritage of his home nation of Guinea, took third place.
Sira, set in Burkina Faso, follows the young eponymous nomad woman who refuses...
A raw depiction of the lives of four Black trans sex workers fro New York and Georgia, Kokomo City won both the audience prize and the Next Innovator Award for D. Smith in Sundance. Chilean documentary The Eternal Memory, a look at Alzheimer’s disease from director Maite Alberdi, and the follow-up to her 2020 Oscar-nominated The Mole Agent, was the documentary runner-up among Panorama audience voters, with Thierno Souleymane Diallo’s The Cemetery of Cinema, an attempt to rediscover the birth of filmmaking and the lost film heritage of his home nation of Guinea, took third place.
Sira, set in Burkina Faso, follows the young eponymous nomad woman who refuses...
- 2/25/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Matthew Bauer’s doc follows a diverse group of men across the globe who all share the same name: James Bond.
Paris-based sales company Reservoir Docs has inked new deals for Matthew Bauer’s The Other Fellow including the UK’s Bulldog Film Distribution, and has boarded Thierno Souleymane Diallo’s Berlin Panorama title The Cemetery of Cinema.
The UK deal for The Other Fellow follows sales to Yes in Israel, Filmin and TV3 in Spain, Canal+ Polska in Poland, Sbs in Australia and McF Megacom for the former Yugoslavia. Bulldog Film Distribution plans to release The Other Fellow in...
Paris-based sales company Reservoir Docs has inked new deals for Matthew Bauer’s The Other Fellow including the UK’s Bulldog Film Distribution, and has boarded Thierno Souleymane Diallo’s Berlin Panorama title The Cemetery of Cinema.
The UK deal for The Other Fellow follows sales to Yes in Israel, Filmin and TV3 in Spain, Canal+ Polska in Poland, Sbs in Australia and McF Megacom for the former Yugoslavia. Bulldog Film Distribution plans to release The Other Fellow in...
- 2/6/2023
- by Rebecca Leffler
- ScreenDaily
Inside (Vasilis Katsoupis).Berlinale have begun announcing the titles selected for the 73rd edition of their festival, set to take place from February 16 through 26. This page will be updated as further sections are announced.PANORAMAThe Burdened (Amr Gamal): When Isra’a discovers she is expecting another baby amid the civil war in Yemen, she and her husband decide she should have an abortion. But this creates enormous difficulties – in their relationship and elsewhere. A moving story from an all-too-often forgotten crisis region.The Cemetery Of Cinema (Thierno Souleymane Diallo): Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.The Castle (Martín Benchimol): The inheritance from her former boss is a poisoned chalice for Indigenous housekeeper Justina: a huge, derelict mansion in the back of beyond.
- 1/11/2023
- MUBI
The Berlin Film Festival has unveiled the first titles selected for its Panorama section at the upcoming in-person edition that takes place February 16-26. (Scroll down for the full list)
Among the highlights are Tina Satter’s debut feature Reality starring Euphoria and The White Lotus’ Sydney Sweeney and focusing on the arrest of the American whistle-blower Reality Winner.
Jennifer Reeder is also in with Perpetrator, described as a subversive film that throws conventions to the wind. Kiah McKirnan and Alicia Silverstone star.
Willem Dafoe turns up as an art thief in Vasilis Katsoupis’ Inside. And, Ira Sachs is back with Passages, starring Franz Rogowski, Ben Whishaw and Adèle Exarchopoulous.
Of the 14 films selected, eleven are world premieres.
Here’s the full list announced today
Al Murhaqoon (The Burdened)
by Amr Gamal | with Khaled Hamdan, Abeer Mohammed, Samah Alamrani, Awsam Abdulrahman, Shahd Algonfedy
Yemen / Sudan / Saudi Arabia 2023
Panorama | World Premiere...
Among the highlights are Tina Satter’s debut feature Reality starring Euphoria and The White Lotus’ Sydney Sweeney and focusing on the arrest of the American whistle-blower Reality Winner.
Jennifer Reeder is also in with Perpetrator, described as a subversive film that throws conventions to the wind. Kiah McKirnan and Alicia Silverstone star.
Willem Dafoe turns up as an art thief in Vasilis Katsoupis’ Inside. And, Ira Sachs is back with Passages, starring Franz Rogowski, Ben Whishaw and Adèle Exarchopoulous.
Of the 14 films selected, eleven are world premieres.
Here’s the full list announced today
Al Murhaqoon (The Burdened)
by Amr Gamal | with Khaled Hamdan, Abeer Mohammed, Samah Alamrani, Awsam Abdulrahman, Shahd Algonfedy
Yemen / Sudan / Saudi Arabia 2023
Panorama | World Premiere...
- 12/15/2022
- by Nancy Tartaglione
- Deadline Film + TV
Selected films include Tina Satter’s ‘Reality’ with Sydney Sweeney in Panorama.
The Berlinale has revealed the first films that will play in its 2023 edition, announcing 14 features for the Panorama strand and nine for the youth-focused Generation section; plus a full move to Potsdamer Platz for the European Film Market, returning as a physical event for the first time since 2020.
The 14 Panorama titles include Reality, the feature debut of US filmmaker Tina Satter, which depicts a young woman confronted at home by the FBI, which leads her life to unravel. The film stars Sydney Sweeney, known for her roles in TV hits Euphoria,...
The Berlinale has revealed the first films that will play in its 2023 edition, announcing 14 features for the Panorama strand and nine for the youth-focused Generation section; plus a full move to Potsdamer Platz for the European Film Market, returning as a physical event for the first time since 2020.
The 14 Panorama titles include Reality, the feature debut of US filmmaker Tina Satter, which depicts a young woman confronted at home by the FBI, which leads her life to unravel. The film stars Sydney Sweeney, known for her roles in TV hits Euphoria,...
- 12/15/2022
- by Ben Dalton
- ScreenDaily
The Berlin Film Festival has revealed the first tranche of titles for its Panorama and Generation strands.
The Panorama lineup includes films from Ukraine, Yemen and about Iran. Of the 14 films selected, 11 are world premieres. There are new films by Sepideh Farsi, Jennifer Reeder, Tina Satter, Sacha Polak, Malene Choi and Ira Sachs.
The films selected for the Generation Kplus and Generation 14plus competitions include nine shorts and nine features, including 11 world premieres.
Stars featured in titles across the strands include Willem Dafoe, Ben Whishaw, Adèle Exarchopoulous, Leon Dai and Sydney Sweeney.
The festival takes place Feb. 16-26, 2023.
Panorama Titles
“Al Murhaqoon” (“The Burdened”)
by Amr Gamal. With Khaled Hamdan, Abeer Mohammed, Samah Alamrani, Awsam Abdulrahman, Shahd Algonfedy
Yemen/Sudan/Saudi Arabia
“Au cimetière de la pellicule” (“The Cemetery of Cinema”)
by Thierno Souleymane Diallo
France/Senegal/Guinea/Saudi Arabia
“El castillo” (“The Castle”)
by Martín Benchimol. With Justina Olivo,...
The Panorama lineup includes films from Ukraine, Yemen and about Iran. Of the 14 films selected, 11 are world premieres. There are new films by Sepideh Farsi, Jennifer Reeder, Tina Satter, Sacha Polak, Malene Choi and Ira Sachs.
The films selected for the Generation Kplus and Generation 14plus competitions include nine shorts and nine features, including 11 world premieres.
Stars featured in titles across the strands include Willem Dafoe, Ben Whishaw, Adèle Exarchopoulous, Leon Dai and Sydney Sweeney.
The festival takes place Feb. 16-26, 2023.
Panorama Titles
“Al Murhaqoon” (“The Burdened”)
by Amr Gamal. With Khaled Hamdan, Abeer Mohammed, Samah Alamrani, Awsam Abdulrahman, Shahd Algonfedy
Yemen/Sudan/Saudi Arabia
“Au cimetière de la pellicule” (“The Cemetery of Cinema”)
by Thierno Souleymane Diallo
France/Senegal/Guinea/Saudi Arabia
“El castillo” (“The Castle”)
by Martín Benchimol. With Justina Olivo,...
- 12/15/2022
- by Naman Ramachandran
- Variety Film + TV
Venice Film Festival’s Final Cut, dedicated to films in post-production from African and Arab countries, wrapped its anniversary 10th edition on Sept. 5. As fest director Alberto Barbera welcomed the audience to “the final stage of the Final Cut,” La Biennale di Venezia Prize – and cash award of € 5,000 – went to “Inshallah a Boy,” directed by Amjad Al Rasheed.
Jurors Claire Diao, Rasha Salti and Gaetano Maiorino praised it for “brilliant direction and performances, tackling a really dramatic social issue and for honoring the resilience of women in a conservative context.”
The film, a co-production between Jordan, Egypt, Saudi Arabia and Qatar, is overseen by Rula Nasser for The Imaginarium Films.
“We are just proud we made something that speaks to people,” she told Variety after the ceremony.
“We are still a conservative society, but this protagonist, this woman, she’s strong. She decides she needs to stand up and say:...
Jurors Claire Diao, Rasha Salti and Gaetano Maiorino praised it for “brilliant direction and performances, tackling a really dramatic social issue and for honoring the resilience of women in a conservative context.”
The film, a co-production between Jordan, Egypt, Saudi Arabia and Qatar, is overseen by Rula Nasser for The Imaginarium Films.
“We are just proud we made something that speaks to people,” she told Variety after the ceremony.
“We are still a conservative society, but this protagonist, this woman, she’s strong. She decides she needs to stand up and say:...
- 9/6/2022
- by Marta Balaga
- Variety Film + TV
Final Cut, a workshop supporting films in post-production from African and Arab countries – launched by the Venice Film Festival’s industry section, Venice Production Bridge – celebrates its 10th anniversary this week.
Its goals have remained the same, however, as it continues to provide emerging filmmakers with concrete assistance as well as visibility, all the while strengthening Venice’s role as “bridge builder,” says Alessandra Speciale, its curator. The final selection features titles made by directors from nine different countries: Algeria, Jordan, Guinea, Egypt, Lebanon, Morocco, Palestine, Central African Republic and Tunisia.
This year, two additional projects were added to the usual six work-in-progress films, thanks to the France in Focus initiative, supported by Unifrance: Karim Bensalah’s debut “Black Light,” sold internationally by The Party Film Sales, and “The Cemetery of Cinema,” directed by Thierno Souleymane Diallo and marking Guinea’s first presence at the workshop.
Diallo, who has been...
Its goals have remained the same, however, as it continues to provide emerging filmmakers with concrete assistance as well as visibility, all the while strengthening Venice’s role as “bridge builder,” says Alessandra Speciale, its curator. The final selection features titles made by directors from nine different countries: Algeria, Jordan, Guinea, Egypt, Lebanon, Morocco, Palestine, Central African Republic and Tunisia.
This year, two additional projects were added to the usual six work-in-progress films, thanks to the France in Focus initiative, supported by Unifrance: Karim Bensalah’s debut “Black Light,” sold internationally by The Party Film Sales, and “The Cemetery of Cinema,” directed by Thierno Souleymane Diallo and marking Guinea’s first presence at the workshop.
Diallo, who has been...
- 9/1/2022
- by Marta Balaga
- Variety Film + TV
Rsiff will give a cash award of €5,000 to one of the projects.
Saudi Arabia’s Red Sea International Film Festival (Rsiff) has partnered with Venice’s Final Cut, which supports work-in-progress films from Africa and the Middle East.
Rsiff will give a cash award of €5,000 to one of the projects. This is the first time this award has been given.
Venice Production Bridge programme Final Cut is holding its 10th edition this year. Eight feature projects will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three-day workshop from September 3-5.
Red Sea has backed...
Saudi Arabia’s Red Sea International Film Festival (Rsiff) has partnered with Venice’s Final Cut, which supports work-in-progress films from Africa and the Middle East.
Rsiff will give a cash award of €5,000 to one of the projects. This is the first time this award has been given.
Venice Production Bridge programme Final Cut is holding its 10th edition this year. Eight feature projects will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three-day workshop from September 3-5.
Red Sea has backed...
- 8/26/2022
- by Orlando Parfitt
- ScreenDaily
The selection includes Amjad Al Rasheed’s Inshallah A Boy.
The dark comedy Inshallah A Boy, from former Screen Arab Star of Tomorrow Amjad Al Rasheed, is one of eight feature projects selected for the 10th edition of Venice’s Final Cut, supporting work-in-progress films from Africa and the Middle East.
The progarmme will run as part of the Venice International Film Festival’s Venice Production Bridge.
The selected projects, which include three fiction and five documentaries, will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three day workshop from September 3-5.
Inshallah A...
The dark comedy Inshallah A Boy, from former Screen Arab Star of Tomorrow Amjad Al Rasheed, is one of eight feature projects selected for the 10th edition of Venice’s Final Cut, supporting work-in-progress films from Africa and the Middle East.
The progarmme will run as part of the Venice International Film Festival’s Venice Production Bridge.
The selected projects, which include three fiction and five documentaries, will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three day workshop from September 3-5.
Inshallah A...
- 7/12/2022
- by Ellie Calnan
- ScreenDaily
The selection includes Amjad Al Rasheed’s Inshallah A Boy.
The dark comedy Inshallah A Boy, from former Arab Screen Star of Tomorrow Amjad Al Rasheed, is one of eight feature projects selected for the 10th edition of Venice’s Final Cut, supporting work-in-progress films from Africa and the Middle East.
The progarmme will run as part of the Venice International FIlm Festival’s Venice Production Bridge.
The selected projects, which include three fiction and five documentaries, will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three day workshop from September 3-5.
Inshallah A...
The dark comedy Inshallah A Boy, from former Arab Screen Star of Tomorrow Amjad Al Rasheed, is one of eight feature projects selected for the 10th edition of Venice’s Final Cut, supporting work-in-progress films from Africa and the Middle East.
The progarmme will run as part of the Venice International FIlm Festival’s Venice Production Bridge.
The selected projects, which include three fiction and five documentaries, will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three day workshop from September 3-5.
Inshallah A...
- 7/12/2022
- by Ellie Calnan
- ScreenDaily
The inaugural edition of the Red Souk project market handed out $355,000 worth of prizes and other collateral awards.
Egyptian-uk filmmaker Lotfy Nathan’s debut fiction feature Contra scooped the top $30,000 post-production at the inaugural Red Sea Souk project market over the weekend.
The Tunisia-set, post-revolutionary tale follows an impoverished young man who is left in sole charge of his younger sisters when his father dies suddenly. It is lead produced by Julie Viez at Paris-based Cinenovo and Films Constellation is handling sales.
It was among five works in progress and 11 in projects in development or production, and another 12 projects developed...
Egyptian-uk filmmaker Lotfy Nathan’s debut fiction feature Contra scooped the top $30,000 post-production at the inaugural Red Sea Souk project market over the weekend.
The Tunisia-set, post-revolutionary tale follows an impoverished young man who is left in sole charge of his younger sisters when his father dies suddenly. It is lead produced by Julie Viez at Paris-based Cinenovo and Films Constellation is handling sales.
It was among five works in progress and 11 in projects in development or production, and another 12 projects developed...
- 12/13/2021
- by Melanie Goodfellow
- ScreenDaily
Five works in progress and 11 films in development due to be showcased at event running December 8-11.
The Red Souk, the industry component of Saudi Arabia’s Red Sea International Film Festival’s project market, has unveiled fresh details for its inaugural edition running December 8-11.
Running within the framework of its larger parent festival, which will also mark its first edition this year from December 6-15, the souk will focus on Arab and African filmmakers and will feature a project market, work in progress screenings, an exhibition space and an industry talks programme.
Lebanese-French director Wissam Charaf’s Beirut-set romantic drama Dirty Difficult Dangerous,...
The Red Souk, the industry component of Saudi Arabia’s Red Sea International Film Festival’s project market, has unveiled fresh details for its inaugural edition running December 8-11.
Running within the framework of its larger parent festival, which will also mark its first edition this year from December 6-15, the souk will focus on Arab and African filmmakers and will feature a project market, work in progress screenings, an exhibition space and an industry talks programme.
Lebanese-French director Wissam Charaf’s Beirut-set romantic drama Dirty Difficult Dangerous,...
- 9/30/2021
- by Melanie Goodfellow
- ScreenDaily
Mary Berry BBC Series
Great British Bake Off alum and Britain’s Best Home Cook judge Mary Berry is reteaming with BBC One for Mary Berry’s Fantastic Feasts. The three-part series, which will also air on iPlayer, sees Berry help novice cooks who want to surprise a loved one with a great meal, teaching them a selection of achievable, impressive dishes. On the day of the special event, Berry and two celebrity helpers will be on hand to assist. Mary Berry’s Fantastic Feasts is produced by Rumpus Media. Emily Hudd and Kelly Sparks are executive producers. Applications for aspiring cooks are open and an air date has yet to be set.
Viacom Buys Chilean TV Network
ViacomCBS Networks International has closed previously announced acquisition of Chilevisión from WarnerMedia. The acquisition includes Chilevisión’s free-to-air television network, which is Chile...
Great British Bake Off alum and Britain’s Best Home Cook judge Mary Berry is reteaming with BBC One for Mary Berry’s Fantastic Feasts. The three-part series, which will also air on iPlayer, sees Berry help novice cooks who want to surprise a loved one with a great meal, teaching them a selection of achievable, impressive dishes. On the day of the special event, Berry and two celebrity helpers will be on hand to assist. Mary Berry’s Fantastic Feasts is produced by Rumpus Media. Emily Hudd and Kelly Sparks are executive producers. Applications for aspiring cooks are open and an air date has yet to be set.
Viacom Buys Chilean TV Network
ViacomCBS Networks International has closed previously announced acquisition of Chilevisión from WarnerMedia. The acquisition includes Chilevisión’s free-to-air television network, which is Chile...
- 9/30/2021
- by Tom Grater, Nancy Tartaglione and Diana Lodderhose
- Deadline Film + TV
Cannes Titles To Stream Online
A pair of documentaries selected for this year’s Cannes Classics program will screen for free on the festival’s website and on the Cine+ Dailymotion platform as of this evening (July 2) from 7pm local time. The two films, both just shy of one hour in length, are Daphné Baiwir’s The Rebellious Olivia de Havilland, a portrait of the famed actress who was the first female president of the Cannes jury in 1965, and Emmanuel Barnault’s Pieces Of Cannes, a look at the French festival’s 74-year history. The films will be available until July 4 at 10pm local time.
Venice Gap Financing Projects
Venice Film Festival has revealed the 30 projects that will take part in its Gap-Financing Market during this year’s industry-focused Production Bridge, running September 1-11. The event will offer filmmaking teams one-on-one meetings with international decision-makers. Among the selected titles are The Secret Of Places,...
A pair of documentaries selected for this year’s Cannes Classics program will screen for free on the festival’s website and on the Cine+ Dailymotion platform as of this evening (July 2) from 7pm local time. The two films, both just shy of one hour in length, are Daphné Baiwir’s The Rebellious Olivia de Havilland, a portrait of the famed actress who was the first female president of the Cannes jury in 1965, and Emmanuel Barnault’s Pieces Of Cannes, a look at the French festival’s 74-year history. The films will be available until July 4 at 10pm local time.
Venice Gap Financing Projects
Venice Film Festival has revealed the 30 projects that will take part in its Gap-Financing Market during this year’s industry-focused Production Bridge, running September 1-11. The event will offer filmmaking teams one-on-one meetings with international decision-makers. Among the selected titles are The Secret Of Places,...
- 7/2/2021
- by Tom Grater
- Deadline Film + TV
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