![Julia Davis and Angus Deayton in Nighty Night (2004)](https://m.media-amazon.com/images/M/MV5BYmQ5M2VmNzQtZGJmNS00YTM0LTg2MmEtMmRkZjZlNGQyMzBjXkEyXkFqcGdeQXVyMTMxODA5ODYx._V1_QL75_UY207_CR1,0,140,207_.jpg)
![Julia Davis and Angus Deayton in Nighty Night (2004)](https://m.media-amazon.com/images/M/MV5BYmQ5M2VmNzQtZGJmNS00YTM0LTg2MmEtMmRkZjZlNGQyMzBjXkEyXkFqcGdeQXVyMTMxODA5ODYx._V1_QL75_UY207_CR1,0,140,207_.jpg)
PodcastOne (Nasdaq: Podc), a leading podcast platform and a subsidiary of LiveOne (Nasdaq: Lvo), announced that is has obtained the exclusive distribution and sales rights to the podcast Nighty Night hosted by New York Times best-selling author and attorney Rabia Chaudry (Adnan’s Story).
Chaudry, who also served as an Executive Producer on the HBO documentary series “The Case Against Adnan Syed” based on the life of her childhood friend, joins PodcastOne with her Nighty Night podcast, an anthology of bone-chilling bedtime stories that will be sure to keep you wide awake all night. The creepy tales will be a mix of both original content and lesser known classics delivered with a modern spin. Since its launch in late 2021, Nighty Night has released forty-one nightmare inducing episodes.
“We have been long-time fans of Rabia, for her work as an esteemed podcast host and for her work as a revered advocate.
Chaudry, who also served as an Executive Producer on the HBO documentary series “The Case Against Adnan Syed” based on the life of her childhood friend, joins PodcastOne with her Nighty Night podcast, an anthology of bone-chilling bedtime stories that will be sure to keep you wide awake all night. The creepy tales will be a mix of both original content and lesser known classics delivered with a modern spin. Since its launch in late 2021, Nighty Night has released forty-one nightmare inducing episodes.
“We have been long-time fans of Rabia, for her work as an esteemed podcast host and for her work as a revered advocate.
- 10/17/2023
- Podnews.net
![Image](https://m.media-amazon.com/images/M/MV5BOTlmN2EwY2EtNTAwMy00ODMxLWIzNjktYjNlYWFlNjI5MjVkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR10,0,500,281_.jpg)
At the memorial gathering for her husband Adnan, 30-year-old Nawal (a riveting Mouna Hawa) is offered many empty words of support and so-called comfort by friends and family. “When a woman loses her husband, she loses her lover, her partner, everything in her life,” clucks a commiserating neighbor. What she fails to mention is how much is not lost, but can, under the Jordanian legal system so scathingly exposed in Amjad Al Rasheed’s fluid, gripping “Inshallah a Boy,” be taken. Employment, home, child, dignity – all can be summarily stripped from a widow who has committed the grievous crime of never having borne a son.
Al Rasheed’s precision-tooled movie is a social-realist drama rendered as an escape thriller where the labyrinth that Nawal must navigate is the Jordanian social order itself, a massive bureaucratic, patriarchal maze designed to ensure that any woman trying to evade its clutches will batter...
Al Rasheed’s precision-tooled movie is a social-realist drama rendered as an escape thriller where the labyrinth that Nawal must navigate is the Jordanian social order itself, a massive bureaucratic, patriarchal maze designed to ensure that any woman trying to evade its clutches will batter...
- 10/7/2023
- by Jessica Kiang
- Variety Film + TV
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