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“Life is hard work,” Julián Moreno tells his granddaughter, filmmaker Iliana Sosa, as she interviews him from behind her camera. He’s about 90 when he says this, and there isn’t a note of complaint or regret in his words. There’s more than a little fond teasing, though, when he puzzles over Sosa’s “different way of working,” one that has nothing to do with raising crops or building a house. A man of few words, all of them well chosen, Moreno is the focus of What We Leave Behind, a poetic meditation on family, mortality, tradition and the U.S.-Mexico border.
Receiving a theatrical release via Ava DuVernay’s Array before its streaming debut on Netflix, Sosa’s concise but unhurried ode to her grandfather, which received two special jury prizes at SXSW, strikes reverberant chords, regardless of whether you...
“Life is hard work,” Julián Moreno tells his granddaughter, filmmaker Iliana Sosa, as she interviews him from behind her camera. He’s about 90 when he says this, and there isn’t a note of complaint or regret in his words. There’s more than a little fond teasing, though, when he puzzles over Sosa’s “different way of working,” one that has nothing to do with raising crops or building a house. A man of few words, all of them well chosen, Moreno is the focus of What We Leave Behind, a poetic meditation on family, mortality, tradition and the U.S.-Mexico border.
Receiving a theatrical release via Ava DuVernay’s Array before its streaming debut on Netflix, Sosa’s concise but unhurried ode to her grandfather, which received two special jury prizes at SXSW, strikes reverberant chords, regardless of whether you...
- 9/29/2022
- by Sheri Linden
- The Hollywood Reporter - Movie News
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