Victor Gabriel’s “Hallelujah,” Seemab Gul’s “Mulaqat/Sandstorm” and Joseph Pierce’s “Scale” have won the top awards at the 2022 HollyShorts Film Festival, which presented its prizes on Saturday afternoon in Hollywood — thus qualifying for this year’s Academy Awards.
“Hallelujah” won the Grand Prix for the festival’s best short, “Mulaqat/Sandstorm” took the honors as the best live-action short and “Scale” won for animation. HollyShorts is an Oscar-qualifying festival for the short-film categories, and the winners of those three awards are automatically entered in the Oscar race.
The award to “Hallelujah” was presented via video by this year’s Oscar winners for Best Live Action Short, “The Long Goodbye” filmmakers Riz Ahmed and Aniel Karia. The Oscar winners for the 2018 live-action short “Skin,” Jamie Ray Newman and Guy Nattiv, presented the awards to “Mulaqat/Sandstorm” and best-director winner Carlos Segundo (“Sideral”), respectively.
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Oscars Short Doc...
“Hallelujah” won the Grand Prix for the festival’s best short, “Mulaqat/Sandstorm” took the honors as the best live-action short and “Scale” won for animation. HollyShorts is an Oscar-qualifying festival for the short-film categories, and the winners of those three awards are automatically entered in the Oscar race.
The award to “Hallelujah” was presented via video by this year’s Oscar winners for Best Live Action Short, “The Long Goodbye” filmmakers Riz Ahmed and Aniel Karia. The Oscar winners for the 2018 live-action short “Skin,” Jamie Ray Newman and Guy Nattiv, presented the awards to “Mulaqat/Sandstorm” and best-director winner Carlos Segundo (“Sideral”), respectively.
Also Read:
Oscars Short Doc...
- 8/21/2022
- by Steve Pond
- The Wrap
List features screenplays by US-Egyptian filmmaker Dina Amer, Nigerian screenwriter Onyinye Egenti and Chinese-us director Eris Qian.
Paris-based talent platform Wscripted has unveiled its second Cannes Screenplay List showcasing a selection of scripts by female and non-binary writers.
This year’s list, which has been created in partnership with streaming service Mubi, features 25-English-language and six French-language feature scripts available for option or financing, by women screenwriters from France, Nigeria North America and the UK.
The selected talents include US-Egyptian filmmaker Dina Amer, Nigerian screenwriter Onyinye Egenti and Chinese-us director Eris Qian.
Amer broke out internationally in 2021 her first feature...
Paris-based talent platform Wscripted has unveiled its second Cannes Screenplay List showcasing a selection of scripts by female and non-binary writers.
This year’s list, which has been created in partnership with streaming service Mubi, features 25-English-language and six French-language feature scripts available for option or financing, by women screenwriters from France, Nigeria North America and the UK.
The selected talents include US-Egyptian filmmaker Dina Amer, Nigerian screenwriter Onyinye Egenti and Chinese-us director Eris Qian.
Amer broke out internationally in 2021 her first feature...
- 5/18/2022
- by Melanie Goodfellow
- ScreenDaily
Perhaps one of the toughest stages when it comes to a disease such as Alzheimer’s, is how it estranges a loved one from its relative. Along with a certain physical deterioration comes the change of a person, a development which correlates with the loss of memory, loss of language and, maybe the most painful, the inability to recognize those people around. For those suffering from the illness and their families, it is a terrible challenge and one that highlights how a disease such as this can leave emotional scars which may never heal.
“Mother Tongue” is screening at CAAMFest Forward
In her short feature “Mother Tongue”, Chinese-born filmmaker Eris Qian tackles the challenging issue through a narrative revolving around a mother and a daughter. When Chinese-American Lisa (Jenny Lin) hears about her mother’s deteriorating health, she tries to connect to her many times, even though her mother has...
“Mother Tongue” is screening at CAAMFest Forward
In her short feature “Mother Tongue”, Chinese-born filmmaker Eris Qian tackles the challenging issue through a narrative revolving around a mother and a daughter. When Chinese-American Lisa (Jenny Lin) hears about her mother’s deteriorating health, she tries to connect to her many times, even though her mother has...
- 10/13/2020
- by Rouven Linnarz
- AsianMoviePulse
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