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In addition to New Mexico being a serious place for filmmaking and TV series –the state reaping a record 855.4M from Hollywood’s motion picture & TV industry’s spending– Santa Fe itself counts a fervent moviegoing community, especially for arthouse and experimental product.
Audiences packed venues around town for the Santa Fe International Film Festival from Oct. 19-23 for films of all shapes and sizes at such venues as the George R.R. Martin owned Jean Cocteau Cinema; the Moorish, Spanish Renaissance 1931 built Lensic Theater; and the two-story, bistro cinema the Violet Crown in the swanky railroad district among others. In regards to the moviegoing spirit, think Toronto, but on a much smaller scale.
Amy Redford, director of Roost, right. Courtesy SFiFF
However, at a time when the industry sweats as to when the 40-plus demographic will return to the cinema after the pandemic, especially with LA’s arthouse scene hobbled...
Audiences packed venues around town for the Santa Fe International Film Festival from Oct. 19-23 for films of all shapes and sizes at such venues as the George R.R. Martin owned Jean Cocteau Cinema; the Moorish, Spanish Renaissance 1931 built Lensic Theater; and the two-story, bistro cinema the Violet Crown in the swanky railroad district among others. In regards to the moviegoing spirit, think Toronto, but on a much smaller scale.
Amy Redford, director of Roost, right. Courtesy SFiFF
However, at a time when the industry sweats as to when the 40-plus demographic will return to the cinema after the pandemic, especially with LA’s arthouse scene hobbled...
- 10/24/2022
- by Anthony D'Alessandro
- Deadline Film + TV
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