David Pérez Sañudo (“Ane is Missing”) and Carlos Vila Sexto (“Motivos Personales”) are ready for a different kind of hero in “Detective Touré.”
A six-episode series, backed by Spanish public broadcaster Rtve, Detective Touré Aie, Tornasol Media, DeAPlaneta and Basque state TV Eitb, the series is based on stories by Jon Arretxe.
The series first caught attention when selected as a project at Series Mania’s 2022 Co-Pro Pitching Sessions. Sneak-peaked at Content Americas in January, it was one of the highlights at its Spain Content Goldmine.
Set in Bilbao’s neighborhood San Francisco, it sees an immigrant from Guinea – with acute skills of deduction – who becomes immersed in a complex investigation, with the Nigerian mafia on his trail.
“We are used to having police officers involved in these kinds of shows, but an illegal immigrant? That’s something we have never seen before, at least in Spain,” says Vila Sexto.
A six-episode series, backed by Spanish public broadcaster Rtve, Detective Touré Aie, Tornasol Media, DeAPlaneta and Basque state TV Eitb, the series is based on stories by Jon Arretxe.
The series first caught attention when selected as a project at Series Mania’s 2022 Co-Pro Pitching Sessions. Sneak-peaked at Content Americas in January, it was one of the highlights at its Spain Content Goldmine.
Set in Bilbao’s neighborhood San Francisco, it sees an immigrant from Guinea – with acute skills of deduction – who becomes immersed in a complex investigation, with the Nigerian mafia on his trail.
“We are used to having police officers involved in these kinds of shows, but an illegal immigrant? That’s something we have never seen before, at least in Spain,” says Vila Sexto.
- 3/6/2024
- by Marta Balaga
- Variety Film + TV
The Good Boss, Fernando León de Aranoa’s comedy-drama starring Javier Bardem, dominated Spain’s top film prizes this year, The Goyas, collecting six awards including Best Picture.
The film also nabbed Best Director and Best Screenplay for Aranoa, Best Actor for Javier Bardem, Best Original Score (Zeltia Montes) and Best Editing (Vanessa L. Marimbert). It had previously received a record-setting 20 nominations.
The ceremony saw Bardem continue his streak at the awards, collecting his sixth Goya in total, while filmmaker Aranoa is now up to seven across his career.
The Good Boss stars Bardem as a factory owner who deviously schemes his way to solving all of the problems within his business and his personal life, including his infidelities. It was produced by companies including The MediaPro Studio and MK2 Films. Cohen Media Group will handle the U.S. release.
Deadline sat down with Bardem and Aranoa at last year...
The film also nabbed Best Director and Best Screenplay for Aranoa, Best Actor for Javier Bardem, Best Original Score (Zeltia Montes) and Best Editing (Vanessa L. Marimbert). It had previously received a record-setting 20 nominations.
The ceremony saw Bardem continue his streak at the awards, collecting his sixth Goya in total, while filmmaker Aranoa is now up to seven across his career.
The Good Boss stars Bardem as a factory owner who deviously schemes his way to solving all of the problems within his business and his personal life, including his infidelities. It was produced by companies including The MediaPro Studio and MK2 Films. Cohen Media Group will handle the U.S. release.
Deadline sat down with Bardem and Aranoa at last year...
- 2/13/2022
- by Tom Grater
- Deadline Film + TV
Pedro Almodovar’s ‘Parallel Mothers’ went home empty-handed.
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, scored big at the 36th edition of the Goyas, the Spanish Academy Awards held on Saturday in Valencia. With a record 20 nominations, it won six wards including best film, best director and screenplay for León de Aranoa and best actor for Javier Bardem.
Pedro Almodóvar’s Parallel Mothers, nominated for eight awards, left empty handed.
Produced by The Mediapro Studio and Reposado PC, The Good Boss premiered in competition at the San Sebastián Film Festival and went on to...
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, scored big at the 36th edition of the Goyas, the Spanish Academy Awards held on Saturday in Valencia. With a record 20 nominations, it won six wards including best film, best director and screenplay for León de Aranoa and best actor for Javier Bardem.
Pedro Almodóvar’s Parallel Mothers, nominated for eight awards, left empty handed.
Produced by The Mediapro Studio and Reposado PC, The Good Boss premiered in competition at the San Sebastián Film Festival and went on to...
- 2/13/2022
- by Elisabet Cabeza
- ScreenDaily
Shortlisted for the Academy Awards in the international feature film category, Fernando León de Aranoa’s “The Good Boss” capped a record 20 Spanish Academy Goya nominations by scoring best picture and actor for Javier Bardem at Saturday’s Goya prize ceremony.
The prizes marked both Leon and Bardem’s seventh Goya wins. Produced by El Reposado and The Mediapro Studio, and a workplace dramedy skewering the abuse of power practised by a seemingly benign factory owner, “The Good Boss” also won best director and original screenplay for León, as well as best score and editing.
Blanca Portillo beat out “Parallel Mothers’” Oscar-nominated Penélope Cruz, thanks to Portillo’s powerful performance as Maixabel Lasa, the real life widow of former Basque Country governor Juan Mari Jauregui who agreed in 2011 to meet one of his Eta killers. Her forgiveness, and Portillo’s portrait, has touched a large nerve in Spain.
One highlight...
The prizes marked both Leon and Bardem’s seventh Goya wins. Produced by El Reposado and The Mediapro Studio, and a workplace dramedy skewering the abuse of power practised by a seemingly benign factory owner, “The Good Boss” also won best director and original screenplay for León, as well as best score and editing.
Blanca Portillo beat out “Parallel Mothers’” Oscar-nominated Penélope Cruz, thanks to Portillo’s powerful performance as Maixabel Lasa, the real life widow of former Basque Country governor Juan Mari Jauregui who agreed in 2011 to meet one of his Eta killers. Her forgiveness, and Portillo’s portrait, has touched a large nerve in Spain.
One highlight...
- 2/13/2022
- by John Hopewell and Emilio Mayorga
- Variety Film + TV
‘The Good Boss’ leads Icíar Bollaín’s ‘Maixabel’ and Pedro Almodóvar’s ‘Parallel Mothers’.
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, led the Goya nominations from the Spanish Film Academy with 20 nods, an all-time record.
The satire, also Spain’s entry for the Oscars, is ahead of Icíar Bollaín’s Maixabel and Pedro Almodóvar’s Parallel Mothers, on 14 and eight nominations respectively.
The Good Boss is the fifth highest-grossing film in Spain this year with €2.6m. Written and directed by León de Aranoa, it follows the petty boss of an industrial scales factory, played...
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, led the Goya nominations from the Spanish Film Academy with 20 nods, an all-time record.
The satire, also Spain’s entry for the Oscars, is ahead of Icíar Bollaín’s Maixabel and Pedro Almodóvar’s Parallel Mothers, on 14 and eight nominations respectively.
The Good Boss is the fifth highest-grossing film in Spain this year with €2.6m. Written and directed by León de Aranoa, it follows the petty boss of an industrial scales factory, played...
- 11/29/2021
- by Elisabet Cabeza
- ScreenDaily
Looking at a map of Spain, the Basque region seems to be tucked neatly into one corner, cozy as can be. On the ground, of course, it’s a different matter: the Pais Vasco has its own language, culture, food and politics, plus its own history of violence. Eta, the region’s equivalent to the Ira, assassinated more than 820 people over almost 50 years before declaring a ceasefire in 2011; the last shreds of the organization disbanded in 2018. It was the end of an era, but a huge legacy of bitterness remained. The assassinated were still mourned; on the Eta side, hundreds of convicted terrorists remain in jail.
Director Iciar Bollain — whose last film, incongruously, was the agreeably bouncy comedy Rosa’s Wedding — has taken a single, powerful story from the messy remains of that struggle in Maixabel, the first film to screen in competition at the San Sebastian Film Festival.
The story closely follows fact.
Director Iciar Bollain — whose last film, incongruously, was the agreeably bouncy comedy Rosa’s Wedding — has taken a single, powerful story from the messy remains of that struggle in Maixabel, the first film to screen in competition at the San Sebastian Film Festival.
The story closely follows fact.
- 9/20/2021
- by Stephanie Bunbury
- Deadline Film + TV
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