All genres are welcome at Locarno’s co-development initiative Alliance 4 Development this year, from “dramas to dark comedies and thrillers,” says project manager Francesca Palleschi. But 11 projects from Austria, France, Germany, Italy and Switzerland do share some recurring themes.
“Identity, history’s enduring legacy, environmental concerns, family ties, the sense of belonging and displacement, societal dynamics. And the desperate search for attention,” Palleschi list.
In “I’m Not Here to Make Friends” by Julia Niemann, who recently enjoyed arthouse success with controversial Sundance premiere “Veni Vidi Vici” co-directed with Daniel Hoesl, she’s following Emmy, a contestant on a dating reality show. The film will be shot in English.
“Reality TV may be the lowest of all forms of entertainment. But when it’s done well, it tells of nothing less than the human condition, just like the movies. It’s a film about what we all want: Attention. Why...
“Identity, history’s enduring legacy, environmental concerns, family ties, the sense of belonging and displacement, societal dynamics. And the desperate search for attention,” Palleschi list.
In “I’m Not Here to Make Friends” by Julia Niemann, who recently enjoyed arthouse success with controversial Sundance premiere “Veni Vidi Vici” co-directed with Daniel Hoesl, she’s following Emmy, a contestant on a dating reality show. The film will be shot in English.
“Reality TV may be the lowest of all forms of entertainment. But when it’s done well, it tells of nothing less than the human condition, just like the movies. It’s a film about what we all want: Attention. Why...
- 8/2/2024
- by Marta Balaga
- Variety Film + TV
Dok Leipzig will run as a hybrid event from October 26-November 1.
Germany’s Dok Leipzig film festival has unveiled the line-up for its 2020 edition, which will run as a hybrid event from October 26-November 1.
World premieres in the International competition include Children, from Israeli veteran Ada Ushpiz and Shelly Silver’s Girls/Museum.
The new Camera Lucida section, showcasing five unconventional films not in competition, includes the world premiere of Lamentations Of Judas from award-winning Dutch director Boris Gerrets, who died earlier this year.
This year’s hybrid event will include cinema screenings for the Leipzig audience, with a large...
Germany’s Dok Leipzig film festival has unveiled the line-up for its 2020 edition, which will run as a hybrid event from October 26-November 1.
World premieres in the International competition include Children, from Israeli veteran Ada Ushpiz and Shelly Silver’s Girls/Museum.
The new Camera Lucida section, showcasing five unconventional films not in competition, includes the world premiere of Lamentations Of Judas from award-winning Dutch director Boris Gerrets, who died earlier this year.
This year’s hybrid event will include cinema screenings for the Leipzig audience, with a large...
- 10/8/2020
- by Orlando Parfitt
- ScreenDaily
Each FIDMarseille 2020 movie came with a video introduction from the filmmakers, who were given seemingly complete freedom in deciding how, and at what length, to approach this; eschewing the standard-issue speech-to-webcam, Zaho Zay’s had to be the best one. In a living room, a woman (presumably co-director Maéva Ranaïvojaona) paces along to an audio clip from Where Does Your Hidden Smile Lie? of Jean-Marie Straub ranting about the indissolubility of form and ideology. “Form, form, your infamous form,” he snarls, the woman roughly lip-syncing to a rant she seems to have heard and contemplated many times before. This intro is […]...
- 8/21/2020
- by Vadim Rizov
- Filmmaker Magazine - Blog
Each FIDMarseille 2020 movie came with a video introduction from the filmmakers, who were given seemingly complete freedom in deciding how, and at what length, to approach this; eschewing the standard-issue speech-to-webcam, Zaho Zay’s had to be the best one. In a living room, a woman (presumably co-director Maéva Ranaïvojaona) paces along to an audio clip from Where Does Your Hidden Smile Lie? of Jean-Marie Straub ranting about the indissolubility of form and ideology. “Form, form, your infamous form,” he snarls, the woman roughly lip-syncing to a rant she seems to have heard and contemplated many times before. This intro is […]...
- 8/21/2020
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Full list of winners revealed.
Carolina Moscoso’s Night Shot has won the Grand Prix at the Marseille International Film Festival (FIDMarseille).
The Chilean film marks Moscoco’s debut feature and uses text, candid footage, animation and sound design to confront her past trauma: a violent rape that occurred eight years previously when she was a film student. It was produced by Santiago-based El Espino Films.
Scroll down for full list of winners
The feature received its international premiere at the festival that ran from July 22-26 in southern France. It was the first physical film event of its kind...
Carolina Moscoso’s Night Shot has won the Grand Prix at the Marseille International Film Festival (FIDMarseille).
The Chilean film marks Moscoco’s debut feature and uses text, candid footage, animation and sound design to confront her past trauma: a violent rape that occurred eight years previously when she was a film student. It was produced by Santiago-based El Espino Films.
Scroll down for full list of winners
The feature received its international premiere at the festival that ran from July 22-26 in southern France. It was the first physical film event of its kind...
- 7/27/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
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