What links Tupac Shakur and Saddam Hussein? In Fritz Ofner’s engrossing, hypnotically digressive doc, which he co-directed with Eva Hausberger, it is a fascination for the Glock handgun, first patented by Austrian engineer Gaston Glock in 1981, now made by the thousand in the company’s Deutsch-Wagram factory complex, and shipped all over the world.
It seems perverse to label a gun a “design classic” but that’s what the Glock is: with its polymer frame and few moving metal parts, it is easy to strip and very reliable – which makes it the go-to gun for everyone from gangster rappers to law enforcement officers, soldiers and even, in the Middle East, war criminals. Indeed, as Ofner’s film shows, Saddam Hussein’s own personal Glock now hangs in the George W. Bush museum as a souvenir of the war in Iraq.
Just after Ofner’s film “Weapon of Choice” made...
It seems perverse to label a gun a “design classic” but that’s what the Glock is: with its polymer frame and few moving metal parts, it is easy to strip and very reliable – which makes it the go-to gun for everyone from gangster rappers to law enforcement officers, soldiers and even, in the Middle East, war criminals. Indeed, as Ofner’s film shows, Saddam Hussein’s own personal Glock now hangs in the George W. Bush museum as a souvenir of the war in Iraq.
Just after Ofner’s film “Weapon of Choice” made...
- 10/30/2018
- by Damon Wise
- Variety Film + TV
Fritz Ofner explores the right to bear arms in his documentary about the Glock, a firearm popular on both sides of the law
If a rightwing firearms fanatic stumbles across this absorbing investigative documentary about America’s love affair with the Glock handgun, director Fritz Ofner’s voiceover soon lets them know what they’re in for. Near the beginning of the film he calls the gun’s Austrian manufacturer Glock “merchants of death”. The company is owned by Gaston Glock, 89, a secretive billionaire who might have been ripped from the pages of a John le Carré novel.
Reliable and easy-to-use, the Glock was an instant bestseller when it hit the market in the 80s. It is popular on both sides of the law in the Us, as the service weapon packed by many police forces and the go-to gun for gangs. In the brand-conscious world of hip-hop, the Glock...
If a rightwing firearms fanatic stumbles across this absorbing investigative documentary about America’s love affair with the Glock handgun, director Fritz Ofner’s voiceover soon lets them know what they’re in for. Near the beginning of the film he calls the gun’s Austrian manufacturer Glock “merchants of death”. The company is owned by Gaston Glock, 89, a secretive billionaire who might have been ripped from the pages of a John le Carré novel.
Reliable and easy-to-use, the Glock was an instant bestseller when it hit the market in the 80s. It is popular on both sides of the law in the Us, as the service weapon packed by many police forces and the go-to gun for gangs. In the brand-conscious world of hip-hop, the Glock...
- 9/14/2018
- by Cath Clarke
- The Guardian - Film News
Buzz projects include Eurimages prize-winner Journey To Utopia.
Lars von Trier was the talk of Copenhagen on Thursday (March 22) – and for once not because of a film he’s directed but for a documentary that turns the cameras on him.
Producer Sigrid Dyekjaer of Danish Documentary unveiled footage at Cph:forum of The Missing Films, a portrait of von Trier directed by two of his long-time collaborators, Tomas Gislason and Jacob Thuesen.
Attending industry experts were buzzing about the footage shown, demonstrating an unprecedented level of intimacy and access to von Trier that among other sequences shows him in production on his new serial killer story,...
Lars von Trier was the talk of Copenhagen on Thursday (March 22) – and for once not because of a film he’s directed but for a documentary that turns the cameras on him.
Producer Sigrid Dyekjaer of Danish Documentary unveiled footage at Cph:forum of The Missing Films, a portrait of von Trier directed by two of his long-time collaborators, Tomas Gislason and Jacob Thuesen.
Attending industry experts were buzzing about the footage shown, demonstrating an unprecedented level of intimacy and access to von Trier that among other sequences shows him in production on his new serial killer story,...
- 3/22/2018
- by Wendy Mitchell
- ScreenDaily
Musicians The xx presents a curated programme; festival hosts world premieres of new films by Andreas Dalsgaard and Iris Zaki.
Cph:Dox will offer more than 200 films during its 15th event, which runs March 15-25.
In its five competitions (full list below), world premieres include Woman In Sink director Iris Zaki’s new film Unsettling, about Jewish setllers in the West Bank; The War Show director Andreas Dalsgaard’s The Great Game, about a man trying to find out if his grandfather was a spy; Emma Davie & Peter Mettler’s Becoming Animal, about how our relationship with nature has evolved; and Elissa Mirzaei & Gulistan Mirzaei’s Laila at the Bridge, about an Afghan woman trying to save heroin addicts in Kabul.
Highlights also include a specially curated programme by The xx; a focus on justice (films will include Pre-Crime, Recruiting for Jihad and The Congo Tribunal); and a film programme and art exhibition dedicated to social experiments (with films...
Cph:Dox will offer more than 200 films during its 15th event, which runs March 15-25.
In its five competitions (full list below), world premieres include Woman In Sink director Iris Zaki’s new film Unsettling, about Jewish setllers in the West Bank; The War Show director Andreas Dalsgaard’s The Great Game, about a man trying to find out if his grandfather was a spy; Emma Davie & Peter Mettler’s Becoming Animal, about how our relationship with nature has evolved; and Elissa Mirzaei & Gulistan Mirzaei’s Laila at the Bridge, about an Afghan woman trying to save heroin addicts in Kabul.
Highlights also include a specially curated programme by The xx; a focus on justice (films will include Pre-Crime, Recruiting for Jihad and The Congo Tribunal); and a film programme and art exhibition dedicated to social experiments (with films...
- 2/16/2018
- by Wendy Mitchell
- ScreenDaily
Works in progress to include ‘Reconstructing Utoya’; new science section includes portrait of Oliver Sacks.
Cph:Dox has unveiled the 26 projects to be presented in its Cph:Forum, its financing and co-production event (March 21-22) that works across creative filmmaking.
The projects are from the likes of established directors such as Maxim Pozdorovkin (Pussy Riot: A Punk Prayer), Guy Davidi (5 Broken Cameras), Camilla Nielsson (Democrats), Anna Eborn (Pine Ridge) and Grant Gee (Meeting People is Easy).
Topics range from a family trying to find their own utopia in an organic village; a portrait of Lee Miller; the filmic obsessions of Lars von Trier; and Chinese women trying to find a partner by age 27.
For the fifth year, the Forum projects are eligible for the Eurimages Co-Production Development Award of $18,400 €15,000 for the event’s best pitch. Kickstarter provides guidance and promotional support for the Forum projects as well.
More than 150 attending decision makers will include European broadcasters such as...
Cph:Dox has unveiled the 26 projects to be presented in its Cph:Forum, its financing and co-production event (March 21-22) that works across creative filmmaking.
The projects are from the likes of established directors such as Maxim Pozdorovkin (Pussy Riot: A Punk Prayer), Guy Davidi (5 Broken Cameras), Camilla Nielsson (Democrats), Anna Eborn (Pine Ridge) and Grant Gee (Meeting People is Easy).
Topics range from a family trying to find their own utopia in an organic village; a portrait of Lee Miller; the filmic obsessions of Lars von Trier; and Chinese women trying to find a partner by age 27.
For the fifth year, the Forum projects are eligible for the Eurimages Co-Production Development Award of $18,400 €15,000 for the event’s best pitch. Kickstarter provides guidance and promotional support for the Forum projects as well.
More than 150 attending decision makers will include European broadcasters such as...
- 2/8/2018
- by Wendy Mitchell
- ScreenDaily
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