The Cineuropa folks have highlight three action-genre projects we’ll now be keeping tabs on and which have benefitted from some coin from the Cnc folks. The screenplays for La vraie vie by Marie Monge, Arco by Ugo Bienvenu and Trompe la mort by Rocco Labbé have been selected. Here is the low down on the three projects.
La vraie vie – Marie Monge
Prod: Cinenovo’s Julie Viez / Sailor Films’ David Pierret
Based on Adeline Dieudonné’s novel of the same name, this revolves around Billie who protects her little brother Gilles from the violence in their family by using her vivid imagination to tell him stories, which act as ramparts against reality.…...
La vraie vie – Marie Monge
Prod: Cinenovo’s Julie Viez / Sailor Films’ David Pierret
Based on Adeline Dieudonné’s novel of the same name, this revolves around Billie who protects her little brother Gilles from the violence in their family by using her vivid imagination to tell him stories, which act as ramparts against reality.…...
- 6/26/2023
- by Eric Lavallée
- IONCINEMA.com
Arab cinema is going from strength to strength with a run of really good, successful, films from across the region telling authentic and compelling stories that have captured the hearts and minds of global audiences. During Cannes, filmmakers from the region will come together on May 21 at 10 am at the Marina Stage in the Riviera to discuss the future of Arab cinema and discuss the opportunities and challenges that need to be addressed in order to build a robust industry that will elevate Arab cinema and command the attention it deserves.
This year there are nine films in the Festival Competition, Un Certain Regard, Directors’ Fortnight and Critics’ Week plus four projects in L’Atelier. They are listed below.
Saudi Film Commission will host a Conference and a panel on the State of Arabia with Lotfy Nathan, producer, director, writer whose work in progress Harka won the US 30,000 award at the 2021 Red Sea Film Festival and is now premiering in Un Certain Regard. Also on the panel is Mohammed Hefzy, producer, writer and Aymebn Khoja, producer, director, writer and to be moderated by Liz Shackelton, Screen International Asia Editor
My Choices for Feature Film: ‘Europa’, Selected Documentary Film: ‘Republic Of Silence’, Selected Actor: Adam Ali, Selected Actress: Maisa Abd Elhadi, Selected Director: Ayten Amin, Selected Screenplay: Ayten Amin — Mahmoud Ezzat
Panelist #1 Lotfy Nathan is the recipient of The Red Sea Fund cash prize awarded in 2021 by the Red Sea Souk Jury. The Red Sea Souk Award grant of US 30,000 was presented for his film Harka aka Contra aka Before the Spring, a “simple, tragic parable” as described by Nathan, about Ali, a young Tunisian making a precarious living selling contraband gas as he faces an impending eviction and is forced to take care of his two younger sisters, who, in real life, precipitated the Arab Spring with his act of defiance demanding dignity. His choice became the symbol of a silenced generation trying to be heard. His film Harka is in Un Certain Regard in the Cannes Film Festival 2022! The international sales agent is Constellation.
Harka
Nathan is an American filmmaker of Egyptian descent. His first feature film, the documentary 12 O’Clock Boys, for which he received the HBO Emerging Artist Award, was selected in over 50 international festivals, including SXSW, Sundance LA, Lincoln Center, Viennale, Hot Docs, London and Copenhagen. It is distributed in the United States by Oscilloscope and has been purchased by Showtime and Amazon as well as being optioned by Will Smith’s company, Overbrook Entrertainement to adapt into a drama. In 2015, Lotfy was a recipient of the Creative Capital and participated in a Cinereach Foundation director’s residency. He had previously been a recipient of the Garrett Scott Fund, the Peter Reed Foundation, the Grainger Marburg Fund, and the IFP Fellowship. This, his first feature film, was developed in the Sundance Film Institute’s Screenwriting Lab in 2016 and is now in post-production.
The film’s producer Julie Viez started her career in the film industry at Warner Bros Emea (Europe Middle East Asia). She then focused on independent film production, working for companies such as Pan-Européenne, The Film, and CG Cinema. She works on an international scale and produces a wide range of budgets. In 2019 Julie shot La Salamandre , the debut feature of director Alex Carvalho which premiered at Venice’s Settimana in 2021. She is developing several ambitious features and series, among which the next features by Cannes-nominated directors Abu Bakr Shawky, Jonathan Littell, Morgan Simon, and Marie Monge.
The third partner are the producers of The Man Who Sold His Skin, Academy Award Nomination 2020 — see my previous blog on that film — whose director, Kaouther Ben Hania, is now President of the Jury for Critics Week.).
Panelist #2 is the prolific Egyptian screenwriter and producer Mohamed Hefzy, with a constantly growing filmography of 30 feature films including worldwide acclaimed titles such as Huda’s Salon (2021) Feathers (2021), Souad (2021) You Will Die at Twenty (2019), Youmeddine (2018), and Clash (2016). He has served as a jury member in various international festivals including the 75th Venice International Film Festival. As of its 40th edition and for four consecutive years; Mohamed Hefzy was the appointed President of the Cairo International Film Festival.
In 2005, He founded Film Clinic; the now pioneer production house in the Mena region with a variety of commercial blockbusters and arthouse films that have participated in major film festivals worldwide including Cannes, Venice, Berlin, Sundance, Toronto, and Tribeca with more than 80 international awards under its belt. Later Hefzy founded Film Clinic Indie Distribution, with a mission to create opportunities for Arab independent films within and beyond festival circuits & Co- founded Meem Creative Circle which produced Netflix’s first Egyptian original series Paranormal.
Hefzy was cited among 30 future leaders in film production by Screen International, headed Variety’s list of Ten Names You Need to Know in the Arab Film Industry and was among Variety’s 500 list of the most influential people in the media industry worldwide. He was granted the Arab Cinema Personality of the Year award by the Hollywood Reporter & Arab Cinema Center. Hefzy is an official member of the Academy of Motion Pictures Arts And Sciences in the producers’ branch. In recognition of his significant contribution to the Arab film scene, He was honored as a “Chevalier dans l’Ordre des Arts et Lettres” from France.
Panelist #3 is Aymen Khoja, a film producer-director committed to bold voices and innovative forms to bridge cultures and to clear up any misunderstandings.
Over six years of experience producing and directing with international studios and production companies, such as Mbc Studios the biggest broadcaster in the Middle East and Viu, the No1 streaming platform east of Asia. Aymen has filmed in different cities all over the world from Los Angeles, Dubai, Abu-Dhabi, Bucharest, Cairo, to Jeddah. He successfully delivers high-quality films and series on time within budget.
In 2016 Aymen co-founded Khoja Brothers Productions and managed to fund, direct, co-produce, co-write his first feature film Shoot Aka The Arabian Warrior, and successfully released it theatrically then sold it to Sony Pictures, Amazon Prime, Google Play, Apple, and lastly Shahid. Aymen’s debut making ultra-low-budget films made him emphasize story quality, maximize creativity, and carefully spend every dollar.
Aymen received his Master’s degree in film with honors from the New York Film Academy, Los Angeles where he produced and directed many short films that have been played in different film festivals around the world. Aymen received his Bachelor’s in Business and Management from King Abdul-Aziz University, Saudi Arabia. This background helped him to be at the top of his organizing game, networking, and career growth.
Born and raised in the east of Saudi Arabia until the age of 11, Khoja then traveled back with his parents to the west, Makkah where he stayed until he was 23 when he traveled to the US to pursue his dream of making films. Aymen had the passion and drive to make movies in a time there were no theaters in his home country. Being a pioneer, he had to push and fight traditions to achieve what he believes is his mission in life: to bridge and close gaps between cultures through the form of cinema by telling the right stories.
Nine Mena Films to see in the Festival:
Cannes Ff Competition Leila’s Brothers directed by Saeed Roustayi from IranCannes Ff Competition Holy Spider directed by Iranian Ali Abbasi but funded by France, Germany, Sweden, DenmarkUn Certain Regard Harka directed by Lotfy Nathan from TunisiaUn Certain Regard The Blue Caftan directed by Maryam Touzani from MoroccoUn Certain Regard Mediterranean Fever directed by Maha Haj from PalestineUn Certain Regard Domingo And The Mist directed by Ariel Escalante from Costa Rica with support from QatarDirectors’ Fortnight Under the Fig Trees directed by Eriga Sehiri from TunisiaDirectors’ Fortnight Ashkal directed by Youssef Chebbi from TunisiaCritics’ Week in Competition Imagine directed by Ali Behrad from IranL’Atelier project: Hamlet From The Slums from Egypt, directed by Ahmed Fawzi SalehL’Atelier project: The Blind Ferryman from Iraq and Switzerland, directed by Ali Al-FatlawiL’Atelier project: You Are My Everything from Israel, directed by Michal VinikdL’Atelier project: The Doubt from Palestine and Israel, directed by Ihab Jadallah...
This year there are nine films in the Festival Competition, Un Certain Regard, Directors’ Fortnight and Critics’ Week plus four projects in L’Atelier. They are listed below.
Saudi Film Commission will host a Conference and a panel on the State of Arabia with Lotfy Nathan, producer, director, writer whose work in progress Harka won the US 30,000 award at the 2021 Red Sea Film Festival and is now premiering in Un Certain Regard. Also on the panel is Mohammed Hefzy, producer, writer and Aymebn Khoja, producer, director, writer and to be moderated by Liz Shackelton, Screen International Asia Editor
My Choices for Feature Film: ‘Europa’, Selected Documentary Film: ‘Republic Of Silence’, Selected Actor: Adam Ali, Selected Actress: Maisa Abd Elhadi, Selected Director: Ayten Amin, Selected Screenplay: Ayten Amin — Mahmoud Ezzat
Panelist #1 Lotfy Nathan is the recipient of The Red Sea Fund cash prize awarded in 2021 by the Red Sea Souk Jury. The Red Sea Souk Award grant of US 30,000 was presented for his film Harka aka Contra aka Before the Spring, a “simple, tragic parable” as described by Nathan, about Ali, a young Tunisian making a precarious living selling contraband gas as he faces an impending eviction and is forced to take care of his two younger sisters, who, in real life, precipitated the Arab Spring with his act of defiance demanding dignity. His choice became the symbol of a silenced generation trying to be heard. His film Harka is in Un Certain Regard in the Cannes Film Festival 2022! The international sales agent is Constellation.
Harka
Nathan is an American filmmaker of Egyptian descent. His first feature film, the documentary 12 O’Clock Boys, for which he received the HBO Emerging Artist Award, was selected in over 50 international festivals, including SXSW, Sundance LA, Lincoln Center, Viennale, Hot Docs, London and Copenhagen. It is distributed in the United States by Oscilloscope and has been purchased by Showtime and Amazon as well as being optioned by Will Smith’s company, Overbrook Entrertainement to adapt into a drama. In 2015, Lotfy was a recipient of the Creative Capital and participated in a Cinereach Foundation director’s residency. He had previously been a recipient of the Garrett Scott Fund, the Peter Reed Foundation, the Grainger Marburg Fund, and the IFP Fellowship. This, his first feature film, was developed in the Sundance Film Institute’s Screenwriting Lab in 2016 and is now in post-production.
The film’s producer Julie Viez started her career in the film industry at Warner Bros Emea (Europe Middle East Asia). She then focused on independent film production, working for companies such as Pan-Européenne, The Film, and CG Cinema. She works on an international scale and produces a wide range of budgets. In 2019 Julie shot La Salamandre , the debut feature of director Alex Carvalho which premiered at Venice’s Settimana in 2021. She is developing several ambitious features and series, among which the next features by Cannes-nominated directors Abu Bakr Shawky, Jonathan Littell, Morgan Simon, and Marie Monge.
The third partner are the producers of The Man Who Sold His Skin, Academy Award Nomination 2020 — see my previous blog on that film — whose director, Kaouther Ben Hania, is now President of the Jury for Critics Week.).
Panelist #2 is the prolific Egyptian screenwriter and producer Mohamed Hefzy, with a constantly growing filmography of 30 feature films including worldwide acclaimed titles such as Huda’s Salon (2021) Feathers (2021), Souad (2021) You Will Die at Twenty (2019), Youmeddine (2018), and Clash (2016). He has served as a jury member in various international festivals including the 75th Venice International Film Festival. As of its 40th edition and for four consecutive years; Mohamed Hefzy was the appointed President of the Cairo International Film Festival.
In 2005, He founded Film Clinic; the now pioneer production house in the Mena region with a variety of commercial blockbusters and arthouse films that have participated in major film festivals worldwide including Cannes, Venice, Berlin, Sundance, Toronto, and Tribeca with more than 80 international awards under its belt. Later Hefzy founded Film Clinic Indie Distribution, with a mission to create opportunities for Arab independent films within and beyond festival circuits & Co- founded Meem Creative Circle which produced Netflix’s first Egyptian original series Paranormal.
Hefzy was cited among 30 future leaders in film production by Screen International, headed Variety’s list of Ten Names You Need to Know in the Arab Film Industry and was among Variety’s 500 list of the most influential people in the media industry worldwide. He was granted the Arab Cinema Personality of the Year award by the Hollywood Reporter & Arab Cinema Center. Hefzy is an official member of the Academy of Motion Pictures Arts And Sciences in the producers’ branch. In recognition of his significant contribution to the Arab film scene, He was honored as a “Chevalier dans l’Ordre des Arts et Lettres” from France.
Panelist #3 is Aymen Khoja, a film producer-director committed to bold voices and innovative forms to bridge cultures and to clear up any misunderstandings.
Over six years of experience producing and directing with international studios and production companies, such as Mbc Studios the biggest broadcaster in the Middle East and Viu, the No1 streaming platform east of Asia. Aymen has filmed in different cities all over the world from Los Angeles, Dubai, Abu-Dhabi, Bucharest, Cairo, to Jeddah. He successfully delivers high-quality films and series on time within budget.
In 2016 Aymen co-founded Khoja Brothers Productions and managed to fund, direct, co-produce, co-write his first feature film Shoot Aka The Arabian Warrior, and successfully released it theatrically then sold it to Sony Pictures, Amazon Prime, Google Play, Apple, and lastly Shahid. Aymen’s debut making ultra-low-budget films made him emphasize story quality, maximize creativity, and carefully spend every dollar.
Aymen received his Master’s degree in film with honors from the New York Film Academy, Los Angeles where he produced and directed many short films that have been played in different film festivals around the world. Aymen received his Bachelor’s in Business and Management from King Abdul-Aziz University, Saudi Arabia. This background helped him to be at the top of his organizing game, networking, and career growth.
Born and raised in the east of Saudi Arabia until the age of 11, Khoja then traveled back with his parents to the west, Makkah where he stayed until he was 23 when he traveled to the US to pursue his dream of making films. Aymen had the passion and drive to make movies in a time there were no theaters in his home country. Being a pioneer, he had to push and fight traditions to achieve what he believes is his mission in life: to bridge and close gaps between cultures through the form of cinema by telling the right stories.
Nine Mena Films to see in the Festival:
Cannes Ff Competition Leila’s Brothers directed by Saeed Roustayi from IranCannes Ff Competition Holy Spider directed by Iranian Ali Abbasi but funded by France, Germany, Sweden, DenmarkUn Certain Regard Harka directed by Lotfy Nathan from TunisiaUn Certain Regard The Blue Caftan directed by Maryam Touzani from MoroccoUn Certain Regard Mediterranean Fever directed by Maha Haj from PalestineUn Certain Regard Domingo And The Mist directed by Ariel Escalante from Costa Rica with support from QatarDirectors’ Fortnight Under the Fig Trees directed by Eriga Sehiri from TunisiaDirectors’ Fortnight Ashkal directed by Youssef Chebbi from TunisiaCritics’ Week in Competition Imagine directed by Ali Behrad from IranL’Atelier project: Hamlet From The Slums from Egypt, directed by Ahmed Fawzi SalehL’Atelier project: The Blind Ferryman from Iraq and Switzerland, directed by Ali Al-FatlawiL’Atelier project: You Are My Everything from Israel, directed by Michal VinikdL’Atelier project: The Doubt from Palestine and Israel, directed by Ihab Jadallah...
- 5/8/2022
- by Sydney
- Sydney's Buzz
French-Moroccan actor Kamel Labroudi to star as Tunisian street vendor who took his own life as a protest.
German production outfit DETAiLFILM and Paris-based Cinenovo are teaming with Us companies Beachside Films and Anonymous Content on Before The Spring, a drama based on the life of Mohamed Bouazizi.
Bouazizi was a Tunisian street vendor who set himself on fire in protest of his treatment by officials; the act of defiance was one of the catalysts for the Tunisian Revolution and the wider Arab Spring.
Egyptian-British filmmaker Lotfy Nathan is making his narrative feature debut on the project. Nathan’s documentary 12 O’Clock Boys,...
German production outfit DETAiLFILM and Paris-based Cinenovo are teaming with Us companies Beachside Films and Anonymous Content on Before The Spring, a drama based on the life of Mohamed Bouazizi.
Bouazizi was a Tunisian street vendor who set himself on fire in protest of his treatment by officials; the act of defiance was one of the catalysts for the Tunisian Revolution and the wider Arab Spring.
Egyptian-British filmmaker Lotfy Nathan is making his narrative feature debut on the project. Nathan’s documentary 12 O’Clock Boys,...
- 5/17/2019
- by Tom Grater
- ScreenDaily
Cyrano De Bergerac director Jean-Paul Rappeneau will attend the London screening of the film.
The French Film Festival UK - which will screen at 30 cinemas across the country when it opens this week - has announced further guests who will be in attendance.
Gilles Lelouche will be at London's Ciné Lumière on November 9 for the screening of feel-good drama Sink Or Swim. Tonie Marshall will also attend Ciné Lumière on November 7, to present Woman Up!, which shows a woman's struggle in the corporate world.
First-time director Marie Monge will attend the Edinburgh Filmhouse screening of Treat Me Like Fire on November 13 and Laetitia Carton will be at the screening of documentary Le Grand Bal at Edinburgh Summerhall on December 4, which will feature a post-screening dance event to echo the film's themes.
As previously announced, Cyrano De Bergerac director Jean-Paul Rappeneau will also attend the London Ciné Lumière screening of the film on November 14.
Festival director.
The French Film Festival UK - which will screen at 30 cinemas across the country when it opens this week - has announced further guests who will be in attendance.
Gilles Lelouche will be at London's Ciné Lumière on November 9 for the screening of feel-good drama Sink Or Swim. Tonie Marshall will also attend Ciné Lumière on November 7, to present Woman Up!, which shows a woman's struggle in the corporate world.
First-time director Marie Monge will attend the Edinburgh Filmhouse screening of Treat Me Like Fire on November 13 and Laetitia Carton will be at the screening of documentary Le Grand Bal at Edinburgh Summerhall on December 4, which will feature a post-screening dance event to echo the film's themes.
As previously announced, Cyrano De Bergerac director Jean-Paul Rappeneau will also attend the London Ciné Lumière screening of the film on November 14.
Festival director.
- 11/6/2018
- by Amber Wilkinson
- eyeforfilm.co.uk
Sink Or Swim Photo: Mika Cotellon The French Film Festival - which runs from November 7 to December 16 at cinemas across the country - has announced its line-up.
The festival, which has announced will screen films from across the Francophone world, will feature the latest films from established names - including Jean-Luc Godard's The Image Book, Jean Becker's The Red Collar and Christophe Honoré's Sorry Angel - as well as new directors. The up-and-comers in the Discovery Horizons section include Marie Monge’s thriller Treat Me Like Fire, Hubert Charuel’s Bloody Milk and Dany, which is the directorial debut of actor François Damiens.
Other films screening include Gilles Lelouche's crowdpleaser Sink Or Swim - based on the same real-life story as UK production Swimming With Men - and Stéphane Brizé's At War, starring Vincent Lindon.
Festival director Richard Mowe said: “Serendipity and, of course, careful planning has...
The festival, which has announced will screen films from across the Francophone world, will feature the latest films from established names - including Jean-Luc Godard's The Image Book, Jean Becker's The Red Collar and Christophe Honoré's Sorry Angel - as well as new directors. The up-and-comers in the Discovery Horizons section include Marie Monge’s thriller Treat Me Like Fire, Hubert Charuel’s Bloody Milk and Dany, which is the directorial debut of actor François Damiens.
Other films screening include Gilles Lelouche's crowdpleaser Sink Or Swim - based on the same real-life story as UK production Swimming With Men - and Stéphane Brizé's At War, starring Vincent Lindon.
Festival director Richard Mowe said: “Serendipity and, of course, careful planning has...
- 10/23/2018
- by Amber Wilkinson
- eyeforfilm.co.uk
The prizes for Cannes' Directors’ Fortnight sidebar were awarded Thursday evening, with Gaspar Noe's sex-and-drugs drama Climax taking the Art Cinema Award from among the 17 films in competition.
This year’s selections had some big-name directors competing, with Oscar nominee Ciro Guerra’s Summer Birds, Cesar winner Philippe Faucon’s Amin and Marie Monge's Treat Me Like Fire in the running.
The Sacd Prize, awarded to a French-language film, went to Pierre Salvarori's unconventional cop caper The Trouble With You (En Liberte), starring Cesar winner Adele Haenel.
The Europa Cinemas award, which is dedicated to promotion, distribution and exhibition of a ...
This year’s selections had some big-name directors competing, with Oscar nominee Ciro Guerra’s Summer Birds, Cesar winner Philippe Faucon’s Amin and Marie Monge's Treat Me Like Fire in the running.
The Sacd Prize, awarded to a French-language film, went to Pierre Salvarori's unconventional cop caper The Trouble With You (En Liberte), starring Cesar winner Adele Haenel.
The Europa Cinemas award, which is dedicated to promotion, distribution and exhibition of a ...
- 5/17/2018
- The Hollywood Reporter - Movie News
The prizes for Cannes' Directors’ Fortnight sidebar were awarded Thursday evening, with Gaspar Noe's sex-and-drugs drama Climax taking the Art Cinema Award from among the 17 films in competition.
This year’s selections had some big-name directors competing, with Oscar nominee Ciro Guerra’s Summer Birds, Cesar winner Philippe Faucon’s Amin and Marie Monge's Treat Me Like Fire in the running.
The Sacd Prize, awarded to a French-language film, went to Pierre Salvarori's unconventional cop caper The Trouble With You (En Liberte), starring Cesar winner Adele Haenel.
The Europa Cinemas award, which is dedicated to promotion, distribution and exhibition of a ...
This year’s selections had some big-name directors competing, with Oscar nominee Ciro Guerra’s Summer Birds, Cesar winner Philippe Faucon’s Amin and Marie Monge's Treat Me Like Fire in the running.
The Sacd Prize, awarded to a French-language film, went to Pierre Salvarori's unconventional cop caper The Trouble With You (En Liberte), starring Cesar winner Adele Haenel.
The Europa Cinemas award, which is dedicated to promotion, distribution and exhibition of a ...
- 5/17/2018
- The Hollywood Reporter - Film + TV
Marie Monge, a Deadline One To Watch this year, received strong notices for her debut feature, Treat Me Like Fire (Joueurs) here in the Directors’ Fortnight section. The film stars Tahar Rahim and Stacy Martin, a breakout in Lars von Trier’s Nymphomaniac. The trio visited the Deadline Cannes Studio to discuss the film’s themes of addiction and the challenges of leaving intense experiences on set.
Martin is Ella, whose life is turned upside down when she meets Abel (Rahim). Irresistibly drawn to this elusive lover, the young woman discovers the cosmopolitan underground world of Paris’s gaming circles, where adrenaline and money reign supreme. Their love story begins as a mere bet, but turns into a devouring passion.
Monge wrote the part of Ella with Martin in mind and the actress says, “I fell in love with it. Her tenacity as a director,...
Martin is Ella, whose life is turned upside down when she meets Abel (Rahim). Irresistibly drawn to this elusive lover, the young woman discovers the cosmopolitan underground world of Paris’s gaming circles, where adrenaline and money reign supreme. Their love story begins as a mere bet, but turns into a devouring passion.
Monge wrote the part of Ella with Martin in mind and the actress says, “I fell in love with it. Her tenacity as a director,...
- 5/17/2018
- by Nancy Tartaglione
- Deadline Film + TV
Le Pacte has closed a flurry of deals to major markets on a pair of buzzed-about French comedies, Patrick Cassir’s “Our Happy Holiday” and Thomas Lilti’s “The Freshmen” at Cannes’s film market.
“The Freshmen” reteams Lilti with French actor Vincent Lacoste who toplined “Hippocrate,” Lilti’s feature debut which world premiered at Cannes’s Critics Week and turned out to be a critical and commercial success in France and abroad.
Le Pacte hosted four market screenings for the film at Cannes and has now sold it to Italy (Movies inspired), Canada (Eye Steel Film), Switzerland (Filmcoopi), Austria (Thimfilm) and Benelux (Athena), Colombia, Peru and Ecuador (Cineplex), Central America (Cinepolis).
Camille Neel, Le Pacte’s head of international sales, said Lilti’s last film, “Irreplaceable” sold 1.6 million admissions in France and 1.2 million abroad. “Lilti has become popular among foreign buyers thanks to his great track record — both ‘Hippocrate” and ‘Irreplaceable’ have been successful,...
“The Freshmen” reteams Lilti with French actor Vincent Lacoste who toplined “Hippocrate,” Lilti’s feature debut which world premiered at Cannes’s Critics Week and turned out to be a critical and commercial success in France and abroad.
Le Pacte hosted four market screenings for the film at Cannes and has now sold it to Italy (Movies inspired), Canada (Eye Steel Film), Switzerland (Filmcoopi), Austria (Thimfilm) and Benelux (Athena), Colombia, Peru and Ecuador (Cineplex), Central America (Cinepolis).
Camille Neel, Le Pacte’s head of international sales, said Lilti’s last film, “Irreplaceable” sold 1.6 million admissions in France and 1.2 million abroad. “Lilti has become popular among foreign buyers thanks to his great track record — both ‘Hippocrate” and ‘Irreplaceable’ have been successful,...
- 5/15/2018
- by Elsa Keslassy
- Variety Film + TV
His name is Abel, and he’s played by Tahar Rahim (“A Prophet”), exuding twinkling, dirty, stubbled charisma. He’s an incorrigible gambler and a con man on first-name terms with the wrong kind of people — vicious debt collectors and bouncers in underground gambling dens. He is bad news. But for Ella (Stacy Martin) the hardworking, capable and perhaps slightly uptight manager of her father’s popular local bistro, he’s the best kind of bad news, and while he might end up making you sadder, he’ll also make you smarter, savvier and, frankly, sexier. French director Marie Monge’s native country may have coined the term “film noir,” and there may be more than a dash of Audiard to her debut, but “Treat Me Like Fire” is best considered in the context of the lowlife-ridden cinema of 1970s Hollywood, in which the arc of every star-crossed relationship tends inevitably toward betrayal.
- 5/15/2018
- by Jessica Kiang
- Variety Film + TV
Red carpet protest highlighted fact only 82 women have been honoured in Official Selection over 71 editions of festival.
Cate Blanchett and Agnes Varda led 82 female industry figures in a silent ascent of the red carpet at the Cannes Film Festival on Saturday protesting the lack of female representation at the event over its 71 editions.
Moving, historic, 82 women from all countries and professions in cinema have just made the red carpet entrance for Les Filles Du Soleil (Girls Of The Sun) by Eva Husson. #Cannes2018 #Competition pic.twitter.com/0YY9SNbRqg
— Festival de Cannes (@Festival_Cannes) May 12, 2018
Other stars joining the protest...
Cate Blanchett and Agnes Varda led 82 female industry figures in a silent ascent of the red carpet at the Cannes Film Festival on Saturday protesting the lack of female representation at the event over its 71 editions.
Moving, historic, 82 women from all countries and professions in cinema have just made the red carpet entrance for Les Filles Du Soleil (Girls Of The Sun) by Eva Husson. #Cannes2018 #Competition pic.twitter.com/0YY9SNbRqg
— Festival de Cannes (@Festival_Cannes) May 12, 2018
Other stars joining the protest...
- 5/12/2018
- by Melanie Goodfellow
- ScreenDaily
Tahar Rahim and Stacy Martin star in the story of a Parisian waitress drawn into a desperate underworld of addiction by a charismatic parasite
First-time feature director Marie Monge brings her terrific drama-thriller Joueurs to the Director’s Fortnight section of Cannes. The English title she has attached to it is “Treat Me Like Fire”. Actually, I think the simple translation “Players” is better.
It’s an old-school lowlife adventure in the Paris underworld of gambling, co-written by Romain Compingt and Julien Guetta with Monge herself, clearly inspired at one level by Jacques Audiard, and further back by movies such as Melville’s Bob Le Flambeur and Godard’s Bande à Part. There’s also a classic tour-guide sequence around the illegal casino, with clued-in narrative voiceover, the camera roaming around and noticing all the scams and dodges going on, invisible to the outsider: maybe a little of Ocean’s Eleven here.
First-time feature director Marie Monge brings her terrific drama-thriller Joueurs to the Director’s Fortnight section of Cannes. The English title she has attached to it is “Treat Me Like Fire”. Actually, I think the simple translation “Players” is better.
It’s an old-school lowlife adventure in the Paris underworld of gambling, co-written by Romain Compingt and Julien Guetta with Monge herself, clearly inspired at one level by Jacques Audiard, and further back by movies such as Melville’s Bob Le Flambeur and Godard’s Bande à Part. There’s also a classic tour-guide sequence around the illegal casino, with clued-in narrative voiceover, the camera roaming around and noticing all the scams and dodges going on, invisible to the outsider: maybe a little of Ocean’s Eleven here.
- 5/11/2018
- by Peter Bradshaw
- The Guardian - Film News
Writer-director Marie Monge brings a tale of bad choices to the screen in Treat Me Like Fire — her first feature since being nominated for a Cesar for her short film Marseille by Night in 2012 — which premieres Friday in the Directors’ Fortnight.
A story of love, addiction and addiction to love, the film has a different title in French, the fairly innocuous Joueurs, meaning “players,” which can have a double meaning. But while Monge chose both titles, she says Fire, which suggests the desperation and kinetic energy in the movie, “is more accurate about what the film is”...
A story of love, addiction and addiction to love, the film has a different title in French, the fairly innocuous Joueurs, meaning “players,” which can have a double meaning. But while Monge chose both titles, she says Fire, which suggests the desperation and kinetic energy in the movie, “is more accurate about what the film is”...
- 5/11/2018
- by Rhonda Richford
- The Hollywood Reporter - Movie News
Writer-director Marie Monge brings a tale of bad choices to the screen in <em>Treat Me Like Fire</em> — her first feature since being nominated for a Cesar for her short <em>Marseille by Night</em> in 2012 — which premieres Friday in Directors’ Fortnight.
A story of love, addiction and addiction to love, the film has a different title in French, the fairly innocuous <em>Joueurs</em>, meaning “players,” which can have a double meaning. But while Monge chose both titles, she says <em>Fire</em>, which suggests the desperation and kinetic energy in the movie, “is more accurate about what the film is” — a story ...
A story of love, addiction and addiction to love, the film has a different title in French, the fairly innocuous <em>Joueurs</em>, meaning “players,” which can have a double meaning. But while Monge chose both titles, she says <em>Fire</em>, which suggests the desperation and kinetic energy in the movie, “is more accurate about what the film is” — a story ...
- 5/11/2018
- The Hollywood Reporter - Film + TV
French star Vincent Lindon, who toplines Stephane Brizé’s Cannes competition entry “At War,” is set to star in Thierry de Peretti’s “L’Infiltré” (“The Infiltrated”), a thriller based on the true story of Hubert Avoine, a former con who became a French informant in 2007 and infiltrated Mexican drug cartels.
The film was written by de Peretti, based on the recently published book by the same name written by Avoine and French investigative journalist Emmanuel Fansten. In the book, Avoine says France’s Office for Illicit Drug Traffic Control used him to organize its own drug ring.
The movie will be produced by Frédéric Jouve at Paris-based Les Films Velvet, and co-produced by Claude Chelli at Capa Drama, the thriving banner behind “Braquo” and “Versailles.” Both outfits are also partnering with de Peretti and French pay TV channel Canal Plus on a mini-series about Avoine’s journey as an informant.
The film was written by de Peretti, based on the recently published book by the same name written by Avoine and French investigative journalist Emmanuel Fansten. In the book, Avoine says France’s Office for Illicit Drug Traffic Control used him to organize its own drug ring.
The movie will be produced by Frédéric Jouve at Paris-based Les Films Velvet, and co-produced by Claude Chelli at Capa Drama, the thriving banner behind “Braquo” and “Versailles.” Both outfits are also partnering with de Peretti and French pay TV channel Canal Plus on a mini-series about Avoine’s journey as an informant.
- 5/10/2018
- by Elsa Keslassy
- Variety Film + TV
Marie Monge took inspiration for Directors’ Fortnight selection Joueurs, her first feature, from her own experiences in the world of gambling, with a desire to “write about a very masculine world from the point of view of a woman.”
At the age of 22, she had a friend who was a gambler and, with him, discovered Paris’s now mostly bygone casino circuit. Joueurs stars Tahar Rahim and Stacy Martin. The latter, a breakout in Lars von Trier’s Nymphomaniac, plays Ella, whose life is turned upside down when she meets Abel (Rahim). Irresistibly drawn to this elusive lover, the young woman discovers the cosmopolitan underground world of Paris’s gaming circles, where adrenaline and money reign supreme. Their love story begins as a mere bet, but turns into a devouring passion.
Monge did not attend film school but studied theory at university in Paris. She made shorts and worked on...
At the age of 22, she had a friend who was a gambler and, with him, discovered Paris’s now mostly bygone casino circuit. Joueurs stars Tahar Rahim and Stacy Martin. The latter, a breakout in Lars von Trier’s Nymphomaniac, plays Ella, whose life is turned upside down when she meets Abel (Rahim). Irresistibly drawn to this elusive lover, the young woman discovers the cosmopolitan underground world of Paris’s gaming circles, where adrenaline and money reign supreme. Their love story begins as a mere bet, but turns into a devouring passion.
Monge did not attend film school but studied theory at university in Paris. She made shorts and worked on...
- 5/10/2018
- by Nancy Tartaglione
- Deadline Film + TV
The film is a remake of Italian hit Perfect Strangers, and stars Bérénice Béjo, Suzanne Clément and Roschdy Zem.
French sales company Playtime has acquired international rights to Fred Cavayé’s dinner party-set comedy Nothing To Hide, on the eve of the Cannes Film Festival and Marché du Film next week.
A remake of Paolo Genovese’s Italian hit Perfect Strangers (Perfetti Sconosciuti) which grossed more than $22m at the box office and became a major talking point in Italy, its starry French cast features Bérénice Béjo, Suzanne Clément, Roschdy Zem and Vincent Elbaz.
The picture, entitled Le Jeu in French,...
French sales company Playtime has acquired international rights to Fred Cavayé’s dinner party-set comedy Nothing To Hide, on the eve of the Cannes Film Festival and Marché du Film next week.
A remake of Paolo Genovese’s Italian hit Perfect Strangers (Perfetti Sconosciuti) which grossed more than $22m at the box office and became a major talking point in Italy, its starry French cast features Bérénice Béjo, Suzanne Clément, Roschdy Zem and Vincent Elbaz.
The picture, entitled Le Jeu in French,...
- 5/4/2018
- by Melanie Goodfellow
- ScreenDaily
The lineup for the 2018 Directors' Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced.
Opening Film:Birds of Passage (Ciro Guerra & Cristina Gallego)Closing Film:Troppa grazia (Gianni Zanasi)Feature Films Amin (Philippe Faucon)Climax (Gaspar Noe)Carmen y Lola (Arantxa Echevarria)Cómprame un revólver (Julio Hernández Cordón)Les Confins du monde (Guillaume Nicloux)El motoarrebatador (Agustín Toscano)En Liberté! (Pierre Salvadori)Joueurs (Marie Monge)Leave No Trace (Debra Granik)Los silencios (Beatriz Seigner)Ming wang xing shi ke de (Ming Zhang)Mandy (Panos Cosmatos)Mirai (Mamoru Hosoda)Le monde est à toi (Romain Gavras)Petra (Jaime Rosales)Samouni Road (Stefano Savona)Teret (Ognjen Glavonic)Weldi (Mohamed Ben Attia)SHORTSBasses (Félix Imbert)Ce magnifique gâteau! (Emma De Swaef & Marc Roels)La lotta (Marco Bellocchio)Las cruces (Nicolas Boone)La Nuit des sacs plastiques (Gabriel Harel)O órfão (Carolina Markowicz)Our Song to War (Juanita Onzaga)Skip Day (Patrick Bresnan & Ivette Lucas)Le...
Opening Film:Birds of Passage (Ciro Guerra & Cristina Gallego)Closing Film:Troppa grazia (Gianni Zanasi)Feature Films Amin (Philippe Faucon)Climax (Gaspar Noe)Carmen y Lola (Arantxa Echevarria)Cómprame un revólver (Julio Hernández Cordón)Les Confins du monde (Guillaume Nicloux)El motoarrebatador (Agustín Toscano)En Liberté! (Pierre Salvadori)Joueurs (Marie Monge)Leave No Trace (Debra Granik)Los silencios (Beatriz Seigner)Ming wang xing shi ke de (Ming Zhang)Mandy (Panos Cosmatos)Mirai (Mamoru Hosoda)Le monde est à toi (Romain Gavras)Petra (Jaime Rosales)Samouni Road (Stefano Savona)Teret (Ognjen Glavonic)Weldi (Mohamed Ben Attia)SHORTSBasses (Félix Imbert)Ce magnifique gâteau! (Emma De Swaef & Marc Roels)La lotta (Marco Bellocchio)Las cruces (Nicolas Boone)La Nuit des sacs plastiques (Gabriel Harel)O órfão (Carolina Markowicz)Our Song to War (Juanita Onzaga)Skip Day (Patrick Bresnan & Ivette Lucas)Le...
- 4/18/2018
- MUBI
Playtime has acquired international sales to Vanessa Filho’s feature debut “Angel Face,” which will world premiere in Un Certain Regard at the Cannes Film Festival.
The film stars Oscar-winning actress Marion Cotillard as Marlene, a single mother who lives with her 8-year-old daughter, Elli, in a small town near the French Riviera. One day, Marlene suddenly chooses to abandon her daughter for a man she has just met during yet another night of excess. Elli must confront her mother’s demons to get her back.
Shot by star cinematographer Guillaume Schiffman (“The Artist”), “Angel Face” is produced by well-established producer Marc Missonnier (“Marguerite”) via his banner, Moana Films, and Carole Lambert (“Free Angela and All Political Prisoners”) through her new company, Windy Production. Stephane Celerier’s Mars Films is co-producing and will distribute it in France on May 23.
“Angel Face” was written by Filho, in collaboration with Alain Dias,...
The film stars Oscar-winning actress Marion Cotillard as Marlene, a single mother who lives with her 8-year-old daughter, Elli, in a small town near the French Riviera. One day, Marlene suddenly chooses to abandon her daughter for a man she has just met during yet another night of excess. Elli must confront her mother’s demons to get her back.
Shot by star cinematographer Guillaume Schiffman (“The Artist”), “Angel Face” is produced by well-established producer Marc Missonnier (“Marguerite”) via his banner, Moana Films, and Carole Lambert (“Free Angela and All Political Prisoners”) through her new company, Windy Production. Stephane Celerier’s Mars Films is co-producing and will distribute it in France on May 23.
“Angel Face” was written by Filho, in collaboration with Alain Dias,...
- 4/18/2018
- by Elsa Keslassy
- Variety Film + TV
Nicolas Cage is heading to Cannes. The festival’s parallel sidebar Directors’ Fortnight has announced the 17 features that will screen this year, and the group includes world premieres from international favorites like Gaspar Noe’ and Ciro Guerra, plus acclaimed titles like “Mandy” and “Leave No Trace” that first wowed audiences at Sundance earlier this year.
2018 Directors’ Fortnight will open with the world premiere of “Birds of Passage,” from Colombian directors Guerra and Cristina Gallego. Guerra is best known as the director behind the Oscar-nominated “Embrace of the Serpent.” Another major world premiere will be Noe’s “Climax,” formerly known as “Psyché.” The director’s first film since “Love” is about a group of dancers in the 1990s who descend into madness after being drugged.
Directors’ Fortnight has become one of the most prestigious sidebars during the Cannes Film Festival. Last year, Fortnight premiere “The Florida Project” ended up being one...
2018 Directors’ Fortnight will open with the world premiere of “Birds of Passage,” from Colombian directors Guerra and Cristina Gallego. Guerra is best known as the director behind the Oscar-nominated “Embrace of the Serpent.” Another major world premiere will be Noe’s “Climax,” formerly known as “Psyché.” The director’s first film since “Love” is about a group of dancers in the 1990s who descend into madness after being drugged.
Directors’ Fortnight has become one of the most prestigious sidebars during the Cannes Film Festival. Last year, Fortnight premiere “The Florida Project” ended up being one...
- 4/17/2018
- by Zack Sharf
- Indiewire
Following the first lineup announcement for the 71st Cannes Film Festival, yesterday Critics’ Week arrived, and now today we get two more sidebar reveals. First up, there’s Directors’ Fortnight, which opens with Birds of Passage, from Embrace of the Serpent director Ciro Guerra & Cristina Gallego. Also among the lineup is Gaspar Noé’s drug-fueled (of course) drama Climax, Mamoru Hosoda’s new animation Mirai, Romain Gavras’ Le monde est à toi, as well as Sundance favorites: Panos Cosmatos’ Mandy and Debra Granik’s Leave No Trace.
Check out the lineup below, followed by the Acid lineup, featuring Jim Cummings’ SXSW winner Thunder Road.
Cannes Directors’ Fortnight Lineup
Opening Film:
Birds of Passage (Ciro Guerra & Cristina Gallego)
Closing Film:
Troppa grazia (Gianni Zanasi)
Feature Films
Amin (Philippe Faucon)
Climax (Gaspar Noé)
Carmen y Lola (Arantxa Echevarria)
Cómprame un revólver de (Julio Hernández Cordón)
Les Confins du monde (Guillaume Nicloux)
El motoarrebatador (Agustín Toscano)
En Liberté!
Check out the lineup below, followed by the Acid lineup, featuring Jim Cummings’ SXSW winner Thunder Road.
Cannes Directors’ Fortnight Lineup
Opening Film:
Birds of Passage (Ciro Guerra & Cristina Gallego)
Closing Film:
Troppa grazia (Gianni Zanasi)
Feature Films
Amin (Philippe Faucon)
Climax (Gaspar Noé)
Carmen y Lola (Arantxa Echevarria)
Cómprame un revólver de (Julio Hernández Cordón)
Les Confins du monde (Guillaume Nicloux)
El motoarrebatador (Agustín Toscano)
En Liberté!
- 4/17/2018
- by Jordan Raup
- The Film Stage
The 50th edition of Directors’ Fortnight, the section running parallel to the Cannes Film Festival, will open with Colombian directors Ciro Guerra and Cristina Gallego’s “Birds of Passage.”
The lavishly shot “Birds of Passage,” which marks Guerra’s follow-up to his Oscar-nominated “Embrace of the Serpent,” takes place in Colombia in the 1970s, when the demand for marijuana hits Colombia, quickly turning farmers into seasoned businessmen. Unfolding in the Guajira desert, “Birds of Passage” follows a Wayuu indigenous family who take a leading role in this new drug trade and discover the perks of wealth and power but also encounter violence and tragedy.
Edouard Waintrop, who is serving his last turn as Directors’ Fortnight chief, said he was particularly happy to welcome back Guerra, who had presented “Embrace of the Serpent” in 2015. “‘Birds of Passage’ is a magnificent film and a powerful, epic mafia story filled with crime and treason,...
The lavishly shot “Birds of Passage,” which marks Guerra’s follow-up to his Oscar-nominated “Embrace of the Serpent,” takes place in Colombia in the 1970s, when the demand for marijuana hits Colombia, quickly turning farmers into seasoned businessmen. Unfolding in the Guajira desert, “Birds of Passage” follows a Wayuu indigenous family who take a leading role in this new drug trade and discover the perks of wealth and power but also encounter violence and tragedy.
Edouard Waintrop, who is serving his last turn as Directors’ Fortnight chief, said he was particularly happy to welcome back Guerra, who had presented “Embrace of the Serpent” in 2015. “‘Birds of Passage’ is a magnificent film and a powerful, epic mafia story filled with crime and treason,...
- 4/17/2018
- by Elsa Keslassy
- Variety Film + TV
Debra Granik, Romain Gavras, Ciro Guerra and Gaspar Noe are among the directors whose films will be included in the 50th Directors’ Fortnight, an independent sidebar that will run concurrently with the Cannes Film Festival in May.
Granik will go to Cannes with “Leave No Trace,” her first narrative film since the Oscar-nominated “Winter’s Bone” in 2010, and a film that received strong reviews when it premiered at Sundance in January.
Gavras, best known for his videos for M.I.A., Kanye West and Jay-z and others, will be there with “Le monde est a toi,” while Guerra and his co-director Cristina Gallego, who made the Oscar-nominated “Embrace of the Serpent,” will bring “Birds of Passage” to Directors’ Fortnight.
Also Read: Cannes Will Welcome Back Lars von Trier, Says Festival Director
The Argentinian provocateur Noe will bring “Climax” to the festival.
Also in the selection: Panos Cosmatos’ horror film “Mandy,” which features what is reportedly another wild performance from Nicolas Cage.
Of the 20 feature films in the section, 15 are directed by men and four by women, with “Birds of Passage” a collaboration between male and female directors.
Also Read: Majority of Cannes Critics' Week Competition Films Were Directed by Women
Directors’ Fortnight (Quinzaine des Realisateurs) was established in 1969, in the aftermath of a 1968 Cannes Film Festival that was canceled midway through in solidarity with the protests sweeping through France. It was set up to offer a more daring and experimental slate than the main festival, and over the years provided the first Cannes exposure for such directors as Martin Scorsese, Werner Herzog, Michael Haneke and Spike Lee.
Directors’ Fortnight will open on May 9 and run through May 19.
The lineup:
“Pajaros de verano” (“Birds of Passage”), Ciro Guerra and Cristina Gallego (opening film)
“Amin,” Philippe Faucon
“Carmen Y Lola,” Arantxa Echevarria
“Climax,” Gaspar Noe
“Comprama un revolver” (“Buy Me a Gun”), Julio Hernandez Cordon
“Les Confins du Monde,” Guillaume Nicloux
“El motoarrebatador” (“The Snatch Thief”), Augustin Toscano
“En Liberte!,” Pierre Salvadori
“Joueurs” (“Treat Me Like Fire”), Marie Monge
“Leave No Trace,” Debra Granik
“Los Silencios,” Beatriz Seigner
“Ming wang xing shi ke” (“The Pluto Moment”), Ming Zhang
“Mandy,” Panos Cosmatos
“Mirai,” Mamoru Hosoda
“Le monde est a toi,” Romain Gavras
“Petra,” Jaime Rosales
“Samouni Road,” Stefano Savona
“Teret” (“The Load”), Ognjen Glavonic
“Weldi” (“Dear Son”), Mohamed Ben Attia
“Troppa Grazia,” Gianni Zanasi (closing film)
Also Read: Cannes Lineup Reaches From Spike Lee to Jean-Luc Godard
Short films:
“Basses,” Felix Imbert
“Ce Magnifique gateau!,” (“This Magnificent Cake!”), Emma De Swaef & Marc Roels
“La Chanson” (“The Song”), Tiphaine Raffier
“La Lotta,” Marco Belocchio
“Las Cruces,” Nicolas Boone
“La nuit des sacs plastiques” (“The Night of the Plastic Bags”), Gabriel Harel
“O orfao” (“The Orphan”), Carolina Markowicz
“Our Song to War,” Juanita Onzaga
“Skip Day,” Patrick Bresnan & Ivette Lucas
“Le Sujet” (“The Subject”), Patrick Bouchard
Read original story Debra Granik, Gaspar Noe Films Selected for Cannes’ Directors’ Fortnight Lineup At TheWrap...
Granik will go to Cannes with “Leave No Trace,” her first narrative film since the Oscar-nominated “Winter’s Bone” in 2010, and a film that received strong reviews when it premiered at Sundance in January.
Gavras, best known for his videos for M.I.A., Kanye West and Jay-z and others, will be there with “Le monde est a toi,” while Guerra and his co-director Cristina Gallego, who made the Oscar-nominated “Embrace of the Serpent,” will bring “Birds of Passage” to Directors’ Fortnight.
Also Read: Cannes Will Welcome Back Lars von Trier, Says Festival Director
The Argentinian provocateur Noe will bring “Climax” to the festival.
Also in the selection: Panos Cosmatos’ horror film “Mandy,” which features what is reportedly another wild performance from Nicolas Cage.
Of the 20 feature films in the section, 15 are directed by men and four by women, with “Birds of Passage” a collaboration between male and female directors.
Also Read: Majority of Cannes Critics' Week Competition Films Were Directed by Women
Directors’ Fortnight (Quinzaine des Realisateurs) was established in 1969, in the aftermath of a 1968 Cannes Film Festival that was canceled midway through in solidarity with the protests sweeping through France. It was set up to offer a more daring and experimental slate than the main festival, and over the years provided the first Cannes exposure for such directors as Martin Scorsese, Werner Herzog, Michael Haneke and Spike Lee.
Directors’ Fortnight will open on May 9 and run through May 19.
The lineup:
“Pajaros de verano” (“Birds of Passage”), Ciro Guerra and Cristina Gallego (opening film)
“Amin,” Philippe Faucon
“Carmen Y Lola,” Arantxa Echevarria
“Climax,” Gaspar Noe
“Comprama un revolver” (“Buy Me a Gun”), Julio Hernandez Cordon
“Les Confins du Monde,” Guillaume Nicloux
“El motoarrebatador” (“The Snatch Thief”), Augustin Toscano
“En Liberte!,” Pierre Salvadori
“Joueurs” (“Treat Me Like Fire”), Marie Monge
“Leave No Trace,” Debra Granik
“Los Silencios,” Beatriz Seigner
“Ming wang xing shi ke” (“The Pluto Moment”), Ming Zhang
“Mandy,” Panos Cosmatos
“Mirai,” Mamoru Hosoda
“Le monde est a toi,” Romain Gavras
“Petra,” Jaime Rosales
“Samouni Road,” Stefano Savona
“Teret” (“The Load”), Ognjen Glavonic
“Weldi” (“Dear Son”), Mohamed Ben Attia
“Troppa Grazia,” Gianni Zanasi (closing film)
Also Read: Cannes Lineup Reaches From Spike Lee to Jean-Luc Godard
Short films:
“Basses,” Felix Imbert
“Ce Magnifique gateau!,” (“This Magnificent Cake!”), Emma De Swaef & Marc Roels
“La Chanson” (“The Song”), Tiphaine Raffier
“La Lotta,” Marco Belocchio
“Las Cruces,” Nicolas Boone
“La nuit des sacs plastiques” (“The Night of the Plastic Bags”), Gabriel Harel
“O orfao” (“The Orphan”), Carolina Markowicz
“Our Song to War,” Juanita Onzaga
“Skip Day,” Patrick Bresnan & Ivette Lucas
“Le Sujet” (“The Subject”), Patrick Bouchard
Read original story Debra Granik, Gaspar Noe Films Selected for Cannes’ Directors’ Fortnight Lineup At TheWrap...
- 4/17/2018
- by Steve Pond
- The Wrap
Noé, Faucon and Rosales feature in 50th anniversary edition marked by strong Hispanic, French presence.
Gaspar Noé’s Climax, Ciro Guerra and Cristina Gallego’s Birds of Passage, and Mamoru Hosoda’s feature animation Mirai are among the features that will premiere in the 50th anniversary edition of Directors’ Fortnight this year.
Artistic director Edouard Waintrop unveiled his final selection, ahead of his departure this autumn, at a press conference at the Forum des Images in Paris on Tuesday (April 17). The 50th edition line-up – running May 9-19 - comprises 20 features and another 11 short films.
“I would like to thank the...
Gaspar Noé’s Climax, Ciro Guerra and Cristina Gallego’s Birds of Passage, and Mamoru Hosoda’s feature animation Mirai are among the features that will premiere in the 50th anniversary edition of Directors’ Fortnight this year.
Artistic director Edouard Waintrop unveiled his final selection, ahead of his departure this autumn, at a press conference at the Forum des Images in Paris on Tuesday (April 17). The 50th edition line-up – running May 9-19 - comprises 20 features and another 11 short films.
“I would like to thank the...
- 4/17/2018
- by Melanie Goodfellow
- ScreenDaily
Update: Outgoing Directors’ Fortnight chief Edouard Waintrop revealed a 20-strong 50th anniversary lineup today that includes a return engagement for some, and a surprise inclusion for one of the most controversial filmmakers ever to hit the Croisette. Gaspar Noé will world premiere his Climax, appearing for the first time in the section after turns in Official Selection with such films as Love, Enter The Void and Irreversible. Climax has been kept close to the vest, with some conflicting information circulating (we will update when we know more).
The Fortnight will open with Cristina Gallego and Ciro Guerra’s Birds Of Passage. The 1970s-set film about the early days of the drug trade is a return to the section for Guerra whose 2015 Embrace Of The Serpent became Colombia’s first Foreign Language Oscar nominee.
Also notable on the roster are Guillaume Nicloux’s Les Confins Du Monde. His Valley Of Love...
The Fortnight will open with Cristina Gallego and Ciro Guerra’s Birds Of Passage. The 1970s-set film about the early days of the drug trade is a return to the section for Guerra whose 2015 Embrace Of The Serpent became Colombia’s first Foreign Language Oscar nominee.
Also notable on the roster are Guillaume Nicloux’s Les Confins Du Monde. His Valley Of Love...
- 4/17/2018
- by Nancy Tartaglione
- Deadline Film + TV
Frédérique Rouault joins ahead of the European Film Market next week.
Paris-based Playtime has appointed Frédérique Rouault as its director of international sales ahead of the European Film Market next week.
The experienced sales executive arrives from Celluloid Dreams where she was head of sales from November 2016 and helped to contribute to its recent expansion.
Prior to that, Rouault was VP international Sales at TF1 Studio where she worked on hits such as Serial (Bad) Weddings.
She originally cut her teeth in sales at Paulo Branco’s Alfama Films after attending Sciences Po and then France’s prestigious La Fémis film school, where she studied distribution.
In her new role, Rouault will work alongside Playtime partners François Yon, Sébastien Beffa and Nicolas Brigaud-Robert, taking over the responsibility of the international film sales department.
“Frédérique is a seasoned professional,” said Brigaud-Robert. “She is versatile in her capabilities and has proven her talent, selling both mainstream...
Paris-based Playtime has appointed Frédérique Rouault as its director of international sales ahead of the European Film Market next week.
The experienced sales executive arrives from Celluloid Dreams where she was head of sales from November 2016 and helped to contribute to its recent expansion.
Prior to that, Rouault was VP international Sales at TF1 Studio where she worked on hits such as Serial (Bad) Weddings.
She originally cut her teeth in sales at Paulo Branco’s Alfama Films after attending Sciences Po and then France’s prestigious La Fémis film school, where she studied distribution.
In her new role, Rouault will work alongside Playtime partners François Yon, Sébastien Beffa and Nicolas Brigaud-Robert, taking over the responsibility of the international film sales department.
“Frédérique is a seasoned professional,” said Brigaud-Robert. “She is versatile in her capabilities and has proven her talent, selling both mainstream...
- 2/9/2018
- by Melanie Goodfellow
- ScreenDaily
Playtime launches sales on Monge’s debut feature at UniFrance’s Rendez-vous with French Cinema.
Source: Playtime
‘Treat Me Like Fire’
Paris-based Playtime has released first images of Tahar Rahim and Stacy Martin in buzzed-about French director Marie Monge’s debut feature tale of love and addiction Treat Me Like Fire as UniFrance’s Rendez-vous with French Cinema (Jan 18-22) kicks off in Paris on Thursday.
Rahim plays a gambling addict working in a Paris bar where he gets involved with the owner’s daughter (Martin) who he introduces to the capital’s underground gambling scene.
The smitten young woman, who is keen to impress to her new lover, quickly gets hooked to the thrill of the betting table and their joint addiction quickly spirals out of control.
Playtime (formerly Films Distribution) will launch sales on the feature, which is in post-production, at the UniFrance meeting.
“We had quite a battle to get it. There was a lot of...
Source: Playtime
‘Treat Me Like Fire’
Paris-based Playtime has released first images of Tahar Rahim and Stacy Martin in buzzed-about French director Marie Monge’s debut feature tale of love and addiction Treat Me Like Fire as UniFrance’s Rendez-vous with French Cinema (Jan 18-22) kicks off in Paris on Thursday.
Rahim plays a gambling addict working in a Paris bar where he gets involved with the owner’s daughter (Martin) who he introduces to the capital’s underground gambling scene.
The smitten young woman, who is keen to impress to her new lover, quickly gets hooked to the thrill of the betting table and their joint addiction quickly spirals out of control.
Playtime (formerly Films Distribution) will launch sales on the feature, which is in post-production, at the UniFrance meeting.
“We had quite a battle to get it. There was a lot of...
- 1/18/2018
- by Melanie Goodfellow
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.