Low-budget take on the evergreen tale already feels overshadowed by the grand French retelling due next door
This British stab at the deathless Dumas novel refuses to heed its own running gag: always run in the face of overwhelming odds. In this case it’s the imminent arrival of a star-bejewelled, two-part French adaptation with Vincent Cassel, Eva Green, Romain Duris and Vicky Krieps. Instead, it puts up a valiant stand – led by pretty plush production and costume design for what is presumably a low-budget affair. But finally it waves its colours in surrender, let down by patchy acting and unimaginative direction.
It at least boasts one first: a black D’Artagnan (Malachi Pullar-Latchman). Whatever your stance on “racelifting”, in this instance it works pretty well: emphasising the would-be musketeer’s outsider but upwardly mobile status as he arrives in Paris, and lines up back-to-back duels with Athos (Ben Freeman...
This British stab at the deathless Dumas novel refuses to heed its own running gag: always run in the face of overwhelming odds. In this case it’s the imminent arrival of a star-bejewelled, two-part French adaptation with Vincent Cassel, Eva Green, Romain Duris and Vicky Krieps. Instead, it puts up a valiant stand – led by pretty plush production and costume design for what is presumably a low-budget affair. But finally it waves its colours in surrender, let down by patchy acting and unimaginative direction.
It at least boasts one first: a black D’Artagnan (Malachi Pullar-Latchman). Whatever your stance on “racelifting”, in this instance it works pretty well: emphasising the would-be musketeer’s outsider but upwardly mobile status as he arrives in Paris, and lines up back-to-back duels with Athos (Ben Freeman...
- 3/8/2023
- by Phil Hoad
- The Guardian - Film News
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