Ring in a new month with Freevee! In addition to library additions like 1999’s provocative teen drama “Cruel Intentions” and 2020’s festival hit “Never Rarely Sometimes Always,” the free Amazon streamer will both welcome back and say goodbye to its critically acclaimed espionage series “Alex Rider,” starring Otto Farrant, on April 5. Later in the month, the streamer’s new single-camera comedy “Dinner with the Parents,” starring Jon Glaser, Henry Hall, Dan Bakkedahl, Carol Kane, and more, will have its premiere.
Check out The Streamable’s top picks for what to watch on Freevee in April, and continue below to see all the titles and channels getting added to the streamer this month!
Watch Now Free amazonfreevee.com What are the 5 Best Shows and Movies Coming to Freevee in April 2024? “Cruel Intentions” | Monday, April 1
The cult classic, which turned 25 earlier this month, arrives on the free streamer at the start of the month.
Check out The Streamable’s top picks for what to watch on Freevee in April, and continue below to see all the titles and channels getting added to the streamer this month!
Watch Now Free amazonfreevee.com What are the 5 Best Shows and Movies Coming to Freevee in April 2024? “Cruel Intentions” | Monday, April 1
The cult classic, which turned 25 earlier this month, arrives on the free streamer at the start of the month.
- 3/29/2024
- by Ashley Steves
- The Streamable
Sean Ono Lennon may have initially rejected the astrology his family embraced growing up, but when it came to his new album, it felt like the very stars were against him. “I just felt like there was too much cosmic interference,” he tells Rolling Stone of Asterisms, a genreless wash of instrumental music that flirts with jazz, rock, and electronic. In the end, though, the planets aligned, and the record dropped Friday on John Zorn’s Tzadik label.
But back in the days when Covid was rampant, the fate of...
But back in the days when Covid was rampant, the fate of...
- 2/16/2024
- by Brenna Ehrlich
- Rollingstone.com
Hi, Barbie! Great news: Greta Gerwig’s film based on the iconic Mattel doll leads the 14th annual Guild of Music Supervisors Awards nominations with three nods – including best song for both Billie Eilish’s “What Was I Made For?” and Ryan Gosling’s “I’m Just Ken.”
“Barbie’s” third nomination was in best music supervision for a film budgeted over $25 million. The category recognized the work of music supervisor George Drakoulias, songwriters Eilish and Finneas and Mark Ronson and Andrew Wyatt who penned “I’m Just Ken.”
Other film contenders are the music supervisors from “Maestro,” “Saltburn,” “Spider-Man: Across the Spider-Verse,” “Past Lives,” “Wonka,” “Air” among others.
Top TV contenders include the music supervisors from “Daisy Jones & The Six,” “The White Lotus,” “Welcome to Chippendales” and “Yellowjackets.”
The Guild of Music Supervisors is a non-profit organization that was founded in 2010 with the “goal of preserving and promoting the...
“Barbie’s” third nomination was in best music supervision for a film budgeted over $25 million. The category recognized the work of music supervisor George Drakoulias, songwriters Eilish and Finneas and Mark Ronson and Andrew Wyatt who penned “I’m Just Ken.”
Other film contenders are the music supervisors from “Maestro,” “Saltburn,” “Spider-Man: Across the Spider-Verse,” “Past Lives,” “Wonka,” “Air” among others.
Top TV contenders include the music supervisors from “Daisy Jones & The Six,” “The White Lotus,” “Welcome to Chippendales” and “Yellowjackets.”
The Guild of Music Supervisors is a non-profit organization that was founded in 2010 with the “goal of preserving and promoting the...
- 1/22/2024
- by Diego Ramos Bechara
- Variety Film + TV
Barbie is the most nominated film for the 2024 Guild of Music Supervisors Awards, landing three nominations, including two in the best song for film category for “What Was I Made For?” and “I’m Just Ken.”
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
- 1/22/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
In the new article series Sound and Vision, we take a look at music videos from notable directors. This week, we look at Sharon Van Etten's Your Love Is Killing Me, directed by Sean Durkin. Sean Durkin, whose new wrestling drama The Iron Claw is now showing in cinema's, is a very effective actor's director. He often stays out of the way of his actors, mostly using cinematography and editing to heighten what the actors bring to the table. There is a heightened sense of reality to his films, but when push comes to shove, you can describe his sense of style as "realism". But because there is this use of camera work to heighten the actors' performance further, you get a use of close...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 1/1/2024
- Screen Anarchy
The Academy of Motion Picture Arts and Sciences has revealed its shortlists for 2024 Oscar nominees in several categories, including Best Original Song and Best Original Score.
Of the 15 songs on the Oscar shortlist for Best Original Song, three come from Barbie: “Dance the Night” sung by Dua Lipa; “I’m Just Ken” sung by Ryan Gosling; and “What Was I Made For?” sung by Billie Eilish.
Also on the Best Original Song shortlist are Olivia Rodrigo for “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds & Snakes; Sharon Van Etten for “Quiet Eyes” from Past Lives; Jarvis Cocker for “Dear Alien (Who Art In Heaven)” from Asteroid City; Jon Batiste for “It Never Went Away” from American Symphony; and Metro Boomin, A$AP Rocky, and Roisee for “Am I Dreaming” from Spider-Man: Across the Spider-Verse.
The shortlist for Best Original Score includes Consequence’s 2023 Composer of the Year,...
Of the 15 songs on the Oscar shortlist for Best Original Song, three come from Barbie: “Dance the Night” sung by Dua Lipa; “I’m Just Ken” sung by Ryan Gosling; and “What Was I Made For?” sung by Billie Eilish.
Also on the Best Original Song shortlist are Olivia Rodrigo for “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds & Snakes; Sharon Van Etten for “Quiet Eyes” from Past Lives; Jarvis Cocker for “Dear Alien (Who Art In Heaven)” from Asteroid City; Jon Batiste for “It Never Went Away” from American Symphony; and Metro Boomin, A$AP Rocky, and Roisee for “Am I Dreaming” from Spider-Man: Across the Spider-Verse.
The shortlist for Best Original Score includes Consequence’s 2023 Composer of the Year,...
- 12/21/2023
- by Scoop Harrison
- Consequence - Film News
The Academy of Motion Picture Arts and Sciences has revealed its shortlists for 2024 Oscar nominees in several categories, including Best Original Song and Best Original Score.
Of the 15 songs on the Oscar shortlist for Best Original Song, three come from Barbie: “Dance the Night” sung by Dua Lipa; “I’m Just Ken” sung by Ryan Gosling; and “What Was I Made For?” sung by Billie Eilish.
Also on the Best Original Song shortlist are Olivia Rodrigo for “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds & Snakes; Sharon Van Etten for “Quiet Eyes” from Past Lives; Jarvis Cocker for “Dear Alien (Who Art In Heaven)” from Asteroid City; Jon Batiste for “It Never Went Away” from American Symphony; and Metro Boomin, A$AP Rocky, and Roisee for “Am I Dreaming” from Spider-Man: Across the Spider-Verse.
The shortlist for Best Original Score includes Consequence’s 2023 Composer of the Year,...
Of the 15 songs on the Oscar shortlist for Best Original Song, three come from Barbie: “Dance the Night” sung by Dua Lipa; “I’m Just Ken” sung by Ryan Gosling; and “What Was I Made For?” sung by Billie Eilish.
Also on the Best Original Song shortlist are Olivia Rodrigo for “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds & Snakes; Sharon Van Etten for “Quiet Eyes” from Past Lives; Jarvis Cocker for “Dear Alien (Who Art In Heaven)” from Asteroid City; Jon Batiste for “It Never Went Away” from American Symphony; and Metro Boomin, A$AP Rocky, and Roisee for “Am I Dreaming” from Spider-Man: Across the Spider-Verse.
The shortlist for Best Original Score includes Consequence’s 2023 Composer of the Year,...
- 12/21/2023
- by Scoop Harrison
- Consequence - Music
Oscar’s music branch has had its say, naming 15 original scores and 15 songs to its shortlist for possible nomination at the 96th Academy Awards, with few surprises.
As expected, all three “Barbie” songs that were entered — Billie Eilish’s “What Was I Made For,” Dua Lipa’s “Dance the Night” and Ryan Gosling’s “I’m Just Ken” — made the 15-song list. Only two, under Academy rules, can be nominated.
The mild surprise was the citing of two new songs from “The Color Purple” (“Keep It Movin'” and “Superpower”) and two from “Flora and Son” (“High Life” and “Meet in the Middle”), while two of the biggest musicals of the season, “Wonka” and “Wish,” failed to make the cut in either category.
The Bruce Springsteen song from “She Came to Me,” Golden Globe-nominated, is also missing from Oscar’s preliminary list, as are the *Nsync reunion on a song from...
As expected, all three “Barbie” songs that were entered — Billie Eilish’s “What Was I Made For,” Dua Lipa’s “Dance the Night” and Ryan Gosling’s “I’m Just Ken” — made the 15-song list. Only two, under Academy rules, can be nominated.
The mild surprise was the citing of two new songs from “The Color Purple” (“Keep It Movin'” and “Superpower”) and two from “Flora and Son” (“High Life” and “Meet in the Middle”), while two of the biggest musicals of the season, “Wonka” and “Wish,” failed to make the cut in either category.
The Bruce Springsteen song from “She Came to Me,” Golden Globe-nominated, is also missing from Oscar’s preliminary list, as are the *Nsync reunion on a song from...
- 12/21/2023
- by Jon Burlingame
- Variety Film + TV
On the heels of the celebrated season one finale, Apple TV+ has announced a season two renewal for “The Buccaneers,” the acclaimed drama from The Forge inspired by Pulitzer Prize-winning author Edith Wharton’s unfinished final novel of the same name. The series stars Kristine Frøseth as Nan St. George, Alisha Boe as Conchita Closson, Josie Totah (“Saved by the Bell”) as Mabel Elmsworth, Aubri Ibrag (“Dive Club”) as Lizzy Elmsworth and Imogen Waterhouse as Jinny St. George. Emmy Award winner Christina Hendricks (“Mad Men”) is Mrs. St. George, with Mia Threapleton as Honoria Marable. The complete first season of “The Buccaneers” is now streaming on Apple TV+. Since its global premiere on November 8, “The Buccaneers” has been hailed as a “lavish period drama that feels fresh and modern, with a fast-paced, twisting narrative” that is a “decadent and delicious” “shot of adrenaline” and “a ton of fun to watch.
- 12/19/2023
- by Hollywood Outbreak
- HollywoodOutbreak.com
Welcome to our weekly rundown of the best new music — featuring big singles, key tracks from our favorite albums, and more. This week, the Beatles release their decades-in-the-making ‘final song,’ Megan Thee Stallion sheds her dark past, and Olivia Rodrigo delivers a shimmery ballad for The Hunger Games: The Ballad of Songbirds & Snakes soundtrack. Plus, new tracks from Kid Cudi, Jung Kook, and Mgmt.
Megan thee Stallion, “Cobra” (YouTube)
Olivia Rodrigo, “Can’t Catch Me Now” (YouTube)
The Beatles, “Now and Then” (YouTube)
Kid Cudi feat. Pharrell and Travis Scott,...
Megan thee Stallion, “Cobra” (YouTube)
Olivia Rodrigo, “Can’t Catch Me Now” (YouTube)
The Beatles, “Now and Then” (YouTube)
Kid Cudi feat. Pharrell and Travis Scott,...
- 11/3/2023
- by Rolling Stone
- Rollingstone.com
Sharon Van Etten shared a new single called “Close to You,” which she co-wrote with Courtney Barnett for the official soundtrack to the upcoming Apple Original drama series The Buccaneers.
Equal parts eerie and alluring, “Close to You” sees Van Etten infuse her classic Americana-inspired rock with a heavy wash of dreamy reverb, cooing lines like: “I got a taste of being with you, don’t wanna waste more time,” “put on your best dress and get out of your head,” and “get away and I’ll stay close to you.”
The song was produced by Warpaint’s Stella Mozgawa, who also produced the entire soundtrack: “It was a truly incredible experience working with this group of uniquely talented artists,” she said in a press release. “Everyone brought their A-game and taught me something invaluable about the creative process. Witnessing these artists map each character’s journey through song was...
Equal parts eerie and alluring, “Close to You” sees Van Etten infuse her classic Americana-inspired rock with a heavy wash of dreamy reverb, cooing lines like: “I got a taste of being with you, don’t wanna waste more time,” “put on your best dress and get out of your head,” and “get away and I’ll stay close to you.”
The song was produced by Warpaint’s Stella Mozgawa, who also produced the entire soundtrack: “It was a truly incredible experience working with this group of uniquely talented artists,” she said in a press release. “Everyone brought their A-game and taught me something invaluable about the creative process. Witnessing these artists map each character’s journey through song was...
- 11/1/2023
- by Abby Jones
- Consequence - Music
Sharon Van Etten has released a new single, “Close to You,” which appears on the soundtrack to upcoming Apple TV+ drama series The Buccaneers. The intimate, emotive track was co-written by Van Etten and Courtney Barnett.
“Close to You” joins a tracklist of all-female artists, including Lucius, Gracie Abrams, and Miya Folick, for the soundtrack. The album was produced by Stella Mozgawa of Warpaint and will hit stores on Nov. 8, the same day as The Buccaneers premiere.
“It was a truly incredible experience working with this group of uniquely talented artists,...
“Close to You” joins a tracklist of all-female artists, including Lucius, Gracie Abrams, and Miya Folick, for the soundtrack. The album was produced by Stella Mozgawa of Warpaint and will hit stores on Nov. 8, the same day as The Buccaneers premiere.
“It was a truly incredible experience working with this group of uniquely talented artists,...
- 11/1/2023
- by Emily Zemler
- Rollingstone.com
The trailer for Apple TV+’s upcoming series adaption of “The Buccaneers” has been released. The series’ soundtrack includes songs by famous singers such as Olivia Rodrigo, Taylor Swift, and Maggie Rogers.
The latest trailer for Apple TV+‘s upcoming adaptation of Edith Wharton’s final novel, The Buccaneers, offers plenty of conflicting cultures and tangled loves.
Like Netflix‘s regency blockbuster Bridgerton, the Buccaneers appears to revel in violating all of the period drama standards, with plenty of s*x, a soundtrack full of current pop music, and a cast of young characters that would fit right in with a teen drama. In a nutshell, it is a lot of fun.
The Buccaneers | Official Trailer
The first trailer, set to Olivia Rodrigo’s ‘All-American Bitch’, features a group of young American females who come to London searching for a gentleman.
Their route to marriage is soon complicated by love...
The latest trailer for Apple TV+‘s upcoming adaptation of Edith Wharton’s final novel, The Buccaneers, offers plenty of conflicting cultures and tangled loves.
Like Netflix‘s regency blockbuster Bridgerton, the Buccaneers appears to revel in violating all of the period drama standards, with plenty of s*x, a soundtrack full of current pop music, and a cast of young characters that would fit right in with a teen drama. In a nutshell, it is a lot of fun.
The Buccaneers | Official Trailer
The first trailer, set to Olivia Rodrigo’s ‘All-American Bitch’, features a group of young American females who come to London searching for a gentleman.
Their route to marriage is soon complicated by love...
- 10/10/2023
- by Mantisha
- https://dailyresearchplot.com/wp-content/uploads/2023/03/new-sam
Apple TV+ has unveiled the trailer and key art for “The Buccaneers,” a new eight-episode drama inspired by Pulitzer Prize-winning author Edith Wharton’s unfinished final novel of the same name, from creator Katherine Jakeways. “The Buccaneers” will make its global debut on Apple TV+ with the first three episodes on Wednesday, November 8, 2023, followed by new episodes weekly, every Wednesday through December 13.
The trailer features Olivia Rodrigo’s hit “all-american bitch” along with Miya Folick’s brand new single “What We Wanna.” The music-driven series blends 1870s English aristocracy with a modern soundtrack produced by Stella Mozgawa (of the band Warpaint) and packed with songs from today’s top female performers that include Taylor Swift, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen, Brandi Carlile and more, along with original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder and more, as well as series composers Avawaves.
The trailer features Olivia Rodrigo’s hit “all-american bitch” along with Miya Folick’s brand new single “What We Wanna.” The music-driven series blends 1870s English aristocracy with a modern soundtrack produced by Stella Mozgawa (of the band Warpaint) and packed with songs from today’s top female performers that include Taylor Swift, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen, Brandi Carlile and more, along with original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder and more, as well as series composers Avawaves.
- 10/7/2023
- by TV Shows Martin Cid Magazine
- Martin Cid - TV
Today Apple TV+ unveiled the trailer for ‘The Buccaneers’, a new eight-episode drama inspired by Pulitzer Prize-winning author Edith Wharton’s unfinished final novel of the same name, from creator Katherine Jakeways. “The Buccaneers” will make its global debut on Apple TV+ with the first three episodes on Wednesday, November 8, 2023, followed by new episodes weekly, every Wednesday through December 13.
The trailer features Olivia Rodrigo’s hit “all-american bitch” along with Miya Folick’s brand new single “What We Wanna.” The music-driven series blends 1870s English aristocracy with a modern soundtrack produced by Stella Mozgawa (of the band Warpaint) and packed with songs from today’s top female performers that include Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen, Brandi Carlile and more, along with original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder and more, as well as series composers Avawaves.
The trailer features Olivia Rodrigo’s hit “all-american bitch” along with Miya Folick’s brand new single “What We Wanna.” The music-driven series blends 1870s English aristocracy with a modern soundtrack produced by Stella Mozgawa (of the band Warpaint) and packed with songs from today’s top female performers that include Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen, Brandi Carlile and more, along with original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder and more, as well as series composers Avawaves.
- 10/5/2023
- by Editorial Desk
Today Apple TV+ unveiled the trailer for ‘The Buccaneers’, a new eight-episode drama inspired by Pulitzer Prize-winning author Edith Wharton’s unfinished final novel of the same name, from creator Katherine Jakeways. “The Buccaneers” will make its global debut on Apple TV+ with the first three episodes on Wednesday, November 8, 2023, followed by new episodes weekly, every Wednesday through December 13.
The trailer features Olivia Rodrigo’s hit “all-american bitch” along with Miya Folick’s brand new single “What We Wanna.” The music-driven series blends 1870s English aristocracy with a modern soundtrack produced by Stella Mozgawa (of the band Warpaint) and packed with songs from today’s top female performers that include Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen, Brandi Carlile and more, along with original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder and more, as well as series composers Avawaves.
The trailer features Olivia Rodrigo’s hit “all-american bitch” along with Miya Folick’s brand new single “What We Wanna.” The music-driven series blends 1870s English aristocracy with a modern soundtrack produced by Stella Mozgawa (of the band Warpaint) and packed with songs from today’s top female performers that include Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen, Brandi Carlile and more, along with original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder and more, as well as series composers Avawaves.
- 10/5/2023
- by Editorial Desk
- GlamSham
A top executive at Hipgnosis Songs — the company that helped drive the music industry’s copyright acquisition boom while buying catalogs from stars like Justin Bieber, Justin Timberlake and the Red Hot Chili Peppers — has been accused of sexual assault, according to a new lawsuit filed in Los Angeles and obtained by Rolling Stone.
A former colleague of Kenny MacPherson, the CEO of Hipgnosis’s publishing arm Hipgnosis Songs Group, sued MacPherson on Wednesday, when he was president of music publishing company Chrysalis. (Hipgnosis is not named as a defendant in the suit.
A former colleague of Kenny MacPherson, the CEO of Hipgnosis’s publishing arm Hipgnosis Songs Group, sued MacPherson on Wednesday, when he was president of music publishing company Chrysalis. (Hipgnosis is not named as a defendant in the suit.
- 10/4/2023
- by Ethan Millman
- Rollingstone.com
Apple TV+’s official trailer for The Buccaneers features Olivia Rodrigo’s “all-american bitch” and Miya Folick’s “What We Wanna.” Based on Edith Wharton’s unfinished final novel, The Buccaneers‘ eight-episode season will also include songs by Taylor Swift, Maggie Rogers, boygenius, Brandi Carlile, Warpaint, Alison Mosshart, Lucius, Gracie Abrams, and Sharon Van Etten.
The genre-blending series stars Kristine Frøseth as Nan St. George, Alisha Boe as Conchita Closson, Critics Choice Award nominee Josie Totah as Mabel Elmsworth, Aubri Ibrag as Lizzy Elmsworth, and Imogen Waterhouse as Jinny St. George. SAG Award winner Christina Hendricks plays Mrs. St. George, Mia Threapleton is Honoria Marable, Josh Dylan is Lord Richard Marable, Guy Remmers is Theo, Matthew Broome is Guy Thwarte, and Barney Fishwick plays Lord James Seadown.
Writer and executive producer Katherine Jakeways created the series and leads an all-female creative team that includes executive producer and director Susanna White and executive producer Beth Willis.
The genre-blending series stars Kristine Frøseth as Nan St. George, Alisha Boe as Conchita Closson, Critics Choice Award nominee Josie Totah as Mabel Elmsworth, Aubri Ibrag as Lizzy Elmsworth, and Imogen Waterhouse as Jinny St. George. SAG Award winner Christina Hendricks plays Mrs. St. George, Mia Threapleton is Honoria Marable, Josh Dylan is Lord Richard Marable, Guy Remmers is Theo, Matthew Broome is Guy Thwarte, and Barney Fishwick plays Lord James Seadown.
Writer and executive producer Katherine Jakeways created the series and leads an all-female creative team that includes executive producer and director Susanna White and executive producer Beth Willis.
- 10/4/2023
- by Rebecca Murray
- Showbiz Junkies
Apple TV+ unveiled the trailer for its upcoming series adaptation of “The Buccaneers,” the unfinished novel by Pulitzer Prize-winning author Edith Wharton.
From creator Katherine Jakeways, the eight-episode drama will premiere Nov. 8 with the first three episodes. New episodes will roll out weekly on Wednesdays through Dec. 13.
The trailer features Olivia Rodrigo’s hit “All-American Bitch,” along with Miya Folick’s brand new single “What We Wanna.” The series tells a story set in 1870s English aristocracy backed by a modern soundtrack from producer Stella Mozgawa (of the band Warpaint). The series will feature songs from today’s top female performers like Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen and Brandi Carlile — along with original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder. Avawaves serves as series composers.
The official logline of the series reads: “Girls with money,...
From creator Katherine Jakeways, the eight-episode drama will premiere Nov. 8 with the first three episodes. New episodes will roll out weekly on Wednesdays through Dec. 13.
The trailer features Olivia Rodrigo’s hit “All-American Bitch,” along with Miya Folick’s brand new single “What We Wanna.” The series tells a story set in 1870s English aristocracy backed by a modern soundtrack from producer Stella Mozgawa (of the band Warpaint). The series will feature songs from today’s top female performers like Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen and Brandi Carlile — along with original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder. Avawaves serves as series composers.
The official logline of the series reads: “Girls with money,...
- 10/4/2023
- by Dessi Gomez
- The Wrap
Apple TV+ is channeling Bridgerton and The Sex Lives of College Girls in the first trailer for its new drama series The Buccaneers, and we're definitely interested in what comes next.
The series has a target audience, and running the trailer to the sound of Olivia Rodrigo's "All-American B----" is a choice.
The series blends 1870s English aristocracy with a modern soundtrack produced by Stella Mozgawa (of the band Warpaint) and packed with songs from today's top female performers that include Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen, Brandi Carlile and more.
Interestingly, original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder, and more are thrown in for good measure.
"Girls with money, men with power. New money, old secrets. A group of fun-loving young American girls explode into the tightly corseted London season of the 1870s,...
The series has a target audience, and running the trailer to the sound of Olivia Rodrigo's "All-American B----" is a choice.
The series blends 1870s English aristocracy with a modern soundtrack produced by Stella Mozgawa (of the band Warpaint) and packed with songs from today's top female performers that include Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs, Angel Olsen, Brandi Carlile and more.
Interestingly, original music from Folick, Lucius, Alison Mosshart, Warpaint, Gracie Abrams, Sharon Van Etten, Bully, Danielle Ponder, and more are thrown in for good measure.
"Girls with money, men with power. New money, old secrets. A group of fun-loving young American girls explode into the tightly corseted London season of the 1870s,...
- 10/4/2023
- by Paul Dailly
- TVfanatic
Apple TV+ has released the trailer for “The Buccaneers,” a new drama series based on Edith Wharton’s unfinished novel. “The Buccaneers” will debut its first three episodes on Nov. 8, followed by the release of new episodes weekly every Wednesday through Dec. 13.
Olivia Rodrigo’s “all-american bitch” plays throughout the trailer as a group of carefree, fun-loving American girls enter the tightly corseted London season of the 1870s, according to the release. An Anglo-American culture clash ensues due to the girls’ refreshing disregard for centuries of tradition. The buccaneers’ hearts are set on much more than just securing husbands and titles. “Saying ‘I do’ is just the beginning,” to quote the logline.
The music-driven series combines 1870 English aristocracy with a modern soundtrack produced by Stella Mozgawa of Warpaint. “The Buccaneers” will feature songs from today’s top female performers including Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs,...
Olivia Rodrigo’s “all-american bitch” plays throughout the trailer as a group of carefree, fun-loving American girls enter the tightly corseted London season of the 1870s, according to the release. An Anglo-American culture clash ensues due to the girls’ refreshing disregard for centuries of tradition. The buccaneers’ hearts are set on much more than just securing husbands and titles. “Saying ‘I do’ is just the beginning,” to quote the logline.
The music-driven series combines 1870 English aristocracy with a modern soundtrack produced by Stella Mozgawa of Warpaint. “The Buccaneers” will feature songs from today’s top female performers including Taylor Swift, Boygenius, Maggie Rogers, Bikini Kill, Yeah Yeah Yeahs,...
- 10/3/2023
- by Caroline Brew, Jaden Thompson and Valerie Wu
- Variety Film + TV
Two of the best films of the year also happen to feature two of the best soundtracks of the year and as each enters a wide release today, the scores are now available to stream in full. Wes Anderson’s Asteroid City boasts an epic soundtrack of 25 songs amounting to over 70 minutes, featuring Alexandre Desplat, Jarvis Cocker, Big Crosby, Les Paul, Burl Ives, Tex Ritter, Les Baxter, and many more.
Then, Grizzly Bear’s Christopher Bear and Daniel Rossen reunited to score Celine Song’s debut Past Lives, clocking in at 16 tracks around 40 minutes, also including the end credits track “Quiet Eyes” by Sharon Van Etten and Zachary Dawes. “What a pleasure it was to score this film with [Rossen] and make music I feel very connected with,” said Bear. “Celine Song is a force and had such incredible vision and execution.”
Luke Hicks said in his Cannes review of Asteroid City,...
Then, Grizzly Bear’s Christopher Bear and Daniel Rossen reunited to score Celine Song’s debut Past Lives, clocking in at 16 tracks around 40 minutes, also including the end credits track “Quiet Eyes” by Sharon Van Etten and Zachary Dawes. “What a pleasure it was to score this film with [Rossen] and make music I feel very connected with,” said Bear. “Celine Song is a force and had such incredible vision and execution.”
Luke Hicks said in his Cannes review of Asteroid City,...
- 6/23/2023
- by Jordan Raup
- The Film Stage
Musical tag-teaming doesn’t have results much more fruitful than what came about when the showrunners of “A Small Light” picked Ariel Marx to compose the score for the limited series and Este Haim to serve as executive music producer. Neither Haim nor Marx was in a position to take anything about the job lightly, given that the eight-episode series for National Geographic and Disney+ tells the story of a Dutch woman, Miep Gies, who helped hide Anne Frank and her family from the Nazis. Yet, in their very separate roles, both found ways to bring musical light or even levity into a drama that inevitably skews toward tension.
Este Haim took on the Emp job for the first time with “A Small Light” after previously scoring or co-composing “Maid” and “Cha Cha Smooth” — on top of her day job as one-third of the rocking sister trio Haim. For “A Small Light,...
Este Haim took on the Emp job for the first time with “A Small Light” after previously scoring or co-composing “Maid” and “Cha Cha Smooth” — on top of her day job as one-third of the rocking sister trio Haim. For “A Small Light,...
- 6/21/2023
- by Chris Willman
- Variety Film + TV
Sharon Van Etten has shared “Quiet Eyes,” her contribution to the soundtrack to Celine Song’s new A24 film Past Lives. Check it out below.
Written and performed alongside Zachary Dawes, “Quiet Eyes” feels like a lost 1960s girl group ballad thanks to its cinematic percussion and sweeping strings. In the song, Van Etten describes “mosaic faces fading in the rain” before wondering, “Is this really a mystery life? We’re running from our own mistakes.” It’s the type of theatrical writing you’d expect for a song soundtracking a romance movie in which old friends reconnect decades after first meeting.
In addition to Van Etten’s new original song, the Past Lives soundtrack features a score by Grizzly Bear’s Daniel Rossen and Christopher Bear. So far, the artists have shared the songs “Why Are You Going to New York” and “Across the Ocean;” the full soundtrack arrives June 9th via A24 Music,...
Written and performed alongside Zachary Dawes, “Quiet Eyes” feels like a lost 1960s girl group ballad thanks to its cinematic percussion and sweeping strings. In the song, Van Etten describes “mosaic faces fading in the rain” before wondering, “Is this really a mystery life? We’re running from our own mistakes.” It’s the type of theatrical writing you’d expect for a song soundtracking a romance movie in which old friends reconnect decades after first meeting.
In addition to Van Etten’s new original song, the Past Lives soundtrack features a score by Grizzly Bear’s Daniel Rossen and Christopher Bear. So far, the artists have shared the songs “Why Are You Going to New York” and “Across the Ocean;” the full soundtrack arrives June 9th via A24 Music,...
- 6/7/2023
- by Carys Anderson
- Consequence - Music
One of the things we love most about the dark Showtime series “Yellowjackets” is all the fantastic ’90s music. Half of the show takes place in 1996, when high school girls’ soccer team crash lands in the wilderness and half is set 25 years later, with the still traumatized adult survivors.
Season 2 features an exclusive track by Florence + the Machine, an eerie cover of No Doubt’s “Just a Girl,” Sharon Van Etten’s “Seventeen,” and such ’90s feminist icons as Tori Amos.
And of course, we love the kind of creepy main title theme, “No Return,” by Craig Wedren and Anna Waronker. The opening credits from Season 1 teased some of the things we would see unfold, and the updated Season 2 credits sequence also gives us hints at what we’ll see in upcoming episodes.
Also Read:
‘Yellowjackets’ Season 2 Trailer Teases Blood, Birth and Florence Welch’s ‘Just a Girl’ (Video)
The series stars Melanie Lynskey,...
Season 2 features an exclusive track by Florence + the Machine, an eerie cover of No Doubt’s “Just a Girl,” Sharon Van Etten’s “Seventeen,” and such ’90s feminist icons as Tori Amos.
And of course, we love the kind of creepy main title theme, “No Return,” by Craig Wedren and Anna Waronker. The opening credits from Season 1 teased some of the things we would see unfold, and the updated Season 2 credits sequence also gives us hints at what we’ll see in upcoming episodes.
Also Read:
‘Yellowjackets’ Season 2 Trailer Teases Blood, Birth and Florence Welch’s ‘Just a Girl’ (Video)
The series stars Melanie Lynskey,...
- 5/26/2023
- by Sharon Knolle
- The Wrap
[Editor’s note: The following contains spoilers for Yellowjackets, Season 2 Episode 8, “It Chooses.”]
After a riveting first season filled with sonic callbacks to the ’90s, Season 2 of Showtime’s Yellowjackets kicked off with a similarly wistful tone, thanks to the new trailer, spotlighting Florence and the Machine’s cover of No Doubt’s “Just a Girl.”
Season 1 of the series took viewers back to 1996 when a young group of soccer players survives a plane crash and the aftermath forced the characters to deal with a string of psychologically unfortunate events. Considering when the story starts, music from the era is paramount to the series. So far, we’ve heard everything from Portishead’s “Glory Box” to “Rump Shaker” by Wreckx-n-Effect in the series, with Season 2 promising to keep that same energy while jumping in between timelines.
The ’90s part of the series shows Sophie Nélisse, Jasmin Savoy Brown, Sophie Thatcher, Sammi Hanratty, Liv Hewson, and Courtney Eaton playing...
After a riveting first season filled with sonic callbacks to the ’90s, Season 2 of Showtime’s Yellowjackets kicked off with a similarly wistful tone, thanks to the new trailer, spotlighting Florence and the Machine’s cover of No Doubt’s “Just a Girl.”
Season 1 of the series took viewers back to 1996 when a young group of soccer players survives a plane crash and the aftermath forced the characters to deal with a string of psychologically unfortunate events. Considering when the story starts, music from the era is paramount to the series. So far, we’ve heard everything from Portishead’s “Glory Box” to “Rump Shaker” by Wreckx-n-Effect in the series, with Season 2 promising to keep that same energy while jumping in between timelines.
The ’90s part of the series shows Sophie Nélisse, Jasmin Savoy Brown, Sophie Thatcher, Sammi Hanratty, Liv Hewson, and Courtney Eaton playing...
- 5/22/2023
- by Cervanté Pope
- Consequence - Music
Grizzly Bear’s Daniel Rossen and Christopher Bear have announced that the soundtrack they’ve made for Celine Song’s upcoming A24 film, Past Lives, will be released on June 9th via A24 Music. They’ve also shared two singles from the project, “Why Are You Going to New York” and “Across the Ocean.”
Open, airy, subtle, and melodic, both “Why Are You Going to New York” and “Across the Ocean” speak to the musicianship Rossen and Bear have been demonstrating since Grizzly Bear first hit the scene nearly 20 years ago. They embrace a familiar, acoustic production palette as well — listening to the songs, it’s easy to feel like you’re in a big, open room with the musicians, engulfed by the pianos and strings as sunlight pours in through the windows.
In addition to Rossen and Bear’s scoring, the soundtrack will also feature an original song: “Quiet Eyes,...
Open, airy, subtle, and melodic, both “Why Are You Going to New York” and “Across the Ocean” speak to the musicianship Rossen and Bear have been demonstrating since Grizzly Bear first hit the scene nearly 20 years ago. They embrace a familiar, acoustic production palette as well — listening to the songs, it’s easy to feel like you’re in a big, open room with the musicians, engulfed by the pianos and strings as sunlight pours in through the windows.
In addition to Rossen and Bear’s scoring, the soundtrack will also feature an original song: “Quiet Eyes,...
- 5/17/2023
- by Jo Vito
- Consequence - Film News
Grizzly Bear’s Daniel Rossen and Christopher Bear have announced that the soundtrack they’ve made for Celine Song’s upcoming A24 film, Past Lives, will be released on June 9th via A24 Music. They’ve also shared two singles from the project, “Why Are You Going to New York” and “Across the Ocean.”
Open, airy, subtle, and melodic, both “Why Are You Going to New York” and “Across the Ocean” speak to the musicianship Rossen and Bear have been demonstrating since Grizzly Bear first hit the scene nearly 20 years ago. They embrace a familiar, acoustic production palette as well — listening to the songs, it’s easy to feel like you’re in a big, open room with the musicians, engulfed by the pianos and strings as sunlight pours in through the windows.
In addition to Rossen and Bear’s scoring, the soundtrack will also feature an original song: “Quiet Eyes,...
Open, airy, subtle, and melodic, both “Why Are You Going to New York” and “Across the Ocean” speak to the musicianship Rossen and Bear have been demonstrating since Grizzly Bear first hit the scene nearly 20 years ago. They embrace a familiar, acoustic production palette as well — listening to the songs, it’s easy to feel like you’re in a big, open room with the musicians, engulfed by the pianos and strings as sunlight pours in through the windows.
In addition to Rossen and Bear’s scoring, the soundtrack will also feature an original song: “Quiet Eyes,...
- 5/17/2023
- by Jo Vito
- Consequence - Music
Six years after the release of their last album, Queens of the Stone Age are back, this time “in Times New Roman,” or so the title of their upcoming eighth album claims. They’re heralding the release with “Emotion Sickness,” a typically muscular rocker with shades of Elo-style vocal harmonies, as frontman Josh Homme leads a round of “Baby don’t care for me, had to let her go.” A video for the song, directed by Liam Lynch, will debut Friday. In Times New Roman … will come out June 16.
The...
The...
- 5/11/2023
- by Kory Grow
- Rollingstone.com
A Small Light, the National Geographic limited series about Miep Gies, who helped hide Anne Frank’s family during World War II, continues to have its soundtrack released in two-song intervals. The latest covers from the series, with music executive produced by Este Haim, include Sharon Van Etten and Michael Imperioli’s take on the Ink Spots’ “I Don’t Want to Set the World on Fire” and Angel Olsen’s rendition of “My Reverie,” originally performed by Larry Clinton & His Orchestra.
Last week, following the May 1 premiere of the series,...
Last week, following the May 1 premiere of the series,...
- 5/9/2023
- by Larisha Paul
- Rollingstone.com
Danielle Haim takes on the classic Doris Day record “Till We Meet Again” for the first official release from A Small Light: Songs From the Limited Series, the soundtrack set for release on May 23 to accompany the new National Geographic series.
Este Haim served as executive music producer on A Small Light, which premiered on May 1 but will be unveiling its soundtrack two songs at a time for the duration of the month. Alongside Danielle Haim’s “Till We Meet Again,” Kamasi Washington has shared his rendition of Charlie Parker’s “Cheryl.
Este Haim served as executive music producer on A Small Light, which premiered on May 1 but will be unveiling its soundtrack two songs at a time for the duration of the month. Alongside Danielle Haim’s “Till We Meet Again,” Kamasi Washington has shared his rendition of Charlie Parker’s “Cheryl.
- 5/5/2023
- by Larisha Paul
- Rollingstone.com
The National have been so good at producing National songs for so long that it’s been easy to take them for granted. Whenever the Brooklyn indie-rock institution passed a career point at which a lesser band might start breaking down — albums five, six, seven — they just got stronger, releasing some of their best work well into their second decade. In hindsight, this longevity seems obvious. The hallmarks of a National song — wry, affective lyrics; earthquake-proof song structures; painterly arrangements — seem tailor-built to sound more graceful with age.
And yet,...
And yet,...
- 4/26/2023
- by Clayton Purdom
- Rollingstone.com
Sharon Van Etten, King Princess, and Orville Peck are among the artists who’ve contributed covers to the soundtrack for the upcoming National Geographic limited series, A Small Light.
A Small Light is based on the life story of Miep Gies, a Dutch woman who hid Anne Frank and her family from the Nazis during World War II. The show’s soundtrack, executive produced by Haim’s Este Haim, will feature contemporary artists covering popular songs from that era.
For instance, Van Etten recorded a rendition of “I Don’t...
A Small Light is based on the life story of Miep Gies, a Dutch woman who hid Anne Frank and her family from the Nazis during World War II. The show’s soundtrack, executive produced by Haim’s Este Haim, will feature contemporary artists covering popular songs from that era.
For instance, Van Etten recorded a rendition of “I Don’t...
- 4/26/2023
- by Jon Blistein
- Rollingstone.com
Neil Young and Stephen Stills reunited at Los Angeles’ Greek Theater on Saturday night for the latter’s “Light Up The Blues” autism awareness event. It was Young’s first on-stage performance since 2019.
The largely collaborative set concluded the night, with Young stepping up for solo renditions of “From Hank to Hendrix” and “Comes a Time” before being joined by house band Promise of the Real for “Heart of Gold.” Stills added piano accompaniment on the Crosby, Stills, Nash & Young number, “Helpless,” and remained to deliver a series of Buffalo Springfield songs, including “For What It’s Worth,” “Bluebird,” and “Mr. Soul” with help from Joe Walsh.
They closed with a rendition of “Long May You Run” from Stills-Young Band’s one-off 1976 joint album of the same name. Watch fan-captured footage of the setlist’s highlights below.
Earlier in the program, Stills paid tribute to late bandmate David Crosby with...
The largely collaborative set concluded the night, with Young stepping up for solo renditions of “From Hank to Hendrix” and “Comes a Time” before being joined by house band Promise of the Real for “Heart of Gold.” Stills added piano accompaniment on the Crosby, Stills, Nash & Young number, “Helpless,” and remained to deliver a series of Buffalo Springfield songs, including “For What It’s Worth,” “Bluebird,” and “Mr. Soul” with help from Joe Walsh.
They closed with a rendition of “Long May You Run” from Stills-Young Band’s one-off 1976 joint album of the same name. Watch fan-captured footage of the setlist’s highlights below.
Earlier in the program, Stills paid tribute to late bandmate David Crosby with...
- 4/23/2023
- by Bryan Kress
- Consequence - Music
Nobody knew quite what to expect when Neil Young walked onstage Saturday night at the Greek Theater in Los Angeles to wrap up Light Up The Blues, a fundraising event organized by Stephen Stills and his wife Kristen Stills to benefit Autism Speaks. Discounting a surprise, two-song acoustic set at a Canadian environmental rally in February, Young hadn’t faced a live audience in nearly four years. The other performers at the show (Joe Walsh, Willie Nelson, Sharon Van Etten, Chris Stills, and Lukas Nelson and Promise of the Real...
- 4/23/2023
- by Andy Greene
- Rollingstone.com
This article contains spoilers through the latest episode of Yellowjackets
Yellowjackets has been doing deep-cut needledrops since before Stranger Things season 4 made it cool. While the series certainly leans into the late ’90s setting of the plane crash flashbacks for much of its music (as it should), the present day timeline keeps the series from feeling too limited in its scope of song choices. Yellowjackets is one of the few shows that could pull off having songs from Papa Roach and Sharon Van Etten in the same episode without it being too distracting. Instead, this eclectic mix of music shows that the music supervisor and showrunners know how important the right song is to the story.
Yellowjackets may cover heavy things like trauma and cannibalism, but that doesn’t mean that its soundtrack can’t be full of bops and bangers, including the title sequence song “No Return” by Anna Waronker and Craig Wedren.
Yellowjackets has been doing deep-cut needledrops since before Stranger Things season 4 made it cool. While the series certainly leans into the late ’90s setting of the plane crash flashbacks for much of its music (as it should), the present day timeline keeps the series from feeling too limited in its scope of song choices. Yellowjackets is one of the few shows that could pull off having songs from Papa Roach and Sharon Van Etten in the same episode without it being too distracting. Instead, this eclectic mix of music shows that the music supervisor and showrunners know how important the right song is to the story.
Yellowjackets may cover heavy things like trauma and cannibalism, but that doesn’t mean that its soundtrack can’t be full of bops and bangers, including the title sequence song “No Return” by Anna Waronker and Craig Wedren.
- 4/21/2023
- by Brynnaarens
- Den of Geek
Los Angeles video store and non-profit film organization Vidiots officially has a reopening date.
After years-worth of renovations, Vidiots is set to open its doors again June 1. Sneak preview events for the Founding Members program will start in May 2023 leading up to the launch date. Now located at 4884 Eagle Rock Boulevard, Vidiots boasts a 271-seat, state-of-the-art movie theater with 35mm, 16mm, and digital projection capabilities; a beer and wine bar with concessions and a light menu; a flexible micro-cinema and community space, and the legendary signature video store. The nearly 11,000 square-foot venue will provide flexibility for various screenings, special events, workshops, and community gatherings per the official press statement.
The video store, meanwhile, boasts 50,000 titles on DVD, Blu-ray, and VHS.
“We’re overjoyed to finally see our dream of bringing Vidiots back to Los Angeles,” Vidiots founders Patty Polinger and Cathy Tauber said. “We could not have accomplished this incredible...
After years-worth of renovations, Vidiots is set to open its doors again June 1. Sneak preview events for the Founding Members program will start in May 2023 leading up to the launch date. Now located at 4884 Eagle Rock Boulevard, Vidiots boasts a 271-seat, state-of-the-art movie theater with 35mm, 16mm, and digital projection capabilities; a beer and wine bar with concessions and a light menu; a flexible micro-cinema and community space, and the legendary signature video store. The nearly 11,000 square-foot venue will provide flexibility for various screenings, special events, workshops, and community gatherings per the official press statement.
The video store, meanwhile, boasts 50,000 titles on DVD, Blu-ray, and VHS.
“We’re overjoyed to finally see our dream of bringing Vidiots back to Los Angeles,” Vidiots founders Patty Polinger and Cathy Tauber said. “We could not have accomplished this incredible...
- 4/17/2023
- by Samantha Bergeson
- Indiewire
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The anticipation for “Yellowjackets” Season 2 certainly paid off as the sophomore season debuted to nearly 2 million viewers across Showtime platforms.
The episode marked a 40% uptick from the Season 1 finale of Showtime’s coming-of-age drama, which brought in 1.3 million viewers, and also exceeded the series high previously set by Season 1 Episode 9, whose penultimate episode drew in 1.4 million viewers. The Season 2 premiere also saw a 110% uptick from viewership for the November 2021 series premiere, which Showtime said was more than doubled by the Season 1 finale.
The Season 2 debut also marked the highest-rated sophomore premiere for the network in more than 10 years. The episode is also the no. 1 season debut to date on streaming and on demand, breaking the record previously held by “Dexter: New Blood.”
Also Read:
‘Yellowjackets’ Cast and Character Guide: Who Plays...
The anticipation for “Yellowjackets” Season 2 certainly paid off as the sophomore season debuted to nearly 2 million viewers across Showtime platforms.
The episode marked a 40% uptick from the Season 1 finale of Showtime’s coming-of-age drama, which brought in 1.3 million viewers, and also exceeded the series high previously set by Season 1 Episode 9, whose penultimate episode drew in 1.4 million viewers. The Season 2 premiere also saw a 110% uptick from viewership for the November 2021 series premiere, which Showtime said was more than doubled by the Season 1 finale.
The Season 2 debut also marked the highest-rated sophomore premiere for the network in more than 10 years. The episode is also the no. 1 season debut to date on streaming and on demand, breaking the record previously held by “Dexter: New Blood.”
Also Read:
‘Yellowjackets’ Cast and Character Guide: Who Plays...
- 3/27/2023
- by Loree Seitz
- The Wrap
This Yellowjackets review contains spoilers.
Yellowjackets Season 2 Episode 1
Yellowjackets’ season 2 premiere opens with an extended montage centered on the series’ emergent antagonist, cultish mystic Lottie. It’s set to Sharon Van Etten’s “Seventeen,” a Springsteenian anthem in which she has a conversation with her younger self. “I know what you’re gonna be/Afraid that you’ll be just like me/But you’re just seventeen.” The song is a perfect fit for this manic, macabre coming-of-age tale. Clever artistic choices like this are what made season 1 so damn cool, and judging from this first episode, season 2 looks to be another smart, stylish cocktail of murder, mayhem, and mystery, garnished with a twist of nostalgia for good measure.
We learned at the end of last season that Lottie was the one who sent her fellow survivors the cryptic postcards, likely killed Travis, and most definitely arranged for Natalie’s abduction.
Yellowjackets Season 2 Episode 1
Yellowjackets’ season 2 premiere opens with an extended montage centered on the series’ emergent antagonist, cultish mystic Lottie. It’s set to Sharon Van Etten’s “Seventeen,” a Springsteenian anthem in which she has a conversation with her younger self. “I know what you’re gonna be/Afraid that you’ll be just like me/But you’re just seventeen.” The song is a perfect fit for this manic, macabre coming-of-age tale. Clever artistic choices like this are what made season 1 so damn cool, and judging from this first episode, season 2 looks to be another smart, stylish cocktail of murder, mayhem, and mystery, garnished with a twist of nostalgia for good measure.
We learned at the end of last season that Lottie was the one who sent her fellow survivors the cryptic postcards, likely killed Travis, and most definitely arranged for Natalie’s abduction.
- 3/27/2023
- by Alec Bojalad
- Den of Geek
The first episode of Season 2 of “Yellowjackets,” which is now streaming on Showtime, features songs from Sharon Van Etten and Tori Amos that the drama’s creators had been trying to find a place for since the hit show debuted.
Van Etten’s teen angst track “17” opens the episode, and co-creator Ashley Lyle explained to TheWrap that she was blown away when when realized that the singer-songwriter is a big “Yellowjackets” fan.
“I went to see a show at the Greek last summer and it was Angel Olsen and Sharon Van Etten,” Lyle said. “I was totally unprepared, because when Sharon came on, the lights all went out and all the house lights went down. And then she opened her set with the audio from the scene of Natalie (Juliette Lewis) in the rehab center and I felt like I was having an out-of-body experience. I was like, ‘What’s happening?...
Van Etten’s teen angst track “17” opens the episode, and co-creator Ashley Lyle explained to TheWrap that she was blown away when when realized that the singer-songwriter is a big “Yellowjackets” fan.
“I went to see a show at the Greek last summer and it was Angel Olsen and Sharon Van Etten,” Lyle said. “I was totally unprepared, because when Sharon came on, the lights all went out and all the house lights went down. And then she opened her set with the audio from the scene of Natalie (Juliette Lewis) in the rehab center and I felt like I was having an out-of-body experience. I was like, ‘What’s happening?...
- 3/24/2023
- by Sharon Knolle
- The Wrap
This post contains spoilers for the first episode of "Yellowjackets" season 2.
Comparisons between "Yellowjackets" and "Lost" were always going to be inevitable. Even before "Yellowjackets" proved itself a character-driven thriller capable of doling out mysteries and Wtf moments at an impressive pace, the two clearly shared significant narrative DNA. With multiple timelines, a plane crash, and a possibly sentient setting that's at once magical and spooky, "Yellowjackets" is a fantastic heir apparent to the hit 2004 series — one that arrived about a decade after everyone quit looking for its successor.
In its season premiere, though, "Yellowjackets" sets itself apart from "Lost" and most other mystery box shows like it in an intriguing, major way. The contrast comes in the episode's cold open, a tremendous montage set to Sharon Van Etten's "Seventeen." The scene gets viewers up to speed after a time jump, showing us what the stranded teammates' typical winter...
Comparisons between "Yellowjackets" and "Lost" were always going to be inevitable. Even before "Yellowjackets" proved itself a character-driven thriller capable of doling out mysteries and Wtf moments at an impressive pace, the two clearly shared significant narrative DNA. With multiple timelines, a plane crash, and a possibly sentient setting that's at once magical and spooky, "Yellowjackets" is a fantastic heir apparent to the hit 2004 series — one that arrived about a decade after everyone quit looking for its successor.
In its season premiere, though, "Yellowjackets" sets itself apart from "Lost" and most other mystery box shows like it in an intriguing, major way. The contrast comes in the episode's cold open, a tremendous montage set to Sharon Van Etten's "Seventeen." The scene gets viewers up to speed after a time jump, showing us what the stranded teammates' typical winter...
- 3/24/2023
- by Valerie Ettenhofer
- Slash Film
This post contains spoilers for the second season of "Yellowjackets."
One of the things you can't deny about Showtime's runaway hit "Yellowjackets" is that it's got a killer soundtrack. Even before we got to hear its catchy theme song from Anna Waronker and Craig Wedren, the pilot episode set up one of the show's recurring elements: a soundtrack that consists of both '90s classics and deep cuts. The show's second season is no different — after all, they are still fighting for survival during the late '90s portion of the show.
Even if this isn't taken into consideration, the 1990s were a great time for music, as evidenced throughout "Yellowjackets." If you weren't privy to living through the '90s, some of these songs might be delighting your ears for the very first time, and as such, might be too entranced to open your Shazam app to ask, "what song is playing?...
One of the things you can't deny about Showtime's runaway hit "Yellowjackets" is that it's got a killer soundtrack. Even before we got to hear its catchy theme song from Anna Waronker and Craig Wedren, the pilot episode set up one of the show's recurring elements: a soundtrack that consists of both '90s classics and deep cuts. The show's second season is no different — after all, they are still fighting for survival during the late '90s portion of the show.
Even if this isn't taken into consideration, the 1990s were a great time for music, as evidenced throughout "Yellowjackets." If you weren't privy to living through the '90s, some of these songs might be delighting your ears for the very first time, and as such, might be too entranced to open your Shazam app to ask, "what song is playing?...
- 3/24/2023
- by Erin Brady
- Slash Film
Margo Price has reinterpreted her Strays track “Change of Heart,” which originally had sort of a Tom Petty and the Heartbreakers gone country vibe, as a sparsely adorned acoustic song. The song now has a dusky, campfire feel, as she and country artist Sierra Ferrell slow it down and plumb new emotional depths in the lyrics. Price’s husband, Jeremy Ivey (who also cowrote the song), plays guitar on the tune while Billy Contreras plays fiddle.
“I’m real excited to share this stripped down take on ‘Change of Heart’ featuring Sierra Ferrell,...
“I’m real excited to share this stripped down take on ‘Change of Heart’ featuring Sierra Ferrell,...
- 3/16/2023
- by Kory Grow
- Rollingstone.com
Jeff Goldblum, a gifted pianist in addition to his acting skills, showcases his talents on the 88 keys on his new rendition of the jazz classic “A Baptist Beat,” the latest single off the actor’s upcoming EP Plays Well With Others.
The EP focuses on standards Goldblum considers “the best songs ever written,” with the Hank Mobley gem “A Baptist Beat” among those six selections. On Goldblum’s rendition, he summons his inner Wynton Kelly — the pianist who played on the 1961 original — while accompanied by his longtime big band, The Mildred Snitzer Orchestra.
The EP focuses on standards Goldblum considers “the best songs ever written,” with the Hank Mobley gem “A Baptist Beat” among those six selections. On Goldblum’s rendition, he summons his inner Wynton Kelly — the pianist who played on the 1961 original — while accompanied by his longtime big band, The Mildred Snitzer Orchestra.
- 3/3/2023
- by Daniel Kreps
- Rollingstone.com
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Bon Iver will return to the stage this summer. The indie heavyweights will kick things off in Brisbane, Australia and Europe before making their way to the U.S. with stops in Madison, Seattle, and more cities before the grand finale at Martha’s Vineyard in Massachusetts for Beach Road Weekend.
Bon Iver returned to the stage for the first time in two years at Los Angeles’ YouTube...
Bon Iver will return to the stage this summer. The indie heavyweights will kick things off in Brisbane, Australia and Europe before making their way to the U.S. with stops in Madison, Seattle, and more cities before the grand finale at Martha’s Vineyard in Massachusetts for Beach Road Weekend.
Bon Iver returned to the stage for the first time in two years at Los Angeles’ YouTube...
- 2/27/2023
- by Charisma Madarang
- Rollingstone.com
Sharon Van Etten joined Margo Price during her latest appearance on the Late Late Show with James Corden for a special performance of “Radio.” The single, which appears on Price’s latest album Strays, was elevated to new heights under the pink stage lights illuminating the singer and their backing band.
“I wrote that song when I was walking in the woods, and I sent it to her,” Price told Rolling Stone earlier this year. “She helped polish up the lines, and she sent me back all those beautiful harmonies.
“I wrote that song when I was walking in the woods, and I sent it to her,” Price told Rolling Stone earlier this year. “She helped polish up the lines, and she sent me back all those beautiful harmonies.
- 2/9/2023
- by Larisha Paul
- Rollingstone.com
Sharon Van Etten has dug up a previously unreleased music video for her classic song, “Serpents,” off her 2012 album, Tramp, which will get a special anniversary reissue this year.
The video for “Serpents” was directed by Galazie 500’s Naomi Yang. It begins with Van Etten singing the song against a white brick wall, though the space is soon filled with an entrancing light display that adds a moody, slightly surreal tinge to the clip.
In a statement, Van Etten recalled why she chose not to release the “Serpents” clip back when it was made.
The video for “Serpents” was directed by Galazie 500’s Naomi Yang. It begins with Van Etten singing the song against a white brick wall, though the space is soon filled with an entrancing light display that adds a moody, slightly surreal tinge to the clip.
In a statement, Van Etten recalled why she chose not to release the “Serpents” clip back when it was made.
- 2/7/2023
- by Jon Blistein
- Rollingstone.com
Margo Price dazzles in a Seventies dream sequence in the music video for her self-love anthem “Radio,” which features indie-rock songwriter Sharon Van Etten. Directed by Bella Mazzola, the hazy visual follows the country singer as she takes her phone off the hook and tunes out anything that might distract her from spending some quality time with herself.
“To me, this song is about turning down the noise and opinions of my haters and people who try to tear me down,” Price shared in a statement. “It’s about having...
“To me, this song is about turning down the noise and opinions of my haters and people who try to tear me down,” Price shared in a statement. “It’s about having...
- 1/30/2023
- by Larisha Paul
- Rollingstone.com
Get ready to have your emotions wrecked, because Ruston Kelly has new music on the way. On Tuesday, the singer-songwriter announced his third album, The Weakness, and released the video for its powerful title track.
Due out April 7, The Weakness follows Kelly’s 2020 album Shape and Destroy, which was recorded and released before his high-profile divorce from fellow artist Kacey Musgraves. While recording The Weakness, Kelly went to Los Angeles and worked with Nate Mercereau (Sharon Van Etten, Maggie Rogers) to capture the sound and feel of the album.
“The...
Due out April 7, The Weakness follows Kelly’s 2020 album Shape and Destroy, which was recorded and released before his high-profile divorce from fellow artist Kacey Musgraves. While recording The Weakness, Kelly went to Los Angeles and worked with Nate Mercereau (Sharon Van Etten, Maggie Rogers) to capture the sound and feel of the album.
“The...
- 1/17/2023
- by Jon Freeman
- Rollingstone.com
Over three years after Vagabon released her self-titled second album, the rising singer-songwriter returns with “Carpenter,” co-produced by Rostam.
“‘Carpenter’ is about that humbling feeling when you desperately want to be knowledgeable, you want to be advanced, you want to be mature, forward thinking, and evolved,” the singer, born Laetitia Tamko, said in a statement.
“It’s about being confronted with your limitations. It’s about that A-ha moment, when a lesson from the past finally clicks and you want to run and tell someone who bore witness to the old you,...
“‘Carpenter’ is about that humbling feeling when you desperately want to be knowledgeable, you want to be advanced, you want to be mature, forward thinking, and evolved,” the singer, born Laetitia Tamko, said in a statement.
“It’s about being confronted with your limitations. It’s about that A-ha moment, when a lesson from the past finally clicks and you want to run and tell someone who bore witness to the old you,...
- 1/12/2023
- by Daniel Kreps
- Rollingstone.com
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