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Broadcasting
Channel 4 and Sky in the U.K. have extended their pre-existing, long-term commercial partnership in a new multi-year agreement which, according to the companies, will facilitate greater opportunity for collaboration, commercial growth and innovation as broadcasting evolves going forward.
Under the terms of the new deal, Sky customers will have access to even more Channel 4 content as more than 1000 hours of All 4 — Channel 4’s VoD platform — exclusives are integrated into Sky’s current and future TV products. Channel 4 will benefit from under the new terms by opening avenues to new digital ad revenue streams which can support its Future4 strategy.
“When we set out our Future4 strategy last year, we made clear that securing strategic distribution partnerships would be a vital part of ensuring we can maximize our reach and impact with viewers in a digital age, grow our revenues and compete more effectively for the future,” said Alex Mahon,...
Channel 4 and Sky in the U.K. have extended their pre-existing, long-term commercial partnership in a new multi-year agreement which, according to the companies, will facilitate greater opportunity for collaboration, commercial growth and innovation as broadcasting evolves going forward.
Under the terms of the new deal, Sky customers will have access to even more Channel 4 content as more than 1000 hours of All 4 — Channel 4’s VoD platform — exclusives are integrated into Sky’s current and future TV products. Channel 4 will benefit from under the new terms by opening avenues to new digital ad revenue streams which can support its Future4 strategy.
“When we set out our Future4 strategy last year, we made clear that securing strategic distribution partnerships would be a vital part of ensuring we can maximize our reach and impact with viewers in a digital age, grow our revenues and compete more effectively for the future,” said Alex Mahon,...
- 7/2/2021
- by Jamie Lang
- Variety Film + TV
![Les Misérables (2019)](https://m.media-amazon.com/images/M/MV5BMmZmYzM3M2YtMDg5NS00ZDFiLWEyODAtNmY2YTRjZWY5MTM5XkEyXkFqcGdeQXVyMTU3NDU4MDg2._V1_QL75_UY207_CR8,0,140,207_.jpg)
![Les Misérables (2019)](https://m.media-amazon.com/images/M/MV5BMmZmYzM3M2YtMDg5NS00ZDFiLWEyODAtNmY2YTRjZWY5MTM5XkEyXkFqcGdeQXVyMTU3NDU4MDg2._V1_QL75_UY207_CR8,0,140,207_.jpg)
Updated, writethru: Ladj Ly’s Cannes Film Festival Jury Prize laureate Les Misérables was the big winner at Friday night’s 45th annual César Awards, France’s equivalent to the Oscars, including taking the top honor of Best Film. The night unfolded, however, under tumultuous conditions owing to controversy surrounding Roman Polanski, whose An Officer and a Spy was the leading nominee going in with 12 mentions.
The filmmaker was not in attendance, but his film won three prizes including Best Director — an occurrence that caused walkouts from the Salle Pleyel, which earlier in the evening had been the site of protests by feminist organizations.
Scroll down for full list of César winners.
Polanski on Thursday said he would not attend the local industry’s biggest night. “Activists are threatening me with a public lynching. Some have called for demonstrations, others are planning to make it a platform,” he said. “This...
The filmmaker was not in attendance, but his film won three prizes including Best Director — an occurrence that caused walkouts from the Salle Pleyel, which earlier in the evening had been the site of protests by feminist organizations.
Scroll down for full list of César winners.
Polanski on Thursday said he would not attend the local industry’s biggest night. “Activists are threatening me with a public lynching. Some have called for demonstrations, others are planning to make it a platform,” he said. “This...
- 2/29/2020
- by Nancy Tartaglione
- Deadline Film + TV
![André Dussollier and Florence Foresti at an event for The Little Prince (2015)](https://m.media-amazon.com/images/M/MV5BODUzMTY0NTQ4Nl5BMl5BanBnXkFtZTgwODUwNzc3NTE@._V1_QL75_UX500_CR0,20,500,281_.jpg)
The 45th César Awards ceremony took place on Friday, February 28, at the Salle Pleyel in Paris to honor the best in French cinema of 2019 — and at a fractious moment for the Académie des Arts et Techniques du Cinéma. The event was emceed by French comedian Florence Foresti, with actress Sandrine Kiberlain presiding. See the full list of winners below.
Earlier this month, the entire board of directors of the French academy announced their planned resignation after the publication of an open letter from hundreds of members calling for a complete overhaul of the organization. The announcement unspooled in the wake of allegedly dodgy financial practices, an overall lack of transparency, and the repeated omission of filmmakers Claire Denis and Virginie Despentes from the Academy’s annual Dîner des Révélations event, focused on emerging talent. The young guests are asked to nominate talent they’d like to see at the event,...
Earlier this month, the entire board of directors of the French academy announced their planned resignation after the publication of an open letter from hundreds of members calling for a complete overhaul of the organization. The announcement unspooled in the wake of allegedly dodgy financial practices, an overall lack of transparency, and the repeated omission of filmmakers Claire Denis and Virginie Despentes from the Academy’s annual Dîner des Révélations event, focused on emerging talent. The young guests are asked to nominate talent they’d like to see at the event,...
- 2/28/2020
- by Ryan Lattanzio
- Indiewire
With his first short film, the animated “Yùl and the Snake,” Gabriel Harel won Europe’s Cartoon d’Or for the continent’s best animated short film, given at the 2016 Cartoon Forum in Toulouse. Now, Harel’s awaited sophomore effort, the animated “The Night of the Plastic Bags,” competes at UniFrance’s MyFrenchFilmFestival, and is available on a swathe of VOD platforms around the world. The short world-premiered at last year’s Cannes Festival, in Directors’ Fortnight.
Trained at Valence’s celebrated La Poudrière animation school in France, Harel delivers in his second short a dark story – with the rhythm of an ecological thriller – about 39-year-old Agathe, who is obsessed with having a child in a world conquered by plastic bags. As in “Yùl,” Harel has chosen to shoot in B&w with select objects — the devilish bags— in pop-out colors. “The Night” is produced by French Kazak Productions, behind Manele Labidi’s “Arab Blues,...
Trained at Valence’s celebrated La Poudrière animation school in France, Harel delivers in his second short a dark story – with the rhythm of an ecological thriller – about 39-year-old Agathe, who is obsessed with having a child in a world conquered by plastic bags. As in “Yùl,” Harel has chosen to shoot in B&w with select objects — the devilish bags— in pop-out colors. “The Night” is produced by French Kazak Productions, behind Manele Labidi’s “Arab Blues,...
- 1/18/2020
- by Emilio Mayorga
- Variety Film + TV
![Delphine Girard](https://m.media-amazon.com/images/M/MV5BMjRkOTQ5YjEtNmM5Ni00ZmNkLTkzZTktYjMwYTNlYWRkNmNlXkEyXkFqcGdeQXVyNjUxMjc1OTM@._V1_QL75_UX500_CR0,92,500,281_.jpg)
Unifrance’s MyFrenchFilmFestival (Mfff) is back this year, giving thousands of fans of French-speaking cinema from around the world an opportunity to see films reaching the end of their festival runs. This year’s competition received a late boost when Delphine Girard’s “A Sister,” one of the 10 shorts in competition, was nominated for the best live-action short Oscar on Monday.
This year’s Mfff competition has placed a special emphasis on genre films and animation.
In the case of the former, Axel Scoffier and Antoine Cordier, coordinators of the selection, explained in a joint statement that “this is the result of a growing taste among contemporary French filmmakers for blurring lines of genres and playing with fantasy codes. We wanted this selection to reflect that.”
“From the very beginning of the festival, one of the goals has been to highlight animation as a very rich and creative part of the French production,...
This year’s Mfff competition has placed a special emphasis on genre films and animation.
In the case of the former, Axel Scoffier and Antoine Cordier, coordinators of the selection, explained in a joint statement that “this is the result of a growing taste among contemporary French filmmakers for blurring lines of genres and playing with fantasy codes. We wanted this selection to reflect that.”
“From the very beginning of the festival, one of the goals has been to highlight animation as a very rich and creative part of the French production,...
- 1/16/2020
- by Jamie Lang
- Variety Film + TV
The lineup for the 2018 Directors' Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced.
Opening Film:Birds of Passage (Ciro Guerra & Cristina Gallego)Closing Film:Troppa grazia (Gianni Zanasi)Feature Films Amin (Philippe Faucon)Climax (Gaspar Noe)Carmen y Lola (Arantxa Echevarria)Cómprame un revólver (Julio Hernández Cordón)Les Confins du monde (Guillaume Nicloux)El motoarrebatador (Agustín Toscano)En Liberté! (Pierre Salvadori)Joueurs (Marie Monge)Leave No Trace (Debra Granik)Los silencios (Beatriz Seigner)Ming wang xing shi ke de (Ming Zhang)Mandy (Panos Cosmatos)Mirai (Mamoru Hosoda)Le monde est à toi (Romain Gavras)Petra (Jaime Rosales)Samouni Road (Stefano Savona)Teret (Ognjen Glavonic)Weldi (Mohamed Ben Attia)SHORTSBasses (Félix Imbert)Ce magnifique gâteau! (Emma De Swaef & Marc Roels)La lotta (Marco Bellocchio)Las cruces (Nicolas Boone)La Nuit des sacs plastiques (Gabriel Harel)O órfão (Carolina Markowicz)Our Song to War (Juanita Onzaga)Skip Day (Patrick Bresnan & Ivette Lucas)Le...
Opening Film:Birds of Passage (Ciro Guerra & Cristina Gallego)Closing Film:Troppa grazia (Gianni Zanasi)Feature Films Amin (Philippe Faucon)Climax (Gaspar Noe)Carmen y Lola (Arantxa Echevarria)Cómprame un revólver (Julio Hernández Cordón)Les Confins du monde (Guillaume Nicloux)El motoarrebatador (Agustín Toscano)En Liberté! (Pierre Salvadori)Joueurs (Marie Monge)Leave No Trace (Debra Granik)Los silencios (Beatriz Seigner)Ming wang xing shi ke de (Ming Zhang)Mandy (Panos Cosmatos)Mirai (Mamoru Hosoda)Le monde est à toi (Romain Gavras)Petra (Jaime Rosales)Samouni Road (Stefano Savona)Teret (Ognjen Glavonic)Weldi (Mohamed Ben Attia)SHORTSBasses (Félix Imbert)Ce magnifique gâteau! (Emma De Swaef & Marc Roels)La lotta (Marco Bellocchio)Las cruces (Nicolas Boone)La Nuit des sacs plastiques (Gabriel Harel)O órfão (Carolina Markowicz)Our Song to War (Juanita Onzaga)Skip Day (Patrick Bresnan & Ivette Lucas)Le...
- 4/18/2018
- MUBI
Following the first lineup announcement for the 71st Cannes Film Festival, yesterday Critics’ Week arrived, and now today we get two more sidebar reveals. First up, there’s Directors’ Fortnight, which opens with Birds of Passage, from Embrace of the Serpent director Ciro Guerra & Cristina Gallego. Also among the lineup is Gaspar Noé’s drug-fueled (of course) drama Climax, Mamoru Hosoda’s new animation Mirai, Romain Gavras’ Le monde est à toi, as well as Sundance favorites: Panos Cosmatos’ Mandy and Debra Granik’s Leave No Trace.
Check out the lineup below, followed by the Acid lineup, featuring Jim Cummings’ SXSW winner Thunder Road.
Cannes Directors’ Fortnight Lineup
Opening Film:
Birds of Passage (Ciro Guerra & Cristina Gallego)
Closing Film:
Troppa grazia (Gianni Zanasi)
Feature Films
Amin (Philippe Faucon)
Climax (Gaspar Noé)
Carmen y Lola (Arantxa Echevarria)
Cómprame un revólver de (Julio Hernández Cordón)
Les Confins du monde (Guillaume Nicloux)
El motoarrebatador (Agustín Toscano)
En Liberté!
Check out the lineup below, followed by the Acid lineup, featuring Jim Cummings’ SXSW winner Thunder Road.
Cannes Directors’ Fortnight Lineup
Opening Film:
Birds of Passage (Ciro Guerra & Cristina Gallego)
Closing Film:
Troppa grazia (Gianni Zanasi)
Feature Films
Amin (Philippe Faucon)
Climax (Gaspar Noé)
Carmen y Lola (Arantxa Echevarria)
Cómprame un revólver de (Julio Hernández Cordón)
Les Confins du monde (Guillaume Nicloux)
El motoarrebatador (Agustín Toscano)
En Liberté!
- 4/17/2018
- by Jordan Raup
- The Film Stage
![Debra Granik in Winter's Bone (2010)](https://m.media-amazon.com/images/M/MV5BMjQ0MjkxMjc3MF5BMl5BanBnXkFtZTcwMTUyMjkwMw@@._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Debra Granik in Winter's Bone (2010)](https://m.media-amazon.com/images/M/MV5BMjQ0MjkxMjc3MF5BMl5BanBnXkFtZTcwMTUyMjkwMw@@._V1_QL75_UX140_CR0,0,140,140_.jpg)
Debra Granik, Romain Gavras, Ciro Guerra and Gaspar Noe are among the directors whose films will be included in the 50th Directors’ Fortnight, an independent sidebar that will run concurrently with the Cannes Film Festival in May.
Granik will go to Cannes with “Leave No Trace,” her first narrative film since the Oscar-nominated “Winter’s Bone” in 2010, and a film that received strong reviews when it premiered at Sundance in January.
Gavras, best known for his videos for M.I.A., Kanye West and Jay-z and others, will be there with “Le monde est a toi,” while Guerra and his co-director Cristina Gallego, who made the Oscar-nominated “Embrace of the Serpent,” will bring “Birds of Passage” to Directors’ Fortnight.
Also Read: Cannes Will Welcome Back Lars von Trier, Says Festival Director
The Argentinian provocateur Noe will bring “Climax” to the festival.
Also in the selection: Panos Cosmatos’ horror film “Mandy,” which features what is reportedly another wild performance from Nicolas Cage.
Of the 20 feature films in the section, 15 are directed by men and four by women, with “Birds of Passage” a collaboration between male and female directors.
Also Read: Majority of Cannes Critics' Week Competition Films Were Directed by Women
Directors’ Fortnight (Quinzaine des Realisateurs) was established in 1969, in the aftermath of a 1968 Cannes Film Festival that was canceled midway through in solidarity with the protests sweeping through France. It was set up to offer a more daring and experimental slate than the main festival, and over the years provided the first Cannes exposure for such directors as Martin Scorsese, Werner Herzog, Michael Haneke and Spike Lee.
Directors’ Fortnight will open on May 9 and run through May 19.
The lineup:
“Pajaros de verano” (“Birds of Passage”), Ciro Guerra and Cristina Gallego (opening film)
“Amin,” Philippe Faucon
“Carmen Y Lola,” Arantxa Echevarria
“Climax,” Gaspar Noe
“Comprama un revolver” (“Buy Me a Gun”), Julio Hernandez Cordon
“Les Confins du Monde,” Guillaume Nicloux
“El motoarrebatador” (“The Snatch Thief”), Augustin Toscano
“En Liberte!,” Pierre Salvadori
“Joueurs” (“Treat Me Like Fire”), Marie Monge
“Leave No Trace,” Debra Granik
“Los Silencios,” Beatriz Seigner
“Ming wang xing shi ke” (“The Pluto Moment”), Ming Zhang
“Mandy,” Panos Cosmatos
“Mirai,” Mamoru Hosoda
“Le monde est a toi,” Romain Gavras
“Petra,” Jaime Rosales
“Samouni Road,” Stefano Savona
“Teret” (“The Load”), Ognjen Glavonic
“Weldi” (“Dear Son”), Mohamed Ben Attia
“Troppa Grazia,” Gianni Zanasi (closing film)
Also Read: Cannes Lineup Reaches From Spike Lee to Jean-Luc Godard
Short films:
“Basses,” Felix Imbert
“Ce Magnifique gateau!,” (“This Magnificent Cake!”), Emma De Swaef & Marc Roels
“La Chanson” (“The Song”), Tiphaine Raffier
“La Lotta,” Marco Belocchio
“Las Cruces,” Nicolas Boone
“La nuit des sacs plastiques” (“The Night of the Plastic Bags”), Gabriel Harel
“O orfao” (“The Orphan”), Carolina Markowicz
“Our Song to War,” Juanita Onzaga
“Skip Day,” Patrick Bresnan & Ivette Lucas
“Le Sujet” (“The Subject”), Patrick Bouchard
Read original story Debra Granik, Gaspar Noe Films Selected for Cannes’ Directors’ Fortnight Lineup At TheWrap...
Granik will go to Cannes with “Leave No Trace,” her first narrative film since the Oscar-nominated “Winter’s Bone” in 2010, and a film that received strong reviews when it premiered at Sundance in January.
Gavras, best known for his videos for M.I.A., Kanye West and Jay-z and others, will be there with “Le monde est a toi,” while Guerra and his co-director Cristina Gallego, who made the Oscar-nominated “Embrace of the Serpent,” will bring “Birds of Passage” to Directors’ Fortnight.
Also Read: Cannes Will Welcome Back Lars von Trier, Says Festival Director
The Argentinian provocateur Noe will bring “Climax” to the festival.
Also in the selection: Panos Cosmatos’ horror film “Mandy,” which features what is reportedly another wild performance from Nicolas Cage.
Of the 20 feature films in the section, 15 are directed by men and four by women, with “Birds of Passage” a collaboration between male and female directors.
Also Read: Majority of Cannes Critics' Week Competition Films Were Directed by Women
Directors’ Fortnight (Quinzaine des Realisateurs) was established in 1969, in the aftermath of a 1968 Cannes Film Festival that was canceled midway through in solidarity with the protests sweeping through France. It was set up to offer a more daring and experimental slate than the main festival, and over the years provided the first Cannes exposure for such directors as Martin Scorsese, Werner Herzog, Michael Haneke and Spike Lee.
Directors’ Fortnight will open on May 9 and run through May 19.
The lineup:
“Pajaros de verano” (“Birds of Passage”), Ciro Guerra and Cristina Gallego (opening film)
“Amin,” Philippe Faucon
“Carmen Y Lola,” Arantxa Echevarria
“Climax,” Gaspar Noe
“Comprama un revolver” (“Buy Me a Gun”), Julio Hernandez Cordon
“Les Confins du Monde,” Guillaume Nicloux
“El motoarrebatador” (“The Snatch Thief”), Augustin Toscano
“En Liberte!,” Pierre Salvadori
“Joueurs” (“Treat Me Like Fire”), Marie Monge
“Leave No Trace,” Debra Granik
“Los Silencios,” Beatriz Seigner
“Ming wang xing shi ke” (“The Pluto Moment”), Ming Zhang
“Mandy,” Panos Cosmatos
“Mirai,” Mamoru Hosoda
“Le monde est a toi,” Romain Gavras
“Petra,” Jaime Rosales
“Samouni Road,” Stefano Savona
“Teret” (“The Load”), Ognjen Glavonic
“Weldi” (“Dear Son”), Mohamed Ben Attia
“Troppa Grazia,” Gianni Zanasi (closing film)
Also Read: Cannes Lineup Reaches From Spike Lee to Jean-Luc Godard
Short films:
“Basses,” Felix Imbert
“Ce Magnifique gateau!,” (“This Magnificent Cake!”), Emma De Swaef & Marc Roels
“La Chanson” (“The Song”), Tiphaine Raffier
“La Lotta,” Marco Belocchio
“Las Cruces,” Nicolas Boone
“La nuit des sacs plastiques” (“The Night of the Plastic Bags”), Gabriel Harel
“O orfao” (“The Orphan”), Carolina Markowicz
“Our Song to War,” Juanita Onzaga
“Skip Day,” Patrick Bresnan & Ivette Lucas
“Le Sujet” (“The Subject”), Patrick Bouchard
Read original story Debra Granik, Gaspar Noe Films Selected for Cannes’ Directors’ Fortnight Lineup At TheWrap...
- 4/17/2018
- by Steve Pond
- The Wrap
![Gaspar Noé at an event for Irreversible (2002)](https://m.media-amazon.com/images/M/MV5BMjA1ODY2NTg3NF5BMl5BanBnXkFtZTYwOTMwNzA2._V1_QL75_UX140_CR0,4,140,207_.jpg)
![Gaspar Noé at an event for Irreversible (2002)](https://m.media-amazon.com/images/M/MV5BMjA1ODY2NTg3NF5BMl5BanBnXkFtZTYwOTMwNzA2._V1_QL75_UX140_CR0,4,140,207_.jpg)
Noé, Faucon and Rosales feature in 50th anniversary edition marked by strong Hispanic, French presence.
Gaspar Noé’s Climax, Ciro Guerra and Cristina Gallego’s Birds of Passage, and Mamoru Hosoda’s feature animation Mirai are among the features that will premiere in the 50th anniversary edition of Directors’ Fortnight this year.
Artistic director Edouard Waintrop unveiled his final selection, ahead of his departure this autumn, at a press conference at the Forum des Images in Paris on Tuesday (April 17). The 50th edition line-up – running May 9-19 - comprises 20 features and another 11 short films.
“I would like to thank the...
Gaspar Noé’s Climax, Ciro Guerra and Cristina Gallego’s Birds of Passage, and Mamoru Hosoda’s feature animation Mirai are among the features that will premiere in the 50th anniversary edition of Directors’ Fortnight this year.
Artistic director Edouard Waintrop unveiled his final selection, ahead of his departure this autumn, at a press conference at the Forum des Images in Paris on Tuesday (April 17). The 50th edition line-up – running May 9-19 - comprises 20 features and another 11 short films.
“I would like to thank the...
- 4/17/2018
- by Melanie Goodfellow
- ScreenDaily
Update: Outgoing Directors’ Fortnight chief Edouard Waintrop revealed a 20-strong 50th anniversary lineup today that includes a return engagement for some, and a surprise inclusion for one of the most controversial filmmakers ever to hit the Croisette. Gaspar Noé will world premiere his Climax, appearing for the first time in the section after turns in Official Selection with such films as Love, Enter The Void and Irreversible. Climax has been kept close to the vest, with some conflicting information circulating (we will update when we know more).
The Fortnight will open with Cristina Gallego and Ciro Guerra’s Birds Of Passage. The 1970s-set film about the early days of the drug trade is a return to the section for Guerra whose 2015 Embrace Of The Serpent became Colombia’s first Foreign Language Oscar nominee.
Also notable on the roster are Guillaume Nicloux’s Les Confins Du Monde. His Valley Of Love...
The Fortnight will open with Cristina Gallego and Ciro Guerra’s Birds Of Passage. The 1970s-set film about the early days of the drug trade is a return to the section for Guerra whose 2015 Embrace Of The Serpent became Colombia’s first Foreign Language Oscar nominee.
Also notable on the roster are Guillaume Nicloux’s Les Confins Du Monde. His Valley Of Love...
- 4/17/2018
- by Nancy Tartaglione
- Deadline Film + TV
This year the Academy’s Short Films and Feature Animation branch has deemed eligible a record 70 animated shorts to vie for the shortlist of ten, followed by the final five nominations for the Oscar. That’s 10 more than last year’s 60.
The number of qualified shorts has been growing steadily, from 33 in 2010 to 58 in 2014.
Members of the branch who volunteer to serve will now view the shorts and rate the films. The ten best-rated shorts will go on the shortlist, to be revealed in November. A larger group will check those out and cull the final five which will be announced on Tuesday, January 24. The shorts will be sent to the entire Academy, who will vote on the winner.
Cartoon Brew got hold of the list of qualified contenders, and assesses what they consider to be the best of the best, including trailers. The Academy has not released that list.
The number of qualified shorts has been growing steadily, from 33 in 2010 to 58 in 2014.
Members of the branch who volunteer to serve will now view the shorts and rate the films. The ten best-rated shorts will go on the shortlist, to be revealed in November. A larger group will check those out and cull the final five which will be announced on Tuesday, January 24. The shorts will be sent to the entire Academy, who will vote on the winner.
Cartoon Brew got hold of the list of qualified contenders, and assesses what they consider to be the best of the best, including trailers. The Academy has not released that list.
- 10/29/2016
- by Anne Thompson
- Thompson on Hollywood
This year the Academy’s Short Films and Feature Animation branch has deemed eligible a record 70 animated shorts to vie for the shortlist of ten, followed by the final five nominations for the Oscar. That’s 10 more than last year’s 60.
The number of qualified shorts has been growing steadily, from 33 in 2010 to 58 in 2014.
Members of the branch who volunteer to serve will now view the shorts and rate the films. The ten best-rated shorts will go on the shortlist, to be revealed in November. A larger group will check those out and cull the final five which will be announced on Tuesday, January 24. The shorts will be sent to the entire Academy, who will vote on the winner.
Cartoon Brew got hold of the list of qualified contenders, and assesses what they consider to be the best of the best, including trailers. The Academy has not released that list.
The number of qualified shorts has been growing steadily, from 33 in 2010 to 58 in 2014.
Members of the branch who volunteer to serve will now view the shorts and rate the films. The ten best-rated shorts will go on the shortlist, to be revealed in November. A larger group will check those out and cull the final five which will be announced on Tuesday, January 24. The shorts will be sent to the entire Academy, who will vote on the winner.
Cartoon Brew got hold of the list of qualified contenders, and assesses what they consider to be the best of the best, including trailers. The Academy has not released that list.
- 10/29/2016
- by Anne Thompson
- Indiewire
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