As the world fights a pandemic, we’ve been reaching out to some of our favorite artists to get their takes on these unprecedented times. Here’s what the metal-and-beyond percussion legend — one of Rs’ 100 Greatest Drummers of All Time, who’s currently playing with the reunited Misfits and Suicidal Tendencies, as well as the reunited Mr. Bungle and his own band Dead Cross — had to say in response to a few quarantine questions.
What have you been doing with your unexpected time at home?
Some unexpected projects. It’s...
What have you been doing with your unexpected time at home?
Some unexpected projects. It’s...
- 4/14/2020
- by Hank Shteamer
- Rollingstone.com
After guesting on the 2018 self-titled debut by San Diego punk-meets–hip-hop duo Planet B, Kool Keith continues the collaboration on an upcoming Ep under his own name.
The release features two new tracks from the notoriously outlandish Mc, “Blast” and “Uncrushable,” along with an alternate version of each. The extras include Planet B’s remix of “Blast,” as well as a mash-up of “Uncrushable” and “Church of the Motherfuckers,” a 2017 track from Dead Cross, a spazzy hardcore supergroup featuring Faith No More vocalist Mike Patton, ex-Slayer drummer Dave Lombardo, Planet...
The release features two new tracks from the notoriously outlandish Mc, “Blast” and “Uncrushable,” along with an alternate version of each. The extras include Planet B’s remix of “Blast,” as well as a mash-up of “Uncrushable” and “Church of the Motherfuckers,” a 2017 track from Dead Cross, a spazzy hardcore supergroup featuring Faith No More vocalist Mike Patton, ex-Slayer drummer Dave Lombardo, Planet...
- 3/18/2019
- by Hank Shteamer
- Rollingstone.com
Yeah Yeah Yeahs guitarist Nick Zinner has launched a new grindcore project, More Pain. A collaboration with vocalist Justin Pearson, Zinner’s bandmate in punk supergroup Head Wound City, the band will release its self-titled debut Ep on April 19th via Pearson’s prolific Three One G label. A video for lead track “Hammering Tenderness” is out now.
Blurring by in under 30 seconds, the track makes Head Wound City sound long-winded in comparison. It begins with a scribble of guitar noise, leading into a fast, primitive riff; Pearson lets out a scream,...
Blurring by in under 30 seconds, the track makes Head Wound City sound long-winded in comparison. It begins with a scribble of guitar noise, leading into a fast, primitive riff; Pearson lets out a scream,...
- 2/15/2019
- by Hank Shteamer
- Rollingstone.com
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