Mack & Rita Review — Mack & Rita (2022) Film Review, a movie directed by Katie Aselton, written by Madeline Walter and Paul Welsh and starring Diane Keaton, Elizabeth Lail, Taylour Paige, Loretta Devine, Dustin Milligan, Aimee Carrero, Addie Weyrich, Simon Rex, Lauren Beveridge, Catherine Carlen, Annie Hamilton, Sara Amini, Nicole Byer, Patti Harrison, [...]
Continue reading: Film Review: MacK & Rita (2022): There’s Something Endearing About Diane Keaton’s Latest Screwball Comedy...
Continue reading: Film Review: MacK & Rita (2022): There’s Something Endearing About Diane Keaton’s Latest Screwball Comedy...
- 8/24/2022
- by Thomas Duffy
- Film-Book
Photo: 'Mack & Rita' Actress-turned-director Katie Aselton’s new film ‘Mack and Rita.’ The movie is written by Madeline Walter and Paul Welsh, both alumni writers of the hit comedy show ‘Brooklyn Nine-Nine,’ stars Elizabeth Lail as Mack Martin, living her life as a successful 30-year-old writer. She is different from most females her age. After the success of her first book, she feels compelled to keep the momentum going by writing her second one. She was raised by her grandmother, which is also another huge explanation to Mack’s mindset of a person who refuses to stay up late and party with her friends. Her friends do not give her the support of her aspiring dream as a writer since they push her to go to a bachelorette party in Palm Springs. At one point, Mack goes into a tanning bed at a tent operated by a...
- 8/14/2022
- by Marco Castaneda
- Hollywood Insider - Substance & Meaningful Entertainment
A handful of smaller films will start to test audience enthusiasm for movie theaters without big tentpoles. It’s been a rocky summer for specialty releases, and an uphill climb as arthouses emerge from Covid jitters with franchise films sucking up oxygen and screens. But superheroes are on hiatus.
“There isn’t giant competition from tentpoles,” said Howard Cohen, co-president of Roadside Attractions. “On balance, it’s good. Obviously, if you have Top Gun, it sucks the air out of the marketplace. It’s still better — for the specialty market — to have three or four indies than one giant release. Exhibitors are antsy about the sudden dearth of new wide releases this month and next, but they’ve also been asking for more box office breadth.
“We have seen signs of life in our sector,...
“There isn’t giant competition from tentpoles,” said Howard Cohen, co-president of Roadside Attractions. “On balance, it’s good. Obviously, if you have Top Gun, it sucks the air out of the marketplace. It’s still better — for the specialty market — to have three or four indies than one giant release. Exhibitors are antsy about the sudden dearth of new wide releases this month and next, but they’ve also been asking for more box office breadth.
“We have seen signs of life in our sector,...
- 8/12/2022
- by Jill Goldsmith
- Deadline Film + TV
“Mack & Rita,” the third film by Sundance darling Katie Aselton, is Mack (Elizabeth Lail), an awkward author turned reluctant influencer, describes herself as a “70-year-old in the body of a 30-year-old.” She tiptoes through life terrified to be out of step with her cohorts’ harsh judgments. Here, according to screenwriters Madeline Walter and Paul Welsh, millennials recoil at reading, diners, scarves, carpeting, silence, sensible shoes, chain restaurants and non-conformity. In one scene, 50 of millennials don’t even understand the word “lothario.”
Exhausted from the pressure to sport thigh-high, spike-heeled snakeskin boots to a bottomless mimosa brunch, Mack stumbles across a shady huckster (“Red Rocket” star Simon Rex), collapses in his regression tank — and emerges in the body of Diane Keaton. The body-swapping contrivance is easier to believe than anything the film does with it. Introducing herself to the world as Mack’s Aunt Rita, the character unchains herself from...
Exhausted from the pressure to sport thigh-high, spike-heeled snakeskin boots to a bottomless mimosa brunch, Mack stumbles across a shady huckster (“Red Rocket” star Simon Rex), collapses in his regression tank — and emerges in the body of Diane Keaton. The body-swapping contrivance is easier to believe than anything the film does with it. Introducing herself to the world as Mack’s Aunt Rita, the character unchains herself from...
- 8/10/2022
- by Amy Nicholson
- Variety Film + TV
When we think of old age, we think of wisdom (charitably) or frailty (less charitably), the weathered faces of elders showing us our future. Or consider a more spritely vision of the aging process: Think of colorful scarves and oversized knits. What about silk robes and high-collared shirts? Maybe a glass of red wine on ice?
This is the paradise that retirement age has to offer not our society’s aged, but rather Mack, the frazzled “old soul” at the center of Katie Aselton’s age-swap comedy “Mack & Rita.”
Written by Madeline Walter and Paul Welsh (both alums of “Brooklyn Nine-Nine”), the gentle film takes quirky introvert Mack out of her comfort zone of books and linen clothing and into her best friend Carla’s bachelorette party. It’s there that Mack realizes just how unlike other girls she really is, balking at the non-stop parade of selfies and mimosas.
This is the paradise that retirement age has to offer not our society’s aged, but rather Mack, the frazzled “old soul” at the center of Katie Aselton’s age-swap comedy “Mack & Rita.”
Written by Madeline Walter and Paul Welsh (both alums of “Brooklyn Nine-Nine”), the gentle film takes quirky introvert Mack out of her comfort zone of books and linen clothing and into her best friend Carla’s bachelorette party. It’s there that Mack realizes just how unlike other girls she really is, balking at the non-stop parade of selfies and mimosas.
- 8/10/2022
- by Fran Hoepfner
- The Wrap
Click here to read the full article.
For the 30-year-old at the center of Mack & Rita, a repurposed tanning bed and a New Age charlatan’s mumbo-jumbo summon body-switch magic: She emerges from the gussied-up contraption as the older woman she believes she truly is. The good news for the audience is that the septuagenarian is played by Diane Keaton. For Keaton, the movie is better news than Poms, but still a hit-and-miss affair. At times disarming, at others plain silly, it takes a few daring leaps without quite avoiding middle-of-the-road sitcom territory.
This makes sense given that screenwriters Madeline Walter and Paul Welsh are vets of Brooklyn Nine-Nine. Actor-turned-filmmaker Katie Aselton (Black Rock, The Freebie), who played Keaton’s daughter in Book Club, directs the material with a sunshiny SoCal sensibility and an appreciation of the terrific comic cast, though more than a few barely escape being wasted. If there’s magic here,...
For the 30-year-old at the center of Mack & Rita, a repurposed tanning bed and a New Age charlatan’s mumbo-jumbo summon body-switch magic: She emerges from the gussied-up contraption as the older woman she believes she truly is. The good news for the audience is that the septuagenarian is played by Diane Keaton. For Keaton, the movie is better news than Poms, but still a hit-and-miss affair. At times disarming, at others plain silly, it takes a few daring leaps without quite avoiding middle-of-the-road sitcom territory.
This makes sense given that screenwriters Madeline Walter and Paul Welsh are vets of Brooklyn Nine-Nine. Actor-turned-filmmaker Katie Aselton (Black Rock, The Freebie), who played Keaton’s daughter in Book Club, directs the material with a sunshiny SoCal sensibility and an appreciation of the terrific comic cast, though more than a few barely escape being wasted. If there’s magic here,...
- 8/10/2022
- by Sheri Linden
- The Hollywood Reporter - Movie News
Gravitas Ventures, of Canada-based Anthem Sports & Entertainment, has acquired the North American rights to the Diane Keaton-starring comedy film “Mark & Rita” — set to premiere Aug. 12 — as it expands into a new theatrical release label Gravitas Premiere.
The label will acquire four to six “cast-driven, high production value films” per year, releasing them wide theatrically, according to the company’s announcement.
“We are delighted to launch Gravitas Premiere with the acquisition of ‘Mack & Rita,’ which solidifies our commitment to championing the cinematic in-theater experience,” said Gravitas Ventures Founder and CEO Nolan Gallagher. “People love going to the movies and this film is an excitingly fresh and insightful comedy that needs to be experienced on the big screen. ‘Mack & Rita’ is the type of high-quality, independently-produced story we are seeking to acquire through Gravitas Premiere, and we look forward to collaborating with our exhibition partners in bringing the...
The label will acquire four to six “cast-driven, high production value films” per year, releasing them wide theatrically, according to the company’s announcement.
“We are delighted to launch Gravitas Premiere with the acquisition of ‘Mack & Rita,’ which solidifies our commitment to championing the cinematic in-theater experience,” said Gravitas Ventures Founder and CEO Nolan Gallagher. “People love going to the movies and this film is an excitingly fresh and insightful comedy that needs to be experienced on the big screen. ‘Mack & Rita’ is the type of high-quality, independently-produced story we are seeking to acquire through Gravitas Premiere, and we look forward to collaborating with our exhibition partners in bringing the...
- 4/27/2022
- by Natalie Oganesyan
- The Wrap
After directing her first two features (both Sundance entires) in The Freebie (2010) and Black Rock (2012), Katie Aselton would move more into her acting career. So it was a big deal when it was announced that production on her third feature would begin in March of this year with a cast with the likes of Diane Keaton and Taylour Paige in the lead. With cinematographer Sean McElwee lensing in Los Angeles, this was written by Madeline Walter and Paul Welsh.
Gist: Mack and Rita follows Mackenzie Martin is tired of doing all the things she has to do to keep up and get ahead in her 30’s.…...
Gist: Mack and Rita follows Mackenzie Martin is tired of doing all the things she has to do to keep up and get ahead in her 30’s.…...
- 11/23/2021
- by Eric Lavallée
- IONCINEMA.com
Exclusive: The Katie Aselton directed romantic comedy Mack & Rita has rounded out the cast which has already set Diane Keaton, Taylour Paige and Elizabeth Lail.
As we already told you Keaton is playing Rita, Lail is playing Mack, and Paige is playing Rita’s best friend Carla from when the protagonist was young. The movie, scripted by Madeline Walter and Paul Welsh, is now shooting in Los Angeles. Endeavor and Fortitude are repping worldwide rights.
Mack and Rita follows Mackenzie Martin is tired of doing all the things she has to do to keep up and get ahead in her 30’s. Since she was a little girl, raised by her Grammie Martin, her deepest wish has been to be just like her Grammie, comfortable in her own skin, great at saying “no” and largely unburdened by what other people think of her. Not to mention Mack has always loved a...
As we already told you Keaton is playing Rita, Lail is playing Mack, and Paige is playing Rita’s best friend Carla from when the protagonist was young. The movie, scripted by Madeline Walter and Paul Welsh, is now shooting in Los Angeles. Endeavor and Fortitude are repping worldwide rights.
Mack and Rita follows Mackenzie Martin is tired of doing all the things she has to do to keep up and get ahead in her 30’s. Since she was a little girl, raised by her Grammie Martin, her deepest wish has been to be just like her Grammie, comfortable in her own skin, great at saying “no” and largely unburdened by what other people think of her. Not to mention Mack has always loved a...
- 3/26/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Exclusive: Here’s an independent romantic comedy we hear is coming together: Oscar winner Diane Keaton and Ma Rainey’s Black Bottom star Taylour Paige are set to star in Mack and Rita which will be produced by Alex Saks. Katie Aselton Duplass is directing, we hear.
The comedy is billed as being in the spirit of Big. Mackenzie Martin is tired of doing all the things she has to do to keep up and get ahead in her 30’s. Since she was a little girl, raised by her Grammie Martin, her deepest wish has been to be just like her Grammie, comfortable in her own skin, great at saying “no” and largely unburdened by what other people think of her. Not to mention Mack has always loved a good chunky sweater and being in bed by 8 pm. While at her best friend’s bachelorette in Palm Springs, Mack stumbles...
The comedy is billed as being in the spirit of Big. Mackenzie Martin is tired of doing all the things she has to do to keep up and get ahead in her 30’s. Since she was a little girl, raised by her Grammie Martin, her deepest wish has been to be just like her Grammie, comfortable in her own skin, great at saying “no” and largely unburdened by what other people think of her. Not to mention Mack has always loved a good chunky sweater and being in bed by 8 pm. While at her best friend’s bachelorette in Palm Springs, Mack stumbles...
- 3/19/2021
- by Anthony D'Alessandro
- Deadline Film + TV
A review of the two-part Brooklyn Nine-Nine Season Six finale, “Sicko” and “The Suicide Squad,” coming up just as soon as I send you an eye-rolling gif from The Durrells in Corfu…
Nine-Nine has a tradition of ending its seasons with cliffhangers that upend the series’ status quo. Season One ended with Jake going undercover in the Mafia, Season Two with Captain Holt transferred to One Police Plaza, Season Three with Jake and Holt in witness protection down in Florida and Season Four with Jake and Rosa going to prison...
Nine-Nine has a tradition of ending its seasons with cliffhangers that upend the series’ status quo. Season One ended with Jake going undercover in the Mafia, Season Two with Captain Holt transferred to One Police Plaza, Season Three with Jake and Holt in witness protection down in Florida and Season Four with Jake and Rosa going to prison...
- 5/17/2019
- by Alan Sepinwall
- Rollingstone.com
In the golden age of television, the New York Television Festival is quickly becoming the place to find the next crown jewel. Now in its 12th year, the festival continues to grow each year both in scope and prestige, boasting a record number of submissions, artists, and industry participation.
“It’s taken us a couple of years to get to this point, but we’re hitting our stride at a time where there is great creativity in TV and digital,” said Nytvf Founder and Executive Director Terence Gray, surveying the room bustling with pitch meetings on plush couches. “It’s fun, you see these incredibly talented people that are being given a shot to sit down with agents and managers and executives.”
Read More: ‘Arrested Development’ Creator Mitch Hurwitz’s Pitching Secret: Make ‘Em Laugh
Grey founded Nytvf twelve years ago, shrewdly filling an opening for a Sundance-like festival for independent television creators.
“It’s taken us a couple of years to get to this point, but we’re hitting our stride at a time where there is great creativity in TV and digital,” said Nytvf Founder and Executive Director Terence Gray, surveying the room bustling with pitch meetings on plush couches. “It’s fun, you see these incredibly talented people that are being given a shot to sit down with agents and managers and executives.”
Read More: ‘Arrested Development’ Creator Mitch Hurwitz’s Pitching Secret: Make ‘Em Laugh
Grey founded Nytvf twelve years ago, shrewdly filling an opening for a Sundance-like festival for independent television creators.
- 10/30/2016
- by Jude Dry
- Indiewire
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