The editors behind Nitram, I Met A Girl, The Furnace and June Again will compete for this year’s Ellie Award for Best Editing in Feature Drama, while the television drama category will be a contest between those who cut Wakefield, The Tailings, Jack Irish, Eden and Bump.
The annual awards of the Australian Screen Editors (Ase) will be held in early February with the hope that travel restrictions between states will have eased.
“It’s been a tough two years and we think we all deserve to be together in person to celebrate these fine achievements in editing, and the results of everybody’s hard work during such difficult times,” Ase president Danielle Boesenberg tells If.
In addition to the feature film prize, I Met A Girl editor Melanie Annan will also be in contention for Best Editing in Documentary and Series for Three Songs for Benazir, shared with Christoph Wermke.
The annual awards of the Australian Screen Editors (Ase) will be held in early February with the hope that travel restrictions between states will have eased.
“It’s been a tough two years and we think we all deserve to be together in person to celebrate these fine achievements in editing, and the results of everybody’s hard work during such difficult times,” Ase president Danielle Boesenberg tells If.
In addition to the feature film prize, I Met A Girl editor Melanie Annan will also be in contention for Best Editing in Documentary and Series for Three Songs for Benazir, shared with Christoph Wermke.
- 11/1/2021
- by Staff Writer
- IF.com.au
Mark Warner receives his award from Karen Eastmure.
The editors of Ladies in Black, Bloom and The Final Quarter were among the honorees of the Australian Screen Editors’ annual Ellie Awards presented on Saturday night at the Eternity Playhouse in Darlinghurst.
Mark Warner’s work on Ladies in Black won best editing in a feature drama, James Manché’s episode 5 of Bloom was recognised as best editing in a drama and Sally Fryer’s The Final Quarter took the feature documentary editing prize.
That followed Fryer’s win at the Aacta Awards while the Adam Goodes doco directed by Ian Darling was named best documentary program at the Asian Academy Creative Awards in Singapore last Friday night.
The other recipients included Sara Edwards’ Gatwick – The Last Chance Hotel (documentary), Julie-Anne De Ruvo’s The Letdown (comedy), Nicholas Dunlop and Lawrie Silvestrin’s Don’t Stop the Music (factual entertainment) and...
The editors of Ladies in Black, Bloom and The Final Quarter were among the honorees of the Australian Screen Editors’ annual Ellie Awards presented on Saturday night at the Eternity Playhouse in Darlinghurst.
Mark Warner’s work on Ladies in Black won best editing in a feature drama, James Manché’s episode 5 of Bloom was recognised as best editing in a drama and Sally Fryer’s The Final Quarter took the feature documentary editing prize.
That followed Fryer’s win at the Aacta Awards while the Adam Goodes doco directed by Ian Darling was named best documentary program at the Asian Academy Creative Awards in Singapore last Friday night.
The other recipients included Sara Edwards’ Gatwick – The Last Chance Hotel (documentary), Julie-Anne De Ruvo’s The Letdown (comedy), Nicholas Dunlop and Lawrie Silvestrin’s Don’t Stop the Music (factual entertainment) and...
- 12/8/2019
- by The IF Team
- IF.com.au
Chasing Asylum.
Eva Orner's detention-centre documentary Chasing Asylum will have its world premiere at Canada's Hot Docs on April 28 before premiering locally May 5 at the Human Rights Arts & Film Festival in Melbourne..
Orner, who won an Oscar for producing Alex Gibney's Taxi to the Dark Side, will then take the film - which promises to showcase "never before seen footage from inside Australia.s offshore detention camps" - on a roadshow to Canberra, Sydney, Brisbane, Hobart, Adelaide, Perth, Darwin and Alice Springs.
The filmmakers will team up with presenting partners in most locations to host special events, including the Human Rights Arts & Film Festival, Sydney Writers Festival, Adelaide Film Festival, Amnesty International Tasmanian Branch and the Tasmania Breath of Fresh Air Film Festival..
.For too long the Australian Government has been hiding behind a policy of secrecy regarding offshore detention", said Orner.
"The Australian people can.t decide...
Eva Orner's detention-centre documentary Chasing Asylum will have its world premiere at Canada's Hot Docs on April 28 before premiering locally May 5 at the Human Rights Arts & Film Festival in Melbourne..
Orner, who won an Oscar for producing Alex Gibney's Taxi to the Dark Side, will then take the film - which promises to showcase "never before seen footage from inside Australia.s offshore detention camps" - on a roadshow to Canberra, Sydney, Brisbane, Hobart, Adelaide, Perth, Darwin and Alice Springs.
The filmmakers will team up with presenting partners in most locations to host special events, including the Human Rights Arts & Film Festival, Sydney Writers Festival, Adelaide Film Festival, Amnesty International Tasmanian Branch and the Tasmania Breath of Fresh Air Film Festival..
.For too long the Australian Government has been hiding behind a policy of secrecy regarding offshore detention", said Orner.
"The Australian people can.t decide...
- 3/23/2016
- by Staff Writer
- IF.com.au
The Australian Screen Editors’ Guild has added a new category to include online and new content streams to its awards night and announced the nominees for the 2012 Ase Awards.
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
- 11/14/2012
- by Colin Delaney
- Encore Magazine
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