‘Australia Come Fly With Me’ (Photo credit: WildBear Entertainment).
Australia’s documentary makers are less affected by production shutdowns than most other sectors of the screen industry – apart from the large cohort of animators who are still working remotely.
While some productions have been delayed or suspended, filming continues on a sizable number of projects and many are in post.
WildBear Entertainment, which has has 85 people working remotely, is delivering five shows including Australia Come Fly With Me for Sbs, Demolition Downunder for Network Ten and France’s Mediawan, and Bushfire Animal Rescue for PBS and Arte/Zdf.
“We had five projects that were about to commence shooting and these have been delayed, around 25 hours in total,” WildBear CEO Michael Tear tells If. We have another 19 projects in post or very close to delivery. On seven we are experiencing interruption or requiring some form of change to production methodology.
“We...
Australia’s documentary makers are less affected by production shutdowns than most other sectors of the screen industry – apart from the large cohort of animators who are still working remotely.
While some productions have been delayed or suspended, filming continues on a sizable number of projects and many are in post.
WildBear Entertainment, which has has 85 people working remotely, is delivering five shows including Australia Come Fly With Me for Sbs, Demolition Downunder for Network Ten and France’s Mediawan, and Bushfire Animal Rescue for PBS and Arte/Zdf.
“We had five projects that were about to commence shooting and these have been delayed, around 25 hours in total,” WildBear CEO Michael Tear tells If. We have another 19 projects in post or very close to delivery. On seven we are experiencing interruption or requiring some form of change to production methodology.
“We...
- 4/2/2020
- by The IF Team
- IF.com.au
The Australian Screen Editors’ Guild has added a new category to include online and new content streams to its awards night and announced the nominees for the 2012 Ase Awards.
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
- 11/14/2012
- by Colin Delaney
- Encore Magazine
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