Updated with latest: The Venice Film Festival began August 30 with opening-night movie Comandante, an Italian World War II drama, kicking off a lineup for the venerable fest’s 80th edition that includes world premieres of Michael Mann’s Ferrari, Bradley Cooper’s Maestro, Sofia Coppola’s Priscilla, Yorgos Lanthimos’ Poor Things, David Fincher’s The Killer, Ava DuVernay’s Origins, and new films from lightning-rod directors Roman Polanski, Woody Allen and Luc Besson.
Deadline is on the ground to watch all the key films. Below is a compilation of our reviews from the fest, which last year awarded Laura Poitras’ documentary All The Beauty and the Bloodshed its Golden Lion for best film.
Click on the film titles below to read the reviews in full, and keep checking back as we add more movies throughout the fest, which runs through September 9.
Adagio
Section: Competition
Director: Stefano Sollima
Cast: Pierfrancesco Favino,...
Deadline is on the ground to watch all the key films. Below is a compilation of our reviews from the fest, which last year awarded Laura Poitras’ documentary All The Beauty and the Bloodshed its Golden Lion for best film.
Click on the film titles below to read the reviews in full, and keep checking back as we add more movies throughout the fest, which runs through September 9.
Adagio
Section: Competition
Director: Stefano Sollima
Cast: Pierfrancesco Favino,...
- 9/10/2023
- by Damon Wise, Pete Hammond, Stephanie Bunbury and Todd McCarthy
- Deadline Film + TV
Your staying power with Pietro Castellitto’s genre-adjacent non-thriller Enea will depend on your appetite for well-heeled Romans blathering on tirelessly about the encroaching emptiness inside them. An overlong, windy film that purports to investigate the hypocrisy, shallowness and moral decay of wealthy Italians but feels too embedded in that world to have much bite, this is a soulless bit of self-indulgence that seems far too pleased with itself. It’s full of flashy technique and ostentatious stylistic flourishes but has almost nothing of note to say about the supposed burdens of privilege.
The writer-director-lead actor’s father, Sergio Castellitto, among his many screen credits starred for three seasons in the psychotherapist role on the Italian version of In Treatment. That provides a winking in-joke for domestic audiences in his casting here as another shrink, Celeste, the title character’s despondent father, who generally has his head too deep in books to look at life.
The writer-director-lead actor’s father, Sergio Castellitto, among his many screen credits starred for three seasons in the psychotherapist role on the Italian version of In Treatment. That provides a winking in-joke for domestic audiences in his casting here as another shrink, Celeste, the title character’s despondent father, who generally has his head too deep in books to look at life.
- 9/7/2023
- by David Rooney
- The Hollywood Reporter - Movie News
“I feel like there’s a sort of mouth over the city, ready to eat us up,” says Enea, sophisticated young nightclubber, tennis champion and coke dealer; if anyone is trying to swallow the Eternal City whole, it’s Enea himself. The son of intellectuals – his mother hosts a television chat show about literature; his father is a psychoanalyst – the inexhaustible Enea scoots and toots between the city’s most exclusive sports club, the city’s most exclusive parties and, even more thrillingly, rendezvous with the criminal classes, homespun proletarians to a man. “You need to marry Eva, have a child with her, make her happy. If you have no one to kiss, you go crazy,” advises Giordano (Adamo Dionisi), pusher and family man, when he learns that playboy Enea has acquired a girlfriend. Whatever. In his line of work and with the company he keeps, Giordano isn’t going to last that long.
- 9/5/2023
- by Stephanie Bunbury
- Deadline Film + TV
Titles include ambulance-set thriller ‘The Shift’ and home invasion drama ‘A Bunch Of Bastards’.
Italian sales firm Minerva Pictures has finalised deals on several genre titles at the recent European Film Market (EFM).
The sales are led by terrorist thriller The Shift, which has been picked up for France (Koba Films), Germany (The Lighthouse) and Japan (New Select).
The Italy-Belgium co-produced is directed by Alessandro Tonda and premiered at Rome Film Fest. Led by Suburra star Adamo Dionisi and Cesar award-winning actress Clotilde Hesme, it centres on two paramedics who unwittingly load a suicide bomber into their ambulance in the wake of a terrorist attack.
Italian sales firm Minerva Pictures has finalised deals on several genre titles at the recent European Film Market (EFM).
The sales are led by terrorist thriller The Shift, which has been picked up for France (Koba Films), Germany (The Lighthouse) and Japan (New Select).
The Italy-Belgium co-produced is directed by Alessandro Tonda and premiered at Rome Film Fest. Led by Suburra star Adamo Dionisi and Cesar award-winning actress Clotilde Hesme, it centres on two paramedics who unwittingly load a suicide bomber into their ambulance in the wake of a terrorist attack.
- 3/16/2021
- by Gabriele Niola
- ScreenDaily
Dogman Magnolia Pictures Reviewed for Shockya.com & BigAppleReviews.net by: Harvey Karten Director: Matteo Garrone Screenwriter: Ugo Chiti, Maurizio Raucci, Matteo Garrone, Massimo Gaudioso Cast: Marcello Fonte, Edoardo Pesce, Alida Baldari Calabria, Nunzia Schiano, Adamo Dionisi Screened at: Dolby 24, NYC, 4/2/19 Opens: April 12, 2019 “Dogman” is the movie that won the “Palm Dog Best […]
The post Dogman Movie Review appeared first on Shockya.com.
The post Dogman Movie Review appeared first on Shockya.com.
- 4/7/2019
- by Harvey Karten
- ShockYa
"Whatever he says, don't trust him." Magnolia Pictures has unveiled the official Us trailer for Dogman, the latest Italian drama from acclaimed filmmaker Matteo Garrone. This premiered at the Cannes Film Festival last year, where it won the Best Actor award. This gritty "urban western" from Italy tells a (true) story of a homicide committed by a coked-out dog groomer during the late 1980s. The story goes that this guy was just a gentle dog groomer before he got pushed into a much more violent world thanks to the local mobsters. The cast includes Marcello Fonte, Edoardo Pesce, Adamo Dionisi, Francesco Acquaroli, Gianluca Gobbi, Nunzia Schiano, and Alida Baldari Calabria. I saw this at Cannes and loved it, one of my favorite films of the fest (read my full review), and I recommend it - especially for dog lovers and/or fans of contemporary Italian cinema. Opening in Us theaters this April.
- 1/19/2019
- by Alex Billington
- firstshowing.net
Meet the Dogman. The Cannes Film Festival just announced their official line-up today, and included in the competition selection is the latest film from acclaimed Italian filmmaker Matteo Garrone. It's titled Dogman, and this "urban western" tells the story of a homicide committed by a coked-out dog groomer during the late 1980s. The story goes that this guy was just a gentle dog groomer before he got pushed into a much more violent world. The cast includes Marcello Fonte, Edoardo Pesce, Adamo Dionisi, Francesco Acquaroli, Gianluca Gobbi, Nunzia Schiano, and Alida Baldari Calabria. This is a fantastic teaser trailer, with some promising footage, I'm definitely intrigued. But I'm most worried for the dogs in this trailer! I hope nothing bad happens to them, so many, they all look nice. Poor dogs. Anyway, this should be a hot contender at Cannes this year. Get your first look. Here's the first official...
- 4/12/2018
- by Alex Billington
- firstshowing.net
The Dinner (I Nostri Ragazzi) director Ivano de Matteo Photo: Anne-Katrin Titze
Ivano de Matteo philosophised with me, first at the Film Society of Lincoln Center and then at the Barbetta Open Roads: New Italian Cinema lunch, about justice, ethics, adapting Herman Koch's novel with screenwriting partner Valentina Ferlan, and how a switch in lighting can make a subliminal difference.
Massimo Lauri (Alessandro Gassman):"I wanted to create an aseptic, cold environment."
I threw Vladimir Nabokov's Lolita, Alfred Hitchcock's Rope, a scene from Paolo Virzi's Human Capital (Il Capitale Umano) with Valeria Bruni Tedeschi and the texture of nightmares into the family circle of his film The Dinner (I Nostri Ragazzi).
Alessandro Gassman, Luigi Lo Cascio, Barbora Bobulova, Giovanna Mezzogiorno, Rosabell Laurenti Sellers, and Jacopo Olmi Antinori form a formidable ensemble where each part can shatter the whole.
A man (Adamo Dionisi) completely looses his calm...
Ivano de Matteo philosophised with me, first at the Film Society of Lincoln Center and then at the Barbetta Open Roads: New Italian Cinema lunch, about justice, ethics, adapting Herman Koch's novel with screenwriting partner Valentina Ferlan, and how a switch in lighting can make a subliminal difference.
Massimo Lauri (Alessandro Gassman):"I wanted to create an aseptic, cold environment."
I threw Vladimir Nabokov's Lolita, Alfred Hitchcock's Rope, a scene from Paolo Virzi's Human Capital (Il Capitale Umano) with Valeria Bruni Tedeschi and the texture of nightmares into the family circle of his film The Dinner (I Nostri Ragazzi).
Alessandro Gassman, Luigi Lo Cascio, Barbora Bobulova, Giovanna Mezzogiorno, Rosabell Laurenti Sellers, and Jacopo Olmi Antinori form a formidable ensemble where each part can shatter the whole.
A man (Adamo Dionisi) completely looses his calm...
- 6/8/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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