Initiating one of Amazon’s most ambitious titles ever in Latin America, production has begun on “La cabeza de Joaquín Murrieta,” the region’s first Western Amazon Original series, Amazon Prime Video announced Tuesday.
An “action-packed” series made in Mexico, it added, “La cabeza de Joaquín Murrieta” stars top Mexican actor Juan Manuel Bernal and Alejandro Speitzer, a fast-rising star after prominent roles in Mexican hits in “Dark Desire” and “Someone Has to Die.”
Backed by a powerful creative combo, the Amazon Original series is produced by Dynamo, who handled the physical production of “Narcos” in Colombia and produced Amazon’s “Falco” and Netflix’s first-anounced Colombian Original series, “Green Frontier.”
The series is created by Dynamo’s Diego Ramírez Schrempp and Fidelio’s Mauricio Leiva-Cock.
Series episodes will be directed by Humberto Hinojosa Ozcariz and David Pablos, fresh of his success with “Dance of the 41,” and director of “The Chosen Ones,...
An “action-packed” series made in Mexico, it added, “La cabeza de Joaquín Murrieta” stars top Mexican actor Juan Manuel Bernal and Alejandro Speitzer, a fast-rising star after prominent roles in Mexican hits in “Dark Desire” and “Someone Has to Die.”
Backed by a powerful creative combo, the Amazon Original series is produced by Dynamo, who handled the physical production of “Narcos” in Colombia and produced Amazon’s “Falco” and Netflix’s first-anounced Colombian Original series, “Green Frontier.”
The series is created by Dynamo’s Diego Ramírez Schrempp and Fidelio’s Mauricio Leiva-Cock.
Series episodes will be directed by Humberto Hinojosa Ozcariz and David Pablos, fresh of his success with “Dance of the 41,” and director of “The Chosen Ones,...
- 9/7/2021
- by John Hopewell
- Variety Film + TV
Netflix has set May 12 for the worldwide premiere of “El Baile de los 41” (“Dance of the 41”), the fact-based drama about the early 20th century scandal that rocked Mexican high society.
Penned by Monika Revilla and directed by David Pablos (“The Chosen Ones”), “El Baile de los 41” focuses on the 1901 scandal of the Ball of the Forty-One where police raided a private home in Mexico City and exposed various prominent society men in drag, including the son-in-law of the president of Mexico. Although the government tried to suppress the story, the local press gave it blanket coverage, marking the first time that homosexuality was openly discussed in the Mexican media and impacting the country’s culture for years to come.
In the trailer, which Netflix bows exclusively in Variety, it opens on an officer informing the president about 42 men caught in a raid. “I only count 41,” the president replies,...
Penned by Monika Revilla and directed by David Pablos (“The Chosen Ones”), “El Baile de los 41” focuses on the 1901 scandal of the Ball of the Forty-One where police raided a private home in Mexico City and exposed various prominent society men in drag, including the son-in-law of the president of Mexico. Although the government tried to suppress the story, the local press gave it blanket coverage, marking the first time that homosexuality was openly discussed in the Mexican media and impacting the country’s culture for years to come.
In the trailer, which Netflix bows exclusively in Variety, it opens on an officer informing the president about 42 men caught in a raid. “I only count 41,” the president replies,...
- 4/14/2021
- by Anna Marie de la Fuente
- Variety Film + TV
“Naked Singularity,” starring John Boyega, “Socks on Fire” and “Street Gang: How We Got to Sesame Street” are among the selections announced for the 2021 San Francisco International Film Festival, which will take place in an all-new hybrid format.
Running April 9-18, the 64th edition of the festival will incorporate both online and in-person elements. Through the Sffilm website, audiences will be able to purchase tickets for digital screenings, Q&As with filmmakers, film parties and industry networking events. Additionally, there will be live screenings and performances held at the Fort Mason Flix drive-in theater.
Featuring 103 films from 41 countries around the world, the festival lineup consists of 42 feature films, 56 short films and five mid-length films. Not quite feature-length and not quite a short, mid-length films will run between 30 and 50 minutes. 13 films will be making their world premiere with an additional 15 making their North American premiere. Among the full lineup, 57% of the...
Running April 9-18, the 64th edition of the festival will incorporate both online and in-person elements. Through the Sffilm website, audiences will be able to purchase tickets for digital screenings, Q&As with filmmakers, film parties and industry networking events. Additionally, there will be live screenings and performances held at the Fort Mason Flix drive-in theater.
Featuring 103 films from 41 countries around the world, the festival lineup consists of 42 feature films, 56 short films and five mid-length films. Not quite feature-length and not quite a short, mid-length films will run between 30 and 50 minutes. 13 films will be making their world premiere with an additional 15 making their North American premiere. Among the full lineup, 57% of the...
- 3/24/2021
- by Antonio Ferme
- Variety Film + TV
The San Francisco International Film Festival (Sffilm) has today announced the full lineup of this year’s festival, which includes both online and in-person events taking place at the Fort Mason Flix drive-in theater. The opening night selection will be the world premiere of Chase Palmer’s “Naked Singularity,” which stars John Boyega as a public defender wrapped up in a drug heist. The full lineup includes buzzy festival titles like “Cryptozoo,” “The Dry,” “Strawberry Mansion,” “Son of Monarchs,” “Homeroom,” “Lily Topples the World,” and “Rita Moreno: Just a Girl Who Decided to Go For It.”
This year’s complete program includes 42 feature films, 56 short films, and, new to the festival this year, five mid-length films. 13 films will be making their world premiere with an additional 15 making their North American premiere. The lineup includes films from 41 countries around the world. Among the full festival lineup, 57% of the films were helmed...
This year’s complete program includes 42 feature films, 56 short films, and, new to the festival this year, five mid-length films. 13 films will be making their world premiere with an additional 15 making their North American premiere. The lineup includes films from 41 countries around the world. Among the full festival lineup, 57% of the films were helmed...
- 3/24/2021
- by Jude Dry
- Indiewire
France’s Manny Films has boarded Chilean feature “Maybe It Is True What They Are Saying About Us,” and will co-produce alongside leading Chilean independent label Storyboard Media and Argentina’s Murillo Cine, whose credits include Cannes sidebar entries “The Snatch Thief” and “Land of Ashes.”
“We are thrilled that Manny Films is joining as a co-producer on this exciting film,” Storyboard’s Carlos Nuñez told Variety. “Their involvement will go a long way in our continued efforts to promote this project internationally. Our idea is now to film later this year.”
Manny’s history of working with top Latin American talent is long and lauded. The company has co-produced award-winning fare such as Cannes players “Ardor” from Pablo Fendrik and “The Chosen Ones” from David Pablos, Venice competition player “Compañeros” from Alvaro Brechner and last year’s best film in a foreign language winner “Tragic Jungle” from Yulene Olaizola.
“We are thrilled that Manny Films is joining as a co-producer on this exciting film,” Storyboard’s Carlos Nuñez told Variety. “Their involvement will go a long way in our continued efforts to promote this project internationally. Our idea is now to film later this year.”
Manny’s history of working with top Latin American talent is long and lauded. The company has co-produced award-winning fare such as Cannes players “Ardor” from Pablo Fendrik and “The Chosen Ones” from David Pablos, Venice competition player “Compañeros” from Alvaro Brechner and last year’s best film in a foreign language winner “Tragic Jungle” from Yulene Olaizola.
- 3/5/2021
- by Jamie Lang
- Variety Film + TV
Mexico’s film industry appears healthy, but the question is for how long. In 2019, Mexican president Andrés Manuel Lopez Obrador decimated festival funding. There’s a fear that, as the economy contracts, so will its tax credits, the main source of film sector finance, says Pimienta’s Nicolas Celis, a producer on “Roma.”
Such fears have seen the country’s top producers re-engineering operations: many, such as Piano, Woo Films, Pablo Cruz at Canana and El Estudio have moved into TV production. Some, such as Panorama, have launched more commercial, Ott platform-friendly slates.
Companies are also aiming to tap more regular international co-financing, such as Pimienta’s first-look deal with Exile and Endeavor Content, while Piano has expanded into Colombia and Germany and El Estudio has launched bases in Los Angeles and Madrid.
Above all, many are looking to produce with top talent inside and outside Mexico. Piano’s slate...
Such fears have seen the country’s top producers re-engineering operations: many, such as Piano, Woo Films, Pablo Cruz at Canana and El Estudio have moved into TV production. Some, such as Panorama, have launched more commercial, Ott platform-friendly slates.
Companies are also aiming to tap more regular international co-financing, such as Pimienta’s first-look deal with Exile and Endeavor Content, while Piano has expanded into Colombia and Germany and El Estudio has launched bases in Los Angeles and Madrid.
Above all, many are looking to produce with top talent inside and outside Mexico. Piano’s slate...
- 5/11/2020
- by John Hopewell
- Variety Film + TV
Sony Pictures Intl. Prods. and El Estudio, a major new independent production player in the Spanish-speaking world, are teaming to produce a Mexican version of breakout Cuban feature “Juan of the Dead,” with Emilio Portés directing.
Chronicling a U.S. zombie invasion of Mexico, the remake marks one in a strong first slate of titles from El Estudio, launched at the Berlin Festival by three of the most connected producers in the Spanish-speaking world: Ex-Canana producer-partner Pablo Cruz, “The Impossible” producer Enrique López Lavigne and former Sony Pictures Intl. Prods. head Diego Suárez Chialvo.
Based out of Mexico, Los Angeles and Madrid, El Estudio has 63 projects in development or production. El Estudio is represented by CAA. Partners on early titles include Sony Pictures Intl. Prods., Netflix, HBO, Lionsgate, Viacom Intl. Pictures, Movistar Plus and Beta Film, El Estudio told Variety, announcing some of its 2020-21 projects:
“Verguenza” stars Mexico’s...
Chronicling a U.S. zombie invasion of Mexico, the remake marks one in a strong first slate of titles from El Estudio, launched at the Berlin Festival by three of the most connected producers in the Spanish-speaking world: Ex-Canana producer-partner Pablo Cruz, “The Impossible” producer Enrique López Lavigne and former Sony Pictures Intl. Prods. head Diego Suárez Chialvo.
Based out of Mexico, Los Angeles and Madrid, El Estudio has 63 projects in development or production. El Estudio is represented by CAA. Partners on early titles include Sony Pictures Intl. Prods., Netflix, HBO, Lionsgate, Viacom Intl. Pictures, Movistar Plus and Beta Film, El Estudio told Variety, announcing some of its 2020-21 projects:
“Verguenza” stars Mexico’s...
- 2/21/2020
- by John Hopewell and Anna Marie de la Fuente
- Variety Film + TV
Los Cabos — The first scene of the first feature from Mexico’s Rodrigo Ruíz Patterson sets up the whole drama: Adolescent Rodrigo flicks on his cigarette lighter to see his way down a passageway, knocks on his mother’s door, says he can’t sleep. She lets him in, he clambers into her bed.
“Blanco de verano” (“Summer White”) – a title taken from a tone of paint used to redecorate the house – is not an incest story. It does point up, however, the dangers of a fragile emotional dependence which a loner son in a one-parent family has on his mother.
When his mother’s boy friend moves in, and sidelines and subjugates Rodrigo with his every action, the young son fights back with seething violence, an attempt to make his own home in an abandoned trailer, and incremental acts of arson, a cry for his mother’s attention.
Ruíz...
“Blanco de verano” (“Summer White”) – a title taken from a tone of paint used to redecorate the house – is not an incest story. It does point up, however, the dangers of a fragile emotional dependence which a loner son in a one-parent family has on his mother.
When his mother’s boy friend moves in, and sidelines and subjugates Rodrigo with his every action, the young son fights back with seething violence, an attempt to make his own home in an abandoned trailer, and incremental acts of arson, a cry for his mother’s attention.
Ruíz...
- 11/18/2019
- by John Hopewell
- Variety Film + TV
Cannes — Four Cannes 57th Critics’ Week shorts, sourced from the Morelia Festival – “Vuelve a mi ,” “Under the Sun,” “In Deep Water” and “Land of Waters, Sea of Mermaids” – highlighted Wednesday the seemingly bottomless well of young talent emerging in Mexico.
In a tradition which runs back to 2005, titles were chosen by Cannes Critics’ Week from a vast spread of fiction, animation and documentary shorts screened every year at Morelia, around 45 in 2017: a rich and ranging panoply, recording Morelia’s origins as a short film festival, which still marks it apart from other big Mexican film events.
Distinguished producer Roberto Fiesco (“David”) and director David Pablos (Un Certain Regard screener “The Chosen Ones”) both had early shorts playing at Morelia. Director Elisa Miller (“El placer es mío”) went straight from winning Morelia with “Watching It Rain” to winning a Palme d’Or at Cannes. The Morelia Festival shorts showcase remains...
In a tradition which runs back to 2005, titles were chosen by Cannes Critics’ Week from a vast spread of fiction, animation and documentary shorts screened every year at Morelia, around 45 in 2017: a rich and ranging panoply, recording Morelia’s origins as a short film festival, which still marks it apart from other big Mexican film events.
Distinguished producer Roberto Fiesco (“David”) and director David Pablos (Un Certain Regard screener “The Chosen Ones”) both had early shorts playing at Morelia. Director Elisa Miller (“El placer es mío”) went straight from winning Morelia with “Watching It Rain” to winning a Palme d’Or at Cannes. The Morelia Festival shorts showcase remains...
- 5/17/2018
- by John Hopewell and Jamie Lang
- Variety Film + TV
Ernesto Contreras’s Sundance audience award winner I Dream In Another Language among roster in Mexico.
Top brass at the festival in Jalisco, Mexico, announced on Wednesday the programme.
Selections include José Permar and Omar Robles’ short and Berlin 2016 premiere Aurelia And Pedro, and David Pablos’s The Chosen Ones, which screened in Un Certain Regard section in Cannes 2015.
Highlights of the ArteCareyes Film & Arts Festival include a day-long music festival and a contemporary art programme that features a public art trail, in lieu of traditional galleries, and solo artist exhibitions.
In addition, ArteCareyes will host ‘Acting For Film’ labs to be led by the following directors: Lucía Carreras, Ana Cristina Barragán, Catalina Aguilar, Diego Ros, Daniel Castro, Pablos, Anwar Safa and actors Karla Souza, Irene Azuela, Darío Yazbek, Fernando Alvarez Rebeil, and José María Yazpik.
The festival was founded in 2010 to showcase contemporary Mexican talent in film, music and contemporary art and runs from March 22-26.
Top brass at the festival in Jalisco, Mexico, announced on Wednesday the programme.
Selections include José Permar and Omar Robles’ short and Berlin 2016 premiere Aurelia And Pedro, and David Pablos’s The Chosen Ones, which screened in Un Certain Regard section in Cannes 2015.
Highlights of the ArteCareyes Film & Arts Festival include a day-long music festival and a contemporary art programme that features a public art trail, in lieu of traditional galleries, and solo artist exhibitions.
In addition, ArteCareyes will host ‘Acting For Film’ labs to be led by the following directors: Lucía Carreras, Ana Cristina Barragán, Catalina Aguilar, Diego Ros, Daniel Castro, Pablos, Anwar Safa and actors Karla Souza, Irene Azuela, Darío Yazbek, Fernando Alvarez Rebeil, and José María Yazpik.
The festival was founded in 2010 to showcase contemporary Mexican talent in film, music and contemporary art and runs from March 22-26.
- 3/22/2017
- ScreenDaily
Contrary to the alarmist accounts that cinema as an art form is agonizing and nearing the end of its relevance, 2016 sent a clear message stating that sequels, rehashed ideas, and spinoffs, deserved to be axed and replaced with new concepts — even if that means less billion-dollar tent poles per year. Of course, independent and international films are the heroes that continue to reignite audiences passion for the medium, though most of them struggle to achieve the financial success they deserve.
Cinema is far from dead, and that’s obvious if one is looking away from the star-studded formulaic products and into the land of unknown, subtitled, or thematically challenging content. Latin American films had an enviable year that include an Oscar nomination, presence at all world-class festivals, and success finding distribution in the Us and numerous markets. Animated crafted outside of studio constraints took narrative risks unseen previously and demonstrated...
Cinema is far from dead, and that’s obvious if one is looking away from the star-studded formulaic products and into the land of unknown, subtitled, or thematically challenging content. Latin American films had an enviable year that include an Oscar nomination, presence at all world-class festivals, and success finding distribution in the Us and numerous markets. Animated crafted outside of studio constraints took narrative risks unseen previously and demonstrated...
- 12/30/2016
- by Carlos Aguilar
- Sydney's Buzz
Bayona’s film scoops 12 nods, followed closely by ‘Smoke And Mirrors’ and ‘The Fury Of A Patient Man’.
The 2017 Goya award nominations were announced in Madrid today (December 14) by actors Natalia de Molina and Javier Cámara, Goya winners last year with Food And Shelter and Truman respectively. The ceremony for the 31st edition of the awards will be held on February 4.
J.A. Bayona’s A Monster Calls, which tops the box office so far in Spain this year with $27.6m (€25.9m), leads the nominations with 12 nods including best film, best director for Bayona, best adapted screenplay (for Patrick Ness who wrote the adaptation of his own novel), best supporting actress for Sigourney Weaver, best music, best cinematography, best production design and art direction. Bayona is currently in Hawaii preparing Jurassic World 2.
Two thrillers, a popular genre in Spanish cinema, scored 11 each. Smoke And Mirrors, by Alberto Rodríguez, big winner at the 2015 edition of the Goyas with Marshland...
The 2017 Goya award nominations were announced in Madrid today (December 14) by actors Natalia de Molina and Javier Cámara, Goya winners last year with Food And Shelter and Truman respectively. The ceremony for the 31st edition of the awards will be held on February 4.
J.A. Bayona’s A Monster Calls, which tops the box office so far in Spain this year with $27.6m (€25.9m), leads the nominations with 12 nods including best film, best director for Bayona, best adapted screenplay (for Patrick Ness who wrote the adaptation of his own novel), best supporting actress for Sigourney Weaver, best music, best cinematography, best production design and art direction. Bayona is currently in Hawaii preparing Jurassic World 2.
Two thrillers, a popular genre in Spanish cinema, scored 11 each. Smoke And Mirrors, by Alberto Rodríguez, big winner at the 2015 edition of the Goyas with Marshland...
- 12/14/2016
- ScreenDaily
On Wednesday, November 9 to Sunday, November 13, the Loft Cinema presents the seventh annual Loft Film Fest, featuring appearances by an amazing array of acclaimed filmmakers and a stellar program of world, North American, Southwest and Arizona premieres selected from prestigious festivals around the globe, including Berlin, Cannes, Sundance, Toronto, Venice and more.
Playing at this well-known, though rather out-of-the-way film festival in Tucson, Arizona are exciting new films starring such big screen favorites as Gael Garcia Bernal in “Neruda”, the possible Oscar Winner for Best Foreign Language Film, Catherine Deneuve in “The Brand New Testament” one of the funniest and most original stories I have ever seen; Michael Fassbender in “Trespass Against Us”, Adam Smith’s gangster film, so far unknown in the U.S., — except that whatever Michael Fassbender, the Irish-German actor, is in is always astounding.
Catherine Deneuve in “The Brand New Testament”
Opening night features the North...
Playing at this well-known, though rather out-of-the-way film festival in Tucson, Arizona are exciting new films starring such big screen favorites as Gael Garcia Bernal in “Neruda”, the possible Oscar Winner for Best Foreign Language Film, Catherine Deneuve in “The Brand New Testament” one of the funniest and most original stories I have ever seen; Michael Fassbender in “Trespass Against Us”, Adam Smith’s gangster film, so far unknown in the U.S., — except that whatever Michael Fassbender, the Irish-German actor, is in is always astounding.
Catherine Deneuve in “The Brand New Testament”
Opening night features the North...
- 11/2/2016
- by Sydney Levine
- Sydney's Buzz
Wednesday, November 9 — Sunday, November 13Presented by Desert Diamond Casinos & Entertainment
This November, The Loft Cinema presents the seventh annual Loft Film Fest, featuring appearances by an amazing array of acclaimed filmmakers and a stellar program of world, North American, Southwest and Arizona premieres selected from prestigious festivals around the globe, including Berlin, Cannes, Sundance, Toronto, Venice and more!
Playing at this well-known, though rather out-of-the-way film festival in Tucson, Arizona are exciting new films starring such big screen favorites as Gael Garcia Bernal in “Neruda”, the possible Oscar Winner for Best Foreign Language Film), Catherine Deneuve in “Brand New Testament” one of the funniest and most original stories I have ever seen; Michael Fassbender in “Trespass Against Us”, a complete unknown except that whatever Michael Fassbender, the Irish-German actor, is in is always astounding, John Malkovich, another great actor, too rarely seen, in “Dominion” about the last days of the...
This November, The Loft Cinema presents the seventh annual Loft Film Fest, featuring appearances by an amazing array of acclaimed filmmakers and a stellar program of world, North American, Southwest and Arizona premieres selected from prestigious festivals around the globe, including Berlin, Cannes, Sundance, Toronto, Venice and more!
Playing at this well-known, though rather out-of-the-way film festival in Tucson, Arizona are exciting new films starring such big screen favorites as Gael Garcia Bernal in “Neruda”, the possible Oscar Winner for Best Foreign Language Film), Catherine Deneuve in “Brand New Testament” one of the funniest and most original stories I have ever seen; Michael Fassbender in “Trespass Against Us”, a complete unknown except that whatever Michael Fassbender, the Irish-German actor, is in is always astounding, John Malkovich, another great actor, too rarely seen, in “Dominion” about the last days of the...
- 11/1/2016
- by Sydney Levine
- Sydney's Buzz
Festival’s new $20,000 international competition prize goes to Albert Serra for The Death Of Louis Xiv; One Week And A Day wins best Israeli feature.
The 33rd Jerusalem Film Festival, which wraps on Sunday, has awarded its top prizes to The Death Of Louis Xiv by Albert Serra (best international film), One Week And A Day by Asaph Polonsky (best Israeli feature), and Dimona Twist by Michal Aviad (best Israeli documentary).
The international jury was comprised of Cornerstone Films’ Alison Thompson, Icelandic director Grímur Hákonarson, and Israeli director Talya Lavie, who praised Serra “for creating a bold and distinctive chamber piece in a beautifully detailed world. For its stunning set design and cinematography that captures its period brilliantly. For creating an intimate and moving look at the sunset of a great figure in history.”
An honourable mention went to Tobias Lindholm’s A War.
The Death Of Louis Xiv wins the $20,000 cash prize for the festival’s new international...
The 33rd Jerusalem Film Festival, which wraps on Sunday, has awarded its top prizes to The Death Of Louis Xiv by Albert Serra (best international film), One Week And A Day by Asaph Polonsky (best Israeli feature), and Dimona Twist by Michal Aviad (best Israeli documentary).
The international jury was comprised of Cornerstone Films’ Alison Thompson, Icelandic director Grímur Hákonarson, and Israeli director Talya Lavie, who praised Serra “for creating a bold and distinctive chamber piece in a beautifully detailed world. For its stunning set design and cinematography that captures its period brilliantly. For creating an intimate and moving look at the sunset of a great figure in history.”
An honourable mention went to Tobias Lindholm’s A War.
The Death Of Louis Xiv wins the $20,000 cash prize for the festival’s new international...
- 7/15/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Festival’s new $20,000 international competition prize goes to Albert Serra for The Death of Louis Xiv; One Week And a Day wins best Israeli feature.
The 33rd Jerusalem Film Festival, which wraps on Sunday, has awarded its top prizes to The Death of Louis Xiv by Albert Serra (best international film), One Week And A Day by Asaph Polonsky (best Israeli feature), and Dimona Twist by Michal Aviad (best Israeli documentary).
The jury was comprised of Cornerstone Films’ Alison Thompson, Icelandic director Grímur Hákonarson, and Israeli director Talya Lavie, who praised Serra “for creating a bold and distinctive chamber piece in a beautifully detailed world. For its stunning set design and cinematography that captures its period brilliantly. For creating an intimate and moving look at the sunset of a great figure in history.”
An honourable mention went to Tobias Lindholm’s A War.
Louis Xiv wins the $20,000 cash prize for the festival’s new international competition, supported...
The 33rd Jerusalem Film Festival, which wraps on Sunday, has awarded its top prizes to The Death of Louis Xiv by Albert Serra (best international film), One Week And A Day by Asaph Polonsky (best Israeli feature), and Dimona Twist by Michal Aviad (best Israeli documentary).
The jury was comprised of Cornerstone Films’ Alison Thompson, Icelandic director Grímur Hákonarson, and Israeli director Talya Lavie, who praised Serra “for creating a bold and distinctive chamber piece in a beautifully detailed world. For its stunning set design and cinematography that captures its period brilliantly. For creating an intimate and moving look at the sunset of a great figure in history.”
An honourable mention went to Tobias Lindholm’s A War.
Louis Xiv wins the $20,000 cash prize for the festival’s new international competition, supported...
- 7/15/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The eighth annual Hola Mexican Film Festival, presented by DishLATINO, the largest festival of cinema outside of Mexico, today announced a partial lineup of the 2016 festival schedule including opening and closing nights and four special showcase presentations. The festival runs May 13-22 with all screenings taking place at the Regal La Live Stadium 14 Theatre, except for closing night which will be at La Plaza de Cultura y Artes Theatre in downtown Los Angeles.
This year’s festival will open with "Thin Yellow Line" (La Delgada Linea Amarilla) nominated for 14 Premios Ariel Awards (Mexico’s “Oscars”). The film is a story of smooth roads and bumpy rides, with unexpected twists and turns... like life itself. Directed by Celso R. Garcia, the film stars Damián Alcazar, Joaquín Cosio, Silverio Palacios, Gustavo Sánchez Parra. Confirmed to attend the premiere are Cosio and Palacios as well as other special guests.
Additional showcase screenings include "We Fulfill Your Dreams" (Ilusiones S.A.) directed by Roberto Girault and starring Jaime Camil, Adriana Louvier, Silvia Mariscal on Wednesday, May 18 at 7:00 Pm and "Mr. Pig" with star Danny Glover to attend, on Thursday, May 19, at 7:00 Pm.
Closing the festival on Sunday, May 22 is "Panoramas," a unique and introspective look inside one of Latin America's top alternative-rock music acts, Zoé. Members of band Zoé will attend and perform a DJ set. This special event screening will take place at La Plaza Cultura y Artes Theatre located at 501 N. Main Street, downtown Los Angeles.
Also this year marks the first time that films from a country outside of Mexico will be shown with special presentations of two films from Chile – "Sin Filtro" and "El Bosque de Karadima"
Opening Night Premiere – Friday, May 13 at 7:00 Pm
Regal La Live Stadium 14
"The Thin Yellow Line" (La Delgada Linea Amarilla)
Dir. Celso R. Garcia
Cast: Damián Alcazar, Joaquín Cosio, Silverio Palacios, Gustavo Sánchez Parra
Mexico 2015, 95 Min
Five men are hired to paint the yellow line of a road that will link two forgotten towns in Mexico. With less than 2 weeks to cover over 200 kilometers aboard a '76 pick-up truck, they will discover that painting at a speed of 1 km/hour will teach them about the lines between good and evil, laughter and despair, life and death. The challenges they face will change their lives forever. The Thin Yellow Line is a story of smooth roads and bumpy rides, with unexpected twists and turns... like life itself.
Closing Night Premiere – Sunday, May 22 At 7:00 Pm
La Plaza Cultura y Artes theatre located at 501 N. Main Street, downtown Los Angeles.
"Panoramas"
Dir. Rodrigo Guardiola y Gabriel Cruz Rivas
Cast: Zoé
Mexico 2016, 90 Min
A unique and introspective look inside one of Latin America's top alternative-rock music acts, Zoé. “Panoramas” is a Cinéma Vérité-style portrait of Zoé that takes you on a contemplative audio/visual journey through some of the band's most decisive moments. A film crew accompanies the band during a two-year period to provide us with an intimate behind-the-scenes look at the band’s longest international tour to date, in their first real shot at becoming well-known and "making it big" outside their home country of México. The 15-year artistic career of Zoé completes its growth-cycle and reaches full circle as the musicians arrive at the quintessential question all bands face: What's next?
MÉXico Now
"We Fulfill Your Dreams" (Ilusiones S.A.)
Wednesday, May 18 at 7:00 Pm
Dir. Roberto Girault
Cast: Jaime Camil, Adriana Louvier, Silvia Mariscal
Mexico 2015, 90 Min
"We Fulfill Your Dreams" is a company that makes fantasies come to life. Made up of a group of actors and led by a ‘Director' (Jaime Camil), they create set-ups to re-enact real-life circumstances for the good of people.
For their latest job, they are hired by Mr. Balboa to spend a week in the roles of a long-gone loving grandson and his wife. Portrayed as an angel to his grandmother through fictitious letters created by the elderly Mr. Balboa, the young man has in reality become a villainous character. But things go awry for actors Mauricio and Isabel when the real grandson turns up for a show-down with his grandparents.
"Mr. Pig"
Thursday, May 19 at 7:00 Pm
Dir. Diego Luna
Cast: Danny Glover, Maya Rudolph, Jose Maria Yazpik
Mexico 2016, 100 Min
Ambrose Eubanks (Danny Glover), is an old-school pig farmer from California. After the family farm is foreclosed, he sets off with Howard, his beloved (and very large) pig, on a road trip to Mexico.
Ambrose must figure out how to smuggle "Howie" across the border and find him a new home.
"In Your Eyes" (A los Ojos)
Friday, May 20 at 7:00 Pm and Saturday, May 21 at 1:00 Pm
Dir. Victoria Franco y Michel Franco
Cast: Mónica del Carmen, Omar Moreno, Benjamín Espinoza, Jacobo Najman
Mexico 2015, 96 Min
Monica is a social worker from Mexico City, a single mother whose child is suffering from a degenerative illness of the eyes. Having exhausted all other options, a corneal transplant is the child's only hope. Overwhelmed by the ineffectiveness of the health system and the scarcity of resources, Monica is driven to an extreme solution... Found within the world of the street children.
"The Aparicios" (Las Aparacio)
Sunday, May 15 at 4:30 Pm and Tuesday, May 17 at 9:00 Pm
Dir. Moisés Ortiz - Urquidi
Cast: Ana De La Reguera, María Del Carmen Farías, Liz Gallardo, Eréndia Ibarra, Damián Alcazar, Joaquín Cosio, Paulina Gaitán y Tenoch Huerta
México 2016,
The Aparicios are a family made up entirely of women, all cursed to become widows and to never bear male children. At their ranch in Xico, in the state of Veracruz, they discover the body of the first husband of an Aparicio woman. This leads the Aparicios to search their past in an attempt to end the ancient curse, and finally face their present
"Parallel Roads" (Rumbos Paralelos)
Saturday, May 14 at 7:00 Pm
Dir. Rafael Montero
Cast: Ludwika Paleta, Iliana Fox, Michel Brown, Arturo Barba
Mexico 2016,
(Film in Spanish, no English subtitles)
Rumbos Paralelos (Parallel Roads) tells the emotional story of two young mothers whose lives change unexpectedly.
Silvia must suddenly confront both her son’s illness and the abrupt discovery that she is not his biological mother. Desperate to find a donor for a life-saving kidney transplant, Silvia will seek out Gaby, the child's true biological mother. The following actions will put the power of maternity to the test and challenge life as a whole. Are family ties made out of love? Or are they carried in our blood?
"Paradise Lost" (Paraiso Perdido)
Saturday, May 21 at 7:00 Pm
Dir. Humberto Hinojosa
Cast: Ana Claudia Talancón, Iván Sanchez, Andrés Almeida
México 2016, 87 Min
Three friends are traveling by sailboat through Caribbean waters, when they come across a deserted paradise island and decide to explore it. What was supposed to be one of the best weekends of their lives will turn into a tireless fight for survival when they discover the island's hidden secret.
"She is Ramona" (Ella es Ramona)
Saturday, May 14 at 9:00 Pm and Monday, May 16 at 5:00 Pm
Dir. Hugo Rodriguez
Cast: Andrea Ortega Lee, Daniel Giménez Cacho, María Rojo, Leticia Huijara
México 2015, 83 Min
Ramona is overweight, with too many kilos and not enough luck. She remembers a childhood as the victim of abuse at the hands of her mother, her sister, and even her friends. She was Big Belly Ramona, Big Eater Ramona, Ramona the Pig. Now an adult, things aren't looking much better. Her life seems to be crumbling. She gets fired for being fat; when she seeks liposuction, her doctor rejects as a candidate for the procedure because she is too overweight. Things begin falling into place, however, when she stumbles across a Tarot café which sells the magic beetles that will change her life.
"Elvira, I would Give You my Life, but I’m Using It" (Elvira, Te Daria Mi Vida Pero La Estoy Usando)
Thursday, May 19 at 9:00 Pm
Dir. Manolo Caro
Cast: Cecilia Suárez, Luis Gerardo Méndez, Vanessa Bauche
Mexico 2015, 108 Min
Gustavo, husband of Elvira, goes out one night to buy cigarettes, never to return. Elvira, a 40-year-old mother of two, begins a relentless search for the love of her life. Clues lead her to the conclusion that her husband has kept a secret relationship. The unfortunate discovery will not stop Elvira in her mission of finding him.
"The Chosen Ones" (Las Elegidas)
Friday, May 20 at 9:00 Pm
Dir. David Pablos
Cast: Nancy Talamantes, Óscar Torres
Mexico 2015, 105 Min
Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her...
New Voices
"Leaf Blower" (Sopladora de Hojas)
Saturday, May 14 at 2:00 Pm, Monday, May 16 at 9:30 Pm and Friday, May 20 at 5:00 Pm
Dir. Alejandro Iglesias
Cast: Francisco Rueda, Alejandro Guerrero, Fabrizio Santini
Mexico 2015, 96 Min
Lucas, Emilio and Rubén are three friends united in a special quest: to find a set of lost keys in a pile of dead leaves. What appears to be a simple task will turn into a profound journey that forces the teenagers to confront their fears: of letting go of the past, of facing embarrassing truths, of taking risks... Of growing up. This afternoon, as trivial as it may sound, could change the course of their lives. Or maybe not.
"Amir"
Saturday, May 14 at 4:00 Pm and Thursday, May 19 at 5:00 Pm
Dir. José Paredes
Cast: Jorge Guevara, Tania Niebla y Lirio Karina
Mexico 2015, 90 Min
Amir, an aspiring musician, finds himself drawn to Jeanette, a beautiful singer he meets during a night out on the town with his friends. The attraction complicates his relationship with his current girlfriend, Elizabeth, who is expecting his child. Amir will attempt to work out his feelings towards his newfound love interest, music and maturity, as adulthood forces him to make some challenging choices along the way.
"The Arrival of Conrado Sierra" (El Arribo de Conrado Sierra)
Friday, May 20 at 9:00 Pm
Dir. René Pereyra
Cast: Maite Perroni, Joaquín Cosío, Susana Dosamantes, Ana González, Rocío García, Jessica Mas
Mexico 2015, 120 Min
In 1940's "Torres Mochas" (the city of Torreón, Mexico), the widow Doña Josefina and her five spinster daughters await the arrival of a man aiming to marry the youngest of the sisters. The local townspeople, excited at the prospect of one of “Virgin Josefitas” finally marrying, prepare massive celebrations. When the mysterious suitor finally appears, circumstances take an unforeseen course.
For The Children
"The Adventures of Itzel and Sonia" (Las Aventuras de Itzel y Sonia)
Saturday, May 14 at 12:00 Pm
Dir. Fernanda Rivero
Cast: Arcelía Ramírez, Cassandra Ciangherotti, Joaquín Cosío, Bruno Bichir
Mexico 2016, 70 Min
This film was made as part of the “Cuéntamelo filmando” ("Tell it to me with the cameras rolling") workshop and was done with the support of 500 people from 10 rural communities in Mexico.
Itzel, an 8-year-old girl, and her best friend ‘Sonia the Frog’ will embark on a mission to find the guardians of the water, before the city's supply runs out. With the help of her grandmother, they will search in the most remote areas of Mexico, while a faceless being stalks them.
"By My Mustache" (Por Mis Bigotes)
Sunday, May 15 at 12:00 Pm
Dir. Manuel Carames
Cast: Jesus Ochoa, Santiago Torres, Fernando Becerril
Mexico 2015, 90 Min
Though it sounds unbelievable, little Ulises, at only nine years old, has grown an enormous mustache from one day to the next. So begins a series of extraordinary events for him, his mother and his best friends. From this moment forward, all of them, along with a cast of very curious characters, will find themselves caught up in a very hairy adventure.
Documentary
"Made in Bangkok"
Monday, May 16 at 7:00 Pm
Dir. Flavio Florencio
Cast: Morgana Love
Mexico 2015, 75 Min
Morgana is a Mexican transgender opera singer with a relentless determination to assert her identity, despite having to fight against social stigma and family prejudice. Her dream is to have gender-reassignment surgery. Her only chance to make happen is by winning a beauty pageant in Bangkok, and use the $10,000 cash prize to pay for the surgery. The documentary embarks on Morgana’s journey with her, while providing us with an intimate portrait of what it is to construct a long-dreamt-of identity.
"Mexican Fighting" (Lucha Mexico)
Sunday, May 15 at 7:00 Pm
Dir. Alexandria Hammond & Ian Markiewicz
Cast: 1000% Guapo, Blue Demon, Hijo Del Perro Aguayo, Tony Salazar, Arkangel
México / USA 103 Min
The ultimate look behind the mask, Lucha Mexico documents the joyous spectacle of Lucha Libre wrestling, which has thrilled Mexican fans for generations. The story follows "El 1000% Guapo" (1000% Handsome) Shocker, one of the most successful Luchadores of the modern era. His life is consumed by the need of being in the ring. A supporting cast of fan-favorites further reveal the world of Lucha Libre from the inside, with Blue Demon Jr. discussing life from behind a legendary mask; the violent history of El Hijo del Perro Aguayo (the Son of "The Dog" Aguayo); as well as veterans like Tony Salazar and Archangel, as they pass on the secrets of the ring to a new generation of fighters. These stars and others will shed light on the intense physical and emotional challenges they must constantly face in order to stand inside the ropes and thrill every last fan. With its unprecedented access to the top Lucha performers and promoters, as well as other players of this grand spectacle, Lucha Mexico steps into the ring to show us the great power behind the mask, and leads us straight to the beating heart of Mexico.
Hola Chile
"The Church Of Karadima" (El Bosque de Karadima)
Sunday, May 15 at 2:00 Pm and Tuesday, May 17 at 7:00 Pm
Dir. Matías Lira
Cast: Benjamin Vicuña, Luis Gnecco, Ingrid Isensee
Chile 2015, 98 Min
Fernando Karadima, the pastor and leader of the most powerful Church of the Chilean upper class from the 1980's to 2000's, is considered a living saint. Thomas, a teenager in search of his vocation, finds himself drawn to Karadima and accepts him as a spiritual guide. For 20 years, Tommy will gradually be subjected to physical and psychological abuse by the priest, until he decides to speak out and confront both the charismatic priest and the power networks that protect him, finally uncovering the real Karadima hiding behind the investiture of God's representative on Earth.
"No Filter" (Sin Filtro)
Wednesday, May 18 at 9:00 Pm
Dir. Nicolás López
Cast: Paz Bascuñán, Ignacia Allamand, Paulo Brunei
Chile 2016, 100 Min
Pía is on the verge of a nervous breakdown: Her boss humiliates her, her husband ignores her, her stepson is disrespectful, and her best friend no longer listens to what she says.
Pía begins having strong chest pains and, after trying many different healing methods, decides to undergo an acupuncture treatment. The Chinese doctor discovers that Pía's pain is caused by repressed feelings, and, with an ancient technique, he "removes the filter". From now on, an uninhibited Pía will realize that the only way to heal herself is to speak everything that comes to mind - which won't always bring her the best results.
Nocturnal/Genre
"Barrancas"
Saturday, May 14 at 12 Midnight and Wednesday, May 18 at 5:00 Pm
Dir. Juan De La Peña
Cast: Diego Sánchez, Esteban De la Isla, Ana Lucía Camacho, Julia Dávalos, Eduardo Romo, Gustavo Gascón, Inés Vachez
Mexico 2016, 88 Min
The owner of a huge house in the woods, in the town of Barrancas, has a reputation for not paying his employees. When the latest housekeeper goes missing, everyone simply assumes that yet another employee has quit. Meanwhile, back in the city, the owner's nephew Mario is tasked with going to Barrancas to hand over the keys to the new caretaker. Young Mario thinks it’s a good idea to secretly invite his friends from college, as well as the girl he likes, out to the country house for a fun weekend. What Mario doesn’t know is that this may turn out to be a very dangerous idea indeed.
"The Similars" (Los Parecidos)
Sunday, May 15 at 9:30 Pm and Tuesday, May 17 at 5:00 Pm
Dir. Isaac Ezban
Cast: Gustavo Sánchez Parra, Cassandra Ciangherotti, Humberto Busto, Carmen Beato
Mexico 2015, 89 Min
In the rainy darkness of the early morning hours of October 2, 1968, eight people are waiting in a remote bus station in the middle of nowhere for the bus heading to Mexico City. They’ll soon find themselves experiencing a strange phenomenon.
For more information and ticket sales visit - http://holamexicoff.com...
This year’s festival will open with "Thin Yellow Line" (La Delgada Linea Amarilla) nominated for 14 Premios Ariel Awards (Mexico’s “Oscars”). The film is a story of smooth roads and bumpy rides, with unexpected twists and turns... like life itself. Directed by Celso R. Garcia, the film stars Damián Alcazar, Joaquín Cosio, Silverio Palacios, Gustavo Sánchez Parra. Confirmed to attend the premiere are Cosio and Palacios as well as other special guests.
Additional showcase screenings include "We Fulfill Your Dreams" (Ilusiones S.A.) directed by Roberto Girault and starring Jaime Camil, Adriana Louvier, Silvia Mariscal on Wednesday, May 18 at 7:00 Pm and "Mr. Pig" with star Danny Glover to attend, on Thursday, May 19, at 7:00 Pm.
Closing the festival on Sunday, May 22 is "Panoramas," a unique and introspective look inside one of Latin America's top alternative-rock music acts, Zoé. Members of band Zoé will attend and perform a DJ set. This special event screening will take place at La Plaza Cultura y Artes Theatre located at 501 N. Main Street, downtown Los Angeles.
Also this year marks the first time that films from a country outside of Mexico will be shown with special presentations of two films from Chile – "Sin Filtro" and "El Bosque de Karadima"
Opening Night Premiere – Friday, May 13 at 7:00 Pm
Regal La Live Stadium 14
"The Thin Yellow Line" (La Delgada Linea Amarilla)
Dir. Celso R. Garcia
Cast: Damián Alcazar, Joaquín Cosio, Silverio Palacios, Gustavo Sánchez Parra
Mexico 2015, 95 Min
Five men are hired to paint the yellow line of a road that will link two forgotten towns in Mexico. With less than 2 weeks to cover over 200 kilometers aboard a '76 pick-up truck, they will discover that painting at a speed of 1 km/hour will teach them about the lines between good and evil, laughter and despair, life and death. The challenges they face will change their lives forever. The Thin Yellow Line is a story of smooth roads and bumpy rides, with unexpected twists and turns... like life itself.
Closing Night Premiere – Sunday, May 22 At 7:00 Pm
La Plaza Cultura y Artes theatre located at 501 N. Main Street, downtown Los Angeles.
"Panoramas"
Dir. Rodrigo Guardiola y Gabriel Cruz Rivas
Cast: Zoé
Mexico 2016, 90 Min
A unique and introspective look inside one of Latin America's top alternative-rock music acts, Zoé. “Panoramas” is a Cinéma Vérité-style portrait of Zoé that takes you on a contemplative audio/visual journey through some of the band's most decisive moments. A film crew accompanies the band during a two-year period to provide us with an intimate behind-the-scenes look at the band’s longest international tour to date, in their first real shot at becoming well-known and "making it big" outside their home country of México. The 15-year artistic career of Zoé completes its growth-cycle and reaches full circle as the musicians arrive at the quintessential question all bands face: What's next?
MÉXico Now
"We Fulfill Your Dreams" (Ilusiones S.A.)
Wednesday, May 18 at 7:00 Pm
Dir. Roberto Girault
Cast: Jaime Camil, Adriana Louvier, Silvia Mariscal
Mexico 2015, 90 Min
"We Fulfill Your Dreams" is a company that makes fantasies come to life. Made up of a group of actors and led by a ‘Director' (Jaime Camil), they create set-ups to re-enact real-life circumstances for the good of people.
For their latest job, they are hired by Mr. Balboa to spend a week in the roles of a long-gone loving grandson and his wife. Portrayed as an angel to his grandmother through fictitious letters created by the elderly Mr. Balboa, the young man has in reality become a villainous character. But things go awry for actors Mauricio and Isabel when the real grandson turns up for a show-down with his grandparents.
"Mr. Pig"
Thursday, May 19 at 7:00 Pm
Dir. Diego Luna
Cast: Danny Glover, Maya Rudolph, Jose Maria Yazpik
Mexico 2016, 100 Min
Ambrose Eubanks (Danny Glover), is an old-school pig farmer from California. After the family farm is foreclosed, he sets off with Howard, his beloved (and very large) pig, on a road trip to Mexico.
Ambrose must figure out how to smuggle "Howie" across the border and find him a new home.
"In Your Eyes" (A los Ojos)
Friday, May 20 at 7:00 Pm and Saturday, May 21 at 1:00 Pm
Dir. Victoria Franco y Michel Franco
Cast: Mónica del Carmen, Omar Moreno, Benjamín Espinoza, Jacobo Najman
Mexico 2015, 96 Min
Monica is a social worker from Mexico City, a single mother whose child is suffering from a degenerative illness of the eyes. Having exhausted all other options, a corneal transplant is the child's only hope. Overwhelmed by the ineffectiveness of the health system and the scarcity of resources, Monica is driven to an extreme solution... Found within the world of the street children.
"The Aparicios" (Las Aparacio)
Sunday, May 15 at 4:30 Pm and Tuesday, May 17 at 9:00 Pm
Dir. Moisés Ortiz - Urquidi
Cast: Ana De La Reguera, María Del Carmen Farías, Liz Gallardo, Eréndia Ibarra, Damián Alcazar, Joaquín Cosio, Paulina Gaitán y Tenoch Huerta
México 2016,
The Aparicios are a family made up entirely of women, all cursed to become widows and to never bear male children. At their ranch in Xico, in the state of Veracruz, they discover the body of the first husband of an Aparicio woman. This leads the Aparicios to search their past in an attempt to end the ancient curse, and finally face their present
"Parallel Roads" (Rumbos Paralelos)
Saturday, May 14 at 7:00 Pm
Dir. Rafael Montero
Cast: Ludwika Paleta, Iliana Fox, Michel Brown, Arturo Barba
Mexico 2016,
(Film in Spanish, no English subtitles)
Rumbos Paralelos (Parallel Roads) tells the emotional story of two young mothers whose lives change unexpectedly.
Silvia must suddenly confront both her son’s illness and the abrupt discovery that she is not his biological mother. Desperate to find a donor for a life-saving kidney transplant, Silvia will seek out Gaby, the child's true biological mother. The following actions will put the power of maternity to the test and challenge life as a whole. Are family ties made out of love? Or are they carried in our blood?
"Paradise Lost" (Paraiso Perdido)
Saturday, May 21 at 7:00 Pm
Dir. Humberto Hinojosa
Cast: Ana Claudia Talancón, Iván Sanchez, Andrés Almeida
México 2016, 87 Min
Three friends are traveling by sailboat through Caribbean waters, when they come across a deserted paradise island and decide to explore it. What was supposed to be one of the best weekends of their lives will turn into a tireless fight for survival when they discover the island's hidden secret.
"She is Ramona" (Ella es Ramona)
Saturday, May 14 at 9:00 Pm and Monday, May 16 at 5:00 Pm
Dir. Hugo Rodriguez
Cast: Andrea Ortega Lee, Daniel Giménez Cacho, María Rojo, Leticia Huijara
México 2015, 83 Min
Ramona is overweight, with too many kilos and not enough luck. She remembers a childhood as the victim of abuse at the hands of her mother, her sister, and even her friends. She was Big Belly Ramona, Big Eater Ramona, Ramona the Pig. Now an adult, things aren't looking much better. Her life seems to be crumbling. She gets fired for being fat; when she seeks liposuction, her doctor rejects as a candidate for the procedure because she is too overweight. Things begin falling into place, however, when she stumbles across a Tarot café which sells the magic beetles that will change her life.
"Elvira, I would Give You my Life, but I’m Using It" (Elvira, Te Daria Mi Vida Pero La Estoy Usando)
Thursday, May 19 at 9:00 Pm
Dir. Manolo Caro
Cast: Cecilia Suárez, Luis Gerardo Méndez, Vanessa Bauche
Mexico 2015, 108 Min
Gustavo, husband of Elvira, goes out one night to buy cigarettes, never to return. Elvira, a 40-year-old mother of two, begins a relentless search for the love of her life. Clues lead her to the conclusion that her husband has kept a secret relationship. The unfortunate discovery will not stop Elvira in her mission of finding him.
"The Chosen Ones" (Las Elegidas)
Friday, May 20 at 9:00 Pm
Dir. David Pablos
Cast: Nancy Talamantes, Óscar Torres
Mexico 2015, 105 Min
Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her...
New Voices
"Leaf Blower" (Sopladora de Hojas)
Saturday, May 14 at 2:00 Pm, Monday, May 16 at 9:30 Pm and Friday, May 20 at 5:00 Pm
Dir. Alejandro Iglesias
Cast: Francisco Rueda, Alejandro Guerrero, Fabrizio Santini
Mexico 2015, 96 Min
Lucas, Emilio and Rubén are three friends united in a special quest: to find a set of lost keys in a pile of dead leaves. What appears to be a simple task will turn into a profound journey that forces the teenagers to confront their fears: of letting go of the past, of facing embarrassing truths, of taking risks... Of growing up. This afternoon, as trivial as it may sound, could change the course of their lives. Or maybe not.
"Amir"
Saturday, May 14 at 4:00 Pm and Thursday, May 19 at 5:00 Pm
Dir. José Paredes
Cast: Jorge Guevara, Tania Niebla y Lirio Karina
Mexico 2015, 90 Min
Amir, an aspiring musician, finds himself drawn to Jeanette, a beautiful singer he meets during a night out on the town with his friends. The attraction complicates his relationship with his current girlfriend, Elizabeth, who is expecting his child. Amir will attempt to work out his feelings towards his newfound love interest, music and maturity, as adulthood forces him to make some challenging choices along the way.
"The Arrival of Conrado Sierra" (El Arribo de Conrado Sierra)
Friday, May 20 at 9:00 Pm
Dir. René Pereyra
Cast: Maite Perroni, Joaquín Cosío, Susana Dosamantes, Ana González, Rocío García, Jessica Mas
Mexico 2015, 120 Min
In 1940's "Torres Mochas" (the city of Torreón, Mexico), the widow Doña Josefina and her five spinster daughters await the arrival of a man aiming to marry the youngest of the sisters. The local townspeople, excited at the prospect of one of “Virgin Josefitas” finally marrying, prepare massive celebrations. When the mysterious suitor finally appears, circumstances take an unforeseen course.
For The Children
"The Adventures of Itzel and Sonia" (Las Aventuras de Itzel y Sonia)
Saturday, May 14 at 12:00 Pm
Dir. Fernanda Rivero
Cast: Arcelía Ramírez, Cassandra Ciangherotti, Joaquín Cosío, Bruno Bichir
Mexico 2016, 70 Min
This film was made as part of the “Cuéntamelo filmando” ("Tell it to me with the cameras rolling") workshop and was done with the support of 500 people from 10 rural communities in Mexico.
Itzel, an 8-year-old girl, and her best friend ‘Sonia the Frog’ will embark on a mission to find the guardians of the water, before the city's supply runs out. With the help of her grandmother, they will search in the most remote areas of Mexico, while a faceless being stalks them.
"By My Mustache" (Por Mis Bigotes)
Sunday, May 15 at 12:00 Pm
Dir. Manuel Carames
Cast: Jesus Ochoa, Santiago Torres, Fernando Becerril
Mexico 2015, 90 Min
Though it sounds unbelievable, little Ulises, at only nine years old, has grown an enormous mustache from one day to the next. So begins a series of extraordinary events for him, his mother and his best friends. From this moment forward, all of them, along with a cast of very curious characters, will find themselves caught up in a very hairy adventure.
Documentary
"Made in Bangkok"
Monday, May 16 at 7:00 Pm
Dir. Flavio Florencio
Cast: Morgana Love
Mexico 2015, 75 Min
Morgana is a Mexican transgender opera singer with a relentless determination to assert her identity, despite having to fight against social stigma and family prejudice. Her dream is to have gender-reassignment surgery. Her only chance to make happen is by winning a beauty pageant in Bangkok, and use the $10,000 cash prize to pay for the surgery. The documentary embarks on Morgana’s journey with her, while providing us with an intimate portrait of what it is to construct a long-dreamt-of identity.
"Mexican Fighting" (Lucha Mexico)
Sunday, May 15 at 7:00 Pm
Dir. Alexandria Hammond & Ian Markiewicz
Cast: 1000% Guapo, Blue Demon, Hijo Del Perro Aguayo, Tony Salazar, Arkangel
México / USA 103 Min
The ultimate look behind the mask, Lucha Mexico documents the joyous spectacle of Lucha Libre wrestling, which has thrilled Mexican fans for generations. The story follows "El 1000% Guapo" (1000% Handsome) Shocker, one of the most successful Luchadores of the modern era. His life is consumed by the need of being in the ring. A supporting cast of fan-favorites further reveal the world of Lucha Libre from the inside, with Blue Demon Jr. discussing life from behind a legendary mask; the violent history of El Hijo del Perro Aguayo (the Son of "The Dog" Aguayo); as well as veterans like Tony Salazar and Archangel, as they pass on the secrets of the ring to a new generation of fighters. These stars and others will shed light on the intense physical and emotional challenges they must constantly face in order to stand inside the ropes and thrill every last fan. With its unprecedented access to the top Lucha performers and promoters, as well as other players of this grand spectacle, Lucha Mexico steps into the ring to show us the great power behind the mask, and leads us straight to the beating heart of Mexico.
Hola Chile
"The Church Of Karadima" (El Bosque de Karadima)
Sunday, May 15 at 2:00 Pm and Tuesday, May 17 at 7:00 Pm
Dir. Matías Lira
Cast: Benjamin Vicuña, Luis Gnecco, Ingrid Isensee
Chile 2015, 98 Min
Fernando Karadima, the pastor and leader of the most powerful Church of the Chilean upper class from the 1980's to 2000's, is considered a living saint. Thomas, a teenager in search of his vocation, finds himself drawn to Karadima and accepts him as a spiritual guide. For 20 years, Tommy will gradually be subjected to physical and psychological abuse by the priest, until he decides to speak out and confront both the charismatic priest and the power networks that protect him, finally uncovering the real Karadima hiding behind the investiture of God's representative on Earth.
"No Filter" (Sin Filtro)
Wednesday, May 18 at 9:00 Pm
Dir. Nicolás López
Cast: Paz Bascuñán, Ignacia Allamand, Paulo Brunei
Chile 2016, 100 Min
Pía is on the verge of a nervous breakdown: Her boss humiliates her, her husband ignores her, her stepson is disrespectful, and her best friend no longer listens to what she says.
Pía begins having strong chest pains and, after trying many different healing methods, decides to undergo an acupuncture treatment. The Chinese doctor discovers that Pía's pain is caused by repressed feelings, and, with an ancient technique, he "removes the filter". From now on, an uninhibited Pía will realize that the only way to heal herself is to speak everything that comes to mind - which won't always bring her the best results.
Nocturnal/Genre
"Barrancas"
Saturday, May 14 at 12 Midnight and Wednesday, May 18 at 5:00 Pm
Dir. Juan De La Peña
Cast: Diego Sánchez, Esteban De la Isla, Ana Lucía Camacho, Julia Dávalos, Eduardo Romo, Gustavo Gascón, Inés Vachez
Mexico 2016, 88 Min
The owner of a huge house in the woods, in the town of Barrancas, has a reputation for not paying his employees. When the latest housekeeper goes missing, everyone simply assumes that yet another employee has quit. Meanwhile, back in the city, the owner's nephew Mario is tasked with going to Barrancas to hand over the keys to the new caretaker. Young Mario thinks it’s a good idea to secretly invite his friends from college, as well as the girl he likes, out to the country house for a fun weekend. What Mario doesn’t know is that this may turn out to be a very dangerous idea indeed.
"The Similars" (Los Parecidos)
Sunday, May 15 at 9:30 Pm and Tuesday, May 17 at 5:00 Pm
Dir. Isaac Ezban
Cast: Gustavo Sánchez Parra, Cassandra Ciangherotti, Humberto Busto, Carmen Beato
Mexico 2015, 89 Min
In the rainy darkness of the early morning hours of October 2, 1968, eight people are waiting in a remote bus station in the middle of nowhere for the bus heading to Mexico City. They’ll soon find themselves experiencing a strange phenomenon.
For more information and ticket sales visit - http://holamexicoff.com...
- 5/5/2016
- by Carlos Aguilar
- Sydney's Buzz
Berlinale title Humidity scores hat-trick at national awards during Belgrade Fest; Diary Of A Teenage Girl wins in international strand.
Serbia, the last of the former Yugoslav countries eligible to join the Media programme, officially launched its Media Desk on Friday [March 4].
“Membership in the Media sub-programme of Creative Europe is of crucial importance for Serbian cinema,” Boban Jevtic - appointed as director of Film Centre Serbia last summer - told Screen.
“Our film-makers, production companies and other film professionals will now have access to its 17 different categories of support, and we will immediately start training sessions in order to get them acquainted with the programme and process of project submission and grants.”
The first such session was held the next day, as part of Fest Forward, the fledgling industry section of the 44th Belgrade International Film Festival (Feb 26 - Mar 6).
The festival included the official national competition. Serbia hasn’t had national awards since 2007, and last year...
Serbia, the last of the former Yugoslav countries eligible to join the Media programme, officially launched its Media Desk on Friday [March 4].
“Membership in the Media sub-programme of Creative Europe is of crucial importance for Serbian cinema,” Boban Jevtic - appointed as director of Film Centre Serbia last summer - told Screen.
“Our film-makers, production companies and other film professionals will now have access to its 17 different categories of support, and we will immediately start training sessions in order to get them acquainted with the programme and process of project submission and grants.”
The first such session was held the next day, as part of Fest Forward, the fledgling industry section of the 44th Belgrade International Film Festival (Feb 26 - Mar 6).
The festival included the official national competition. Serbia hasn’t had national awards since 2007, and last year...
- 3/7/2016
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Full line-up of the Stockholm film festival includes feature and documentary competition line-ups.Scroll down for full line-up
The Stockholm International Film Festival (Nov 11-22) has unveiled the line-up for its 26th edition, comprising more than 190 films from over 70 countries.
The Stockholm Xxvi Competition includes Marielle Heller’s Us title The Diary of a Teenage Girl and László Nemes’ Holocaust drama Son Of Saul.
It marks the first time Stockholm has a greater number of women than men competing for the Bronze Horse – the festival’s top prize.
The documentary competition includes Amy Berg’s An Open Secret, an investigation into accusations of teenagers being sexually abused within the film industry; and Cosima Spender’s Palio, centred on the annual horse race in Siena, Italy.
Announcing the programme, festival director Git Scheynius also revealed that Chinese artist Ai Weiwei will visit Stockholm for the first time as chairman of the jury for the first Stockholm Impact Award, which...
The Stockholm International Film Festival (Nov 11-22) has unveiled the line-up for its 26th edition, comprising more than 190 films from over 70 countries.
The Stockholm Xxvi Competition includes Marielle Heller’s Us title The Diary of a Teenage Girl and László Nemes’ Holocaust drama Son Of Saul.
It marks the first time Stockholm has a greater number of women than men competing for the Bronze Horse – the festival’s top prize.
The documentary competition includes Amy Berg’s An Open Secret, an investigation into accusations of teenagers being sexually abused within the film industry; and Cosima Spender’s Palio, centred on the annual horse race in Siena, Italy.
Announcing the programme, festival director Git Scheynius also revealed that Chinese artist Ai Weiwei will visit Stockholm for the first time as chairman of the jury for the first Stockholm Impact Award, which...
- 10/20/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Top brass have announced the films in official selection at the Mexican festival’s fourth annual edition, set to run from November 11-15.
Official selection comprises Competencia Los Cabos entries from Mexico, the Us and Canada including Lorenzo Vigas’ recent Venice Golden Lion winner From Afar (Desde Allá), and México Primero. Winners from both programmes will each collect a $15,000 prize.
The films in México Primero will also compete for the Fipresci Award, the $12,200 Art Kingdom Award and the $40,000 Fox+ Award.
For the first time films in official selection will compete for the Cinemex Audience Award. Audiences at Cinemex Los Cabos–Puerto Paraíso screenings will choose their recipient of a $10,000 prize.
Competencia Los Cabos selections are:
From Afar (Desde Allá, Mexico-Venezuela, pictured), dir Lorenzo Vigas;
Tangerine (USA), dir Sean Baker;
Room (Canada-Ireland), dir Lenny Abrahamson;
Chronic (Mexico), dir Michel Franco;
James White (USA), dir Josh Mond;
Les Êtres Chers (Canada), dir Anne Émond;
Un Monstruo De Mil Cabezas (Mexico-France...
Official selection comprises Competencia Los Cabos entries from Mexico, the Us and Canada including Lorenzo Vigas’ recent Venice Golden Lion winner From Afar (Desde Allá), and México Primero. Winners from both programmes will each collect a $15,000 prize.
The films in México Primero will also compete for the Fipresci Award, the $12,200 Art Kingdom Award and the $40,000 Fox+ Award.
For the first time films in official selection will compete for the Cinemex Audience Award. Audiences at Cinemex Los Cabos–Puerto Paraíso screenings will choose their recipient of a $10,000 prize.
Competencia Los Cabos selections are:
From Afar (Desde Allá, Mexico-Venezuela, pictured), dir Lorenzo Vigas;
Tangerine (USA), dir Sean Baker;
Room (Canada-Ireland), dir Lenny Abrahamson;
Chronic (Mexico), dir Michel Franco;
James White (USA), dir Josh Mond;
Les Êtres Chers (Canada), dir Anne Émond;
Un Monstruo De Mil Cabezas (Mexico-France...
- 10/13/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Omission wins best project while Memorias Del Calabozo receives a special mention.
The Omission (La Omision) has won the award for best project at the Europe-Latin America Co-production forum at San Sebastian Film Festival (Sept 18-26).
The film, an Argentinian-German co-production, is the feature debut for director Sebastián Schjaer, whose short The Broken Past (El Pasado Roto) played at Cannes’ director fortnight this year.
The story follows a young girl from Buenos Aires who travels to a remote city in the country’s south in search of work.
The film is produced by Argentinian outfit Trapecio Cine.
It won from a shortlist of 15 projects, which was narrowed down from an initial 173 submissions.
The award comes with a prize of $11,100.
A special mention was given to Álvaro Brechner’s Memorias Del Calabozo, a Spanish-Uruguyian co-production from Tornasol Films.
Projects presented at previous editions of the Forum have been selected for a major festivals including Carlos Moreno’s Que...
The Omission (La Omision) has won the award for best project at the Europe-Latin America Co-production forum at San Sebastian Film Festival (Sept 18-26).
The film, an Argentinian-German co-production, is the feature debut for director Sebastián Schjaer, whose short The Broken Past (El Pasado Roto) played at Cannes’ director fortnight this year.
The story follows a young girl from Buenos Aires who travels to a remote city in the country’s south in search of work.
The film is produced by Argentinian outfit Trapecio Cine.
It won from a shortlist of 15 projects, which was narrowed down from an initial 173 submissions.
The award comes with a prize of $11,100.
A special mention was given to Álvaro Brechner’s Memorias Del Calabozo, a Spanish-Uruguyian co-production from Tornasol Films.
Projects presented at previous editions of the Forum have been selected for a major festivals including Carlos Moreno’s Que...
- 9/24/2015
- ScreenDaily
Countries around the world have slowly begun announcing their official submissions for the Best Foreign Language Film Academy Award or shortlists of films that are being considered for the distinction. In the case of Mexico there is no clear candidate for the Mexican Academy to select this year, which leaves an open field of diverse films from the art house and commercial realms.
Undoubtedly, the best Mexican film audiences around the world, and in Mexico itself, have had the chance to see in 2015 is Alonso Ruiz Palacios “Güeros,” and some have even speculated that the black-and-white love letter to Mexico City could become the country’s Oscar candidate and even be among the favorites. Unfortunately, the film doesn’t qualify because it was considered to become the official entry last year, when it lost the opportunity to represent Mexico to the financially successful biopic “Cantinflas.” Ruiz Palacios' film would go on to win five Ariel Awards (Mexican Academy Awards) including Best Film and Best Director. It’s in fact the best choice, yet it simply can’t be anymore.
Each year the Mexican Academy sends out a call for entries for filmmakers and producers to submit their films. The organization will only consider those films that are entered by their respective creators, which means that even if a film qualifies if it’s not submitted it won’t be considered. The submission period is over now and the Mexican Academy will announce a list of films competing to represent the nation at the Oscars and the Spanish Goya’s in the upcoming days. Even without a gem like “Güeros” there are still other likely choices and many others that don’t stand a chance against the world-class works that will be send from across the globe. Commercial successes like “A la Mala,” “Tiempos Felices” or “Visitantes” will have a hard time finding support, but I wouldn’t be surprised if they are entered to be in the running anyway.
After looking carefully at release dates, festivals, last year’s films in competition, and having seen several of them, here is a list of 15 films that look like reasonable choices to represent the Mexican film industry at Hollywood’s most prestigious award show. Let’s see how many of these are actually on the official list.
"600 Millas" (600 Miles)
Dir. Gabriel Ripstein
Winner of the Best First Feature at this year’s Berlinale and starring Tim Roth, Gabriel Ripstein’s gun trafficking drama is a gritty and powerful statement about one of the numerous complex issues afflicting both Mexico and the U.S. However, giving the duality it deals with, the film is partially in English, which could become a tricky problem when deciding if it can compete as a foreign language work or not. Furthermore, “600 Miles” hasn’t had a theatrical release in Mexico yet, something that AMPAS requires for a film to qualify. If selected a one-week qualifying run would be mandatory.
"Alicia en el País de Maria" (Alice in Marialand)
Dir. Jesús Magaña Vázquez
Starring Stephanie Sigman ("Spectre") and Uruguayan-born actress Barbara Mori, this highly stylized romantic fantasy follows a love triangle between reality and a strange dreamland. This is Magaña Vázquez highest profile film to date and premiered at the Guadalajara International Film Festival earlier this year. It’s non-linear narrative and the fact that it hasn’t screen much outside its homeland might play against it, but it’s still appears to be an interesting choice. The film opens August 28 in Mexico.
"Carmín Tropical"
Dir. Rigoberto Pérezcano
A personal favorite from what I’ve seen and one of the strongest candidates on this list, “Carmin Tropical” tells the story of Mabel, a “muxe” or physical male who lives as a woman, who returns to her hometown to investigate the death of her estranged best friend, also a "muxe." After winning the highest award at the Morelia International Film Festival, the film has gone to screen in festivals around the world including Outfest Los Angeles and the Sarajevo Film Festival. Added to this, Pérezcano’s work earned him the Ariel Award for Best Original Screenplay at this year’s ceremony. Its relevant ideas regarding gender identity and hate crimes could give it some traction.
"Club Sandwich"
Dir. Fernando Eimbcke
While Fernando Eimbcke’s most recent indie has been around since 2013 in the festival circuit, the film was not considered last year to become the country’s entry as it only open theatrically in Mexico last November. Given these facts this delightful comedy technically qualifies, though it’s hard to say if the filmmaker will pursue the candidacy. “Club Sandwich” uses deadpan charm to explore the relationship between a teenage boy and his mother while on vacation yo a beachside town. The film screened during last year’s Los Angeles Film Festival.
"Las Elegidas" (The Chosen Ones)
Dir. David Pablos
This is the obvious heavyweight at least on paper. In recent years Mexican films that were selected to participate in the Cannes Film Festival have become ideal selections for Oscar consideration. Carlos Reygadas “Silent Light,” Gerardo Naranjo’s “Miss Bala,” Michel Franco’s “After Lucia,” and Amat Escalante’s “Heli,” represented the country in their respective years. Despite being highly regarded internationally, these type of hyperrealist art house films have failed to garner a nomination from AMPAS, which could mean the Mexican Academy might want to look towards more commercial projects like they did last year. Pablos' film is similar to some of the aforementioned titles in terms of the crude realities they depict. Reviews were mostly positive and the film could definitely continue with the Cannes-to-Oscar pattern, but might prove another hard sale for Academy voters. “Las Elegidas” still hasn’t open theatrically in Mexico.
"Elvira, Te Dariá Mi Vida Pero La Estoy Usando" (Elvira, I'd Give You My Life But I'm Using It)
Dir. Manolo Caro
A sophisticated romantic dramedy starring two of Mexico’s most prolific actors Cecilia Suarez and Luis Gerardo Mendez (Netflix’ “Club de Cuervos”), the film represents a departure for filmmaker Manolo Caro from the more conventional romantic comedies he’s done in the past. When Elvira’s husband goes missing she embarks on a search to find him, even if the outcome of her quest is not what she expects her devotion is unwavering. The film had its U.S. premiere at the Los Angeles Film Festival in June and it’s opening in Mexico this weekend.
"Estrellas Solitarias" (Lonely Stars)
Dir. Fernando Urdapilleta
By far the most unconventional choice, this irreverent comedy about dreams of stardom focuses on a pair of transvestites hoping to get their big break while working in a dingy and unglamorous bar. Music plays a big role in Fernando Urdapilleta’s sophomore feature, which shines a light on characters rarely seen in Mexican cinema. Produced by the Centro de Capacitación Cinematográfica the film has screened around the country and competed for the Maguey Award to Lgbt films at the 30th edition of Guadalajara International Film Festival (Ficg).
"Gloria"
Dir. Christian Keller
Working from a screenplay by Sabina Berman, Swiss filmmaker Christian Keller crafted a searing biopic about one of Mexico’s most iconic pop stars, Gloria Trevi, and her tumultuous career. The film took audiences and critics by surprise mainly because of the authenticity brought to it by the young actress Sofia Espinosa, who truly embodied Trevi’s outrageous personality and commanding stage presence. “Gloria” opened in Mexico back in February and it screened at SXSW in Austin last March. It’s also the only film in the list that has already had a U.S. theatrical release, which has handled by Picturehouse. This would definitely be a divisive selection given that Gloria is not widely known in the English-speaking world.
"La Guerra de Manuela Jankovic" (Manuela Jankovic's War)
Dir. Diana Cardozo
Nominated for 3 Ariel Awards including Best Actress and Best Supporting Actress this year, this peculiar drama opened late last year and hasn’t travel much internationally. Set in the early 90s the film deals with Manuela, a middle-aged woman who must take care of her bitter Serbian grandmother who escaped to Mexico during World War II. Beautifully executed and acted the film is a sleeper that could actually be an ideal choice given its unique premise and approach. Stories about the Eastern European community in Mexico have rarely been explored in film.
"Hilda"
Dir. Andres Clariond
Dealing with classicism within Mexican society, this Audience Award-winning film at the last Morelia Film Festival paints a disturbing picture about the divide between the elite and the working class. Starring Veronica Langer as Mrs. Le Marchand, a wealthy woman depressed due to her unfulfilled ambitions, the film is a psychological drama with darkly comedic undertones. When Hilda (Adriana Paz) a new housemaid is hired, Le Marchand’s obsessive behavior unravels. Andres Clariond’s debut feature is based on a French play by Marie Ndiaye, the filmmaker certainly found parallels between the playwright’s work and his homeland. “Hilda” will open in Mexico in early September.
"Las Horas Contigo" (The Hours With You)
Dir. Catalina Aguilar Mastretta
This endearing dram about a young woman coming to terms with her grandmother’s imminent death has been a quiet success since it’s premiere at the 2014 Ficg where it won the Best Director award for debutant Catalina Aguilar Mastretta. “Las Horas Contigo” was nominated for three Ariel Awards winning the Best Supporting Actress statuette for veteran thespian Isela Vega. The film’s U.S. premiere took place during the 4th edition of Ficg in La and was also part of the Latin Cinema section at the Palm Springs International Film Festival. It’s a well-made film that offers a handful of moving moments that could resonate with voters, though in my opinion it’s a bit slight.
"Manto Acuífero" ( The Well)
Dir. Michael Rowe
Australian filmmaker Michael Rowe, who has made a career working in Mexico, received great acclaim and accolades for his debut feature “Año Bisiesto,” including the Camera d’Or prize at the Cannes Film Festival. “Manto Acuífero,” his sophomore effort, premiered at the Rome Film Festival in 2013 and was produced by Gael Garcia Bernal and Diego Luna’s Canana. Centered on a young girl dealing with troubling situations at home, the film also screened at the Morelia Film Festival. Its theatrical release didn’t happen until November of last year, which based on AMPAS rules qualifies it for consideration. “Manto Acuífero” was not considered last year.
"El Más Buscasdo" (Mexican Gangster)
Dir. José Manuel Cravioto
By far the most commercial and most expensive-looking film on the list, this action tale revolves around a bank robber whose alter ego is a mysterious masked singer. Jose Manuel Cravioto’s narrative debut stars Tenoch Huerta (“Güeros”) as skillful criminal Alfredo Rios Galeana and as al El Charro Misterioso, the elusive and talented performer. Set in the 1980s “El Más Buscado” showcases costumes, production design, and music from that period in a Robin Hood-like story of a unique antihero. The film screened in L.A. as part of the Hola Mexico Film Festival back in May but other than that lacks noticeable international presence.
"Las Oscuras Primaveras" (The Obscure Spring)
Dir. Ernesto Contreras
Moody and darkly sensual, this intense drama from director Ernesto Contreras won the Knight Competition Grand Jury Prize as well as the Best Performance Grand Jury Prize and the Miami International Film Festival. Cecilia Suarez and Jose Maria Yazpik star as a childless married couple whose relationship is threaten when he starts having a steamy affair with a lonely single mother in need of companionship. “Las Oscuras Primaveras” also received three Ariel Awards at the most recent ceremony for Best Editing, Best Sound, and Best Original Score.
"La Tirisia" (Perpetual Sadness)
Dir. Jorge Pérez Solano
Last but definitely not least, the one film that, in this writer’s opinion, is the best opinion from the pack. Jose Perez Solano’s poetic feature follows two women in a remote community who have to choose between their children and their partner in a chauvinist society. The beauty and authenticity of “La Tirisia” have connected with audiences and juries from diverse backgrounds. Karlovy Vary, Palm Springs, Thessaloniki, Chicago, and Guadalajara were a few of the festivals that screened the film where it often was awarded prizes for its director and cast. Actress Adriana Paz (“Hilda”) won the Ariel Award for Best Actress for her work in the film, while Noé Hernandez took home the award for Best Supporting Actor. It’s art house roots and segmented narrative might work against it, but if voters at the Mexican Academy can look past that, this might be the one to bet on.
Undoubtedly, the best Mexican film audiences around the world, and in Mexico itself, have had the chance to see in 2015 is Alonso Ruiz Palacios “Güeros,” and some have even speculated that the black-and-white love letter to Mexico City could become the country’s Oscar candidate and even be among the favorites. Unfortunately, the film doesn’t qualify because it was considered to become the official entry last year, when it lost the opportunity to represent Mexico to the financially successful biopic “Cantinflas.” Ruiz Palacios' film would go on to win five Ariel Awards (Mexican Academy Awards) including Best Film and Best Director. It’s in fact the best choice, yet it simply can’t be anymore.
Each year the Mexican Academy sends out a call for entries for filmmakers and producers to submit their films. The organization will only consider those films that are entered by their respective creators, which means that even if a film qualifies if it’s not submitted it won’t be considered. The submission period is over now and the Mexican Academy will announce a list of films competing to represent the nation at the Oscars and the Spanish Goya’s in the upcoming days. Even without a gem like “Güeros” there are still other likely choices and many others that don’t stand a chance against the world-class works that will be send from across the globe. Commercial successes like “A la Mala,” “Tiempos Felices” or “Visitantes” will have a hard time finding support, but I wouldn’t be surprised if they are entered to be in the running anyway.
After looking carefully at release dates, festivals, last year’s films in competition, and having seen several of them, here is a list of 15 films that look like reasonable choices to represent the Mexican film industry at Hollywood’s most prestigious award show. Let’s see how many of these are actually on the official list.
"600 Millas" (600 Miles)
Dir. Gabriel Ripstein
Winner of the Best First Feature at this year’s Berlinale and starring Tim Roth, Gabriel Ripstein’s gun trafficking drama is a gritty and powerful statement about one of the numerous complex issues afflicting both Mexico and the U.S. However, giving the duality it deals with, the film is partially in English, which could become a tricky problem when deciding if it can compete as a foreign language work or not. Furthermore, “600 Miles” hasn’t had a theatrical release in Mexico yet, something that AMPAS requires for a film to qualify. If selected a one-week qualifying run would be mandatory.
"Alicia en el País de Maria" (Alice in Marialand)
Dir. Jesús Magaña Vázquez
Starring Stephanie Sigman ("Spectre") and Uruguayan-born actress Barbara Mori, this highly stylized romantic fantasy follows a love triangle between reality and a strange dreamland. This is Magaña Vázquez highest profile film to date and premiered at the Guadalajara International Film Festival earlier this year. It’s non-linear narrative and the fact that it hasn’t screen much outside its homeland might play against it, but it’s still appears to be an interesting choice. The film opens August 28 in Mexico.
"Carmín Tropical"
Dir. Rigoberto Pérezcano
A personal favorite from what I’ve seen and one of the strongest candidates on this list, “Carmin Tropical” tells the story of Mabel, a “muxe” or physical male who lives as a woman, who returns to her hometown to investigate the death of her estranged best friend, also a "muxe." After winning the highest award at the Morelia International Film Festival, the film has gone to screen in festivals around the world including Outfest Los Angeles and the Sarajevo Film Festival. Added to this, Pérezcano’s work earned him the Ariel Award for Best Original Screenplay at this year’s ceremony. Its relevant ideas regarding gender identity and hate crimes could give it some traction.
"Club Sandwich"
Dir. Fernando Eimbcke
While Fernando Eimbcke’s most recent indie has been around since 2013 in the festival circuit, the film was not considered last year to become the country’s entry as it only open theatrically in Mexico last November. Given these facts this delightful comedy technically qualifies, though it’s hard to say if the filmmaker will pursue the candidacy. “Club Sandwich” uses deadpan charm to explore the relationship between a teenage boy and his mother while on vacation yo a beachside town. The film screened during last year’s Los Angeles Film Festival.
"Las Elegidas" (The Chosen Ones)
Dir. David Pablos
This is the obvious heavyweight at least on paper. In recent years Mexican films that were selected to participate in the Cannes Film Festival have become ideal selections for Oscar consideration. Carlos Reygadas “Silent Light,” Gerardo Naranjo’s “Miss Bala,” Michel Franco’s “After Lucia,” and Amat Escalante’s “Heli,” represented the country in their respective years. Despite being highly regarded internationally, these type of hyperrealist art house films have failed to garner a nomination from AMPAS, which could mean the Mexican Academy might want to look towards more commercial projects like they did last year. Pablos' film is similar to some of the aforementioned titles in terms of the crude realities they depict. Reviews were mostly positive and the film could definitely continue with the Cannes-to-Oscar pattern, but might prove another hard sale for Academy voters. “Las Elegidas” still hasn’t open theatrically in Mexico.
"Elvira, Te Dariá Mi Vida Pero La Estoy Usando" (Elvira, I'd Give You My Life But I'm Using It)
Dir. Manolo Caro
A sophisticated romantic dramedy starring two of Mexico’s most prolific actors Cecilia Suarez and Luis Gerardo Mendez (Netflix’ “Club de Cuervos”), the film represents a departure for filmmaker Manolo Caro from the more conventional romantic comedies he’s done in the past. When Elvira’s husband goes missing she embarks on a search to find him, even if the outcome of her quest is not what she expects her devotion is unwavering. The film had its U.S. premiere at the Los Angeles Film Festival in June and it’s opening in Mexico this weekend.
"Estrellas Solitarias" (Lonely Stars)
Dir. Fernando Urdapilleta
By far the most unconventional choice, this irreverent comedy about dreams of stardom focuses on a pair of transvestites hoping to get their big break while working in a dingy and unglamorous bar. Music plays a big role in Fernando Urdapilleta’s sophomore feature, which shines a light on characters rarely seen in Mexican cinema. Produced by the Centro de Capacitación Cinematográfica the film has screened around the country and competed for the Maguey Award to Lgbt films at the 30th edition of Guadalajara International Film Festival (Ficg).
"Gloria"
Dir. Christian Keller
Working from a screenplay by Sabina Berman, Swiss filmmaker Christian Keller crafted a searing biopic about one of Mexico’s most iconic pop stars, Gloria Trevi, and her tumultuous career. The film took audiences and critics by surprise mainly because of the authenticity brought to it by the young actress Sofia Espinosa, who truly embodied Trevi’s outrageous personality and commanding stage presence. “Gloria” opened in Mexico back in February and it screened at SXSW in Austin last March. It’s also the only film in the list that has already had a U.S. theatrical release, which has handled by Picturehouse. This would definitely be a divisive selection given that Gloria is not widely known in the English-speaking world.
"La Guerra de Manuela Jankovic" (Manuela Jankovic's War)
Dir. Diana Cardozo
Nominated for 3 Ariel Awards including Best Actress and Best Supporting Actress this year, this peculiar drama opened late last year and hasn’t travel much internationally. Set in the early 90s the film deals with Manuela, a middle-aged woman who must take care of her bitter Serbian grandmother who escaped to Mexico during World War II. Beautifully executed and acted the film is a sleeper that could actually be an ideal choice given its unique premise and approach. Stories about the Eastern European community in Mexico have rarely been explored in film.
"Hilda"
Dir. Andres Clariond
Dealing with classicism within Mexican society, this Audience Award-winning film at the last Morelia Film Festival paints a disturbing picture about the divide between the elite and the working class. Starring Veronica Langer as Mrs. Le Marchand, a wealthy woman depressed due to her unfulfilled ambitions, the film is a psychological drama with darkly comedic undertones. When Hilda (Adriana Paz) a new housemaid is hired, Le Marchand’s obsessive behavior unravels. Andres Clariond’s debut feature is based on a French play by Marie Ndiaye, the filmmaker certainly found parallels between the playwright’s work and his homeland. “Hilda” will open in Mexico in early September.
"Las Horas Contigo" (The Hours With You)
Dir. Catalina Aguilar Mastretta
This endearing dram about a young woman coming to terms with her grandmother’s imminent death has been a quiet success since it’s premiere at the 2014 Ficg where it won the Best Director award for debutant Catalina Aguilar Mastretta. “Las Horas Contigo” was nominated for three Ariel Awards winning the Best Supporting Actress statuette for veteran thespian Isela Vega. The film’s U.S. premiere took place during the 4th edition of Ficg in La and was also part of the Latin Cinema section at the Palm Springs International Film Festival. It’s a well-made film that offers a handful of moving moments that could resonate with voters, though in my opinion it’s a bit slight.
"Manto Acuífero" ( The Well)
Dir. Michael Rowe
Australian filmmaker Michael Rowe, who has made a career working in Mexico, received great acclaim and accolades for his debut feature “Año Bisiesto,” including the Camera d’Or prize at the Cannes Film Festival. “Manto Acuífero,” his sophomore effort, premiered at the Rome Film Festival in 2013 and was produced by Gael Garcia Bernal and Diego Luna’s Canana. Centered on a young girl dealing with troubling situations at home, the film also screened at the Morelia Film Festival. Its theatrical release didn’t happen until November of last year, which based on AMPAS rules qualifies it for consideration. “Manto Acuífero” was not considered last year.
"El Más Buscasdo" (Mexican Gangster)
Dir. José Manuel Cravioto
By far the most commercial and most expensive-looking film on the list, this action tale revolves around a bank robber whose alter ego is a mysterious masked singer. Jose Manuel Cravioto’s narrative debut stars Tenoch Huerta (“Güeros”) as skillful criminal Alfredo Rios Galeana and as al El Charro Misterioso, the elusive and talented performer. Set in the 1980s “El Más Buscado” showcases costumes, production design, and music from that period in a Robin Hood-like story of a unique antihero. The film screened in L.A. as part of the Hola Mexico Film Festival back in May but other than that lacks noticeable international presence.
"Las Oscuras Primaveras" (The Obscure Spring)
Dir. Ernesto Contreras
Moody and darkly sensual, this intense drama from director Ernesto Contreras won the Knight Competition Grand Jury Prize as well as the Best Performance Grand Jury Prize and the Miami International Film Festival. Cecilia Suarez and Jose Maria Yazpik star as a childless married couple whose relationship is threaten when he starts having a steamy affair with a lonely single mother in need of companionship. “Las Oscuras Primaveras” also received three Ariel Awards at the most recent ceremony for Best Editing, Best Sound, and Best Original Score.
"La Tirisia" (Perpetual Sadness)
Dir. Jorge Pérez Solano
Last but definitely not least, the one film that, in this writer’s opinion, is the best opinion from the pack. Jose Perez Solano’s poetic feature follows two women in a remote community who have to choose between their children and their partner in a chauvinist society. The beauty and authenticity of “La Tirisia” have connected with audiences and juries from diverse backgrounds. Karlovy Vary, Palm Springs, Thessaloniki, Chicago, and Guadalajara were a few of the festivals that screened the film where it often was awarded prizes for its director and cast. Actress Adriana Paz (“Hilda”) won the Ariel Award for Best Actress for her work in the film, while Noé Hernandez took home the award for Best Supporting Actor. It’s art house roots and segmented narrative might work against it, but if voters at the Mexican Academy can look past that, this might be the one to bet on.
- 8/20/2015
- by Carlos Aguilar
- Sydney's Buzz
The San Sebastian Film Festival will once again present, in its 63rd edition, some of the most outstanding Latin American films of the year. The Horizontes Latinos program will include 14 productions from Argentina, Brazil, Columbia, Cuba, Chile, Guatemala, Mexico, Peru and Venezuela. Films that have competed or premiered at important international festivals, but which have not yet been screened at a Spanish festival or had their commercial release in the country.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The section will open with Pablo Larraín’s "El Club," Silver Bear Grand Jury Prize at the last Berlin Festival. The film tells the tale of four men who share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
Here is the full list of titles screening in this important section:
"El Club" (The Club) Pablo Larraín (Chile) Opening Night Film
Pablo Larraín won the Silver Bear Grand Jury Prize at the last Berlin Festival with this film. Four men share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
"600 Millas" (600 Miles) Gabriel Ripstein (Mexico) Arnulfo Rubio, a young gun trafficker between the United States and Mexico, is being followed by Atf agent Hank Harris. After a risky mistake by Harris, Rubio makes a desperate decision: he smuggles the agent to Mexico. Best First Feature Award in the Panorama section of the Berlin Festival.
"El Abrazo de la Serpiente" (Embrace of the Serpent ) Ciro Guerra (Colombia - Argentina - Venezuela) Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.
"El Botón de Nácar (The Pearl Button) Patricio Guzmán (France - Chile - Spain ) Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile.
"Chronic" Michel Franco (Mexico - France) David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward, and reserved. Best Screenplay Award-winner at the Cannes Festival.
"Desde Allá" (From Afar) Lorenzo Vigas (Venezuela) Armando, aged 50, looks for young men in the streets of Caracas and pays them to come back to his house with him. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets Elder, aged 17, leader of a small band of thugs. Competitor in the Official Selection of the Venice Festival.
"Las Elegidas" (The Chosen Ones) David Pablos (Mexico - France) David Pablos’s second film took part at the San Sebastian Co-production Forum in 2014 and premiered in the Un Certain Regard section of Cannes Festival. Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her.
"Ixcanul" Jayro Bustamante (Guatemala - France) María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.
"Magallanes"
Salvador Del Solar (Peru Argentina- Colombia - Spain) Winner of Films in Progress at last year's Festival. Magallanes recognises a woman getting into a taxi. It's Celina, the young peasant girl he randomly arrested more than twenty years ago, when he was a soldier. They both have unfinished business. And for Magallanes, this is an opportunity to redeem himself. Damián Alcázar, Magaly Solier and Federico Luppi play the leading parts.
"La Obra del Siglo" (The Projcxt of Century) Carlos M. Quintela (Cuba -Argentina- Germany -Switzerland) Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.
"Pulina" Santiago Mitre (Argentina- Brazil- France) Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Fipresci Prize-winner at the last Cannes Festival Critics’ Week.
"Para Minha Amada Morta" (To My Beloved) Aly Muritiba (Brazil) Fernando is a good man who takes care of his only child, Daniel, a shy and sensitive boy. Following the death of his wife Ana, every night Fernando recalls their love as he sorts out his beloved dead spouse’s belongings. One day he finds a VHS tape that will change everything. This movie participated in the Films in Progress section at the last Festival. The film took part at the Co-Production Forum in 2014.
"Te Prometo Anarquía" (I Promise You Anarchy) Julio Hernández Cordón (Mexico - Germany) Julio Hernández Cordón’s new film was selected for the Locarno Festival Competition. Miguel and Johnny have known each other since childhood. They spend their time skateboarding and having fun. To make easy money and continue skateboarding, they sell their own blood clandestinely. They turn the ploy into a business, until a major transaction doesn't turn out as they'd expected.
"La Tierra y la Sombra" (Land and Shade) César Augusto Acevedo (Colombia- Chiles - Brazil - Netherlands - France) Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The section will open with Pablo Larraín’s "El Club," Silver Bear Grand Jury Prize at the last Berlin Festival. The film tells the tale of four men who share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
Here is the full list of titles screening in this important section:
"El Club" (The Club) Pablo Larraín (Chile) Opening Night Film
Pablo Larraín won the Silver Bear Grand Jury Prize at the last Berlin Festival with this film. Four men share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
"600 Millas" (600 Miles) Gabriel Ripstein (Mexico) Arnulfo Rubio, a young gun trafficker between the United States and Mexico, is being followed by Atf agent Hank Harris. After a risky mistake by Harris, Rubio makes a desperate decision: he smuggles the agent to Mexico. Best First Feature Award in the Panorama section of the Berlin Festival.
"El Abrazo de la Serpiente" (Embrace of the Serpent ) Ciro Guerra (Colombia - Argentina - Venezuela) Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.
"El Botón de Nácar (The Pearl Button) Patricio Guzmán (France - Chile - Spain ) Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile.
"Chronic" Michel Franco (Mexico - France) David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward, and reserved. Best Screenplay Award-winner at the Cannes Festival.
"Desde Allá" (From Afar) Lorenzo Vigas (Venezuela) Armando, aged 50, looks for young men in the streets of Caracas and pays them to come back to his house with him. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets Elder, aged 17, leader of a small band of thugs. Competitor in the Official Selection of the Venice Festival.
"Las Elegidas" (The Chosen Ones) David Pablos (Mexico - France) David Pablos’s second film took part at the San Sebastian Co-production Forum in 2014 and premiered in the Un Certain Regard section of Cannes Festival. Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her.
"Ixcanul" Jayro Bustamante (Guatemala - France) María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.
"Magallanes"
Salvador Del Solar (Peru Argentina- Colombia - Spain) Winner of Films in Progress at last year's Festival. Magallanes recognises a woman getting into a taxi. It's Celina, the young peasant girl he randomly arrested more than twenty years ago, when he was a soldier. They both have unfinished business. And for Magallanes, this is an opportunity to redeem himself. Damián Alcázar, Magaly Solier and Federico Luppi play the leading parts.
"La Obra del Siglo" (The Projcxt of Century) Carlos M. Quintela (Cuba -Argentina- Germany -Switzerland) Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.
"Pulina" Santiago Mitre (Argentina- Brazil- France) Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Fipresci Prize-winner at the last Cannes Festival Critics’ Week.
"Para Minha Amada Morta" (To My Beloved) Aly Muritiba (Brazil) Fernando is a good man who takes care of his only child, Daniel, a shy and sensitive boy. Following the death of his wife Ana, every night Fernando recalls their love as he sorts out his beloved dead spouse’s belongings. One day he finds a VHS tape that will change everything. This movie participated in the Films in Progress section at the last Festival. The film took part at the Co-Production Forum in 2014.
"Te Prometo Anarquía" (I Promise You Anarchy) Julio Hernández Cordón (Mexico - Germany) Julio Hernández Cordón’s new film was selected for the Locarno Festival Competition. Miguel and Johnny have known each other since childhood. They spend their time skateboarding and having fun. To make easy money and continue skateboarding, they sell their own blood clandestinely. They turn the ploy into a business, until a major transaction doesn't turn out as they'd expected.
"La Tierra y la Sombra" (Land and Shade) César Augusto Acevedo (Colombia- Chiles - Brazil - Netherlands - France) Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.
- 8/19/2015
- by Sydney Levine
- Sydney's Buzz
Projects selected from across South America and Europe.
Scroll down for full list of projects
San Sebastian’s Europe-Latin America Co-production Forum (Sept 21-23) has revealed the 15 projects selected from 173 submissions.
The majority of titles, spanning 17 countries, have yet to be seen at international co-production gatherings
Furthermore, in the framework of the Festival’s collaboration with the Ibermedia Programme, one project, selected at the Workshop to develop film projects from Central America and the Caribbean, will participate in the Co-production Forum, not in competition - Patricia Ramos’s El sueco.
The final selection includes projects by established directors such as Nicolás Rincón and Israel Adrián Caetano alongside emerging filmmakers such as including Larissa Figueiredo and Théo Court.
Projects presented at previous editions of the Forum have been selected for a major festivals including Carlos Moreno’s Que Viva la Música!, which played at Sundance in January; David Pablos’s Las Elegidas, which screened...
Scroll down for full list of projects
San Sebastian’s Europe-Latin America Co-production Forum (Sept 21-23) has revealed the 15 projects selected from 173 submissions.
The majority of titles, spanning 17 countries, have yet to be seen at international co-production gatherings
Furthermore, in the framework of the Festival’s collaboration with the Ibermedia Programme, one project, selected at the Workshop to develop film projects from Central America and the Caribbean, will participate in the Co-production Forum, not in competition - Patricia Ramos’s El sueco.
The final selection includes projects by established directors such as Nicolás Rincón and Israel Adrián Caetano alongside emerging filmmakers such as including Larissa Figueiredo and Théo Court.
Projects presented at previous editions of the Forum have been selected for a major festivals including Carlos Moreno’s Que Viva la Música!, which played at Sundance in January; David Pablos’s Las Elegidas, which screened...
- 8/6/2015
- ScreenDaily
The Darkness promises to be another terrifying fairy tale from Mexico, "a special mix of Shyamalan’s early films, Dogtooth and the poetic fantasy of Guillermo del Toro,” according to Tanja Meissner, Mfi head of sales for the film.
The Darkness is expected to be released in 2016. It is directed by Daniel Castro Zimbron and co-written with David Pablos.
Synopsis:
The Darkness centers on Argel (Aliocha Sotnikoff) who, along with his two siblings, locked inside a cabin basement in a forest, fearful of a wild beast wandering outside, but when his older brother disappears, Argel sets out to confront the darkest secrets and mysteries that the forest and his father (Brontis Jodorosky) hide.
Sounds pretty amazing. More as it comes, folks!
[Continued ...]...
The Darkness is expected to be released in 2016. It is directed by Daniel Castro Zimbron and co-written with David Pablos.
Synopsis:
The Darkness centers on Argel (Aliocha Sotnikoff) who, along with his two siblings, locked inside a cabin basement in a forest, fearful of a wild beast wandering outside, but when his older brother disappears, Argel sets out to confront the darkest secrets and mysteries that the forest and his father (Brontis Jodorosky) hide.
Sounds pretty amazing. More as it comes, folks!
[Continued ...]...
- 5/14/2015
- QuietEarth.us
After being recognized for his short film La Canción de los Niños Muertos (2008) and his debut feature length feature The Life After (2013) - dramas about guilt and forgiveness, which narrate fraternal confrontations from the mother's absence and a significant death that irremediably mutate the characters' personality - Mexican filmmaker David Pablos returns with The Chosen Ones (Las Elegidas). Inspired by Jorge Volpi's novel of the same name - which will be published soon and describes how in Tenancingo, Tlaxcala (a quintessential sexist Mexican town) the practice of female trafficking is inherited like any other tradition - the film takes the action to Tijuana and tells the love story between Ulises and Sofía, a relationship that is altered when Ulises' father Marcos, who is...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 5/7/2015
- Screen Anarchy
The Festival de Cannes has announced the lineup for the official selection, including the Competition and Un Certain Regard sections, as well as special screenings, for the 68th edition of the festival:
COMPETITIONOpening Night: La Tête Haute (Emmanuelle Bercot) (Out of Competition)Dheepan (Temporary title) (Jacques Audiard)La loi du marché (Stéphane Brizé)Marguerite et Julien (Valérie Donzelli)The Tale of Tales (Matteo Garrone)Carol (Todd Haynes)The Assassin (Hou Hsiao-hsien)Mountains May Depart (Jia Zhangke)Our Little Sister (Hirokazu Kore-eda)Macbeth (Justin Kurzel)The Lobster (Yorgos Lanthimos)Mon Roi (Maïwenn)Mia Madre (Nanni Moretti)Saul Fia (László Nemes)Youth (Paolo Sorrentino)Louder than bombs (Joachim Trier)The Sea of Trees (Gus Van Sant)Sicario (Denis Villeneuve)Cronic (Michel Franco)The Valley of Love (Guillaume Nicloux)
Un Certain REGARDOpening Night: An (Naomi Kawase)Asphalte (Samuel Benchetrit)Fly Away Solo (Neeraj Ghaywan)Rams (Grímur Hákonarson)Journey to the Shore (Kiyoshi Kurosawa...
COMPETITIONOpening Night: La Tête Haute (Emmanuelle Bercot) (Out of Competition)Dheepan (Temporary title) (Jacques Audiard)La loi du marché (Stéphane Brizé)Marguerite et Julien (Valérie Donzelli)The Tale of Tales (Matteo Garrone)Carol (Todd Haynes)The Assassin (Hou Hsiao-hsien)Mountains May Depart (Jia Zhangke)Our Little Sister (Hirokazu Kore-eda)Macbeth (Justin Kurzel)The Lobster (Yorgos Lanthimos)Mon Roi (Maïwenn)Mia Madre (Nanni Moretti)Saul Fia (László Nemes)Youth (Paolo Sorrentino)Louder than bombs (Joachim Trier)The Sea of Trees (Gus Van Sant)Sicario (Denis Villeneuve)Cronic (Michel Franco)The Valley of Love (Guillaume Nicloux)
Un Certain REGARDOpening Night: An (Naomi Kawase)Asphalte (Samuel Benchetrit)Fly Away Solo (Neeraj Ghaywan)Rams (Grímur Hákonarson)Journey to the Shore (Kiyoshi Kurosawa...
- 4/23/2015
- by Notebook
- MUBI
Australia hasn.t had a film in official competition at the Cannes Film Festival since 2011 but Justin Kurzel will fly the flag with Macbeth at next month.s festival.
Michael Fassbender plays the troubled Scottish king and Marion Cotillard is Lady Macbeth in the Shakespearian drama produced by See-Saw Films. Iain Canning and Emile Sherman.
The UK production financed by Studiocanal and Film4 will be released in Oz by Transmission Films, probably in October.. Kurzel's Snowtown screened during Critics Week in Cannes in 2011, where it got a special mention and he was nominated for the Golden Camera award for best first feature.
Also among the 17 titles competing for the Palme d'Or is Carol, Todd Haynes. lesbian romance set in 1950s New York, which stars Cate Blanchett, Rooney Mara and Sarah Paulson.
Based on a Patricia Highsmith novel about a department-store clerk who dreams of a better life and falls for an older,...
Michael Fassbender plays the troubled Scottish king and Marion Cotillard is Lady Macbeth in the Shakespearian drama produced by See-Saw Films. Iain Canning and Emile Sherman.
The UK production financed by Studiocanal and Film4 will be released in Oz by Transmission Films, probably in October.. Kurzel's Snowtown screened during Critics Week in Cannes in 2011, where it got a special mention and he was nominated for the Golden Camera award for best first feature.
Also among the 17 titles competing for the Palme d'Or is Carol, Todd Haynes. lesbian romance set in 1950s New York, which stars Cate Blanchett, Rooney Mara and Sarah Paulson.
Based on a Patricia Highsmith novel about a department-store clerk who dreams of a better life and falls for an older,...
- 4/16/2015
- by Don Groves
- IF.com.au
The Official Selection of the 68th Festival de Cannes was announced this Thursday, 16 April during the press conference held by Pierre Lescure and Thierry Frémaux in Paris. Opening film : Emmanuelle Bercot La TÊTE Haute (Standing Tall) Out of Comp. 2h00 *** Jacques Audiard Dheepan (Temporary Title) 1h49 Stéphane BRIZÉ La Loi Du MARCHÉ (A Simple Man) 1h32 Valérie Donzelli Marguerite Et Julien (Marguerite And Julien) 1h50 Matteo Garrone Il Racconto Dei Racconti (The Tale Of Tales) 2h05 Todd Haynes Carol 1h58 Hou Hsiao Hsien Nie Yinniang (The Assassin) 2h00 Jia Zhang-Ke Shan He Gu Ren (Moutains May Depart) 2h00 Kore-eda Hirokazu Umimachi Diary (Our Little Sister) 2h03 Justin Kurzel MacBeth 1h53 Yorgos Lanthimos The Lobster 1h58 MAÏWENN Mon Roi 2h10 Nanni Moretti Mia Madre 1h42 László Nemes Saul Fia (Son Of Saul) 1 er film 1h47 Paolo Sorrentino Youth 1h58 Joachim Trier Louder Than Bombs 1h45 Gus Van Sant The Sea Of Trees...
- 4/16/2015
- by HollywoodNews.com
- Hollywoodnews.com
The 68th Cannes Film Festival is now little under a month away, and Variety has the skinny on the event’s impressive line-up, which includes Carol and French comedy-drama La Tete Haute – itself set to open the festival on May 13 – not to mention the likes of Pixar’s emotional animation Inside Out and Mad Max: Fury Road screening out of competition.
For a full rundown of those candidates in question, you can consult the list down below. Due to take place from May 13 to May 25, it’s expected that more films will be added to the cinematic selection in the coming days, but already the billing is chock full of eye-catching releases. Interestingly, the aforementioned La Tete Haute will be the first festival opener since 1987 to be directed by a female filmmaker, in this case, Emmanuelle Bercot.
The 68th Cannes Film Festival will begin on May 13 and run right through...
For a full rundown of those candidates in question, you can consult the list down below. Due to take place from May 13 to May 25, it’s expected that more films will be added to the cinematic selection in the coming days, but already the billing is chock full of eye-catching releases. Interestingly, the aforementioned La Tete Haute will be the first festival opener since 1987 to be directed by a female filmmaker, in this case, Emmanuelle Bercot.
The 68th Cannes Film Festival will begin on May 13 and run right through...
- 4/16/2015
- by Michael Briers
- We Got This Covered
The 2015 Cannes Film Festival lineup was announced this morning and it's quite impressive as it includes several titles I'd be rushing to line up for, which makes my not going for the second year in a row all the more frustrating. Titles I'd be most excited to see including the new Jacques Audiard movie Dheepan, the new film from Yorgos Lanthimos The Lobster and Denis Villeneuve's Sicario. Matteo Garrone's The Tale of Tales is obviously an exciting title as are Macbeth starring Michael Fassbender and Marion Cotillard, Carol from Todd Haynes and Youth from Paolo Sorrentino. Gus Van Sant will arrive on the Croisette with The Sea of Trees starring Matthew McConaughey, Pixar will arrive with Inside Out, Woody Allen's Irrational Man will screen and we already knew Mad Max: Fury Road would screen. I won't lie, seeing the lineup had me considering looking at the bank...
- 4/16/2015
- by Brad Brevet
- Rope of Silicon
The lineup for the 68th Annual Cannes Film Festival was unveiled Thursday morning, with announcements for the competition, Un Certain Regards and Out of Competition categories all included. Among this year’s lineup are new films from Todd Haynes, Hou Hsiao Hsien, Matteo Garrone, Jia Zhang-Ke, Gus Van Sant, Denis Villeneuve and more.
Out of Competition, Woody Allen’s Irrational Man, George Miller’s blockbuster Mad Max: Fury Road, and the new Pixar film Inside Out, will all be making their World Premieres.
In competition and in the Un Certain Regard, some of the highlights include Todd Haynes’ Carol, his first film since 2007’s I’m Not There, and Gus Van Sant’s The Sea of Trees, with him making his first return to the festival since 2011, and the first time he is back in Competition since Paranoid Park was nominated for the Palme D’Or in 2007.
Actress Natalie Portman...
Out of Competition, Woody Allen’s Irrational Man, George Miller’s blockbuster Mad Max: Fury Road, and the new Pixar film Inside Out, will all be making their World Premieres.
In competition and in the Un Certain Regard, some of the highlights include Todd Haynes’ Carol, his first film since 2007’s I’m Not There, and Gus Van Sant’s The Sea of Trees, with him making his first return to the festival since 2011, and the first time he is back in Competition since Paranoid Park was nominated for the Palme D’Or in 2007.
Actress Natalie Portman...
- 4/16/2015
- by Brian Welk
- SoundOnSight
Returnee former Palme d’Or winners and their latest in Nanni Moretti (Mia Madre), Gus Van Sant (Sea Of Trees) are joined by several Main Comp first timers in Yorgos Lanthimos (The Lobster), Joachim Trier (Louder Than Bombs), Justin Kurzel (Macbeth), Valerie Donzelli (Marguerite et Julien) (see pic above), Denis Villeneuve (Sicario), Stephane Brize (A Simple Man) and feature directing debut and Bela Tarr assistant Laszlo Nemes (Son Of Saul).
The remaining films in the Main Comp are made by former Grand Prix (2nd place) and Jury Prize (3rd place) winning filmmakers in Hou Hsiao-Hsien (The Assassin), Jacques Audiard (soon to be retitled Dheepan), Maiwenn (My King), Hirokazu Kore-eda (Our Little Sister), Matteo Garrone (The Tale Of Tales) and Paolo Sorrentino (Youth). This leaves us with a a pack of eighteen films when you also include two filmmakers who have yet to win any of the three major film...
The remaining films in the Main Comp are made by former Grand Prix (2nd place) and Jury Prize (3rd place) winning filmmakers in Hou Hsiao-Hsien (The Assassin), Jacques Audiard (soon to be retitled Dheepan), Maiwenn (My King), Hirokazu Kore-eda (Our Little Sister), Matteo Garrone (The Tale Of Tales) and Paolo Sorrentino (Youth). This leaves us with a a pack of eighteen films when you also include two filmmakers who have yet to win any of the three major film...
- 4/16/2015
- by Eric Lavallee
- IONCINEMA.com
The full lineup for the 2015 Cannes Film Festival has been revealed.
Pixar's latest offering Inside Out, the previously-mentioned Mad Max: Fury Road, Woody Allen's Irrational Man and Todd Haynes's Carol have been confirmed for the 11-day festival in the south of France next month.
Amy Winehouse documentary Amy, from Senna director Asif Kapadia, the Michael Fassbender-led Macbeth and Gus Van Sant and Matthew McConaughey's The Sea of Trees are also among the festival highlights.
Natalie Portman's directorial debut A Tale of Love and Darkness will premiere out of competition.
The 68th annual Cannes Film Festival will run from May 13 - May 24. Read the full screening lineup below:
Opening night film
La Tête Haute (Emmanuelle Bercot)
In competition
Dheepan (Jacques Audiard)
A Simple Man (Stephane Brize)
Marguerite and Julien (Valerie Donzelli)
The Tale of Tales (Matteo Garrone)
Carol (Todd Haynes)
The Assassin (Hou Hsiao Hsien)
Mountains...
Pixar's latest offering Inside Out, the previously-mentioned Mad Max: Fury Road, Woody Allen's Irrational Man and Todd Haynes's Carol have been confirmed for the 11-day festival in the south of France next month.
Amy Winehouse documentary Amy, from Senna director Asif Kapadia, the Michael Fassbender-led Macbeth and Gus Van Sant and Matthew McConaughey's The Sea of Trees are also among the festival highlights.
Natalie Portman's directorial debut A Tale of Love and Darkness will premiere out of competition.
The 68th annual Cannes Film Festival will run from May 13 - May 24. Read the full screening lineup below:
Opening night film
La Tête Haute (Emmanuelle Bercot)
In competition
Dheepan (Jacques Audiard)
A Simple Man (Stephane Brize)
Marguerite and Julien (Valerie Donzelli)
The Tale of Tales (Matteo Garrone)
Carol (Todd Haynes)
The Assassin (Hou Hsiao Hsien)
Mountains...
- 4/16/2015
- Digital Spy
Once again, the world is coming to Cannes and with it some of the more anticipated films of the year. Festival du Cannes President Pierre Lescure and General Delgate (aka Festival Director) Thierry Fremaux revealed this year's main competition and Un Certain Regard slates during a long and rambling press conference early this morning and a number of American auteurs are once again in the mix. Todd Haynes' "Carol" with Cate Blancehtt, Gus Van Sant's "Sea of Trees" with Matthew McConaughey, Woody Allen's "Irrational Man" with Joaquin Phoenix and Emma Stone, Pixar's "Inside Out," Denis Villeneuve's "Sicario" with Emily Blunt and Josh Brolin, Justin Kurzel's "Macbeth" with Marion Cotillard and Michael Fassbender and Natalie Portman's "A Tale of Love and Darkness" are some of the initial highlights from today's announcement that will perk the ears of American audiences. The festival previously announced that George Miller...
- 4/16/2015
- by Gregory Ellwood
- Hitfix
Debut competition titles at cinematography festival unveiled.
Camerimage, the International Film Festival of the Art of Cinematography (Nov 15-22), has revealed the line-up of films screening in three of the festival’s competition sections including Cinematographers’ Debut, Directors’ Debut and Student Etudes.
The entries are:
Cinematographers’ Debut Competition
Duane Hopkins’ Bypass;
UK, 2014; Cinematographer: David Procter
Sidney Lexy Plaut’s Dark Samurai;
Denmark, 2014; Cinematographer: Sidney Lexy Plaut
Zeresenay Berhane Mehari’s Difret;
Ethiopia, USA, 2014; Cinematographer: Monika Lenczewska
Krzysztof Skonieczny’s Hardkor Disko;
Poland, 2014; Cinematographer: Kacper Fertacz
Arild Østin Ommundsen’s It’s Only Make Believe;
Norway, 2013; Cinematographer: Arild Østin Ommundsen
Michael Cody and Amiel Courtin-Wilson’s Ruin;
Australia, 2013; Cinematographer: Ari Wegner
Ester Martin Bergsmark’s Something Must Break;
Sweden, 2014; Cinematographers: Lisabi Fridell and Minka Jakerson
David Pablos’ The Life After;
Mexico, 2013; Cinematographer: José De- La-Torre
Saar Klein’s Things People Do;
USA, 2014; Cinematographer: Matthias Koenigswieser
Jonas Alexander Arnby’s When Animals Dream;
Denmark, 2013; Cinematographer: [link=nm...
Camerimage, the International Film Festival of the Art of Cinematography (Nov 15-22), has revealed the line-up of films screening in three of the festival’s competition sections including Cinematographers’ Debut, Directors’ Debut and Student Etudes.
The entries are:
Cinematographers’ Debut Competition
Duane Hopkins’ Bypass;
UK, 2014; Cinematographer: David Procter
Sidney Lexy Plaut’s Dark Samurai;
Denmark, 2014; Cinematographer: Sidney Lexy Plaut
Zeresenay Berhane Mehari’s Difret;
Ethiopia, USA, 2014; Cinematographer: Monika Lenczewska
Krzysztof Skonieczny’s Hardkor Disko;
Poland, 2014; Cinematographer: Kacper Fertacz
Arild Østin Ommundsen’s It’s Only Make Believe;
Norway, 2013; Cinematographer: Arild Østin Ommundsen
Michael Cody and Amiel Courtin-Wilson’s Ruin;
Australia, 2013; Cinematographer: Ari Wegner
Ester Martin Bergsmark’s Something Must Break;
Sweden, 2014; Cinematographers: Lisabi Fridell and Minka Jakerson
David Pablos’ The Life After;
Mexico, 2013; Cinematographer: José De- La-Torre
Saar Klein’s Things People Do;
USA, 2014; Cinematographer: Matthias Koenigswieser
Jonas Alexander Arnby’s When Animals Dream;
Denmark, 2013; Cinematographer: [link=nm...
- 10/16/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Films includes Juan Andrés Arango’s X-Quinientos and William Vega’s Sal.Scroll down for full list of projects
A total of 14 projects have been selected for the third Europe-Latin America Co-Production Forum, which will run Sept 22-24 during the San Sebastian Film Festival (Sept 19-27).
The films were chosen from a total of 181 projects submitted from 22 countries, including Argentina, Colombia and Sweden.
The projects include Sal, William Vega’s follow-up to Cannes Directors’ Fortnight title La Sirga. It will be produced by Andrea Estrada of Contravia Films with co-producers CineSud Promotion and Bredok Film Production.
The road movie centres on a man who takes a motorbike across Colombia to reach a village where his father was killed. After an accident en route, he does some soul searching while recovering from his injuries.
Another project is X Quinientos, set in Mexico, Canada and Colombia, and featuring three intertwining stories turn on individuals. Produced out of...
A total of 14 projects have been selected for the third Europe-Latin America Co-Production Forum, which will run Sept 22-24 during the San Sebastian Film Festival (Sept 19-27).
The films were chosen from a total of 181 projects submitted from 22 countries, including Argentina, Colombia and Sweden.
The projects include Sal, William Vega’s follow-up to Cannes Directors’ Fortnight title La Sirga. It will be produced by Andrea Estrada of Contravia Films with co-producers CineSud Promotion and Bredok Film Production.
The road movie centres on a man who takes a motorbike across Colombia to reach a village where his father was killed. After an accident en route, he does some soul searching while recovering from his injuries.
Another project is X Quinientos, set in Mexico, Canada and Colombia, and featuring three intertwining stories turn on individuals. Produced out of...
- 8/6/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Strategic Partners, a presentation of the Atlantic Film Festival, has announced the producers selected to participate as part of the inaugural project exchange with Mexico’s Los Cabos International Film Festival and Brazil’s RioContentMarket, in addition to an incredible line-up of producers and projects. As part of a two year spotlight on Latin America, one Mexican producer with a feature film in development and one Brazilian producer with a television project in development have been invited to participate at Strategic Partners 2014, September 11 - 14 in Halifax, Nova Scotia. A Canadian feature film in development will then be selected from this year’s Strategic Partners to participate at Los Cabos International Film Festival, November 11 - 14, 2014. Additionally, a Canadian television project in development looking for Brazilian co-production partners will be chosen to attend RioContentMarket, February 2015. This initiative is sponsored by the Canadian Media Production Association.
Producer and co-founder of the Mexican production company Agrupación Caramelo Cinematografica, April Shannon, has been selected to participate in this year’s Strategic Partners from Los Cabos International Film Festival. Shannon’s impressive career includes working as producer on Bernardo Arellano’s "Between Night and Day" as well as production manager on James Franco’s "The Broken Tower." Shannon recently produced Arellano’s second feature "The Beginning of Time," now in post-production, to be released in late 2014. Shannon will bring the dark thriller "Franco’s Night" to Strategic Partners with production slated for 2015 in Mexico.
Brazilian producer Marcelo Galvão has been selected from RioContentMarket’s esteemed alumni of 2014. Galvão established production company Gatacine in 2001 and has since directed six features including "Farewell," "La Rina and Bellini"and the "Devil." He has won over 50 renowned awards including Best Film at the Gramado Film Festival, Best Director at the Los Angeles Brazilian Film Festival and Best Screenwriter at Paulína Film Festival (Brazil) among many others. Galvão will bring the highly anticipated television miniseries, The Gardener, to this year’s Strategic Partners.
“Ushering in the very first project exchange with producers April Shannon and Marcelo Galvão sets the bar incredibly high and truly complements the illustrious roster of delegates we will have at this year’s events,” says Strategic Partners Director, Laura Mackenzie. “The results couldn’t have been more ideal and I look forward to continuing our newly founded relationships with Los Cabos International Film Festival and RioContentMarket.”
A snapshot of the producers and 108 projects slated for Strategic Partners 2014:
"Prisoner’s Dilemma," (Feature Film, Sci-Fi Noir Thriller): Rebecca Knapp, The Content Providers/Dark Engine (UK), Director: Mark Anthony Galluzzo (RSVP), Attached: Lynn Collins ("X-Men Origins: Wolverine")
"Give Me Your Hand" (Feature Film, Romantic Comedy): Mariela Besuievsky, Tornasol Films (Spain), Director: Maria de Medeiros ("April Captains", "Je t’aime, moi non plus"), screenplay by Alicia Luna and Maria de Medicos
"Las Elegidas," (Feature Film, Drama): Marta Núñez Puerto, Canana (Mx), Director: David Pablos, ("The Life After")
"Dreamland,"(Feature Film, Fantasy): Amber Ripley, Foundation Features (Cad), Director: Bruce McDonald ("The Tracey Fragments," "Pontypool"), Attached: Stephen McHattie ("Watchmen," "300")
"Buzz Me," (Feature Film, Comedy): Raj Panikkar, Fifth Ground Entertainment (Cad), Director: Ken Girotti ("Vikings," "Orphan Black")
"A Prayer Before Dawn," (Feature Film, Action): Sol Papadopoulos, Roy Boulter, Hurricane Films (UK), Attached: Charlie Hunnam (Sons of Anarchy)
"The Sandman" (Feature Film, Horror): Daniela Tully, Shivertown Road (USA/Germany), Director: Dario Argento ("Philomena," "Opera"), Attached: Iggy Pop ("Trainspotting")
"The Portal," (TV Fiction, Fantasy): Andrew Nicholas McCann Smith, First Love Films (Canada). Director: Jonathan Williams ("The Portal"), Attached: Tahmoh Penikett (Battlestar Galactica, Bomb Girls, Supernatural), Erin Karpluk (Being Erica)
"Are We A Bus" (TV Fiction, Comedy Drama): Mark Montefiore, New Metric Media (Canada), Show-runner: Daegan Fryklind (Bitten)
"Orovida" (TV Fiction, Romance): Mariela Besuievsky, Tornasol Films (Spain) - based on the novel by Yael Guiladi (portraying a passionate story of forbidden love at a time when an interracial liaison could result in death)
"Guardian Council" (TV Fiction, Procedural Drama): Carlos Andrade, Visom Digital (Brazil). Director: Rudi Lagemann ("Angels of The Sun")
A stellar line-up of some of the world’s most influential production companies will descend upon Halifax this fall including:
Sepia Films ("A Shine of Rainbows") - Canada
Blue Ice Pictures ("Nebraska") - Canada
Sienna Films ("Titanic") - Canada
Amaze Film + TV ("Call Me Fitz") - Canada
10x2y inc. ("The Samaritan") - Canada
Alazraki Entertainment ("Nosotros Los Nobles") - Mexico
Axman Productions ("Corn Island") - Czech Republic
Easy There Tiger ("Julie & Juila") - USA
Pampa Films ("The Games Maker") - Argentina
Utopia Group ("The Dead Man and Being Happy") - Argentina
Sikhya Entertainment ("The Lunchbox") - India
Each year, top Canadian and international industry players, including producers, investors, sales agents, funding agencies, broadcasters and distributors are selected to attend Strategic Partners. Offering over 1,000 pre-scheduled 1-2-1 meetings, co-production focused roundtable sessions, cutting edge panels, visionary keynote speakers, and screenings and receptions – Strategic Partners is a convergence of talent and innovation, producing tangible results.
For program updates and information on all things co-production, you can now follow the newly developed Strategic Partners presence on social media:
Twitter: [At]SPcopromarket Facebook: www.facebook.com/atlanticfilmfestivalstrategicpartners Youtube: www.youtube.com/atlanticfilmdotcom
About Strategic Partners: An International Film, Television and Digital Co-Production Market The Atlantic Film Festival’s Strategic Partners is one of the world’s preeminent co-production/co-financing markets focusing on feature film, TV and web based fiction. Strategic Partners offers an intimate, organized forum for projects looking for financing as well as those still at an early stage, looking for the right partner.
Over the past 17 years, Strategic Partners has established itself not only as a one of a kind co-production market, but also as a cutting edge, intimate environment that delivers solutions to existing and foreseeable industry challenges. The intelligence and program offered at Strategic Partners is developed over many months of research into current global issues. However, this information is only a complement to Strategic Partners’ primary function – to build, establish and nurture relationships between producers and their partners. Strategic Partners is a part of the Atlantic Film Festival family of programs. Today’s Atlantic Film Festival is now a year-round celebration, growing beyond our eight-day cornerstone event in September to include: ViewFinders: Atlantic Film Festival for Youth, the Aff Outdoor Film Experience, and Strategic Partners. Learn more Here...
Producer and co-founder of the Mexican production company Agrupación Caramelo Cinematografica, April Shannon, has been selected to participate in this year’s Strategic Partners from Los Cabos International Film Festival. Shannon’s impressive career includes working as producer on Bernardo Arellano’s "Between Night and Day" as well as production manager on James Franco’s "The Broken Tower." Shannon recently produced Arellano’s second feature "The Beginning of Time," now in post-production, to be released in late 2014. Shannon will bring the dark thriller "Franco’s Night" to Strategic Partners with production slated for 2015 in Mexico.
Brazilian producer Marcelo Galvão has been selected from RioContentMarket’s esteemed alumni of 2014. Galvão established production company Gatacine in 2001 and has since directed six features including "Farewell," "La Rina and Bellini"and the "Devil." He has won over 50 renowned awards including Best Film at the Gramado Film Festival, Best Director at the Los Angeles Brazilian Film Festival and Best Screenwriter at Paulína Film Festival (Brazil) among many others. Galvão will bring the highly anticipated television miniseries, The Gardener, to this year’s Strategic Partners.
“Ushering in the very first project exchange with producers April Shannon and Marcelo Galvão sets the bar incredibly high and truly complements the illustrious roster of delegates we will have at this year’s events,” says Strategic Partners Director, Laura Mackenzie. “The results couldn’t have been more ideal and I look forward to continuing our newly founded relationships with Los Cabos International Film Festival and RioContentMarket.”
A snapshot of the producers and 108 projects slated for Strategic Partners 2014:
"Prisoner’s Dilemma," (Feature Film, Sci-Fi Noir Thriller): Rebecca Knapp, The Content Providers/Dark Engine (UK), Director: Mark Anthony Galluzzo (RSVP), Attached: Lynn Collins ("X-Men Origins: Wolverine")
"Give Me Your Hand" (Feature Film, Romantic Comedy): Mariela Besuievsky, Tornasol Films (Spain), Director: Maria de Medeiros ("April Captains", "Je t’aime, moi non plus"), screenplay by Alicia Luna and Maria de Medicos
"Las Elegidas," (Feature Film, Drama): Marta Núñez Puerto, Canana (Mx), Director: David Pablos, ("The Life After")
"Dreamland,"(Feature Film, Fantasy): Amber Ripley, Foundation Features (Cad), Director: Bruce McDonald ("The Tracey Fragments," "Pontypool"), Attached: Stephen McHattie ("Watchmen," "300")
"Buzz Me," (Feature Film, Comedy): Raj Panikkar, Fifth Ground Entertainment (Cad), Director: Ken Girotti ("Vikings," "Orphan Black")
"A Prayer Before Dawn," (Feature Film, Action): Sol Papadopoulos, Roy Boulter, Hurricane Films (UK), Attached: Charlie Hunnam (Sons of Anarchy)
"The Sandman" (Feature Film, Horror): Daniela Tully, Shivertown Road (USA/Germany), Director: Dario Argento ("Philomena," "Opera"), Attached: Iggy Pop ("Trainspotting")
"The Portal," (TV Fiction, Fantasy): Andrew Nicholas McCann Smith, First Love Films (Canada). Director: Jonathan Williams ("The Portal"), Attached: Tahmoh Penikett (Battlestar Galactica, Bomb Girls, Supernatural), Erin Karpluk (Being Erica)
"Are We A Bus" (TV Fiction, Comedy Drama): Mark Montefiore, New Metric Media (Canada), Show-runner: Daegan Fryklind (Bitten)
"Orovida" (TV Fiction, Romance): Mariela Besuievsky, Tornasol Films (Spain) - based on the novel by Yael Guiladi (portraying a passionate story of forbidden love at a time when an interracial liaison could result in death)
"Guardian Council" (TV Fiction, Procedural Drama): Carlos Andrade, Visom Digital (Brazil). Director: Rudi Lagemann ("Angels of The Sun")
A stellar line-up of some of the world’s most influential production companies will descend upon Halifax this fall including:
Sepia Films ("A Shine of Rainbows") - Canada
Blue Ice Pictures ("Nebraska") - Canada
Sienna Films ("Titanic") - Canada
Amaze Film + TV ("Call Me Fitz") - Canada
10x2y inc. ("The Samaritan") - Canada
Alazraki Entertainment ("Nosotros Los Nobles") - Mexico
Axman Productions ("Corn Island") - Czech Republic
Easy There Tiger ("Julie & Juila") - USA
Pampa Films ("The Games Maker") - Argentina
Utopia Group ("The Dead Man and Being Happy") - Argentina
Sikhya Entertainment ("The Lunchbox") - India
Each year, top Canadian and international industry players, including producers, investors, sales agents, funding agencies, broadcasters and distributors are selected to attend Strategic Partners. Offering over 1,000 pre-scheduled 1-2-1 meetings, co-production focused roundtable sessions, cutting edge panels, visionary keynote speakers, and screenings and receptions – Strategic Partners is a convergence of talent and innovation, producing tangible results.
For program updates and information on all things co-production, you can now follow the newly developed Strategic Partners presence on social media:
Twitter: [At]SPcopromarket Facebook: www.facebook.com/atlanticfilmfestivalstrategicpartners Youtube: www.youtube.com/atlanticfilmdotcom
About Strategic Partners: An International Film, Television and Digital Co-Production Market The Atlantic Film Festival’s Strategic Partners is one of the world’s preeminent co-production/co-financing markets focusing on feature film, TV and web based fiction. Strategic Partners offers an intimate, organized forum for projects looking for financing as well as those still at an early stage, looking for the right partner.
Over the past 17 years, Strategic Partners has established itself not only as a one of a kind co-production market, but also as a cutting edge, intimate environment that delivers solutions to existing and foreseeable industry challenges. The intelligence and program offered at Strategic Partners is developed over many months of research into current global issues. However, this information is only a complement to Strategic Partners’ primary function – to build, establish and nurture relationships between producers and their partners. Strategic Partners is a part of the Atlantic Film Festival family of programs. Today’s Atlantic Film Festival is now a year-round celebration, growing beyond our eight-day cornerstone event in September to include: ViewFinders: Atlantic Film Festival for Youth, the Aff Outdoor Film Experience, and Strategic Partners. Learn more Here...
- 8/4/2014
- by Sydney Levine
- Sydney's Buzz
Chloé Robichaud’s Sarah Prefers To Run prevailed in the $15,000 Los Cabos Competition section as the second Baja International Film Festival came to a conclusion in Los Cabos, Mexico.
Over the course of four days the festival presented 35 films, of which six were world premieres, 14 were Mexican premieres and one was a Latin American premiere.
The municipality of Los Cabos hosted more than 80 producers and representatives from Mexico, the Us and Canada, as well as the UK, Chile, Colombia, Spain, France, Germany, Mexico, Switzerland, Argentina and Brazil.
Mexican star Gael Garcia Bernal was the subject of a career tribute and Carlos Reygadas, Amat Escalante, Jaime Romandia and Peter Greenaway attended a celebration marking the 15th anniversary of production company Mantarraya Producciones.
The festival ran from November 13-16 and closed with a screening of Oscar contender Dallas Buyers Club and the awards ceremony.
Sarah Prefers To Run (pictured) won the Los Cabos Competition section and a $15,000 prize. [link...
Over the course of four days the festival presented 35 films, of which six were world premieres, 14 were Mexican premieres and one was a Latin American premiere.
The municipality of Los Cabos hosted more than 80 producers and representatives from Mexico, the Us and Canada, as well as the UK, Chile, Colombia, Spain, France, Germany, Mexico, Switzerland, Argentina and Brazil.
Mexican star Gael Garcia Bernal was the subject of a career tribute and Carlos Reygadas, Amat Escalante, Jaime Romandia and Peter Greenaway attended a celebration marking the 15th anniversary of production company Mantarraya Producciones.
The festival ran from November 13-16 and closed with a screening of Oscar contender Dallas Buyers Club and the awards ceremony.
Sarah Prefers To Run (pictured) won the Los Cabos Competition section and a $15,000 prize. [link...
- 11/19/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
All three of the early-morning programs (which at the 11th Festival Internacional de Morelia means 11 a.m.) are starred, meaning there's no English translation available. Which also means that I won't be able to see two films I was looking forward to catching up with, Ritesh Batra's "The Lunchbox," and Tudor Giugiu's "Of Snails and Men." Today there's an intriguing film from 1943 called "La vida inutil de Pito Perez;" a program of short prize-winning films from previous years of the Festival; and a presentation of three documentaries by Canal 22 (Channel 22), the television station of the National Council for Culture and the Arts of the Government of Mexico. But thanks to the 3 1/2 conversation from Mexico City to Morelia that I shared with filmmaker David Pablos, I have a dog in the hunt. Two of the three documentaries are from a series, 20 y + por el arte, of 20 half-hour films that he's...
- 10/23/2013
- by Meredith Brody
- Thompson on Hollywood
Organisers at the Rio Film Festival have brought in an extra 11 titles ahead of the September 26 opening night gala screening of Thierry Ragobert’s Amazonia 3D.
The late arrivals include Gianfranco Rosi’s fresh Venice Golden Lion winner Sacro Gra as well as Steven Soderbergh’s Behind The Candelabra, Shane Salerno’s Salinger and Kim Ki-duck’s Moebius.
Rounding out the additions are Greg Mottola’s Clear History, Nimrod Antal’s Metallica Through The Never, Hong Sangsoo’s Our Sunhi, Bruce Labruce’s Gerontophilia, Catherine Breillat’s Abuse Of Weakness, Shinji Aoyama’s Backwater and John Maloof and Charlie Siskel’s Finding Vivian Maier.
Festival top brass also announced the full line-up of films in the Latin Première and Environment sections.
The Latin Première selection will present 21 features, of which five will be Latin American premieres. All films in the section are eligible for the Fipresci Best Latin American Film award.
Latin PremièreIl...
The late arrivals include Gianfranco Rosi’s fresh Venice Golden Lion winner Sacro Gra as well as Steven Soderbergh’s Behind The Candelabra, Shane Salerno’s Salinger and Kim Ki-duck’s Moebius.
Rounding out the additions are Greg Mottola’s Clear History, Nimrod Antal’s Metallica Through The Never, Hong Sangsoo’s Our Sunhi, Bruce Labruce’s Gerontophilia, Catherine Breillat’s Abuse Of Weakness, Shinji Aoyama’s Backwater and John Maloof and Charlie Siskel’s Finding Vivian Maier.
Festival top brass also announced the full line-up of films in the Latin Première and Environment sections.
The Latin Première selection will present 21 features, of which five will be Latin American premieres. All films in the section are eligible for the Fipresci Best Latin American Film award.
Latin PremièreIl...
- 9/18/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Organisers at the Festival do Rio, the Rio Film Festival, have brought in an extra 11 titles ahead of the September 26 opening night gala screening of Thierry Ragobert’s France-Brazil co-production Amazonia 3D.
The late arrivals include Gianfranco Rosi’s fresh Venice Golden Lion winner Sacro Gra as well as Steven Soderbergh’s Behind The Candelabra, Shane Salerno’s Salinger and Kim Ki-duck’s Moebius.
Rounding out the additions are Greg Mottola’s Clear History, Nimrod Antal’s Metallica Through The Never, Hong Sangsoo’s Our Sunhi, Bruce Labruce’s Gerontophilia, Catherine Breillat’s Abuse Of Weakness, Shinji Aoyama’s Backwater and John Maloof and Charlie Siskel’s Finding Vivian Maier.
Festival top brass also announced the full line-up of films in the Latin Première and Environment sections.
The Latin Première selection will present 21 features, of which five will be Latin American premieres. All films in the section are eligible for the Fipresci Best Latin American Film award...
The late arrivals include Gianfranco Rosi’s fresh Venice Golden Lion winner Sacro Gra as well as Steven Soderbergh’s Behind The Candelabra, Shane Salerno’s Salinger and Kim Ki-duck’s Moebius.
Rounding out the additions are Greg Mottola’s Clear History, Nimrod Antal’s Metallica Through The Never, Hong Sangsoo’s Our Sunhi, Bruce Labruce’s Gerontophilia, Catherine Breillat’s Abuse Of Weakness, Shinji Aoyama’s Backwater and John Maloof and Charlie Siskel’s Finding Vivian Maier.
Festival top brass also announced the full line-up of films in the Latin Première and Environment sections.
The Latin Première selection will present 21 features, of which five will be Latin American premieres. All films in the section are eligible for the Fipresci Best Latin American Film award...
- 9/18/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
I’ve yet to find myself on the Lido (at the top of my bucket list choices for film festivals I’ve yet to visit) but thanks to some forward-thinking folks such as the Festival Scope folks, the Venice Film Festival is coming directly to our living rooms, laptops and whatnot Live.
An experiment that began last year and in its sophomore edition has blossomed into a well-oiled virtual event, each film (see list) below will hold a maximum “seating capacity” of 500 virtual places/seat holders for world cinephiles (read the full description of the service). Among the dozen or so films from the Orizzonti section and a selected trio films from the new Biennale College are the make-up of Web Theatre programme and to help promote the event, we’re holding a contest – five lucky readers will get to watch Pavilion‘s Tim Sutton’s (an Ioncinephile of the...
An experiment that began last year and in its sophomore edition has blossomed into a well-oiled virtual event, each film (see list) below will hold a maximum “seating capacity” of 500 virtual places/seat holders for world cinephiles (read the full description of the service). Among the dozen or so films from the Orizzonti section and a selected trio films from the new Biennale College are the make-up of Web Theatre programme and to help promote the event, we’re holding a contest – five lucky readers will get to watch Pavilion‘s Tim Sutton’s (an Ioncinephile of the...
- 8/28/2013
- by Eric Lavallee
- IONCINEMA.com
With the rise of the encroaching Toronto, the domestic competition offered by Rome and a hugely successful Cannes this year, the 70th Venice Film Festival - which begins on 28 August - is facing some pretty stiff competition. The lineup, however, is on the face of it relatively low-key, though there are some very interesting possibilities and potential surprises. Regular attendee George Clooney opens proceedings with Alfonso Cuarón's Gravity, whilst in the main competition lie a mix of old hands - Errol Morris with his Donald Rumsfeld documentary, Hayao Miyazaki's last fable - along with fresh talents such as Kelly Reichardt (Night Moves) and Jonathan Glazer (with his Birth follow-up, Under the Skin).
Terry Gilliam also returns after an elongated absence, his The Zero Theorem starring Christoph Waltz as a hacker searching for the meaning of existence. The film hopefully marks a return to form for a filmmaker who...
Terry Gilliam also returns after an elongated absence, his The Zero Theorem starring Christoph Waltz as a hacker searching for the meaning of existence. The film hopefully marks a return to form for a filmmaker who...
- 8/28/2013
- by CineVue UK
- CineVue
Digital tickets have gone on sale for Venice Film Festival titles that will stream online concurrently with official screenings.
A total of 12 films from the Orizzonti section and three films from the new Biennale College – Cinema will make up the programme of the Web Theatre, introduced last year as an experiment.
The films will be available for viewing around the world, streaming concurrently with the official screenings on the Lido (Aug 28 - Sept 7).
There will be a maximum “seating capacity” for each showing of 500 seats. There will be one screening only for each of the films and it will be located on a secure site managed by Festival Scope on behalf of the Venice Film Festival.
Starting this year, Mymovies.it will also collaborate in the promotion.
In order to view the film of choice, users must first register on the Biennale website, pay for the ticket (€4), after which they will receive a personal link that will...
A total of 12 films from the Orizzonti section and three films from the new Biennale College – Cinema will make up the programme of the Web Theatre, introduced last year as an experiment.
The films will be available for viewing around the world, streaming concurrently with the official screenings on the Lido (Aug 28 - Sept 7).
There will be a maximum “seating capacity” for each showing of 500 seats. There will be one screening only for each of the films and it will be located on a secure site managed by Festival Scope on behalf of the Venice Film Festival.
Starting this year, Mymovies.it will also collaborate in the promotion.
In order to view the film of choice, users must first register on the Biennale website, pay for the ticket (€4), after which they will receive a personal link that will...
- 8/14/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The Morelia International Film Festival (Ficm) 2013, arguably Mexico's most important, will be celebrated from October 18 to 27. The first big announcement of the festival has just been made, with the official selection of Mexican films. There are four different categories in the Mexico section: feature length film, documentary, short film and films from Michoacán. Eleven feature length movies will be presented, including the works of such directors as Fernando Eimbcke (known for Duck Season), Michel Franco (director of After Lucia), Diego Quemada-Diez (his film was also part of Cannes 2013) and David Pablos (an emerging filmmaker from the Ccc). This is the main Mexican official selection: Mexican Feature Length Film A los Ojos, by Michel and Victoria Franco Club Sándwich, by Fernando Eimbcke Las Horas Muertas, by Aarón...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 8/10/2013
- Screen Anarchy
The Venice International Film Festival has announced the lineup for its 70th edition.
Official Competition
Es-Stouh (Merzak Allouache, Algeria/France)
L'Intrepido (Gianna Amelio, Italy)
Miss Violence (Alexandros Avranas, Greece)
Via Castellana Bandiera (Emma Dante, Italy/Switzerland/France)
Tom à la ferme (Xavier Dolan, Canada/France)
Child of God (James Franco, USA)
Philomena (Stephen Frears, UK)
La Jalousie (Philippe Garrel, France)
The Zero Theorem (Terry Gilliam, UK/USA)
Ana Arabia (Amos Gitai, Israel/France)
Under the Skin (Jonathan Glazer, UK/USA)
Joe (David Gordon Green, USA)
The Police Officer's Wife (Philip Gröning, Germany)
Parkland (Peter Landesman, USA)
The Wind Rises (Hayao Miyazaki, Japan)
The Unknown Known: The Life and Times of Donald Rumsfeld (Errol Morris, USA)
Night Moves (Kelly Reichardt, USA)
Sacro Gra (Gianfranco Rosi, Italy)
Stray Dogs (Tsai Ming-liang, Chinese Taipei/France)
Out Of Competition
Space Pirate Captain Harlock (Shinji Aramaki, Japan)
Gravity (Alfonso Cuarón, USA)
Summer '82 — When Zappa Came to Siciliy (Salvo Cuccia,...
Official Competition
Es-Stouh (Merzak Allouache, Algeria/France)
L'Intrepido (Gianna Amelio, Italy)
Miss Violence (Alexandros Avranas, Greece)
Via Castellana Bandiera (Emma Dante, Italy/Switzerland/France)
Tom à la ferme (Xavier Dolan, Canada/France)
Child of God (James Franco, USA)
Philomena (Stephen Frears, UK)
La Jalousie (Philippe Garrel, France)
The Zero Theorem (Terry Gilliam, UK/USA)
Ana Arabia (Amos Gitai, Israel/France)
Under the Skin (Jonathan Glazer, UK/USA)
Joe (David Gordon Green, USA)
The Police Officer's Wife (Philip Gröning, Germany)
Parkland (Peter Landesman, USA)
The Wind Rises (Hayao Miyazaki, Japan)
The Unknown Known: The Life and Times of Donald Rumsfeld (Errol Morris, USA)
Night Moves (Kelly Reichardt, USA)
Sacro Gra (Gianfranco Rosi, Italy)
Stray Dogs (Tsai Ming-liang, Chinese Taipei/France)
Out Of Competition
Space Pirate Captain Harlock (Shinji Aramaki, Japan)
Gravity (Alfonso Cuarón, USA)
Summer '82 — When Zappa Came to Siciliy (Salvo Cuccia,...
- 7/26/2013
- by Notebook
- MUBI
Following the announcement that came earlier this week, launching yet another hugely impressive line-up at the 2013 Toronto International Film Festival, the respective line-up has now been announced for what is in some ways its European counterpart, the 2013 Venice Film Festival.
The announcement shows that the two will continue to have a number of films overlapping, including Alfonso Cuarón’s Gravity (the Opening Night Film in Venice), Peter Landesman’s Parkland, Stephen Frears’ Philomena, and more. But it also brings with its news of where a number of films will be making their debut, including Terry Gilliam’s The Zero Theorem; the latest film from Hayao Miyazaki, The Wind Rises; James Franco’s Child of God; Lee Sang-il’s Yurusarezaru Mono, the Japanese remake of Unforgiven; and Steven Knight’s Locke, led by Tom Hardy, and shot in one take.
In Competition
Es-Stouh – Merzak Alloucache (Algeria, France, 94’) L’Intrepido – Gianni Amelio (Italy,...
The announcement shows that the two will continue to have a number of films overlapping, including Alfonso Cuarón’s Gravity (the Opening Night Film in Venice), Peter Landesman’s Parkland, Stephen Frears’ Philomena, and more. But it also brings with its news of where a number of films will be making their debut, including Terry Gilliam’s The Zero Theorem; the latest film from Hayao Miyazaki, The Wind Rises; James Franco’s Child of God; Lee Sang-il’s Yurusarezaru Mono, the Japanese remake of Unforgiven; and Steven Knight’s Locke, led by Tom Hardy, and shot in one take.
In Competition
Es-Stouh – Merzak Alloucache (Algeria, France, 94’) L’Intrepido – Gianni Amelio (Italy,...
- 7/26/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
The Toronto Film Festival has 12 Years A Slave and Gravity, but the Venice Film Festival does not intend to be outdone. Gravity will open the festival, yes, but Terry Gilliam’s The Zero Theorem will also put in an appearance. Plus there are new films from Stephen Frears, Paul Schrader and James Franco, who brings his Child Of God to play at Venice. Hayao Miyazaki’s latest The Wind Rises will show up at Venice too, after its Japanese tour. Then there are films from Errol Morris, Kelly Reichardt, and Frederick Wiseman. Oh, and the Japanese Unforgiven remake Yurusarezaru mono.
All in all, it’s not a bad line-up for Venice this year. Lots of films that we’ve already heard of and, as usual, a whole slew that we probably haven’t. Festival season is always an exciting time, less for the major works and more for the ones...
All in all, it’s not a bad line-up for Venice this year. Lots of films that we’ve already heard of and, as usual, a whole slew that we probably haven’t. Festival season is always an exciting time, less for the major works and more for the ones...
- 7/25/2013
- by Lauren Humphries-Brooks
- We Got This Covered
The films screened at the 70th Venice film festival – as the programme release is staggered, this will be updated as more information comes in
The 70th Venice film festival runs from 28 August until 7 September
Opening night film
Gravity, Dir: Alfonso Cuaron
Closing night film
Amazonia, Dir: Thierry Ragobert
Competition
Ana Arabia, Dir: Amos Gitai
Child of God, Dir: James Franco
Die Frau des Polizisten (The Police Officer's Wife), Dir: Philip Groning
L'intrepido, Dir: Gianni Amelio
La Jalousie, Dir: Philippe Garrel
Jiaoyou,, Dir: (Stray Dogs), Tsai Ming-liang
Joe, Dir: David Gordon Green
Kaze Tachinu, Dir: Hayao Miyazaki
Miss Violence, Dir: Alexandros Avranas
Night Moves, Dir: Kelly Reichardt
Parkland, Dir: Peter Landesman
Philomena, Dir: Stephen Frears
Sacro Gra, Dir: Gianfranco Rosi
Es-Stouh (The Rooftops), Dir: Merzak Allouache
Tom at the Farm, Dir: Xavier Dolan
Tracks, Dir: John Curran
Under the Skin, Dir: Jonathan Glazer
The Unknown Known: the Life and Times of...
The 70th Venice film festival runs from 28 August until 7 September
Opening night film
Gravity, Dir: Alfonso Cuaron
Closing night film
Amazonia, Dir: Thierry Ragobert
Competition
Ana Arabia, Dir: Amos Gitai
Child of God, Dir: James Franco
Die Frau des Polizisten (The Police Officer's Wife), Dir: Philip Groning
L'intrepido, Dir: Gianni Amelio
La Jalousie, Dir: Philippe Garrel
Jiaoyou,, Dir: (Stray Dogs), Tsai Ming-liang
Joe, Dir: David Gordon Green
Kaze Tachinu, Dir: Hayao Miyazaki
Miss Violence, Dir: Alexandros Avranas
Night Moves, Dir: Kelly Reichardt
Parkland, Dir: Peter Landesman
Philomena, Dir: Stephen Frears
Sacro Gra, Dir: Gianfranco Rosi
Es-Stouh (The Rooftops), Dir: Merzak Allouache
Tom at the Farm, Dir: Xavier Dolan
Tracks, Dir: John Curran
Under the Skin, Dir: Jonathan Glazer
The Unknown Known: the Life and Times of...
- 7/25/2013
- The Guardian - Film News
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