Shô Miyake’s All the Long Nights is a film about small things: decency, kindness, why people help each other out, how those acts can inspire others. The first character we meet is Misa (Mone Kamishiraishi), a sensitive type who suffers from premenstrual syndrome. In the opening scene, this causes Misa to lose her cool at work, and while the situation is smoothed over, she quits out of shame. Leaving the city, she lands a gig in a suburban company, assembling astronomical sets, and meets Takatoshi (Hokuto Matsumura), a young, panic attack-prone man who recently left a job under similar circumstances. After an initial misunderstanding, their orbits align into something that looks like love but never skews romantic.
If that all sounds a bit saccharine, bear with it: in Miyake’s previous film, Small, Slow But Steady, the director took the autobiography of Keiko Ogasawara, a hearing-impaired female boxer, and...
If that all sounds a bit saccharine, bear with it: in Miyake’s previous film, Small, Slow But Steady, the director took the autobiography of Keiko Ogasawara, a hearing-impaired female boxer, and...
- 3/21/2024
- by Rory O'Connor
- The Film Stage
Nobody is broken in Shô Miyake’s films; nobody is quite beyond repair. But over the course of his last few features, the Japanese director has centered characters who are at at least mildly sprained, and trying hard to get by on hope and a homemade splint. In his previous movie, “Small Slow But Steady” — a title that incidentally could be a manifesto for Miyake’s soft, low-key style — a deaf female amateur boxer battled self-doubt and the looming closure of her beloved gym. And his new film, “All the Long Nights” offers a similar kind of balm, this time focusing on a young woman whose major challenge comes from debilitating Pms. It’s an affliction rarely described with this much compassion, when it is mentioned at all outside its regular context as the lazy punchline to a thousand sexist jokes.
Here it is treated with a sensitivity that does...
Here it is treated with a sensitivity that does...
- 3/3/2024
- by Jessica Kiang
- Variety Film + TV
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