Chicago – The art of deadpan humor looks deceptively simple to the untrained eye. It’s fairly easy to say ridiculous things while maintaining a straight face. What separates the amateurs from the professionals is a mastery of timing as well as a keen understanding of a character’s interior life. The best deadpan laughs are the ones that allow an inside peek into the human psyche.
Rating: 2.5/5.0
Tomasz Thomson’s 2010 crime thriller, “Snowman’s Land,” evokes forgotten memories of weak Coen Brothers vehicles like “Intolerable Cruelty” and “The Ladykillers.” There’s plenty of remarkable craft on display but little to stoke an audience’s involvement. The film is so deadpan at times that it barely has a pulse, though cinematographer Ralf M. Mendle provides the viewer with so much hauntingly desolate and gorgeously frostbitten imagery that it nearly redeems the naggingly empty experience.
Read Matt Fagerholm’s full review of...
Rating: 2.5/5.0
Tomasz Thomson’s 2010 crime thriller, “Snowman’s Land,” evokes forgotten memories of weak Coen Brothers vehicles like “Intolerable Cruelty” and “The Ladykillers.” There’s plenty of remarkable craft on display but little to stoke an audience’s involvement. The film is so deadpan at times that it barely has a pulse, though cinematographer Ralf M. Mendle provides the viewer with so much hauntingly desolate and gorgeously frostbitten imagery that it nearly redeems the naggingly empty experience.
Read Matt Fagerholm’s full review of...
- 9/27/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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