Netflix is putting toxic masculinity under the comedy microscope.
The streamer has ordered Maschi Veri, an eight-part comedy series from Italy in which four alpha male friends in their forties find themselves facing their own prejudices and the paradigms of toxic masculinity in a world that is moving towards social and gender equality. Without losing themselves, they are forced to rediscover their place in society and their relationships.
Maurizio Lastrico, Matteo Martari, Francesco Montanari and Pietro Sermonti star as the friends in the show, which is from Banijay’s Italian drama house Groenlandia. Furio Andreotti, Giulia Calenda and Ugo Ripamonti are the writers, with Groenlandia’s Matteo Rovere producing. Matteo Oleotto and Letizia Lamartire are directing.
Thony, Sarah Felberbaum, Laura Adriani, Alice Lupparelli, Corrado Fortuna and Nicole Grimaudo complete the cast. Show is slated for a 2025 launch.
For Netflix, the series is its latest out of Italy that explores contemporary masculinity.
The streamer has ordered Maschi Veri, an eight-part comedy series from Italy in which four alpha male friends in their forties find themselves facing their own prejudices and the paradigms of toxic masculinity in a world that is moving towards social and gender equality. Without losing themselves, they are forced to rediscover their place in society and their relationships.
Maurizio Lastrico, Matteo Martari, Francesco Montanari and Pietro Sermonti star as the friends in the show, which is from Banijay’s Italian drama house Groenlandia. Furio Andreotti, Giulia Calenda and Ugo Ripamonti are the writers, with Groenlandia’s Matteo Rovere producing. Matteo Oleotto and Letizia Lamartire are directing.
Thony, Sarah Felberbaum, Laura Adriani, Alice Lupparelli, Corrado Fortuna and Nicole Grimaudo complete the cast. Show is slated for a 2025 launch.
For Netflix, the series is its latest out of Italy that explores contemporary masculinity.
- 5/29/2024
- by Jesse Whittock
- Deadline Film + TV
Matteo Garrone’s Oscar-nominated drama “Io Capitano,” about the odyssey of two young African men who decide to leave Dakar to reach Europe, and Paola Cortellesi’s feminist dramedy “There’s Still Tomorrow” were both the big winners at Italy’s 69th David di Donatello Awards.
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
- 5/3/2024
- by Nick Vivarelli
- Variety Film + TV
Matteo Garrone’s refugee drama Io Capitano, an Oscar nominee this year for Italy in the best international feature category, was the big winner of this year’s 2024 David Di Donatello Awards, Italy’s equivalent to the Oscars, winning best film and director for Garrone.
Io Capitano also picked up prizes for best cinematography, editing, sound, and visual effects.
Paola Cortellesi’s There’s Still Tomorrow, a black-and-white feminist dramedy that became the top-grossing film in Italy last year, won Cortellesi the Donatello honors for best actress, directorial debut, and original script for the screenplay she co-wrote with Furio Andreotti and Giulia Calenda.
“I want to thank those who gave me the opportunity to write this role as I wanted it,” she said, accepting her actress honor.
Cortellesi’s film, a dramedy about an abused woman in post-wwii Rome that manages to combine serious social drama with situational comedy, sight gags and even a musical number,...
Io Capitano also picked up prizes for best cinematography, editing, sound, and visual effects.
Paola Cortellesi’s There’s Still Tomorrow, a black-and-white feminist dramedy that became the top-grossing film in Italy last year, won Cortellesi the Donatello honors for best actress, directorial debut, and original script for the screenplay she co-wrote with Furio Andreotti and Giulia Calenda.
“I want to thank those who gave me the opportunity to write this role as I wanted it,” she said, accepting her actress honor.
Cortellesi’s film, a dramedy about an abused woman in post-wwii Rome that manages to combine serious social drama with situational comedy, sight gags and even a musical number,...
- 5/3/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Matteo Garrone’s Oscar-nominated drama Io Capitano triumphed in Italy’s David di Donatello film awards on Friday evening, winning best film and best director.
The film about the trials and tribulations of two Senegalese teenagers as they try to make it to Europe via the Sahara desert and the Mediterranean Sea, also won best producer for companies Archimede, Rai cinema, Pathé and Tarantula as well as best sound, special effects, cinematography and editing.
Io Capitano premiered at the Venice Film Festival last September, where it won best director for Garrone and the Marcello Mastroianni Award for Best Young Actor for Seydou Sarr.
The movie went on to enjoy a buzzy awards season, securing a Golden Globe nomination for best non-English language film and an Academy Award nomination for best international film.
“This film tells the stories of those who are not listened to,” said Garrone, on receiving the best director award.
The film about the trials and tribulations of two Senegalese teenagers as they try to make it to Europe via the Sahara desert and the Mediterranean Sea, also won best producer for companies Archimede, Rai cinema, Pathé and Tarantula as well as best sound, special effects, cinematography and editing.
Io Capitano premiered at the Venice Film Festival last September, where it won best director for Garrone and the Marcello Mastroianni Award for Best Young Actor for Seydou Sarr.
The movie went on to enjoy a buzzy awards season, securing a Golden Globe nomination for best non-English language film and an Academy Award nomination for best international film.
“This film tells the stories of those who are not listened to,” said Garrone, on receiving the best director award.
- 5/3/2024
- by Melanie Goodfellow
- Deadline Film + TV
The post-war feminist feature marks the directorial debut of Italian actor Paola Cortellesi.
The highest-grossing film at the Italian box office in 2023 will likely end up being Greta Gerwig’s Barbie. But a local back-and-white feature will lead the way when it comes to admissions.
There’s Still Tomorrow, a post-war feminist drama comedy that marks the directorial debut of popular Italian actress Paola Cortellesi, has taken $34m (€30.9m) since its release by Vision Distribution on October 26 – behind the $35.3m (€32.1m) grossed by Warner Bros tentpole Barbie following its release in July.
But when it comes to admissions, There’s Still Tomorrow...
The highest-grossing film at the Italian box office in 2023 will likely end up being Greta Gerwig’s Barbie. But a local back-and-white feature will lead the way when it comes to admissions.
There’s Still Tomorrow, a post-war feminist drama comedy that marks the directorial debut of popular Italian actress Paola Cortellesi, has taken $34m (€30.9m) since its release by Vision Distribution on October 26 – behind the $35.3m (€32.1m) grossed by Warner Bros tentpole Barbie following its release in July.
But when it comes to admissions, There’s Still Tomorrow...
- 12/22/2023
- by Gabriele Niola
- ScreenDaily
The Rome Film Fest, which is currently underway, is taking movies to screens all over the Eternal City, including jails, housing projects and a suburban park with two enormous ancient aqueducts.
While the event’s 18th edition – the core component of which runs Oct. 18-29 – is drawing record-breaking crowds at the Renzo Piano-designed auditorium, screenings are also taking place in various other venues, including a program of fresh movies and talks being held in local penitentiaries.
On Wednesday, Rome’s opener “There’s Still Tomorrow,” a feminist dramedy that marks the directorial debut of popular Italian actor Paola Cortellesi is playing in the women’s ward of Rome’s maximum security Rebibbia jail with screenwriters Giulia Calenda and Furio Andreotti in tow to introduce the screening. On Thursday, a first work titled “Troppo Azzurro,” about a 25-year-old named Dario who still lives with his parents and frets about his first date,...
While the event’s 18th edition – the core component of which runs Oct. 18-29 – is drawing record-breaking crowds at the Renzo Piano-designed auditorium, screenings are also taking place in various other venues, including a program of fresh movies and talks being held in local penitentiaries.
On Wednesday, Rome’s opener “There’s Still Tomorrow,” a feminist dramedy that marks the directorial debut of popular Italian actor Paola Cortellesi is playing in the women’s ward of Rome’s maximum security Rebibbia jail with screenwriters Giulia Calenda and Furio Andreotti in tow to introduce the screening. On Thursday, a first work titled “Troppo Azzurro,” about a 25-year-old named Dario who still lives with his parents and frets about his first date,...
- 10/24/2023
- by Nick Vivarelli
- Variety Film + TV
Italian actress and screenwriter Paola Cortellesi’s directorial feature debut There’s Still Tomorrow (C’è Ancora Domani) opened the 18th Rome Film Festival on Wednesday evening.
Set in the lead up to Italy’s historic post-World War Two institutional referendum on June 2, 1946, in which women were allowed to vote for the first time, the quirky black-and-white work mixes drama with comedy elements, and a period feel with modern music tracks.
Cortellesi stars as protagonist Delia, a downtrodden Rome housewife run ragged by her violent husband (Valerio Mastandrea) and unruly young sons as she juggles odd jobs in between cooking, cleaning as and caring for her misogynist bedridden father-in-law.
In the backdrop, she frets over what the future holds for her teenage daughter who has fallen for a local boy with a possessive streak.
The feature marks a departure for Cortellesi, who is a household name in Italy, best known as a singer and comic actress,...
Set in the lead up to Italy’s historic post-World War Two institutional referendum on June 2, 1946, in which women were allowed to vote for the first time, the quirky black-and-white work mixes drama with comedy elements, and a period feel with modern music tracks.
Cortellesi stars as protagonist Delia, a downtrodden Rome housewife run ragged by her violent husband (Valerio Mastandrea) and unruly young sons as she juggles odd jobs in between cooking, cleaning as and caring for her misogynist bedridden father-in-law.
In the backdrop, she frets over what the future holds for her teenage daughter who has fallen for a local boy with a possessive streak.
The feature marks a departure for Cortellesi, who is a household name in Italy, best known as a singer and comic actress,...
- 10/18/2023
- by Melanie Goodfellow
- Deadline Film + TV
Comencini’s feature credits include Venice competition titles ’Don’t Tell’ (2005) and ’When The Night’ (2011).
Netflix has added two original features and two scripted series to its Italian slate.
The slate includes the latest film from Italian director and screenwriter Cristina Comencini, whose feature credits include Venice competition titles Don’t Tell (2005) and When The Night (2011). Produced by Palomar, Il Treno Dei Bambini, is based on the book by Viola Ardone and is billed as a journey through the misery but also the generosity witnessed in postwar Italy, as seen through the eyes of a child torn between two mothers.
The feature is written by Furio Andreotti,...
Netflix has added two original features and two scripted series to its Italian slate.
The slate includes the latest film from Italian director and screenwriter Cristina Comencini, whose feature credits include Venice competition titles Don’t Tell (2005) and When The Night (2011). Produced by Palomar, Il Treno Dei Bambini, is based on the book by Viola Ardone and is billed as a journey through the misery but also the generosity witnessed in postwar Italy, as seen through the eyes of a child torn between two mothers.
The feature is written by Furio Andreotti,...
- 9/19/2023
- by Tim Dams
- ScreenDaily
Netflix’s next Italian originals will be pairs of series and feature films from the likes of Stefano Mordini, Alessandro Genovesi and Cristina Comencini.
The projects were unveiled at a See What’s Next event in Rome today, in front of several stars, directors and stars.
Tinny Andreatta, Vice President of Italian Content at Netflix, said the orders showed the streamer remains “committed to our investment in Italy and Italian stories with conviction, continuing our long-term commitment to the country and its creative community.” Netflix opened an Italian office in May last year.
Namely, pics are Cristina Comencini’s Il Treno dei Bambini and Fabbricante di Lacrime from director Alessandro Genovesi. TV shows comprise Storia della mia Famiglia and Adorazione.
Il Treno dei Bambini is based on Viola Ardone’s bestselling novel pf the same name and is billed as as an “epic and poignant film” set in post-war Italy...
The projects were unveiled at a See What’s Next event in Rome today, in front of several stars, directors and stars.
Tinny Andreatta, Vice President of Italian Content at Netflix, said the orders showed the streamer remains “committed to our investment in Italy and Italian stories with conviction, continuing our long-term commitment to the country and its creative community.” Netflix opened an Italian office in May last year.
Namely, pics are Cristina Comencini’s Il Treno dei Bambini and Fabbricante di Lacrime from director Alessandro Genovesi. TV shows comprise Storia della mia Famiglia and Adorazione.
Il Treno dei Bambini is based on Viola Ardone’s bestselling novel pf the same name and is billed as as an “epic and poignant film” set in post-war Italy...
- 9/19/2023
- by Jesse Whittock
- Deadline Film + TV
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