Two animated children’s projects and two live-action series will share in $3.2 million of production funding from Screen Australia.
Northern Pictures’ Tom Weekly Versus… and Werner Film Productions’ Surviving Summer are being made for ViacomCBS and Netflix, respectively, while animation offerings 100% Wolf: The Book of Hath from Flying Bark Productions and Kangaroo Beach Summer Special from Cheeky Little Media will both appear on the ABC.
Screen Australia’s head of content Sally Caplan said the funding reflected Screen Australia’s commitment to supporting quality Australian screen stories for young audiences.
“It’s important that Australian kids can see their stories and experiences reflected on screen and families around the country will be in for a treat with these new projects,” she said.
“Northern Pictures are going from strength to strength – building on the success of Hardball, they are now set to bring popular book series Tom Weekly to the screen.
Northern Pictures’ Tom Weekly Versus… and Werner Film Productions’ Surviving Summer are being made for ViacomCBS and Netflix, respectively, while animation offerings 100% Wolf: The Book of Hath from Flying Bark Productions and Kangaroo Beach Summer Special from Cheeky Little Media will both appear on the ABC.
Screen Australia’s head of content Sally Caplan said the funding reflected Screen Australia’s commitment to supporting quality Australian screen stories for young audiences.
“It’s important that Australian kids can see their stories and experiences reflected on screen and families around the country will be in for a treat with these new projects,” she said.
“Northern Pictures are going from strength to strength – building on the success of Hardball, they are now set to bring popular book series Tom Weekly to the screen.
- 8/20/2021
- by Sean Slatter
- IF.com.au
Production company’s credits include ‘Lion’ and ‘Berlin Syndrome’.
Australian production company Aquarius Films has appointed Miranda Culley as its new managing director and Erica Harrison as head of development.
Culley replaces Rachel Okine, who is leaving the company after 18 months to become the new head of features and development at fast-growing Australian streaming service Stan.
Culley, who joins with immediate effect, has more than 25 years of experience in the industry and was most recently executive producer for arts at the Australian Broadcasting Corporation. She previously worked with Rabbit-Proof Fence director Phillip Noyce for eight years, eventually becoming his Australian producing partner,...
Australian production company Aquarius Films has appointed Miranda Culley as its new managing director and Erica Harrison as head of development.
Culley replaces Rachel Okine, who is leaving the company after 18 months to become the new head of features and development at fast-growing Australian streaming service Stan.
Culley, who joins with immediate effect, has more than 25 years of experience in the industry and was most recently executive producer for arts at the Australian Broadcasting Corporation. She previously worked with Rabbit-Proof Fence director Phillip Noyce for eight years, eventually becoming his Australian producing partner,...
- 7/2/2021
- by Michael Rosser
- ScreenDaily
Female-led independent production company Aquarius Films has hired Miranda Culley as the company’s new MD and Erica Harrison as head of development, with effect from July 1, 2021.
Culley is replacing Rachel Okine who is leaving Aquarius to become the new head of features and development at Australian streaming service, Stan. Culley has 25 years of experience, including eight years working with Phillip Noyce, stints at Sonar Music and Screen Australia. Most recently, Culley was executive producer for arts at the Australian Broadcasting Corporation.
An experienced development executive, Harrison was previously scripted development manager at Fremantle Media. She has writing credits including short “A Cautionary tail,” three season of Netflix’s “Beat Bugs,” two seasons of the Netflix original “Motown Magic” and “The Unboxing” the first scripted comedy series commissioned by Facebook Watch outside the U.S.
The company’s current slate incudes: TV series “Fight Like a Girl”; feature film “Most...
Culley is replacing Rachel Okine who is leaving Aquarius to become the new head of features and development at Australian streaming service, Stan. Culley has 25 years of experience, including eight years working with Phillip Noyce, stints at Sonar Music and Screen Australia. Most recently, Culley was executive producer for arts at the Australian Broadcasting Corporation.
An experienced development executive, Harrison was previously scripted development manager at Fremantle Media. She has writing credits including short “A Cautionary tail,” three season of Netflix’s “Beat Bugs,” two seasons of the Netflix original “Motown Magic” and “The Unboxing” the first scripted comedy series commissioned by Facebook Watch outside the U.S.
The company’s current slate incudes: TV series “Fight Like a Girl”; feature film “Most...
- 7/1/2021
- by Patrick Frater
- Variety Film + TV
Miranda Culley will be the next managing director of Aquarius Films, succeeding Rachel Okine who is departing the production company to be Stan’s head of features and development executive.
Aquarius has also hired Erica Harrison as head of development, with both roles taking immediate effect. Both will report to Aquarius Films co-founders Angie Fielder and Polly Staniford.
In her role, Culley will be responsible for driving new business opportunities and financing models. With the founders she will strategise the company direction, steer the company through the next stages of growth, and handle strategic partnerships.
The executive brings to the business 25 years of experience working across development, production, financing, commissioning, and policy.
Most recently, Culley worked as executive producer, arts at the ABC. There, she formed creative partnerships with the National Gallery of Australia to raise awareness of Australian women creatives via the #knowmyname campaign, and Madman Entertainment, to promote...
Aquarius has also hired Erica Harrison as head of development, with both roles taking immediate effect. Both will report to Aquarius Films co-founders Angie Fielder and Polly Staniford.
In her role, Culley will be responsible for driving new business opportunities and financing models. With the founders she will strategise the company direction, steer the company through the next stages of growth, and handle strategic partnerships.
The executive brings to the business 25 years of experience working across development, production, financing, commissioning, and policy.
Most recently, Culley worked as executive producer, arts at the ABC. There, she formed creative partnerships with the National Gallery of Australia to raise awareness of Australian women creatives via the #knowmyname campaign, and Madman Entertainment, to promote...
- 6/30/2021
- by Jackie Keast
- IF.com.au
Michael Horrocks.
The staff exodus at Seven West Media’s Seven Studios continues with Michael Horrocks, the executive producer of comedy, confirming he is departing.
Horrocks, who has held the post for two years, created Fam Time, a narrative comedy about a dysfunctional blended family who are addicted to their screens.
Starring Michala Banas, Duncan Fellows and Benson Jack Anthony, the 6 x 30′ show is the Seven Network’s first original sitcom in more than 20 years, since Bullpitt!, and is yet to premiere.
Hayden Guppy directed the series scripted by Erica Harrison and Jack Yabsley and produced by Muffy Potter.
The downsizing at Seven Studios began with news that CEO Therese Hegarty would depart after eight years with the network.
Her role is being abolished and Seven’s director of production Andrew Backwell has taken charge of Seven Studios.
That was followed by the exits of Niki Hamilton, the executive producer...
The staff exodus at Seven West Media’s Seven Studios continues with Michael Horrocks, the executive producer of comedy, confirming he is departing.
Horrocks, who has held the post for two years, created Fam Time, a narrative comedy about a dysfunctional blended family who are addicted to their screens.
Starring Michala Banas, Duncan Fellows and Benson Jack Anthony, the 6 x 30′ show is the Seven Network’s first original sitcom in more than 20 years, since Bullpitt!, and is yet to premiere.
Hayden Guppy directed the series scripted by Erica Harrison and Jack Yabsley and produced by Muffy Potter.
The downsizing at Seven Studios began with news that CEO Therese Hegarty would depart after eight years with the network.
Her role is being abolished and Seven’s director of production Andrew Backwell has taken charge of Seven Studios.
That was followed by the exits of Niki Hamilton, the executive producer...
- 6/14/2020
- by The IF Team
- IF.com.au
Erik Thomson (Photo: Alex Vaughan).
In a perfect world Erik Thomson would have just wrapped filming of Amazon Prime’s Back to the Rafters and have started pre-production on the ABC dramedy Yes, Chef!
Stateless star Fayssal Bazzi would be preparing to go to the Us to meet with agents and producers and looking forward to the May release of Paul Ireland’s Measure or Measure, in which he co-stars with Hugo Weaving.
After roles in Amazon Studios’ historical drama The Underground Railroad and the BBC and Netflix serial-killer drama The Serpent, Damon Herriman was set to star in a film in New Zealand.
Roz Hammond was getting ready to perform alongside Lachy Hulme in director Tyran Parke’s stage adaptation of Ken Kesey’s novel One Flew Over the Cuckoo’s Nest at Her Majesty’s in May.
All of that is now on hold, of course, curtailed by the Covid-19 crisis.
In a perfect world Erik Thomson would have just wrapped filming of Amazon Prime’s Back to the Rafters and have started pre-production on the ABC dramedy Yes, Chef!
Stateless star Fayssal Bazzi would be preparing to go to the Us to meet with agents and producers and looking forward to the May release of Paul Ireland’s Measure or Measure, in which he co-stars with Hugo Weaving.
After roles in Amazon Studios’ historical drama The Underground Railroad and the BBC and Netflix serial-killer drama The Serpent, Damon Herriman was set to star in a film in New Zealand.
Roz Hammond was getting ready to perform alongside Lachy Hulme in director Tyran Parke’s stage adaptation of Ken Kesey’s novel One Flew Over the Cuckoo’s Nest at Her Majesty’s in May.
All of that is now on hold, of course, curtailed by the Covid-19 crisis.
- 3/30/2020
- by The IF Team
- IF.com.au
‘The Unboxing’.
There’s a guiding philosophy that’s successfully steered much of Hannah Lehmann’s career so far: When people are spending so much time on their phones and social media anyway, why not give them interesting content to watch via their apps?
Lehmann’s short-form work has garnered millions of views, with the Sydney filmmaker first grabbing industry attention after she distributed her 13 x one minute drama series The Out There via Instagram back in 2016. That led to her getting signed with Gersh Agency and Pathfinder in the Us and a Snapchat Original commission in Two Sides, premiering last year. Screen Australia also recently sent Lehmann to La as part of its Talent USA delegation, recognising her as an up-and-coming talent.
Two Sides, which she created, wrote and directed follows a teenage couple navigating a modern-day breakup in a split-screen format, showing both characters’ point of view of the breakup simultaneously.
There’s a guiding philosophy that’s successfully steered much of Hannah Lehmann’s career so far: When people are spending so much time on their phones and social media anyway, why not give them interesting content to watch via their apps?
Lehmann’s short-form work has garnered millions of views, with the Sydney filmmaker first grabbing industry attention after she distributed her 13 x one minute drama series The Out There via Instagram back in 2016. That led to her getting signed with Gersh Agency and Pathfinder in the Us and a Snapchat Original commission in Two Sides, premiering last year. Screen Australia also recently sent Lehmann to La as part of its Talent USA delegation, recognising her as an up-and-coming talent.
Two Sides, which she created, wrote and directed follows a teenage couple navigating a modern-day breakup in a split-screen format, showing both characters’ point of view of the breakup simultaneously.
- 1/20/2020
- by jkeast
- IF.com.au
Duncan Fellows and Alison Bell.
Fans of ABC TV’s The Letdown who enjoy watching Duncan Fellows as Jeremy, partner and foil of Alison Bell’s oft-stressed Audrey, can look forward to his next series Fam Time.
Fellows is playing John, aka ‘Handy Andy’, second husband of Michala Banas’ Belinda Box, matriarch of a dysfunctional blended family in the Seven Studios’ narrative comedy.
Created by Michael Horrocks and scripted by Erica Harrison and Jack Yabsley, the sitcom features Benson Jack Anthony as Belinda’s son Rylan, Karina Banno as her step-daughter Tahnee, Chloe De Los Santos as her adopted half-Filipino daughter Cherry, Rhonda Burchmore as grandma Viv and Tainui Tukiwaho as handyman Bill.
While everyone else in the family is obsessed with the online world, Handy Andy prefers fixing and inventing things, although he’s not very good at either.
There are some similarities between the two characters. “Neither is...
Fans of ABC TV’s The Letdown who enjoy watching Duncan Fellows as Jeremy, partner and foil of Alison Bell’s oft-stressed Audrey, can look forward to his next series Fam Time.
Fellows is playing John, aka ‘Handy Andy’, second husband of Michala Banas’ Belinda Box, matriarch of a dysfunctional blended family in the Seven Studios’ narrative comedy.
Created by Michael Horrocks and scripted by Erica Harrison and Jack Yabsley, the sitcom features Benson Jack Anthony as Belinda’s son Rylan, Karina Banno as her step-daughter Tahnee, Chloe De Los Santos as her adopted half-Filipino daughter Cherry, Rhonda Burchmore as grandma Viv and Tainui Tukiwaho as handyman Bill.
While everyone else in the family is obsessed with the online world, Handy Andy prefers fixing and inventing things, although he’s not very good at either.
There are some similarities between the two characters. “Neither is...
- 6/16/2019
- by The IF Team
- IF.com.au
Michala Banas and Benson Jack Anthony.
A dysfunctional blended family who are addicted to their screens is at the heart of Fam Time, Seven Studios’ narrative comedy which is shooting in Sydney.
Hayden Guppy is directing the 6 X 30′ series created by Michael Horrocks, who joined Seven Studios a year ago as executive producer, comedy, with the remit to drive the production division’s expansion into comedy.
It’s the Seven Network’s first narrative comedy in more than 20 years since Bullpitt!, which starred Ross Higgins as Ted Bullpitt, reprising the character he played in the 1980s sitcom Kingswood Country.
Scripted by Erica Harrison and Jack Yabsley, Fam Time stars Michala Banas as the family matriarch Belinda Box. She runs a blog which chronicles her daily adventures as a modern mum with a busy blended family in the digital age.
Duncan Fellows is her second husband John, aka ‘Handy Andy’, an...
A dysfunctional blended family who are addicted to their screens is at the heart of Fam Time, Seven Studios’ narrative comedy which is shooting in Sydney.
Hayden Guppy is directing the 6 X 30′ series created by Michael Horrocks, who joined Seven Studios a year ago as executive producer, comedy, with the remit to drive the production division’s expansion into comedy.
It’s the Seven Network’s first narrative comedy in more than 20 years since Bullpitt!, which starred Ross Higgins as Ted Bullpitt, reprising the character he played in the 1980s sitcom Kingswood Country.
Scripted by Erica Harrison and Jack Yabsley, Fam Time stars Michala Banas as the family matriarch Belinda Box. She runs a blog which chronicles her daily adventures as a modern mum with a busy blended family in the digital age.
Duncan Fellows is her second husband John, aka ‘Handy Andy’, an...
- 6/5/2019
- by The IF Team
- IF.com.au
Marta Dusseldorp.
Fremantle has signed an exclusive development and production partnership with Marta Dusseldorp, with her original ideas and projects to be developed and produced as part of the company’s drama slate.
Fremantle Anz CEO Chris Oliver-Taylor said: “We are incredibly excited that Marta is partnering with us at Fremantle to develop and produce her scripted projects. Marta has a unique and special combination of talent, creativity and foresight which we will embrace at Fremantle. Our scripted team, led by the remarkable Jo Porter, is striving to partner with the very best creatives, of which Marta most certainly is.”
Dusseldorp said: “I have always admired Jo Porter for her story telling intelligence and overwhelming commitment to Australian drama. She is one of the leading producers in the country making smart, unique and daring television. I am thrilled to be collaborating with her and the fabulous scripted team at Fremantle.
Fremantle has signed an exclusive development and production partnership with Marta Dusseldorp, with her original ideas and projects to be developed and produced as part of the company’s drama slate.
Fremantle Anz CEO Chris Oliver-Taylor said: “We are incredibly excited that Marta is partnering with us at Fremantle to develop and produce her scripted projects. Marta has a unique and special combination of talent, creativity and foresight which we will embrace at Fremantle. Our scripted team, led by the remarkable Jo Porter, is striving to partner with the very best creatives, of which Marta most certainly is.”
Dusseldorp said: “I have always admired Jo Porter for her story telling intelligence and overwhelming commitment to Australian drama. She is one of the leading producers in the country making smart, unique and daring television. I am thrilled to be collaborating with her and the fabulous scripted team at Fremantle.
- 11/16/2018
- by jkeast
- IF.com.au
Leading Tvc production house Revolver and former Screen Australia and Goalpost Pictures executive Martha Coleman have launched film and TV production banner Revlover.
The new company is developing a big slate of projects with entities such as Goalpost, Foxtel, eOne and Transmission Films.
Christopher Sharp, former director of development at Screen Queensland and development executive at Screen Australia, is Revlover.s head of development.
Founded in the 1990s and owned by Steve Rogers and Michael Ritchie, Revolver represents Justin Kurzel, The Glue Society.s Matt Devine and Gary Freedman, Rogers, Simon McQuoid, Tim Godsall and a number of other directors with whom Coleman is keen to work.
.Michael and Steve have been wanting to expand into long form film and television for some time but they know that many commercials companies who try to cross over fail because they work outside of the industry, not within it, . says Coleman, a...
The new company is developing a big slate of projects with entities such as Goalpost, Foxtel, eOne and Transmission Films.
Christopher Sharp, former director of development at Screen Queensland and development executive at Screen Australia, is Revlover.s head of development.
Founded in the 1990s and owned by Steve Rogers and Michael Ritchie, Revolver represents Justin Kurzel, The Glue Society.s Matt Devine and Gary Freedman, Rogers, Simon McQuoid, Tim Godsall and a number of other directors with whom Coleman is keen to work.
.Michael and Steve have been wanting to expand into long form film and television for some time but they know that many commercials companies who try to cross over fail because they work outside of the industry, not within it, . says Coleman, a...
- 11/2/2015
- by Don Groves
- IF.com.au
The Sessions writer-director Ben Lewin is attached to helm Blue Rose, a biopic about the self-described .sex crazed. Australian composer and pianist Percy Grainger.
La-based Jeffrey Walker will return to Oz a to direct Dance Academy: The Comeback., a spin-off of Werner Film Productions. popular TV series, which will follow a young ballerina who dreams of being a star.
Following Ruin and Hail, Amiel Courtin-Wilson is to write, produce and direct Hawkwood, a thriller set in the backwaters of Africa which tells of ageing mercenary.s journey from chaos to grace.
These are among 16 feature projects which are receiving more than $620,000 in development funding from Screen Australia.
Lewin will write Blue Rose with Wain Fimeri for producers Chryssy Tintner, Jan Eymann, Judi Levine and Arclight.s Mark Lazarus and Gary Hamilton. His next film is Us indie romantic drama Purple Hearts, which will star Jane the Virgin's Gina Rodriguez...
La-based Jeffrey Walker will return to Oz a to direct Dance Academy: The Comeback., a spin-off of Werner Film Productions. popular TV series, which will follow a young ballerina who dreams of being a star.
Following Ruin and Hail, Amiel Courtin-Wilson is to write, produce and direct Hawkwood, a thriller set in the backwaters of Africa which tells of ageing mercenary.s journey from chaos to grace.
These are among 16 feature projects which are receiving more than $620,000 in development funding from Screen Australia.
Lewin will write Blue Rose with Wain Fimeri for producers Chryssy Tintner, Jan Eymann, Judi Levine and Arclight.s Mark Lazarus and Gary Hamilton. His next film is Us indie romantic drama Purple Hearts, which will star Jane the Virgin's Gina Rodriguez...
- 4/21/2015
- by Don Groves
- IF.com.au
The Great Gatsby dominated. Aacta.s technical and short films awards today, collecting gongs in all six craft categories for which it was nominated, plus the Aacta award for outstanding achievement in visual effects.
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
- 1/28/2014
- by Don Groves
- IF.com.au
Here's the latest Austin film news.
Austin Film Festival announced this year's film awards, which included the inaugural Dark Matters Jury Award, won by writer-director Darren Paul Fisher for Oxv: The Manual. First time writer/director Chris Lowell took home the Narrative Feature Jury Award for his movie Beside Still Waters, and director Christopher Englese won the documentary feature jury prize for Political Bodies.Aff also announced its shorts jury awards. The Aff Young Filmmakers Program Grand Prize was awarded to Imogen Pohl, director of Hb; writer/director Avram Dodson won the Narrative Student Short Jury Prize for Pistachio Milk; the Documentary Shorts Jury Award went to director Jenny van den Broeke for Blinde Liefde; Erica Harrison's A Cautionary Tale took the Animated Shorts award, and Fool's Day, from Cody Blue Snider (Dee Snider's son, interestingly) won the Narrative Shorts award.Austin filmmaker Richard Linklater discusses Before Midnight...
Austin Film Festival announced this year's film awards, which included the inaugural Dark Matters Jury Award, won by writer-director Darren Paul Fisher for Oxv: The Manual. First time writer/director Chris Lowell took home the Narrative Feature Jury Award for his movie Beside Still Waters, and director Christopher Englese won the documentary feature jury prize for Political Bodies.Aff also announced its shorts jury awards. The Aff Young Filmmakers Program Grand Prize was awarded to Imogen Pohl, director of Hb; writer/director Avram Dodson won the Narrative Student Short Jury Prize for Pistachio Milk; the Documentary Shorts Jury Award went to director Jenny van den Broeke for Blinde Liefde; Erica Harrison's A Cautionary Tale took the Animated Shorts award, and Fool's Day, from Cody Blue Snider (Dee Snider's son, interestingly) won the Narrative Shorts award.Austin filmmaker Richard Linklater discusses Before Midnight...
- 10/28/2013
- by Jordan Gass-Poore'
- Slackerwood
Tickets are selling fast for the 46th Annual Awgie Awards, to be held in Melbourne on October 4.
To be hosted by writer, comedian and singer Sammy J, the ceremony will honour the achievements made by Australian writers for performance. The Awgie Awards are the only Australian awards judged solely by writers on the basis of the script . the writer's intention . rather than the finished production.
"The Awgies are the highlight of the year for us and a unique chance to celebrate the oft-unsung but stellar work created by Australian writers of the script," says Awg.s President and Academy Award nominee Jan Sardi..
.It.s a night that really just celebrates the importance of story and storytelling. And that.s what sets us apart from other animals in the end, the ability to tell stories..
Sardi says the slate of nominated work is once again a strong one.
.It.s...
To be hosted by writer, comedian and singer Sammy J, the ceremony will honour the achievements made by Australian writers for performance. The Awgie Awards are the only Australian awards judged solely by writers on the basis of the script . the writer's intention . rather than the finished production.
"The Awgies are the highlight of the year for us and a unique chance to celebrate the oft-unsung but stellar work created by Australian writers of the script," says Awg.s President and Academy Award nominee Jan Sardi..
.It.s a night that really just celebrates the importance of story and storytelling. And that.s what sets us apart from other animals in the end, the ability to tell stories..
Sardi says the slate of nominated work is once again a strong one.
.It.s...
- 10/1/2013
- by Staff Writer
- IF.com.au
It doesn.t seem that long ago that 3D computer animation was more expensive than stop-motion photography. But for director Simon Rippingale, it was the high-cost of stop-motion that led him to use 3D animated characters within his handmade miniature sets for his short film A Cautionary Tail.
Thankfully for Rippingale, the two media types have married up perfectly to give A Cautionary Tail a visually-rich backdrop for its story of loss and rediscovery. Rippingale says the use of stop-motion was intended to provide the 13-minute film with an .earthy. look.
.I knew I didn.t want to do a completely CGI film,. Rippingale says. .I love building and making, and the imperfections that come as part of that, which are lovely on camera. But with the budget that we had, I knew that we would only have one take on any shot..
The compromise was to shoot the handcrafted...
Thankfully for Rippingale, the two media types have married up perfectly to give A Cautionary Tail a visually-rich backdrop for its story of loss and rediscovery. Rippingale says the use of stop-motion was intended to provide the 13-minute film with an .earthy. look.
.I knew I didn.t want to do a completely CGI film,. Rippingale says. .I love building and making, and the imperfections that come as part of that, which are lovely on camera. But with the budget that we had, I knew that we would only have one take on any shot..
The compromise was to shoot the handcrafted...
- 1/17/2013
- by Brad Howarth
- IF.com.au
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