Busan’s Asian Project Market 2024 selects new films from Kirsten Tan, Woo Ming Jin, Daishi Matsunaga
Busan International Film Festival (Biff) has revealed 30 titles chosen for the 2024 Asian Project Market (Apm), including upcoming features by award-winners Kirsten Tan, Iqbal H. Chowdhury, Woo Ming Jin and Daishi Matsunaga.
The investment and co-production market, which runs as part of Biff’s Asian Contents and Film Market (Acfm), is set to take place from October 5-8 in Busan, South Korea.
Scroll down for full list of titles
This year’s Apm selection features an expanded variety of genres, including crime thrillers, horror, queer cinema, and animated films, alongside the more traditional selections of drama, comedy and romance. Organisers said...
The investment and co-production market, which runs as part of Biff’s Asian Contents and Film Market (Acfm), is set to take place from October 5-8 in Busan, South Korea.
Scroll down for full list of titles
This year’s Apm selection features an expanded variety of genres, including crime thrillers, horror, queer cinema, and animated films, alongside the more traditional selections of drama, comedy and romance. Organisers said...
- 8/13/2024
- ScreenDaily
Busan International Film Festival has revealed the 30 projects that have been selected for this year’s Asian Project Market (Apm), including several from Asian filmmakers who have previously had films selected for the Korean festival.
The line-up includes Dhakar Nagin, from Bangladeshi filmmaker Iqbal H. Chowdhury, who won Busan’s New Currents Award last year with The Wrestler. Also returning is Indonesia’s Wregas Bhanuteja with Levitating, after his film Photocopier screened in New Currents in 2021.
Other returnees include Japan’s Sotoyama Bunji with Life Redo List after Soiree screened at the festival in 2020, along with Asian Film Academy alumni Aigerim Satybaldy, a Khazakh filmmaker who is producing Leg from Uzbek filmmaker Shokir Kholikov; Sri Lanka’s Ilagno Ram with Rabbit Hole; and Myanmar’s Lin Htet Aung with Making A Sea.
Established filmmakers in the selection include Hong Kong documentary filmmaker Chan Tze-woon with Nothing Happened, Filipino indie filmmaker Don Josephus Raphael Eblahan,...
The line-up includes Dhakar Nagin, from Bangladeshi filmmaker Iqbal H. Chowdhury, who won Busan’s New Currents Award last year with The Wrestler. Also returning is Indonesia’s Wregas Bhanuteja with Levitating, after his film Photocopier screened in New Currents in 2021.
Other returnees include Japan’s Sotoyama Bunji with Life Redo List after Soiree screened at the festival in 2020, along with Asian Film Academy alumni Aigerim Satybaldy, a Khazakh filmmaker who is producing Leg from Uzbek filmmaker Shokir Kholikov; Sri Lanka’s Ilagno Ram with Rabbit Hole; and Myanmar’s Lin Htet Aung with Making A Sea.
Established filmmakers in the selection include Hong Kong documentary filmmaker Chan Tze-woon with Nothing Happened, Filipino indie filmmaker Don Josephus Raphael Eblahan,...
- 8/13/2024
- by Liz Shackleton
- Deadline Film + TV
Exclusive: The Thessaloniki International Documentary Festival’s industry-focused Agora section has selected 12 projects from 11 countries for this year’s Thessaloniki Pitching Forum and 11 films from 16 countries for the Agora Docs in Progress sidebar. Scroll down for the full list of projects.
All selected projects are from Southeastern Europe and the Mediterranean region.
The re-shaped Thessaloniki Pitching Forum is the festival’s co-financing and co-production forum for documentaries in development. Recent projects that have passed through the program include Boylesque, which premiered at Hot Docs 2022, Dead Sea Guardians, which premiered at Haifa Iff (2021) and was screened in Thessaloniki (2022), Karaoke Nation premiered at Cph: Dox (2022), A Steady Job premiered at Visions du Reel (2022), We Will Not Fade Away premiered at Berlinale 2023 and Mighty Afrin (Greece) premiered at Thessaloniki Idf 2023 and won the WWF Award.
This year, the Thessaloniki Pitching Forum has secured three new awards for its participants.
All selected projects are from Southeastern Europe and the Mediterranean region.
The re-shaped Thessaloniki Pitching Forum is the festival’s co-financing and co-production forum for documentaries in development. Recent projects that have passed through the program include Boylesque, which premiered at Hot Docs 2022, Dead Sea Guardians, which premiered at Haifa Iff (2021) and was screened in Thessaloniki (2022), Karaoke Nation premiered at Cph: Dox (2022), A Steady Job premiered at Visions du Reel (2022), We Will Not Fade Away premiered at Berlinale 2023 and Mighty Afrin (Greece) premiered at Thessaloniki Idf 2023 and won the WWF Award.
This year, the Thessaloniki Pitching Forum has secured three new awards for its participants.
- 2/8/2024
- by Zac Ntim
- Deadline Film + TV
Gen Z drama is written and directed by Lilith Kraxner and Milena Czernovsky
Gen Z drama Bluish (bläu) by Lilith Kraxner and Milena Czernovsky has won the Screen International Award at the C EU Soon work-in-progress programme at Rome’s Mia Market.
Bluish casts a tender look at two young and disoriented characters struggling with their daily lives and is produced by Lixi Frank and David Bohun of Austria’s Panama Film.
Bluish was one of eight projects showcased in the C EU Soon programme which is dedicated to European films in post-production looking for international sellers.
The selection committee...
Gen Z drama Bluish (bläu) by Lilith Kraxner and Milena Czernovsky has won the Screen International Award at the C EU Soon work-in-progress programme at Rome’s Mia Market.
Bluish casts a tender look at two young and disoriented characters struggling with their daily lives and is produced by Lixi Frank and David Bohun of Austria’s Panama Film.
Bluish was one of eight projects showcased in the C EU Soon programme which is dedicated to European films in post-production looking for international sellers.
The selection committee...
- 10/13/2023
- by Tim Dams
- ScreenDaily
Move over, Richard Donner.
In “Behind the Mountains,” premiering in Venice’s Horizons section, Mohamed Ben Attia makes sure “you’ll believe a man can fly” once again. Although it might not be as graceful.
“I didn’t want him to be like a superhero or fly like Superman. He is floating, struggling with gravity,” he says about his protagonist Rafik, who gives up his entire life – and even ends up in jail – chasing an impossible dream. But there is one place where dreams come to life and he wants his son to experience it too.
The Tunisian director, also behind “Hedi” and “Dear Son,” was hesitant to play with supernatural elements at first.
“I don’t have any technical background. I am not technical at all! But I’ve become obsessed with this man, who extracts himself from his community in such a radical way. I kept seeing an...
In “Behind the Mountains,” premiering in Venice’s Horizons section, Mohamed Ben Attia makes sure “you’ll believe a man can fly” once again. Although it might not be as graceful.
“I didn’t want him to be like a superhero or fly like Superman. He is floating, struggling with gravity,” he says about his protagonist Rafik, who gives up his entire life – and even ends up in jail – chasing an impossible dream. But there is one place where dreams come to life and he wants his son to experience it too.
The Tunisian director, also behind “Hedi” and “Dear Son,” was hesitant to play with supernatural elements at first.
“I don’t have any technical background. I am not technical at all! But I’ve become obsessed with this man, who extracts himself from his community in such a radical way. I kept seeing an...
- 9/4/2023
- by Marta Balaga
- Variety Film + TV
Tunisian auteur Mohamed Ben Attia’s new work “Behind the Mountains,” which will soon launch from the Venice Film Festival’s Horizons section, sees the director add a supernatural element to the social dramas for which he is known.
Attia’s third feature reunites the director with Majd Mastoura, star of his breakout drama “Hedi” — about a repressed young man ignited by a free-spirited woman — which won best debut and actor honors at the 2016 Berlin Film Festival.
In “Mountains,” Mastoura plays a man named Rafeek who, after spending four years in jail, takes his only son to the Atlas Alps in the Northwest of Tunisia to prove to him that he can fly.
“The idea goes back to my high school years” said Ben Attia of the film. “It was just a picture I had in my mind; the picture of a man who is running until, little by little,...
Attia’s third feature reunites the director with Majd Mastoura, star of his breakout drama “Hedi” — about a repressed young man ignited by a free-spirited woman — which won best debut and actor honors at the 2016 Berlin Film Festival.
In “Mountains,” Mastoura plays a man named Rafeek who, after spending four years in jail, takes his only son to the Atlas Alps in the Northwest of Tunisia to prove to him that he can fly.
“The idea goes back to my high school years” said Ben Attia of the film. “It was just a picture I had in my mind; the picture of a man who is running until, little by little,...
- 8/24/2023
- by Nick Vivarelli
- Variety Film + TV
Toronto-based sales agent Syndicado Film Sales has acquired world rights to “Andrey Tarkovsky. A Cinema Prayer,” director Andrey A. Tarkovsky’s documentary about his father which world premiered in the Venice Classics section of the 76th Venice Film Festival.
The film examines the life and work of the great Russian filmmaker, who left behind what is considered one of the great oeuvres of world cinema, through excerpts from his films, contemporary photos and videos, as well as rare audio recordings in which the director describes his life philosophy and art.
It also features never before released recordings of poems by Arseny Tarkovsky, one of the greatest Russian poets of the 20th century and the director’s father, read by their author.
The younger Tarkovsky described “A Cinema Prayer” as “an attempt to get closer to Tarkovsky as a person, as an artist and as a father.”
“Too many books and studies were written about Tarkovsky,...
The film examines the life and work of the great Russian filmmaker, who left behind what is considered one of the great oeuvres of world cinema, through excerpts from his films, contemporary photos and videos, as well as rare audio recordings in which the director describes his life philosophy and art.
It also features never before released recordings of poems by Arseny Tarkovsky, one of the greatest Russian poets of the 20th century and the director’s father, read by their author.
The younger Tarkovsky described “A Cinema Prayer” as “an attempt to get closer to Tarkovsky as a person, as an artist and as a father.”
“Too many books and studies were written about Tarkovsky,...
- 9/7/2019
- by Christopher Vourlias
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.