In Pascual Sisto’s John and the Hole, John (Charlie Shotwell), seemingly unprovoked, drugs his family and tosses them into a bunker where he holds them captive. Written by Birdman co-writer Nicolás Giacobone, John and the Hole is a zoomed in look at the psychology of boyhood. Editor Sara Shaw discusses the parallels between the isolation of the pandemic and the experiences of John and the Hole‘s protagonist. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Shaw: I loved the script and was […]
The post "My Understanding of the Central Metaphor Has Deepened": Editor Sara Shaw on John and the Hole first appeared on Filmmaker Magazine.
The post "My Understanding of the Central Metaphor Has Deepened": Editor Sara Shaw on John and the Hole first appeared on Filmmaker Magazine.
- 2/2/2021
- by Filmmaker Staff
- Filmmaker Magazine - Blog
In Pascual Sisto’s John and the Hole, John (Charlie Shotwell), seemingly unprovoked, drugs his family and tosses them into a bunker where he holds them captive. Written by Birdman co-writer Nicolás Giacobone, John and the Hole is a zoomed in look at the psychology of boyhood. Editor Sara Shaw discusses the parallels between the isolation of the pandemic and the experiences of John and the Hole‘s protagonist. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Shaw: I loved the script and was […]
The post "My Understanding of the Central Metaphor Has Deepened": Editor Sara Shaw on John and the Hole first appeared on Filmmaker Magazine.
The post "My Understanding of the Central Metaphor Has Deepened": Editor Sara Shaw on John and the Hole first appeared on Filmmaker Magazine.
- 2/2/2021
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Two best friends embark on an extensive bike ride in the south of France—one of the friends, Kyle (Kyle Marvin) is getting married to a French woman, and his best friend Mike (Michael Covino) is working up the guts to tell his friend he’s slept with the bride-to-be. Presented as one continual long shot, The Climb (also directed by Michael Covino) examines this codependent friendship in what appears to be real-time. Editor Sara Shaw takes Filmmaker through the challenges of editing continuous shots, figuring out the trajectory of a narrative and the power of what isn’t shown. Filmmaker: How and why […]...
- 1/25/2020
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Two best friends embark on an extensive bike ride in the south of France—one of the friends, Kyle (Kyle Marvin) is getting married to a French woman, and his best friend Mike (Michael Covino) is working up the guts to tell his friend he’s slept with the bride-to-be. Presented as one continual long shot, The Climb (also directed by Michael Covino) examines this codependent friendship in what appears to be real-time. Editor Sara Shaw takes Filmmaker through the challenges of editing continuous shots, figuring out the trajectory of a narrative and the power of what isn’t shown. Filmmaker: How and why […]...
- 1/25/2020
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The word “bromance” was a pretty awful one to begin with, but it’s been done a disservice by years of pop-cultural ubiquity. Now tediously hauled out any time two straight men so much as pat each other on the back, it tends to denote palliness more than any particular emotional intimacy. “The Climb,” however, thoughtfully returns to the root of the term: In Michael Angelo Covino’s clever, open-souled debut feature, a long-term friendship between two average guys is given the dramatic shape and structure of a tempestuous love story, rich in conflicts, faultlines and intense feeling that fights any other relationship standing in its way. The men involved wouldn’t describe it this way, of course: Beautifully written and performed by the director and real-life Bff Kyle Marvin, Covino’s film gets precisely the balance of dependency and denial that keeps a bad bromance afloat.
Premiered at Sundance last year,...
Premiered at Sundance last year,...
- 5/17/2019
- by Guy Lodge
- Variety Film + TV
The title is born out of Covino’s short film of the same name which screened in Sundance in 2018.
Memento Films International (Mfi) has acquired international sales rights to Us filmmaker Michael Covino’s comedy-drama The Climb ahead of its premiere in Un Certain Regard at the Cannes Film Festival (May 14-25).
Born out of Covino’s short film of the same name, which screened in Sundance in 2018, the feature revolves around the enduring but tumultuous relationship between best friends Kyle and Mike.
The pair share a life-long close bond but this is shaken to the core when Mike sleeps with Kyle’s fiancée.
Memento Films International (Mfi) has acquired international sales rights to Us filmmaker Michael Covino’s comedy-drama The Climb ahead of its premiere in Un Certain Regard at the Cannes Film Festival (May 14-25).
Born out of Covino’s short film of the same name, which screened in Sundance in 2018, the feature revolves around the enduring but tumultuous relationship between best friends Kyle and Mike.
The pair share a life-long close bond but this is shaken to the core when Mike sleeps with Kyle’s fiancée.
- 4/24/2019
- by Melanie Goodfellow
- ScreenDaily
The Outfest Los Angeles Lgbtq Film Festival has unveiled winners for its 2018 edition that wrapped Sunday, with Jeremiah Zagar’s We the Animals taking the U.S. Narrative Feature Grand Jury Prize and Jamie Patterson’s Tucked scoring the Best Narrative Audience Award among the honors.
Drew Droege, who starred in the Michael Urie-directed Bright Colors and Bold Patterns, won the U.S. Narrative Feature Grand Jury Prize for Best Performance. The top documentary winners included T Cooper’s Man Made in the audience category and Jamal Sims’ When the Beat Drops landing the grand jury prize.
The Orchard acquired North American rights to We The Animals, based on Justin Torres’ debut novel, after it took the Next Innovator Award at this year’s Sundance Film Festival. It will hit theaters sometime this year. Tucked, meanwhile, inked an output deal with Gravitas Ventures last week ahead of its world premiere.
Drew Droege, who starred in the Michael Urie-directed Bright Colors and Bold Patterns, won the U.S. Narrative Feature Grand Jury Prize for Best Performance. The top documentary winners included T Cooper’s Man Made in the audience category and Jamal Sims’ When the Beat Drops landing the grand jury prize.
The Orchard acquired North American rights to We The Animals, based on Justin Torres’ debut novel, after it took the Next Innovator Award at this year’s Sundance Film Festival. It will hit theaters sometime this year. Tucked, meanwhile, inked an output deal with Gravitas Ventures last week ahead of its world premiere.
- 7/23/2018
- by Patrick Hipes
- Deadline Film + TV
The 11th annual Nevada City Film Festival, running Aug. 18-21, is four nights crammed full with short films, several feature-length documentaries, one dramatic feature, stand-up comedy performances and more surprises, all nestled within the rolling hills of Northern California.
The fest opens with the feature documentary Someplace With a Mountain, directed by Steve Goodall and narrated by Chevy Chase. The film tells the story of the embattled people of the Puluwat atoll who are besieged by the Pacific Ocean itself. Rising waters due to global warming are making their land slowly disappear beneath the waves.
Other feature docs include music-based films We Are Wizards, directed by Josh Koury, about the oddball phenomenon of rock bands that only craft songs about the world of Harry Potter; and Everyday Sunshine, directed by Lev Anderson and Chris Metzler, which profiles the legendary ska punk band Fishbone that continues to bring their enthusiastic music to the masses.
The fest opens with the feature documentary Someplace With a Mountain, directed by Steve Goodall and narrated by Chevy Chase. The film tells the story of the embattled people of the Puluwat atoll who are besieged by the Pacific Ocean itself. Rising waters due to global warming are making their land slowly disappear beneath the waves.
Other feature docs include music-based films We Are Wizards, directed by Josh Koury, about the oddball phenomenon of rock bands that only craft songs about the world of Harry Potter; and Everyday Sunshine, directed by Lev Anderson and Chris Metzler, which profiles the legendary ska punk band Fishbone that continues to bring their enthusiastic music to the masses.
- 8/17/2011
- by Mike Everleth
- Underground Film Journal
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