Adrian Schiller, the British actor who starred as Lord Aethelhelm in the Netflix drama series The Last Kingdom, has died. He was 60.
Schiller died on April 3 of unspecified causes, his agent, Amanda Evans at Scott Marshall Partners in the U.K., confirmed to The Hollywood Reporter. “It is with the heaviest and saddest hearts that we announce the death of our beloved client, Adrian Schiller, on Wednesday 3 April. He has died far too soon, and we, his family and close friends are devastated by the loss,” the U.K. talent agency said in a statement.
Schiller’s sudden death followed a star turn in Australia in The Lehman Trilogy, where he performed the role of Henry Lehman in the touring production.
Born on Feb. 21, 1964 in London, England, his extensive TV credits included roles in the ITV series Victoria, where he played Cornelius Penge, a footman in the royal household, Father Brown for BBC,...
Schiller died on April 3 of unspecified causes, his agent, Amanda Evans at Scott Marshall Partners in the U.K., confirmed to The Hollywood Reporter. “It is with the heaviest and saddest hearts that we announce the death of our beloved client, Adrian Schiller, on Wednesday 3 April. He has died far too soon, and we, his family and close friends are devastated by the loss,” the U.K. talent agency said in a statement.
Schiller’s sudden death followed a star turn in Australia in The Lehman Trilogy, where he performed the role of Henry Lehman in the touring production.
Born on Feb. 21, 1964 in London, England, his extensive TV credits included roles in the ITV series Victoria, where he played Cornelius Penge, a footman in the royal household, Father Brown for BBC,...
- 4/8/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Exclusive: In this Deadline exclusive, Es Devlin, whose magnificent set for director Sam Mendes’ The Lehman Trilogy is nominated for a Tony Award, presents a series of sketches and photographs that provide insight into the development of what would become one of the Broadway season’s most stunning experiences. From Mendes’ simple handwritten list of guiding principles to early sketches and subsequent photos, the gallery offers insight into a singular vision.
For each image, Devlin provides a caption that offers background — including an early idea, later discarded, that would have featured a tightrope walker high above the audience. “We are all walkers on the precarious tightrope of ever more complex human systems,” she writes.
In a neat summing-up of the visual power in Devlin’s set, the design magazine Wallpaper, writing shortly after the play opened on the West End in 2018, said,
Few theatre sets deliver the modernist doctrine – form...
For each image, Devlin provides a caption that offers background — including an early idea, later discarded, that would have featured a tightrope walker high above the audience. “We are all walkers on the precarious tightrope of ever more complex human systems,” she writes.
In a neat summing-up of the visual power in Devlin’s set, the design magazine Wallpaper, writing shortly after the play opened on the West End in 2018, said,
Few theatre sets deliver the modernist doctrine – form...
- 6/9/2022
- by Greg Evans
- Deadline Film + TV
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