When a space vessel goes rogue, fleet commander Galdor (Walter Dickerson) tasks Captain Vascan (Anders Heinrichsen) and his co-pilot/mechanic Lago (Christian Erickson) with retrieving it. Shooting it down from space to crash land on an unknown planet proves this story’s beginning rather than its end as we discover the destination was hardly some random accident. No, it’s exactly where the ship was headed because it is the only place with inhabitants who know its plight. Unlike Vascan’s crude sadist who’s all too happy to destroy it, Bald (Natasha Cashman) understands there’s more to its machinery than metal and her ritual to free its soul can commence as the sun becomes eclipsed. Once dismissed as “artificial intelligence” by its creators, Mima (Joëlle Berckmans) is granted human form.
Directors Seth Ickerman (who co-write with Paul La Farge) channels the visceral aesthetics of H.R. Giger and Clive Barker...
Directors Seth Ickerman (who co-write with Paul La Farge) channels the visceral aesthetics of H.R. Giger and Clive Barker...
- 5/28/2020
- by Jared Mobarak
- The Film Stage
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