It’s checkmate on the first of three 2021 Creative Arts Emmy Awards shows, and Saturday was a huge evening for “The Queen’s Gambit.” The excellent Netflix limited series led by Anya Taylor-Joy has already won seven 2021 Emmys, technically (and in mostly technical categories).
(By the way, if you think three is a lot of shows to celebrate the television industry’s mostly below-the-line workers, 2020 had Five Creative Arts Emmys shows.)
Sunday’s first show began at 1 p.m. Pt. The second Sunday show, the final one of the two-day 2021 Creative Arts Emmys, begins at 5 p.m. Pt. That’s the presentation that has most of the mainstream categories that don’t fit in next week’s Primetime Emmys.
None of the three Creative Arts Emmys shows are being televised live. Next Saturday, a highlights show of sorts will air on Fxx starting at 8 p.m. Et/Pt.
The *real* Emmys,...
(By the way, if you think three is a lot of shows to celebrate the television industry’s mostly below-the-line workers, 2020 had Five Creative Arts Emmys shows.)
Sunday’s first show began at 1 p.m. Pt. The second Sunday show, the final one of the two-day 2021 Creative Arts Emmys, begins at 5 p.m. Pt. That’s the presentation that has most of the mainstream categories that don’t fit in next week’s Primetime Emmys.
None of the three Creative Arts Emmys shows are being televised live. Next Saturday, a highlights show of sorts will air on Fxx starting at 8 p.m. Et/Pt.
The *real* Emmys,...
- 9/12/2021
- by Tony Maglio
- The Wrap
It was a clear victory for sci-fi sound editing Sunday night at the 65th annual Mpse Golden Reel Awards at the Westin Bonaventure. “War for the Planet of the Apes” was the surprise winner for Dialogue/Adr, splitting honors with “Blade Runner 2049,” which grabbed the Effects/Foley prize. The big loser was “Dunkirk” (which won the BAFTA sound award earlier Sunday). However, Christopher Nolan’s World War II survival epic took home the Music Score award and remains the sound editing Oscar favorite.
In addition, “The Greatest Showman,” “Coco,” “Loveless,” and “Jane” earned sound editing awards for Musical, Animation, Foreign Language, and Documentary. The big TV winner was “Game of Thrones” (“The Spoils of War”) for Dialogue/Adr and Effects/Foley. Other TV honorees included “Black Mirror” (“USS Callister”) for Episodic Long Form Dialogue/Adr; “Godless” (“Homecoming”) and “Ozark” (“The Toll”) for Episodic Long Form Effects/Foley; “The Get...
In addition, “The Greatest Showman,” “Coco,” “Loveless,” and “Jane” earned sound editing awards for Musical, Animation, Foreign Language, and Documentary. The big TV winner was “Game of Thrones” (“The Spoils of War”) for Dialogue/Adr and Effects/Foley. Other TV honorees included “Black Mirror” (“USS Callister”) for Episodic Long Form Dialogue/Adr; “Godless” (“Homecoming”) and “Ozark” (“The Toll”) for Episodic Long Form Effects/Foley; “The Get...
- 2/19/2018
- by Bill Desowitz
- Indiewire
It's all about the sound! The Motion Picture Sound Editors unveiled the winners of the 2016 Golden Reel Awards and "Mad Max: Fury Road" and "The Revenant" tied for the Best Sound Editing: Feature English Language . FX/Foley. For my Oscar predictions, I chose "Mad Max" for both Sound Editing and Mixing! See my full Oscar predictions here.
Here's the full list of winners of the Golden Reel Awards:
Feature Film
Best Sound Editing in Feature Film: Music Score
Star Wars: The Force Awakens (Walt Disney Studios Motion Pictures)
Supervising Music Editor: Ramiro Belgardt
Music Editor: Paul Apelgren
Best Sound Editing in Feature Film: Music in a Musical
Love & Mercy (Roadside Attractions)
Music Editor: Nicholas Renbeck
Best Sound Editing: Feature English Language . Dialogue/Adr
Bridge Of Spies (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Richard Hymns, Gary Rydstrom
Supervising Dialogue Editor: Brian Chumney
Supervising Adr Editor: Steve Slanec
Best Sound...
Here's the full list of winners of the Golden Reel Awards:
Feature Film
Best Sound Editing in Feature Film: Music Score
Star Wars: The Force Awakens (Walt Disney Studios Motion Pictures)
Supervising Music Editor: Ramiro Belgardt
Music Editor: Paul Apelgren
Best Sound Editing in Feature Film: Music in a Musical
Love & Mercy (Roadside Attractions)
Music Editor: Nicholas Renbeck
Best Sound Editing: Feature English Language . Dialogue/Adr
Bridge Of Spies (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Richard Hymns, Gary Rydstrom
Supervising Dialogue Editor: Brian Chumney
Supervising Adr Editor: Steve Slanec
Best Sound...
- 2/28/2016
- by Manny
- Manny the Movie Guy
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