Madrid-based Rock & Ruz – the production company of Netflix’s “Nowhere,” which has just been confirmed by Netflix as its most-viewed Spanish-language movie of all time – has pacted new projects with Italy’s Leonardo Fasoli, a head-writer of “Gomorrah” and creator of “ZeroZeroZero,” and Spain-based Alejandro Hernández, a co-writer on Alejandro Amenábar’s “While at War” and “La Fortuna.”
Targeting the key to high-end fiction success in Europe – its screenwriters – and added to “Nowhere” and an upcoming Spanish-Mexican remake of hit Korean movie “Miracle in Cell No. 7” – the freshly-announced projects mark out Rock & Ruz as a new and significant Spain-based international player.
As international markets – both theatrical and global streamers – are asking for bigger films with identifiable audiences, Rock & Ruz’s bold slate looks like a ready source of titles.
“Our company is focused on producing global strategic projects. No matter if they are in English or Spanish,” Rock & Ruz...
Targeting the key to high-end fiction success in Europe – its screenwriters – and added to “Nowhere” and an upcoming Spanish-Mexican remake of hit Korean movie “Miracle in Cell No. 7” – the freshly-announced projects mark out Rock & Ruz as a new and significant Spain-based international player.
As international markets – both theatrical and global streamers – are asking for bigger films with identifiable audiences, Rock & Ruz’s bold slate looks like a ready source of titles.
“Our company is focused on producing global strategic projects. No matter if they are in English or Spanish,” Rock & Ruz...
- 12/20/2023
- by John Hopewell
- Variety Film + TV
Even if professional wrestling may not be everyone’s cup of tea, numerous stories behind the sports entertainment phenomena are usually quite engaging. Darren Aronofsky has been able to give a heartbreaking look into the complex life using various real-life inspirations for his film, The Wrestler. We will also be getting an equally rough drama with the upcoming Von Erich biopic, The Iron Claw. Even a lighter, more inspiring film like Fighting with My Family can prove to be just as compelling. Prime Video has just released a trailer for a film that gives us a look at the Mexican legacy of pro wrestling, the Lucha Libre, with Cassandro. The film is a biopic of real-life luchador, Saúl Armendáriz.
The official synopsis from Prime Video reads,
“Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character ‘Cassandro,’ the “Liberace of Lucha Libre.
The official synopsis from Prime Video reads,
“Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character ‘Cassandro,’ the “Liberace of Lucha Libre.
- 8/22/2023
- by EJ Tangonan
- JoBlo.com
Gael García Bernal transformed into an iconic gay amateur wrestler, luchador Saúl Armendáriz, for “Cassandro,” based on Armendáriz’s legacy as the “Liberace of Lucha Libre.”
“Cassandro” follows Armendáriz as he upends not just the macho wrestling world but also his own life. The film is based on a true story, with “Life, Animated” Oscar winner Roger Ross Williams directing from a script he co-wrote with David Teague. The real-life Armendáriz served as a consultant on the film.
In addition to Bernal, Roberta Colindrez, Perla de la Rosa, Joaquín Cosío, and Raúl Castillo also star, with with special appearances from El Hijo del Santo and Benito Antonio Martínez Ocasio.
Director Williams previously collaborated with Armendáriz for 2016 Prime Video documentary short “The Man Without a Mask.” Williams was inspired to fictionalize Armendáriz’s story to showcase the dichotomy of macho Mexican culture along with Armendáriz’s fandom.
“All of these macho guys were embracing him backstage,...
“Cassandro” follows Armendáriz as he upends not just the macho wrestling world but also his own life. The film is based on a true story, with “Life, Animated” Oscar winner Roger Ross Williams directing from a script he co-wrote with David Teague. The real-life Armendáriz served as a consultant on the film.
In addition to Bernal, Roberta Colindrez, Perla de la Rosa, Joaquín Cosío, and Raúl Castillo also star, with with special appearances from El Hijo del Santo and Benito Antonio Martínez Ocasio.
Director Williams previously collaborated with Armendáriz for 2016 Prime Video documentary short “The Man Without a Mask.” Williams was inspired to fictionalize Armendáriz’s story to showcase the dichotomy of macho Mexican culture along with Armendáriz’s fandom.
“All of these macho guys were embracing him backstage,...
- 8/22/2023
- by Samantha Bergeson
- Indiewire
The 42 Film, a new Madrid and Mexico City-based film-tv company of producer Alberto Müffelmann, an executive producer on early Sundance hit “Cassandro,” is forging a first slate of titles, led by “El Origen,” to be voiced by Gael García Bernal.
Based out of Madrid and Mexico City, the new shingle is headed by Müfflemann whose producer credits take in “Museum,” Alfonso Ruizpalacios’ Berlin 2018 best screenplay winner, Fernando Frías’ 2019 “I’m No Longer Here” – a jolting, timely piece of cinema I urge everyone to see,” said Guillermo del Toro – and 2013 best film Ariel winner “The Prize,” directed by Paola Markovitch.
The 42 Film underscores the drive into international co-production by the world big arthouse players as they seek to make titles of theatrical potential in a contracted market.
News of Müffelmann’s new shingle comes as “Cassandro,” starring García Bernal as the openly gay lucha libre wrestler Saul Armendáriz, has won large critical...
Based out of Madrid and Mexico City, the new shingle is headed by Müfflemann whose producer credits take in “Museum,” Alfonso Ruizpalacios’ Berlin 2018 best screenplay winner, Fernando Frías’ 2019 “I’m No Longer Here” – a jolting, timely piece of cinema I urge everyone to see,” said Guillermo del Toro – and 2013 best film Ariel winner “The Prize,” directed by Paola Markovitch.
The 42 Film underscores the drive into international co-production by the world big arthouse players as they seek to make titles of theatrical potential in a contracted market.
News of Müffelmann’s new shingle comes as “Cassandro,” starring García Bernal as the openly gay lucha libre wrestler Saul Armendáriz, has won large critical...
- 1/23/2023
- by John Hopewell
- Variety Film + TV
Netflix acquired worldwide rights in 2018.
Fernando Frías de la Parra’s I’m No Longer Here has been selected as Mexico’s international feature film Oscar submissions.
The drama premiered at 2019 Morelia Film Festival where it won the feature film competition award and the audience award, and went on to screen at Tallinn Black Nights.
I’m No Longer Here centres on a gang member who flees Monterrey for New York and is forced to question where he belongs when he learns his gang and its defining Kolombia culture are under threat.
Netflix acquired worldwide rights in 2018 and debuted it on the platform in May.
Fernando Frías de la Parra’s I’m No Longer Here has been selected as Mexico’s international feature film Oscar submissions.
The drama premiered at 2019 Morelia Film Festival where it won the feature film competition award and the audience award, and went on to screen at Tallinn Black Nights.
I’m No Longer Here centres on a gang member who flees Monterrey for New York and is forced to question where he belongs when he learns his gang and its defining Kolombia culture are under threat.
Netflix acquired worldwide rights in 2018 and debuted it on the platform in May.
- 11/17/2020
- by Jeremy Kay
- ScreenDaily
Netflix acquired worldwide rights in 2018.
Fernando Frías de la Parra’s I’m No Longer Here has been selected as Mexico’s international feature film Oscar submissions.
The drama premiered at 2019 Morelia Film Festival where it won the feature film competition award and the audience award, and went on to screen at Tallinn Black Nights.
I’m No Longer Here centres on a gang member who flees Monterrey for New York and is forced to question where he belongs when he learns his gang and the Kolombia culture is under threat.
Netflix acquired worldwide rights in 2018 and debuted it on the platform in May.
Fernando Frías de la Parra’s I’m No Longer Here has been selected as Mexico’s international feature film Oscar submissions.
The drama premiered at 2019 Morelia Film Festival where it won the feature film competition award and the audience award, and went on to screen at Tallinn Black Nights.
I’m No Longer Here centres on a gang member who flees Monterrey for New York and is forced to question where he belongs when he learns his gang and the Kolombia culture is under threat.
Netflix acquired worldwide rights in 2018 and debuted it on the platform in May.
- 11/17/2020
- by Jeremy Kay
- ScreenDaily
Monday, Nov. 16 Netflix Drama Vies for Best International Award
Mexico has chosen Fernando Frías de la Parra’s drama “I’m No Longer Here” as its official entry for the Best International Feature Film to the 93rd Academy Awards.
“I’m No Longer Here” premiered in the 2019 edition of the Morelia Film Festival, where it was awarded the Feature Film Competition Award and the Audience Award. Netflix acquired worldwide rights in 2018 and released it in May. Producers are Alberto Muffelmann, Fernando Frías de la Parra, Gerry Kim and Gerardo Gatica.
“I’m No Longer Here” is set in the mountains of Monterrey, Mexico, where the leader of the street gang Los Terkos tries to protect his friends from the nefarious elements of a quickly evolving drug/political war. But after a misunderstanding with a local cartel, he is forced to leave for Jackson Heights, Queens. The film stars Juan Daniel Garcia Treviño.
Masi Oka...
Mexico has chosen Fernando Frías de la Parra’s drama “I’m No Longer Here” as its official entry for the Best International Feature Film to the 93rd Academy Awards.
“I’m No Longer Here” premiered in the 2019 edition of the Morelia Film Festival, where it was awarded the Feature Film Competition Award and the Audience Award. Netflix acquired worldwide rights in 2018 and released it in May. Producers are Alberto Muffelmann, Fernando Frías de la Parra, Gerry Kim and Gerardo Gatica.
“I’m No Longer Here” is set in the mountains of Monterrey, Mexico, where the leader of the street gang Los Terkos tries to protect his friends from the nefarious elements of a quickly evolving drug/political war. But after a misunderstanding with a local cartel, he is forced to leave for Jackson Heights, Queens. The film stars Juan Daniel Garcia Treviño.
Masi Oka...
- 11/16/2020
- by Dave McNary
- Variety Film + TV
The Mexican Academy of Cinematographic Arts and Sciences has chosen Fernando Frías de la Parra’s I’m No Longer Here as Mexico’s official entry for the International Feature Film Oscar race.
The pic centers on the young leader (Juan Daniel Garcia Trevino) of a small Monterrey street gang from the Cholombiano subculture who longs for home after being forced to move to Jackson Heights, Queens, after an altercation with a local cartel. It premiered at the 2019 Morelia Film Festival, where it won Best Feature and was a selection of this year’s truncated Tribeca Film Festival.
The film received 10 Ariel Awards, including Best Picture and Best Director, and is Mexico’s official submission for Spain’s Goya Awards. Netflix acquired worldwide rights back in 2018, and it bowed on the streamer on May 27.
Producers are Alberto Muffelmann, Frías, Gerry Kim and Gerardo Gatica.
“The news took me by surprise,...
The pic centers on the young leader (Juan Daniel Garcia Trevino) of a small Monterrey street gang from the Cholombiano subculture who longs for home after being forced to move to Jackson Heights, Queens, after an altercation with a local cartel. It premiered at the 2019 Morelia Film Festival, where it won Best Feature and was a selection of this year’s truncated Tribeca Film Festival.
The film received 10 Ariel Awards, including Best Picture and Best Director, and is Mexico’s official submission for Spain’s Goya Awards. Netflix acquired worldwide rights back in 2018, and it bowed on the streamer on May 27.
Producers are Alberto Muffelmann, Frías, Gerry Kim and Gerardo Gatica.
“The news took me by surprise,...
- 11/16/2020
- by Patrick Hipes
- Deadline Film + TV
Endeavor Content is upping its local-language game, signing a significant first look deal with Mexico City-based producer Subtrama.
Endeavor enters the deal with Exile Content Studio, a long-form English and Spanish content maker. Subtrama is behind films like Gael García Bernal’s “Museo.” Mauricio Katz, Manuel Alcalá, and Panorama Global’s Gerardo Gatica and Alberto Muffelmann run Subtrama.
“We are thrilled to power an engine that combines Mauricio and Manuel’s unique style with Gerardo and Alberto’s seasoned experience producing compelling content for global markets”, said Daniel Eilemberg, president of content at Exile.
Adds Endeavor VP of international strategy Kelly Miller, “Subtrama is at the intersection of compelling content, global audience, and gripping storytelling, all of which are paramount to the Endeavor Content fold, and we’re excited to be working with Mauricio and the entire team.”
This deal will focus primarily on Spanish-speaking projects. First up is “Litempo,...
Endeavor enters the deal with Exile Content Studio, a long-form English and Spanish content maker. Subtrama is behind films like Gael García Bernal’s “Museo.” Mauricio Katz, Manuel Alcalá, and Panorama Global’s Gerardo Gatica and Alberto Muffelmann run Subtrama.
“We are thrilled to power an engine that combines Mauricio and Manuel’s unique style with Gerardo and Alberto’s seasoned experience producing compelling content for global markets”, said Daniel Eilemberg, president of content at Exile.
Adds Endeavor VP of international strategy Kelly Miller, “Subtrama is at the intersection of compelling content, global audience, and gripping storytelling, all of which are paramount to the Endeavor Content fold, and we’re excited to be working with Mauricio and the entire team.”
This deal will focus primarily on Spanish-speaking projects. First up is “Litempo,...
- 1/21/2020
- by Matt Donnelly
- Variety Film + TV
I’m No Longer Here
Mexico City’s Fernando Frias has completed his sophomore feature Ya no estoy aqui (I’m No Longer Here), which was part of the 2014 Sundance Screenwriters Lab. Produced by Gerardo Gatica and Alberto Muffelmann of Panorama Global and Gerry Kim of Ppw Films, Frias tapped Dp Damian Garcia (of Jonas Cuaron’s Desierto and Alonso Ruizpalacios’ Berlin success Museo) to lens the feature. Frias also reteams with his Rezeta (2012) editor Yibran Asuad, who has edited features for Ruizpalacios and Gerardo Naranjo. Frias’ cast includes newcomers and nonprofessionals. Frias’ 2012 debut Rezeta premiered at the 2012 Morelia Film Festival and took home the award for Best Narrative Feature at the 2014 Slamdance Film Festival.…...
Mexico City’s Fernando Frias has completed his sophomore feature Ya no estoy aqui (I’m No Longer Here), which was part of the 2014 Sundance Screenwriters Lab. Produced by Gerardo Gatica and Alberto Muffelmann of Panorama Global and Gerry Kim of Ppw Films, Frias tapped Dp Damian Garcia (of Jonas Cuaron’s Desierto and Alonso Ruizpalacios’ Berlin success Museo) to lens the feature. Frias also reteams with his Rezeta (2012) editor Yibran Asuad, who has edited features for Ruizpalacios and Gerardo Naranjo. Frias’ cast includes newcomers and nonprofessionals. Frias’ 2012 debut Rezeta premiered at the 2012 Morelia Film Festival and took home the award for Best Narrative Feature at the 2014 Slamdance Film Festival.…...
- 1/1/2019
- by Nicholas Bell
- IONCINEMA.com
Buenos Aires — One of Mexico’s highest-flying production houses whose latest movie production, “I’m No Longer Here,” screens as a work on progress at Ventana Sur, Gerardo Gática and Alberto Muffelmann’s Panorama Global, will produce “Mario,” a bio series directed by Bernardo de la Rosa which underscores Latin America’s building drive into bilingual, bi-country U.S.-Mexico TV series.
The move comes as Mexican producers seek to attract finance from the U.S. market and also appeal to a younger, totally bilingual Latinos who may still feel attracted by Latino themed but largely English-spoken dramas.
“As the story of a Mexican living in the U.S., we have to embrace the two languages, as Hispanic do,” De la Rosa said.
Produced also by Delicious Films, the label created by De la Rosa and Fernando Cabonara, “Mario” was presented in one-to-one meetings to sales agents and potential co-producers...
The move comes as Mexican producers seek to attract finance from the U.S. market and also appeal to a younger, totally bilingual Latinos who may still feel attracted by Latino themed but largely English-spoken dramas.
“As the story of a Mexican living in the U.S., we have to embrace the two languages, as Hispanic do,” De la Rosa said.
Produced also by Delicious Films, the label created by De la Rosa and Fernando Cabonara, “Mario” was presented in one-to-one meetings to sales agents and potential co-producers...
- 12/14/2018
- by John Hopewell
- Variety Film + TV
Los Cabos, Mexico — Gerardo Gatica and Alberto Muffelmann’s Panorama Global, the company behind Alfonso Ruizpalacios’ “Museo,” are partnering with its co-screenwriter, Manuel Alcalá, and Mauricio Katz, screenwriter of “Miss Bala,” and Netflix “Maniac,” on futuristic thriller “Frogtown.”
As talent become one – if not the – key competitive issue in the world’s new film-tv landscape for every company from Netflix downwards, the deal sees Panorama, fast emerging as a Mexican movie powerhouse, teaming with two of Mexico’s top writing talents. “Frogtown” will mark both the writers’ directorial debuts.
Alcala co-won a Berlin screenwriting Silver Bear with Ruizpalacios for “Museo”; Katz co-wrote “Miss Bala,” produced by Canana, wrote and executive produced Netflix original series “Maniac,” and is a co-creator on one of the biggest upcoming TV series from continental Europe, the Sky-Canal Plus “ZeroZeroZero,” starring Gabriel Byrne and Andrea Riseborough, and from the creative team behind “Gomorrah.”
“Manuel and Mauricio...
As talent become one – if not the – key competitive issue in the world’s new film-tv landscape for every company from Netflix downwards, the deal sees Panorama, fast emerging as a Mexican movie powerhouse, teaming with two of Mexico’s top writing talents. “Frogtown” will mark both the writers’ directorial debuts.
Alcala co-won a Berlin screenwriting Silver Bear with Ruizpalacios for “Museo”; Katz co-wrote “Miss Bala,” produced by Canana, wrote and executive produced Netflix original series “Maniac,” and is a co-creator on one of the biggest upcoming TV series from continental Europe, the Sky-Canal Plus “ZeroZeroZero,” starring Gabriel Byrne and Andrea Riseborough, and from the creative team behind “Gomorrah.”
“Manuel and Mauricio...
- 11/9/2018
- by John Hopewell
- Variety Film + TV
San Francisco Bay Area film festival promoters Sffilm, in partnership with the Kenneth Rainin Foundation, has announced the development projects that will receive a total of $250,000 in funding in the latest round of Sffilm Rainin Grants.
The organization has backed a prominent slate of past grant winners, including current buzz films Sorry To Bother You and Blindspotting, as well as prominent alumni films Fruitvale Station and Beasts of the Southern Wild.
“Our track record of alerting the Us indie world to its most important new talent got a major shot in the arm with four-time Sffilm grant-winner Boots Riley’s Sorry To Bother You opening huge this past week, following in the footsteps of previous Sffilm/Rainin discoveries like Ryan Coogler with Fruitvale Station, Rei Green with Monsters and Men, and Benh Zeitlin with Beasts of the Southern Wild,” Sffilm Executive Director Noah Cowan told Deadline. “These are films we...
The organization has backed a prominent slate of past grant winners, including current buzz films Sorry To Bother You and Blindspotting, as well as prominent alumni films Fruitvale Station and Beasts of the Southern Wild.
“Our track record of alerting the Us indie world to its most important new talent got a major shot in the arm with four-time Sffilm grant-winner Boots Riley’s Sorry To Bother You opening huge this past week, following in the footsteps of previous Sffilm/Rainin discoveries like Ryan Coogler with Fruitvale Station, Rei Green with Monsters and Men, and Benh Zeitlin with Beasts of the Southern Wild,” Sffilm Executive Director Noah Cowan told Deadline. “These are films we...
- 7/13/2018
- by Bruce Haring
- Deadline Film + TV
Los Cabos International Film Festival took place this month of November. It was a brave move to keep it going after Cabo had been so hard hit by Hurricane Odile with winds of 125mph less than a month earlier. The vast destruction in our part of town was quickly being repaired though traces remained visible and repairs still to be done necessitated cutting the normal invitation list by half and doubling up hotel rooms for a few unlucky journalists. That being said, there were 15,000 attending the festival. Volunteers wore the worthy words on their t-shirts: #Unstoppable, and they were that.
For all the infrastructure problems of the city in the midst of rebuilding itself, the festival seemed to thrive with all sorts of invitees showing up from all over the world. It seemed like gala events, panels, master classes, coproduction meetings, works in progress, screenings and interviews were constantly taking place. It was a great team and we all felt part of it.
The festival is overseen by the executive board members Eduardo Sánchez Navarro, Alfonso Pascal Barcenas, Scott Cross and Sean Cross (who also founded Vail Film Festival) and is organized by the festival team of Alonso Aguilar (General Director), Alejandra Paulin (General Coordinator) - who was a great market director in Guadajalara before coming here, Maru Garzon (Head of Programming), Ana Molinar Trujillo (Communication Manager), and Monica Herrera (Film Programmer). My friend from Guadalajara, normally an English teacher, Fabian Cruz was also there working for the festival.
When Eduardo Sánchez Navarro Redo remembers how he first came to Los Cabos, there is no doubt in his mind that destiny and luck played an important part. When he married his wife 30 years ago, he decided to travel along the entire Pacific Coast, from Acapulco to Mazatlan, where he crossed over to La Paz eventually driving to Los Cabos. The beauty of the area impressed him and it was during this trip that he and his wife decided to buy a vacation home in Los Cabos, thus beginning a distinguished career as a principal player and developer of what is Los Cabos today. Over the course of more than 20 years, his company, Grupo Questro, has emerged as one of the most highly respected developers in all of Mexico. He, together with Juan Gallardo Thurlow, Scott Cross, and Sean Cross, founded the festival in 2012.
My job as a journalist was to explore and write, hard to do when you are having such fun 24/7. We journalists were all in one hotel where we were given space and time to bond. Travel writers mixed with trade writers: from Film Journal David Noh, whose article is worth sharing here, my colleagues Peter Rainer from NPR and Christian Science Monitor, Anne Thompson from Thompson on Hollywood on Indiewire, Godfrey Cheshire of RogerEbert.com and many others met and mixed. Also Ira Deutchman of Colombia University Film School and Emerging Pictures and Robin Brock of Creative Coalition were there with time to share dinners.
The filmmakers, in another hotel, mixed by day and at the communal lunches and parties. I will write more on them in an upcoming blog! After all, filmmakers are the backbone of our industry. Without them, we have nothing!
The agents, mostly from CAA, were placed in another hotel, luxurious and far away. As someone said, Cabos is like Cannes, only in November. If so, perhaps they were at the Eden Roc in Cap d’Antibes. (Actually they were at Hacienda Beach Club & Residences) CAA has always been an honored part of this festival. I have heard that that is because someone with lots of money from Mexico invests it in cinema through CAA and even started the festival. That is, however, pure conjecture. Under the guidance of CAA agent, Micah Green, people can be assured that the directions he sees and the decisions he makes about investing private individuals' capital into filmed entertainment is priceless. I could think of no one I would trust more --in this untrustworthy business we are in-- than Micah.
At least two other agents – Bec Smith and Rena Ronson from UTA -- were also there. Rena and Micah were on the Film Financing Panel moderated by Variety’s expert in all things Iberoamerican and my idol, John Hopewell. Other participants on the Film Finance Panel were Jonathan King, Evp of Production at Jeff Skoll’s Participant Media whose partnership with Canana formed Participant PanAmerican production fund. “No” by Pablo Lorrain was their first investment. Pp also financed "El Ardor" which played in Cannes and “Cesar Chavez”, directed by Diego Luna. Also on the panel were Mark Musselman of Canada’s 10X2yinc, the exec producer of “Eastern Promises” and most recently of “Remember” by Atom Egoyan which was also produced by Robert Lantos and son, also in Los Cabos. It went into production in 2014 and is tipped for Cannes. Other panelists included Raul Del Alto of Mexico’s Ag Studios (Itaca Films Mexico, Itaca Films USA, Itaca Films Colombia and Itaca Filkms Brazil, and Rena Ronson of UTA who, like Micah Green of CAA focuses on global film finance, distribution and marketing strategies for Independents and co-financed features and is fluent in Spanish because of her long time experience with Latin America.
At one point I looked up and found the European fund chiefs there as well, Laufey Gudjonsdottir from Iceland (where Interstellar was filmed), Katriel Schory from Israel Film Fund and Edith Sepp-Dallas from the Estonian Film Institute. They were there for Bpx. Best Practice Exchange is an initiative that brings together the leaders of film funding agencies from across the world to take part in high-level-workshops – one or two each year – designed to promote new standards of excellence in the provision of public funding for the support of film production, development and distribution. The aim of Bpx is to ensure that policies and procedures adopted by film funding agencies will act together, positively and proactively, to stimulate and sustain practices of international coproduction and cofinancing worldwide.
Triggered by the situation in which filmmaking outside the main production centers of Hollywood and Bollywood now finds itself, Bpx was created by Simon Perry, president of Ace (Ateliers du Cinéma Européen), in collaboration with Katriel Schory, executive director of the Israel Film Fund. It held its first workshop in February 2013 in Israel, and two further workshops in Toronto (September 2013) and Berlin (February 2014) and this was the third! Bravo!
Among the Mexican, Canadian and U.S. films that showed, the winners were as follow:
Mexico First
Mexico First winning film was ¨Llevate mis amores” ("All of Me") by Arturo Gonzalez. The film narrates the story of the generosity of the women of Las Patronas who feed the immigrants who ride La Bestia. The director was awarded a cash Prize of Usd $15,000. This film made me cry. I thought of it again when reading the L.A. Times article about the murder of Adrian Rodriguez and his assistant, Mexican good Samaritans who dedicated their scarce resources to feeding Central American migrants passing by on La Bestia, which is what the women in this movie do. And one of the women was at the festival too.
Los Cabos Competition
The Los Cabos Competition winner was “Güeros” by Alonso Ruizpalacios, also a winner at the Berlinale, Jerusalem Film Festival, Tribeca, Toronto and San Sebastian. Being sold internationally by Mundial, the joint venture of Canana (again!) and Im Global, the film has sold to Kino Lorber for U.S., Cannibal for Mexico, Dreams Hill for Italy, Noori for So. Korea and Maison Motion for Taiwan … "Güeros" is the undeniable triumph of a nouveau director who dares to pay homage the French New Wave on a wild detective hunt through Mexico City. In light of the 43 murdered students, this film, about students on strike, strikes a chord within the watcher. The film´s producer won a Usd $15,000 cash prize.
Work In Progress Mexico
The second Work in Progress Mexico prize was awarded to "Los Herederos," by Jorge Hernandez, a film that describes adolescent effervescence and idleness through a group of friends who spend their vacations adrenaline-seeking through parties, sex and alcohol. The winner received a Usd $10,000 cash prize.
Mexico-usa-canada Co-production Forum
The winner of the first Mexico- USA- Canada Co-production Forum was also announced: "Afronauts" by Frances Bodomo, based on the real life story of the Academia Nacional de Ciencias, Investigación Espacial e Investigación Astronómica of Zambia. Writer- Director Frances Bodomo received a Usd $8,000 cash prize. It also received funding from the Alfred P. Sloan Foundation.
Mexico First: Fox +
In its second year running the México Primero: Fox+ chose one of the films that participated to have its distribution rights pre-bought for the Latin American and Caribbean (Except Brazil) markets. The México Primero: Fox+ prize consists of Usd $40,000 and was awarded to Isaac Ezban´s "El Incidente" ("The Incident"), two M.C. Escher-maze-like parallel stories about characters trapped in illogical endless spaces: two brothers and a detective locked on an infinite staircase, and a family locked on an infinite road… for a very long time. The international sales agent, Shoreline, will be showing the film at Ventana Sur December 3rd at 17:00 at Cinemark 3.
Work In Progress Mexico Fox +
In its second year running as well, Work in Progress México Fox+ selected a participating film to have its distribution rights pre-bought for the Latin American and Caribbean (Except Brazil) markets. The Usd $30,000 prize was awarded to Katina Medina Mora’s "Sabras que hacer conmigo" aka "En Contraluz", produced by Gerardo Gatica and Alberto Muffelmann.
Work In Progress Mexico Chemistry
This Third edition of the Festival also witnessed the first Work In Progress México –Chemistry award. Chemistry post-production studios granted the winner, Jorge Hernandez’s "Los Herederos", $45,000 Usd in color correction services.
Mexico – USA – Canada Splendor Omnia Mantarraya Co-production Forum
On its first year running, the Coproduction Forum Mexico- USA- Canada Splendor Omnia – MANTArraya will be granting a $30,000 Usd equivalent prize worth 40 hours of color correction, 40 hours of sound mixing, as well as a paid stay in Tepoztlan Morelos, site of their studios, to the winner "Afronauts" by Francez Bodomo (U.S.).
The key phrase to understanding Cabo is "Seeing what the neighbors do" as the festival and market connects Canada, U,S, and Mexico in showing of films and exploring coproduction. And the mixing of filmmakers and journalists from all three Americas was exciting in the possibilities it offered to everyone.
As for the hard-core business done there:
Mark Kassen will be directing "Criminal Empire for Dummies" written by Cliff Dorman. Kassen will also be producing the film along with James Gibb of Cutting Edge Group and Greg Hajdarowicz of Gremi Films. The deal took place at the exclusive resort Hacienda Beach Club & Residences and was reported by Variety.
Actor and producer Luis Gerardo Mendez ("Nosotros Los Nobles") signed a representation agreement with Paradigm. Reported by Variety. So I guess Paradigm also sent agents to Los Cabos.
Pat Saperstein of Variety also attended Los Cabos and scooped a story, that “Wolverine Hotel” from director Patricia Chica who was participating in the Coproduction Forum, is closing in on production with a "recent financing commitment from Jean-Guy Després, who will serve as exec producer. The edgy crime thriller is produced by Canada-based Byron Martin. Looking to cast a Latino actor as co-star, Chica met with rising Mexican thesp Luis Gerardo Mendez ('We Are the Nobles') during Afm though he has not yet been attached. 'A Latino star opens up a market', said Martin."
Celebrated producer Monica Lozano announced the launch of Alebrije Distribución. She has had her hand in 23 productions since her first film, "Amores Perros". "Instructions Not Included" the Us$ 5.5 million film that grossed Us$ 100 million worldwide was also her production. With this Pan-American initiative, the company will acquire distribution rights for the Latin and North American markets. Reported by Variety again!! You would think John was the only real reporter there. Pinske should be proud of him! Most of us got no scoops, but then, I guess we have to prove ourselves worthy - which I am not because at heart, I am not a reporter hunting for news, but rather a gatherer of information and a writer.
Speaking of Monica Lozano, the Germany-based international sales agent, Media Luna, acquired world rights to Internet Junkie, directed by Alexander Katzowicz and produced by Monica Lozano. Variety reports on this again!
"Yamaha 300", a participating project of the 1st Mexico – USA- Canada Coproduction Forum, produced by Valerium Arts (Mayra Espinosa y Jorge Michel Grau, producer and writer-director of the horror hit "Somos lo que hay" respectively, and Grau, the writer of the remake "We Are What We Are") and Uncorked Productions (Andrew Corkin, the producer of the horror film "What We Were"), will be one of the first projects to receive the development stage and postproduction support offered by The Good Film Fund, an initiative of Media Darling (Amy Darling) and The Chatanooga Film Festival. See Variety.
New York producer Dodgeville Films ("To Be Takei") will be joining Varios Lobos in Mexico to produce "Ya no estoy aquí", Fernando Frias’s second film, which was also a winner during Gabriel Figueroa Film Fund second edition. This film in the Coproduction Forum was reported on in Variety.
"Siete Horas" ("Seven Hours"), one of the winning projects of the second Gabriel Figueroa Film Fund edition, which will be directed by Chema Rodriguez and produced by Francisco Vargas, the renowned director of the film "El violin", made an alliance with the Spanish production companies Sin un Duro and Noodles Prods to co-produce the project. (Variety)
CineTren closed deals to handle Latin American distribution for Spring, a Justin Benson and Aaron Moorhead film, whose Latin American Premiere was held at Los Cabos International Film Festival. Negotiations between Nate Bolotin and Marie Katz fromLos Angeles-based Xyz and Manuel Garcia from CineTren, took place at the Hotel Grand Solmar. Next time, I'll have to visit all the hotels!! See Variety article.
BH5 Group, which participates in the executive production of "Remember" by Atom Egoyan, will be working with Alonso Ruizpalacios, director of Güeros, in his second movie: Museo, a project that participated in the Ist Mexico- USA- Canada Co-production Forum. Even though Variety wrote about this, my blog on the three year old conglomerate of companies, BH5, was more complete:
BH5 Group Makes a Splash with Three Impressive Films at Los Cabos Int'l Film Fest
BH5, a conglomerate of five formerly independent production companies all run by various friends from the same film school, will be working the international markets much more. Besides the Toronto hit, Jodorowsky's "Dance of Reality", they are working with larger companies like Pathe now. Their work in progress, "You Will Know What To Do With Me" ("Sabras que hacer conmigo" aka "En Contraluz") which just won the The Usd $30,000 prize of Fox+, is seeking an international sales agent.
"Entrevero" by Max Zunino, also winner of the Gabriel Figueroa Film Fund second edition, was selected in the development project category by Ibermedia. See Variety.
And though Colombian Ciro Guerra, whose "The Wind Journeys" was produced by our German friends Roman Paul and Gerhard Meixner at Razor Film Production and by Burning Blue's prolific Diana Bustamente -- who is now also heading the Carthagena Film Festival -- showed in 2009 Cannes Un Certain Regard and was sold by Paris’ Elle Driver to 19 countries including Film Movement for U.S., announced to Variety's John Hopewell that his next film, "Embrace of the Serpent" will star U.S. actor Brionne Davis (“Savaged”) and Belgium’s Jan Bijvoet, the lead in Cannes Competition entry “Borgman” a really creepy dark comedy, he did not discuss his next project "Taganga" in the Coproduction Forum. "Taganga" is about a fisherman from a small village by the Colombian coast where many foreign-owned scuba diving centers have been established. A new law requiring local fisherman to change the motors of their boats forces him to earn quick money, so he chooses to dynamite to fish. The owner of the largest scuba diving center opposes this use of explosives. When the fisherman receives a death threat if he continues the dynamiting of fish, he assumes the center's owner is behind the threat. In order to prove it, he begins a series of fateful actions.
Finally, while it seems like Variety wrote all the news, I have one item which no one has reported on. Reese Witherspoon stated at her press conference in Los Cabos, where her film "Wild" premiered in a red carpet gala, that she is talking to Eugenio Derbez ("Instructions Not Included") to make a movie with him. I heard her say it and later spoke of this to Ben Odell (my next blog on Los Cabos features him). Ben (now partners with Eugenio at 3Pas Studios) said, Actually that would be a great idea but they had not spoken about it. However, they are both represented by CAA, so it would seem like a natural and really exciting pairing. After all, aren't "Legally Blond" and "Beverly Hills Chihuahua" the same film? She is certainly on a role as a producer with "Wild" and David Fincher's "Gone Girl" as he is with his U.S. career. The studios are all courting her now, she said. More to come on this...
For all the infrastructure problems of the city in the midst of rebuilding itself, the festival seemed to thrive with all sorts of invitees showing up from all over the world. It seemed like gala events, panels, master classes, coproduction meetings, works in progress, screenings and interviews were constantly taking place. It was a great team and we all felt part of it.
The festival is overseen by the executive board members Eduardo Sánchez Navarro, Alfonso Pascal Barcenas, Scott Cross and Sean Cross (who also founded Vail Film Festival) and is organized by the festival team of Alonso Aguilar (General Director), Alejandra Paulin (General Coordinator) - who was a great market director in Guadajalara before coming here, Maru Garzon (Head of Programming), Ana Molinar Trujillo (Communication Manager), and Monica Herrera (Film Programmer). My friend from Guadalajara, normally an English teacher, Fabian Cruz was also there working for the festival.
When Eduardo Sánchez Navarro Redo remembers how he first came to Los Cabos, there is no doubt in his mind that destiny and luck played an important part. When he married his wife 30 years ago, he decided to travel along the entire Pacific Coast, from Acapulco to Mazatlan, where he crossed over to La Paz eventually driving to Los Cabos. The beauty of the area impressed him and it was during this trip that he and his wife decided to buy a vacation home in Los Cabos, thus beginning a distinguished career as a principal player and developer of what is Los Cabos today. Over the course of more than 20 years, his company, Grupo Questro, has emerged as one of the most highly respected developers in all of Mexico. He, together with Juan Gallardo Thurlow, Scott Cross, and Sean Cross, founded the festival in 2012.
My job as a journalist was to explore and write, hard to do when you are having such fun 24/7. We journalists were all in one hotel where we were given space and time to bond. Travel writers mixed with trade writers: from Film Journal David Noh, whose article is worth sharing here, my colleagues Peter Rainer from NPR and Christian Science Monitor, Anne Thompson from Thompson on Hollywood on Indiewire, Godfrey Cheshire of RogerEbert.com and many others met and mixed. Also Ira Deutchman of Colombia University Film School and Emerging Pictures and Robin Brock of Creative Coalition were there with time to share dinners.
The filmmakers, in another hotel, mixed by day and at the communal lunches and parties. I will write more on them in an upcoming blog! After all, filmmakers are the backbone of our industry. Without them, we have nothing!
The agents, mostly from CAA, were placed in another hotel, luxurious and far away. As someone said, Cabos is like Cannes, only in November. If so, perhaps they were at the Eden Roc in Cap d’Antibes. (Actually they were at Hacienda Beach Club & Residences) CAA has always been an honored part of this festival. I have heard that that is because someone with lots of money from Mexico invests it in cinema through CAA and even started the festival. That is, however, pure conjecture. Under the guidance of CAA agent, Micah Green, people can be assured that the directions he sees and the decisions he makes about investing private individuals' capital into filmed entertainment is priceless. I could think of no one I would trust more --in this untrustworthy business we are in-- than Micah.
At least two other agents – Bec Smith and Rena Ronson from UTA -- were also there. Rena and Micah were on the Film Financing Panel moderated by Variety’s expert in all things Iberoamerican and my idol, John Hopewell. Other participants on the Film Finance Panel were Jonathan King, Evp of Production at Jeff Skoll’s Participant Media whose partnership with Canana formed Participant PanAmerican production fund. “No” by Pablo Lorrain was their first investment. Pp also financed "El Ardor" which played in Cannes and “Cesar Chavez”, directed by Diego Luna. Also on the panel were Mark Musselman of Canada’s 10X2yinc, the exec producer of “Eastern Promises” and most recently of “Remember” by Atom Egoyan which was also produced by Robert Lantos and son, also in Los Cabos. It went into production in 2014 and is tipped for Cannes. Other panelists included Raul Del Alto of Mexico’s Ag Studios (Itaca Films Mexico, Itaca Films USA, Itaca Films Colombia and Itaca Filkms Brazil, and Rena Ronson of UTA who, like Micah Green of CAA focuses on global film finance, distribution and marketing strategies for Independents and co-financed features and is fluent in Spanish because of her long time experience with Latin America.
At one point I looked up and found the European fund chiefs there as well, Laufey Gudjonsdottir from Iceland (where Interstellar was filmed), Katriel Schory from Israel Film Fund and Edith Sepp-Dallas from the Estonian Film Institute. They were there for Bpx. Best Practice Exchange is an initiative that brings together the leaders of film funding agencies from across the world to take part in high-level-workshops – one or two each year – designed to promote new standards of excellence in the provision of public funding for the support of film production, development and distribution. The aim of Bpx is to ensure that policies and procedures adopted by film funding agencies will act together, positively and proactively, to stimulate and sustain practices of international coproduction and cofinancing worldwide.
Triggered by the situation in which filmmaking outside the main production centers of Hollywood and Bollywood now finds itself, Bpx was created by Simon Perry, president of Ace (Ateliers du Cinéma Européen), in collaboration with Katriel Schory, executive director of the Israel Film Fund. It held its first workshop in February 2013 in Israel, and two further workshops in Toronto (September 2013) and Berlin (February 2014) and this was the third! Bravo!
Among the Mexican, Canadian and U.S. films that showed, the winners were as follow:
Mexico First
Mexico First winning film was ¨Llevate mis amores” ("All of Me") by Arturo Gonzalez. The film narrates the story of the generosity of the women of Las Patronas who feed the immigrants who ride La Bestia. The director was awarded a cash Prize of Usd $15,000. This film made me cry. I thought of it again when reading the L.A. Times article about the murder of Adrian Rodriguez and his assistant, Mexican good Samaritans who dedicated their scarce resources to feeding Central American migrants passing by on La Bestia, which is what the women in this movie do. And one of the women was at the festival too.
Los Cabos Competition
The Los Cabos Competition winner was “Güeros” by Alonso Ruizpalacios, also a winner at the Berlinale, Jerusalem Film Festival, Tribeca, Toronto and San Sebastian. Being sold internationally by Mundial, the joint venture of Canana (again!) and Im Global, the film has sold to Kino Lorber for U.S., Cannibal for Mexico, Dreams Hill for Italy, Noori for So. Korea and Maison Motion for Taiwan … "Güeros" is the undeniable triumph of a nouveau director who dares to pay homage the French New Wave on a wild detective hunt through Mexico City. In light of the 43 murdered students, this film, about students on strike, strikes a chord within the watcher. The film´s producer won a Usd $15,000 cash prize.
Work In Progress Mexico
The second Work in Progress Mexico prize was awarded to "Los Herederos," by Jorge Hernandez, a film that describes adolescent effervescence and idleness through a group of friends who spend their vacations adrenaline-seeking through parties, sex and alcohol. The winner received a Usd $10,000 cash prize.
Mexico-usa-canada Co-production Forum
The winner of the first Mexico- USA- Canada Co-production Forum was also announced: "Afronauts" by Frances Bodomo, based on the real life story of the Academia Nacional de Ciencias, Investigación Espacial e Investigación Astronómica of Zambia. Writer- Director Frances Bodomo received a Usd $8,000 cash prize. It also received funding from the Alfred P. Sloan Foundation.
Mexico First: Fox +
In its second year running the México Primero: Fox+ chose one of the films that participated to have its distribution rights pre-bought for the Latin American and Caribbean (Except Brazil) markets. The México Primero: Fox+ prize consists of Usd $40,000 and was awarded to Isaac Ezban´s "El Incidente" ("The Incident"), two M.C. Escher-maze-like parallel stories about characters trapped in illogical endless spaces: two brothers and a detective locked on an infinite staircase, and a family locked on an infinite road… for a very long time. The international sales agent, Shoreline, will be showing the film at Ventana Sur December 3rd at 17:00 at Cinemark 3.
Work In Progress Mexico Fox +
In its second year running as well, Work in Progress México Fox+ selected a participating film to have its distribution rights pre-bought for the Latin American and Caribbean (Except Brazil) markets. The Usd $30,000 prize was awarded to Katina Medina Mora’s "Sabras que hacer conmigo" aka "En Contraluz", produced by Gerardo Gatica and Alberto Muffelmann.
Work In Progress Mexico Chemistry
This Third edition of the Festival also witnessed the first Work In Progress México –Chemistry award. Chemistry post-production studios granted the winner, Jorge Hernandez’s "Los Herederos", $45,000 Usd in color correction services.
Mexico – USA – Canada Splendor Omnia Mantarraya Co-production Forum
On its first year running, the Coproduction Forum Mexico- USA- Canada Splendor Omnia – MANTArraya will be granting a $30,000 Usd equivalent prize worth 40 hours of color correction, 40 hours of sound mixing, as well as a paid stay in Tepoztlan Morelos, site of their studios, to the winner "Afronauts" by Francez Bodomo (U.S.).
The key phrase to understanding Cabo is "Seeing what the neighbors do" as the festival and market connects Canada, U,S, and Mexico in showing of films and exploring coproduction. And the mixing of filmmakers and journalists from all three Americas was exciting in the possibilities it offered to everyone.
As for the hard-core business done there:
Mark Kassen will be directing "Criminal Empire for Dummies" written by Cliff Dorman. Kassen will also be producing the film along with James Gibb of Cutting Edge Group and Greg Hajdarowicz of Gremi Films. The deal took place at the exclusive resort Hacienda Beach Club & Residences and was reported by Variety.
Actor and producer Luis Gerardo Mendez ("Nosotros Los Nobles") signed a representation agreement with Paradigm. Reported by Variety. So I guess Paradigm also sent agents to Los Cabos.
Pat Saperstein of Variety also attended Los Cabos and scooped a story, that “Wolverine Hotel” from director Patricia Chica who was participating in the Coproduction Forum, is closing in on production with a "recent financing commitment from Jean-Guy Després, who will serve as exec producer. The edgy crime thriller is produced by Canada-based Byron Martin. Looking to cast a Latino actor as co-star, Chica met with rising Mexican thesp Luis Gerardo Mendez ('We Are the Nobles') during Afm though he has not yet been attached. 'A Latino star opens up a market', said Martin."
Celebrated producer Monica Lozano announced the launch of Alebrije Distribución. She has had her hand in 23 productions since her first film, "Amores Perros". "Instructions Not Included" the Us$ 5.5 million film that grossed Us$ 100 million worldwide was also her production. With this Pan-American initiative, the company will acquire distribution rights for the Latin and North American markets. Reported by Variety again!! You would think John was the only real reporter there. Pinske should be proud of him! Most of us got no scoops, but then, I guess we have to prove ourselves worthy - which I am not because at heart, I am not a reporter hunting for news, but rather a gatherer of information and a writer.
Speaking of Monica Lozano, the Germany-based international sales agent, Media Luna, acquired world rights to Internet Junkie, directed by Alexander Katzowicz and produced by Monica Lozano. Variety reports on this again!
"Yamaha 300", a participating project of the 1st Mexico – USA- Canada Coproduction Forum, produced by Valerium Arts (Mayra Espinosa y Jorge Michel Grau, producer and writer-director of the horror hit "Somos lo que hay" respectively, and Grau, the writer of the remake "We Are What We Are") and Uncorked Productions (Andrew Corkin, the producer of the horror film "What We Were"), will be one of the first projects to receive the development stage and postproduction support offered by The Good Film Fund, an initiative of Media Darling (Amy Darling) and The Chatanooga Film Festival. See Variety.
New York producer Dodgeville Films ("To Be Takei") will be joining Varios Lobos in Mexico to produce "Ya no estoy aquí", Fernando Frias’s second film, which was also a winner during Gabriel Figueroa Film Fund second edition. This film in the Coproduction Forum was reported on in Variety.
"Siete Horas" ("Seven Hours"), one of the winning projects of the second Gabriel Figueroa Film Fund edition, which will be directed by Chema Rodriguez and produced by Francisco Vargas, the renowned director of the film "El violin", made an alliance with the Spanish production companies Sin un Duro and Noodles Prods to co-produce the project. (Variety)
CineTren closed deals to handle Latin American distribution for Spring, a Justin Benson and Aaron Moorhead film, whose Latin American Premiere was held at Los Cabos International Film Festival. Negotiations between Nate Bolotin and Marie Katz fromLos Angeles-based Xyz and Manuel Garcia from CineTren, took place at the Hotel Grand Solmar. Next time, I'll have to visit all the hotels!! See Variety article.
BH5 Group, which participates in the executive production of "Remember" by Atom Egoyan, will be working with Alonso Ruizpalacios, director of Güeros, in his second movie: Museo, a project that participated in the Ist Mexico- USA- Canada Co-production Forum. Even though Variety wrote about this, my blog on the three year old conglomerate of companies, BH5, was more complete:
BH5 Group Makes a Splash with Three Impressive Films at Los Cabos Int'l Film Fest
BH5, a conglomerate of five formerly independent production companies all run by various friends from the same film school, will be working the international markets much more. Besides the Toronto hit, Jodorowsky's "Dance of Reality", they are working with larger companies like Pathe now. Their work in progress, "You Will Know What To Do With Me" ("Sabras que hacer conmigo" aka "En Contraluz") which just won the The Usd $30,000 prize of Fox+, is seeking an international sales agent.
"Entrevero" by Max Zunino, also winner of the Gabriel Figueroa Film Fund second edition, was selected in the development project category by Ibermedia. See Variety.
And though Colombian Ciro Guerra, whose "The Wind Journeys" was produced by our German friends Roman Paul and Gerhard Meixner at Razor Film Production and by Burning Blue's prolific Diana Bustamente -- who is now also heading the Carthagena Film Festival -- showed in 2009 Cannes Un Certain Regard and was sold by Paris’ Elle Driver to 19 countries including Film Movement for U.S., announced to Variety's John Hopewell that his next film, "Embrace of the Serpent" will star U.S. actor Brionne Davis (“Savaged”) and Belgium’s Jan Bijvoet, the lead in Cannes Competition entry “Borgman” a really creepy dark comedy, he did not discuss his next project "Taganga" in the Coproduction Forum. "Taganga" is about a fisherman from a small village by the Colombian coast where many foreign-owned scuba diving centers have been established. A new law requiring local fisherman to change the motors of their boats forces him to earn quick money, so he chooses to dynamite to fish. The owner of the largest scuba diving center opposes this use of explosives. When the fisherman receives a death threat if he continues the dynamiting of fish, he assumes the center's owner is behind the threat. In order to prove it, he begins a series of fateful actions.
Finally, while it seems like Variety wrote all the news, I have one item which no one has reported on. Reese Witherspoon stated at her press conference in Los Cabos, where her film "Wild" premiered in a red carpet gala, that she is talking to Eugenio Derbez ("Instructions Not Included") to make a movie with him. I heard her say it and later spoke of this to Ben Odell (my next blog on Los Cabos features him). Ben (now partners with Eugenio at 3Pas Studios) said, Actually that would be a great idea but they had not spoken about it. However, they are both represented by CAA, so it would seem like a natural and really exciting pairing. After all, aren't "Legally Blond" and "Beverly Hills Chihuahua" the same film? She is certainly on a role as a producer with "Wild" and David Fincher's "Gone Girl" as he is with his U.S. career. The studios are all courting her now, she said. More to come on this...
- 12/1/2014
- by Sydney Levine
- Sydney's Buzz
Los Cabos International Film Festival will offer, within its industry activities, a total of Usd $227,000 to support projects from Mexico, the U.S.A. and Canada.
In its Third Edition, in an effort to contribute the development and consolidation of the North American film industry, presents as part of its industry activities, the first Mexico-usa-Canada Co-production Forum .
Los Cabos Film Festival , announces the 13 participant projects in the Forum:
Afronauts by Frances Bodomo (USA). Coward by Boris Rodriguez, an Anne Marie Gélinas production (Canada). The Other Tom by Rodrigo Plá, a Sandino Saravia production (Mexico). First Match by Olivia Newman, a Veronica Nickel and Chanelle Elaine production (USA). Away from Meaning by Olivia Luengas Magaña, a Vanessa Romo Gutiérrez production (Mexico). Butterfly by Maria Saakya, a Jeff Kalousdian production (USA). Museum by Alonso Ruizpalacios, a Manuel Alcalá and Alberto Muffelman production (Mexico). Permanent by Colette Burson, a Haroula Rose and Joshua Blum production (USA). Taganga by Ciro Guerra, a Katrin Pors and Serge Noel production (Canada- Colombia). Wolverine Hotel by Patricia Chica, a Byron A. Martin production (Canada). X Quinientos by Juan Andrés Arango, a Edher Campos and Yanick Letourneau production (Canada- Mexico- Colombia). I’m No Longer Here by Fernando Frías, a Gerry Kim and Mayuran Tiruchelvam production (Mexico- USA). Yamaha 300 by Jorge Michel Grau, a Mayra Espinosa Castro production (Mexico - USA). Representatives from each project will have access to a series of one-to-one meetings with key members of the international film industry and potential co-producers.
The Co-production Forum Jury, composed of Fabien Westerhoff , Sales and Distribution Director at WestEnd Films (UK), Nick Ogiony , Sales Agent at Creative Artists Agency (USA) and Lyse Lafontaine , renowned Canadian producer, will announce the winning project at the Festival, which will receive a cash prize of Usd $8,000.
Also, the recognized studios Splendor - Omnia Mantarraya will award a prize valued at Usd$30,000 to one of the participating projects, consisting of a 40 hours of color correction, 40 hours of sound mixing, accommodation and food for two people in Tepoztlán, Mexico.
Supporting the completion of Mexican feature or documentary films in post-production stage, Los Cabos Film Festival has announced the six films participating in the second Work In Progress Mexico :
El charro de Toluquilla by José Villalobos Romero, a Sergio Adrián Morkin and José Villalobos Romero production. Charity by Marcelino Islas Hernández, a Santiago García Galván production. Heirs by Jorge Hernández Aldana, a Michel Franco production. Light Feet by Juan Carlos Núñez, a Henry Lesperance Álvarez production. You Will Know what to Do with Me by Katina Medina Mora, a Gerardo Gatica and Alberto Muffelmann production. Holy Days by Alejandra Márquez Abella, a Nicolás Celis and Sebastián Celis production.
Jaie Laplante, Director of the Miami International Film Festival (USA), Nicole Mackey, Vice President of sales agency Fortissimo Films (UK), and Nate Bolotin, Xyz Films cofounder (USA), as members of the Work In Progress Mexico Jury, will evaluate six films that compete for a cash prize of Usd$10,000 .
The TV station Fox+ will also award a prize of Usd $30,000 to one of the participating films (the equivalent to the anticipated purchase of broadcast rights for Latin America and the Caribbean, excluding Brazil through the channel’s windows). And the outstanding post-production company Chemistry will award a prize worth Usd $45,000 consisting of 80 hours of color correction, 40 hours of conform and digital mastering, and packaging in Dcp.
In addition, the two winning films of the Post-production Gabriel Figueroa Film Fund , each received from Labodigital’s Usd $52,000 in post-production services. These two films will also be part of the Work In Progress Mexico selection.
In its Third Edition, in an effort to contribute the development and consolidation of the North American film industry, presents as part of its industry activities, the first Mexico-usa-Canada Co-production Forum .
Los Cabos Film Festival , announces the 13 participant projects in the Forum:
Afronauts by Frances Bodomo (USA). Coward by Boris Rodriguez, an Anne Marie Gélinas production (Canada). The Other Tom by Rodrigo Plá, a Sandino Saravia production (Mexico). First Match by Olivia Newman, a Veronica Nickel and Chanelle Elaine production (USA). Away from Meaning by Olivia Luengas Magaña, a Vanessa Romo Gutiérrez production (Mexico). Butterfly by Maria Saakya, a Jeff Kalousdian production (USA). Museum by Alonso Ruizpalacios, a Manuel Alcalá and Alberto Muffelman production (Mexico). Permanent by Colette Burson, a Haroula Rose and Joshua Blum production (USA). Taganga by Ciro Guerra, a Katrin Pors and Serge Noel production (Canada- Colombia). Wolverine Hotel by Patricia Chica, a Byron A. Martin production (Canada). X Quinientos by Juan Andrés Arango, a Edher Campos and Yanick Letourneau production (Canada- Mexico- Colombia). I’m No Longer Here by Fernando Frías, a Gerry Kim and Mayuran Tiruchelvam production (Mexico- USA). Yamaha 300 by Jorge Michel Grau, a Mayra Espinosa Castro production (Mexico - USA). Representatives from each project will have access to a series of one-to-one meetings with key members of the international film industry and potential co-producers.
The Co-production Forum Jury, composed of Fabien Westerhoff , Sales and Distribution Director at WestEnd Films (UK), Nick Ogiony , Sales Agent at Creative Artists Agency (USA) and Lyse Lafontaine , renowned Canadian producer, will announce the winning project at the Festival, which will receive a cash prize of Usd $8,000.
Also, the recognized studios Splendor - Omnia Mantarraya will award a prize valued at Usd$30,000 to one of the participating projects, consisting of a 40 hours of color correction, 40 hours of sound mixing, accommodation and food for two people in Tepoztlán, Mexico.
Supporting the completion of Mexican feature or documentary films in post-production stage, Los Cabos Film Festival has announced the six films participating in the second Work In Progress Mexico :
El charro de Toluquilla by José Villalobos Romero, a Sergio Adrián Morkin and José Villalobos Romero production. Charity by Marcelino Islas Hernández, a Santiago García Galván production. Heirs by Jorge Hernández Aldana, a Michel Franco production. Light Feet by Juan Carlos Núñez, a Henry Lesperance Álvarez production. You Will Know what to Do with Me by Katina Medina Mora, a Gerardo Gatica and Alberto Muffelmann production. Holy Days by Alejandra Márquez Abella, a Nicolás Celis and Sebastián Celis production.
Jaie Laplante, Director of the Miami International Film Festival (USA), Nicole Mackey, Vice President of sales agency Fortissimo Films (UK), and Nate Bolotin, Xyz Films cofounder (USA), as members of the Work In Progress Mexico Jury, will evaluate six films that compete for a cash prize of Usd$10,000 .
The TV station Fox+ will also award a prize of Usd $30,000 to one of the participating films (the equivalent to the anticipated purchase of broadcast rights for Latin America and the Caribbean, excluding Brazil through the channel’s windows). And the outstanding post-production company Chemistry will award a prize worth Usd $45,000 consisting of 80 hours of color correction, 40 hours of conform and digital mastering, and packaging in Dcp.
In addition, the two winning films of the Post-production Gabriel Figueroa Film Fund , each received from Labodigital’s Usd $52,000 in post-production services. These two films will also be part of the Work In Progress Mexico selection.
- 10/23/2014
- by Sydney Levine
- Sydney's Buzz
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