One of the many exciting things that bands get to do is the tour the world and India’s fabulous four Sanam, recently gave a concert in Israel. In case you are still wondering who exactly Sanam are: they are a four-piece band consisting of brothers Sanam (lead vocalist) and Samar Puri (lead guitarist), bass guitarist Venky S and drummer Keshav Dhanraj. The band releases their melodious songs at their YouTube channel, which has an extremely strong fan base of 2.7 million fans and counting! They regularly release their original compositions, as well as recreations of retro and modern hits, plus regional songs too.
As well as performing in their home country India, Sanam have been touring internationally and have performed in various locations such as Rotterdam, Trinidad and more recently Israel. They are taking their love for music, on an international level, and this is a very exciting new phase for them!
As well as performing in their home country India, Sanam have been touring internationally and have performed in various locations such as Rotterdam, Trinidad and more recently Israel. They are taking their love for music, on an international level, and this is a very exciting new phase for them!
- 11/8/2017
- by Jem Raj
- Bollyspice
53rd Antalya International Film Festival in Turkey Announces Winners of its Golden Orange Award“Clair-Obscur” by Turkish director Yeşim Ustaoğlu wins International Competition for Best Picture, Best Director and Best Actress. In the National Competition, it wins Best Actress while “Blue Bicycle” wins for Best Picture, Best Director and Best Screenplay. “My Father’s Wings” Wins Audience Award for Best Film and National Competition Awards for Best First Feature, Best Actor and the Dr. Avni Tolunay Special Jury Award for Sound Design.
The 53rd International Antalya Film Festival, co-hosted by the Mayor of Antalya Metropolitan Municipality and Festival President, Menderes Türel, and Elif Dağdeviren, the Festival’s Director, is a festival which is weathering the storms hitting Turkey. Just months after an attempted government coup, Turkey is a country increasingly involved in the long war in neighboring Syria; it has been the target of several recent terrorist attacks which scare...
The 53rd International Antalya Film Festival, co-hosted by the Mayor of Antalya Metropolitan Municipality and Festival President, Menderes Türel, and Elif Dağdeviren, the Festival’s Director, is a festival which is weathering the storms hitting Turkey. Just months after an attempted government coup, Turkey is a country increasingly involved in the long war in neighboring Syria; it has been the target of several recent terrorist attacks which scare...
- 10/24/2016
- by Sydney Levine
- Sydney's Buzz
The drama marks the country’s first submission to be filmed entirely in Arabic.
Elite Zexer’s Arabic-language drama Sand Storm will represent Israel in this year’s race to the Best Foreign Language Film Oscar.
The film triumphed at the country’s Ophir Awards ceremony last week – Israel’s equivalent of the Oscars – taking the Best Film prize, which automatically enters it for the 2017 Academy Awards.
It marks the first time that an entirely Arabic-language film has picked up the award.
Sand Storm premiered at Sundance in January. It follows two women from the nomadic Bedouin ethnic group.
No Israeli film has ever won the Academy Award for Best Foreign Language Film, despite five nominations.
At last week’s Ophir Awards, controversial culture minister Miri Regev caused a stir by leaving the ceremony when Arab-Israeli actor Tamer Nafar appeared on stage with Jewish performer Yossi Tzaberi to perform a poem written by a Palestinian poet, as...
Elite Zexer’s Arabic-language drama Sand Storm will represent Israel in this year’s race to the Best Foreign Language Film Oscar.
The film triumphed at the country’s Ophir Awards ceremony last week – Israel’s equivalent of the Oscars – taking the Best Film prize, which automatically enters it for the 2017 Academy Awards.
It marks the first time that an entirely Arabic-language film has picked up the award.
Sand Storm premiered at Sundance in January. It follows two women from the nomadic Bedouin ethnic group.
No Israeli film has ever won the Academy Award for Best Foreign Language Film, despite five nominations.
At last week’s Ophir Awards, controversial culture minister Miri Regev caused a stir by leaving the ceremony when Arab-Israeli actor Tamer Nafar appeared on stage with Jewish performer Yossi Tzaberi to perform a poem written by a Palestinian poet, as...
- 9/26/2016
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
The drama marks the country’s first submission to be filmed entirely in Arabic.
Elite Zexer’s Arabic-language drama Sand Storm will represent Israel in this year’s race to the Best Foreign Language Film Oscar.
The film triumphed at the country’s Ophir Awards ceremony last week – Israel’s equivalent of the Oscars – taking the Best Film prize, which automatically enters it for the 2017 Academy Awards.
It marks the first time that an entirely Arabic-language film has picked up the award.
Sand Storm premiered at Sundance in January. It follows two women from the nomadic Bedouin ethnic group.
No Israeli film has ever won the Academy Award for Best Foreign Language Film, despite five nominations.
At last week’s Ophir Awards, controversial culture minister Miri Regev caused a stir by leaving the ceremony when Arab-Israeli actor Tamer Nafar appeared on stage with Jewish performer Yossi Tzaberi to perform a poem written by a Palestinian poet, as...
Elite Zexer’s Arabic-language drama Sand Storm will represent Israel in this year’s race to the Best Foreign Language Film Oscar.
The film triumphed at the country’s Ophir Awards ceremony last week – Israel’s equivalent of the Oscars – taking the Best Film prize, which automatically enters it for the 2017 Academy Awards.
It marks the first time that an entirely Arabic-language film has picked up the award.
Sand Storm premiered at Sundance in January. It follows two women from the nomadic Bedouin ethnic group.
No Israeli film has ever won the Academy Award for Best Foreign Language Film, despite five nominations.
At last week’s Ophir Awards, controversial culture minister Miri Regev caused a stir by leaving the ceremony when Arab-Israeli actor Tamer Nafar appeared on stage with Jewish performer Yossi Tzaberi to perform a poem written by a Palestinian poet, as...
- 9/26/2016
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Chicago International Film Festival 2016’s “After Dark” Lineup Includes The Autopsy Of Jane Doe, Raw
The Chicago International Film Festival 2016 announced its full lineup, and it includes Julia Ducournau's Raw, the previously announced 4K restoration of Henry: Portrait of a Serial Killer, The Eyes of My Mother, and The Autopsy of Jane Doe, starring Brian Cox and Emile Hirsch.
Press Release: Chicago (September 13, 2016) The Chicago International Film Festival today announces Opening and Closing Night selections, as well as the full slate of films included in the Festival’s U.S. Indies, Spotlight: Musicals and After Dark categories. Chicago will play host to gala screenings of Damien Chazelle’s La La Land and Denis Villeneuve’s Arrival as respective bookends to the 52nd Festival, opening on October 13th and closing on October 27th. A full list of these newly announced programs is below and at www.chicagofilmfestival.com. Tickets for these events and all film screenings go on sale September 21st for Cinema/Chicago members...
Press Release: Chicago (September 13, 2016) The Chicago International Film Festival today announces Opening and Closing Night selections, as well as the full slate of films included in the Festival’s U.S. Indies, Spotlight: Musicals and After Dark categories. Chicago will play host to gala screenings of Damien Chazelle’s La La Land and Denis Villeneuve’s Arrival as respective bookends to the 52nd Festival, opening on October 13th and closing on October 27th. A full list of these newly announced programs is below and at www.chicagofilmfestival.com. Tickets for these events and all film screenings go on sale September 21st for Cinema/Chicago members...
- 9/21/2016
- by Tamika Jones
- DailyDead
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– IFC Films has acquired U.S. rights to Justin Kelly’s “King Cobra.” The film, written and directed by Kelly, stars James Franco, Christian Slater, Garrett Clayton, Keegan Allen, Alicia Silverstone and Molly Ringwald. It had its world premiere in the Midnight section of the 2016 Tribeca Film Festival.
The film “centers on Sean Lockhart – seventeen and boyishly handsome – who dreams of fame and success even though he’s broke and without direction. When he meets the seemingly conservative Stephen, founder of Cobra Video, he starts to perform in gay porn under the moniker ‘Brent Corrigan,’ creating a slew of wildly successful videos during which he blossoms from a naïve young man into a confident sex symbol. When rival porn producers Joe,...
– IFC Films has acquired U.S. rights to Justin Kelly’s “King Cobra.” The film, written and directed by Kelly, stars James Franco, Christian Slater, Garrett Clayton, Keegan Allen, Alicia Silverstone and Molly Ringwald. It had its world premiere in the Midnight section of the 2016 Tribeca Film Festival.
The film “centers on Sean Lockhart – seventeen and boyishly handsome – who dreams of fame and success even though he’s broke and without direction. When he meets the seemingly conservative Stephen, founder of Cobra Video, he starts to perform in gay porn under the moniker ‘Brent Corrigan,’ creating a slew of wildly successful videos during which he blossoms from a naïve young man into a confident sex symbol. When rival porn producers Joe,...
- 7/22/2016
- by Kate Erbland
- Indiewire
The Orchard has acquired all North American rights to Junction 48, director Udi Aloni's film inspired by Palestinian rapper Tamer Nafar, who stars as Kareem, a rapper who leads an aimless life between odd jobs and hanging out with his buddies in a crime-ridden Arab ghetto of the mixed city of Lyd. Junction 48 won the Panorama Audience Award at the 2016 Berlin International Film Festival and Best International Narrative Feature at the 2016 Tribeca Film Festival. The film…...
- 7/22/2016
- Deadline
We of the liberal West like our stories of foreign conflict clean and straightforward, with discernible messages that reinforce ideals. We look at the relationship between Israel and Palestine in chiaroscuro lighting, content to view the Palestinians as either a repressed and battered minority, or a cadre of terrorists and thugs. Udi Aloni’s latest film, Junction 48 puts us all to shame.
The movie, which won the Best International Narrative Feature Award at the Tribeca Film Festival last week, cuts down Western notions of the good and the bad, cleaving its way through concepts of villainous Israelis, repressed Palestinians, violent Arabs, or wronged Jews. It tells a story about a multifaceted, complex culture coming out of the wastelands of violence, intolerance, and confused conflict.
Junction 48 is set in the town of Lyd (or Lod, or Lydda), a small city not far from the Tel Aviv International Airport. It...
The movie, which won the Best International Narrative Feature Award at the Tribeca Film Festival last week, cuts down Western notions of the good and the bad, cleaving its way through concepts of villainous Israelis, repressed Palestinians, violent Arabs, or wronged Jews. It tells a story about a multifaceted, complex culture coming out of the wastelands of violence, intolerance, and confused conflict.
Junction 48 is set in the town of Lyd (or Lod, or Lydda), a small city not far from the Tel Aviv International Airport. It...
- 4/28/2016
- by Lauren Humphries-Brooks
- We Got This Covered
Udi Aloni’s Tribeca Film Festival pic Junction 48 has its U.S. premiere Friday night after an industry screening the morning before for buyers and press. The Israeli pic, which won the audience award in the Panorama section at Berlin this year, has serious indie cred: it was co-written by Oren Moverman who exec produced with James Schamus. The movie stars Tamer Nafar, a Palestinian rapper who fronts the group Dam. The film is inspired by his life and he co-wrote the…...
- 4/12/2016
- Deadline
Co-written by Arabic language hip hop star Tamer Nafar and The Messenger writer-director Oren Moverman and loosely based on Nafar's own experiences, Udi Aloni's Junction 48 blew audiences away when it premiered in Berlin - winning the audience award in the process - and with the film now about to have its Us bow in Tribeca we've tracked down the trailer for its impending Israeli theatrical release. Here's how Tribeca describes it: “My songs aren’t political, they just describe the place I come from.” Aspiring rapper Kareem (Tamer Nafar), the central character in Udi Aloni’s Junction 48, infuses his every action with music: from meeting friends and family dinners to video chats with his girlfriend Manar (Samar Qupty). After a car wreck kills his father...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 4/7/2016
- Screen Anarchy
This year we are seeing many films from Mena, that is an acronym for the Middle East and North Africa. More commonly called “Arab” cinema, (though the term is inaccurate because several countries in the region are not actually “Arab”) the films of this region are winning many awards and garnering much interest worldwide.
More than 10 Arab films participated in the Berlinale’s Forum and Forum Expanded programs this year, in addition to the ones which participated in the Official Competition (“Inhebek Hedi”/ “Hedi” from Tunisia and “A Dragon Arrives!” by Mani Haghighi from Iran). This makes an especially remarkable year for Arab cinema’s presence in Berlin.
The Forum focus on Arab cinema, represented with films from Egypt, Palestine, Lebanon, Syria and Saudi Arabia highlights mostly young directors whose works explore both the past and present of their homelands.
The films included: “A Magical Substance Flows into Me” by artist Jumana Manna (Palestine), “Akher ayam el madina”/ “In the Last Days of the City” (Egypt) by Tamer El Said (international sales by Still Moving), documentary “Makhdoumin”/ “A Maid for Each” (Lebanon) by Maher Abi Samra (Isa: Docs & Film), “Barakah yoqabil Barakah”/ “Barakah Meets Barakah” (Saudi Arabia) by Mahmoud Sabbagh and Manazil (Isa: Mpm), “Bela abwab”/ “Houses without Doors” by Syrian-Armenian director Avo Kaprealian. Of course the 46th Berlinale Forum also screens films from European, Latin American and Asian directors.
The Tunisian film in Competition “Inhebek Hedi”/ “Hedi” by Mohamed Ben Attia, won the Best First Feature Award and its leading man, Majd Mastoura, received the prestigious Silver Bear for Best Actor for his role as Hedi. Attia’s debut feature film is a thoughtful love story about identity and independence in Tunisian society. It is being sold internationally by Luxbox.
Palestinian director Mahdi Fleifel won the Silver Bear Jury Prize for Short Film for “ A Man Returned”, a 30-minute portrayal of a young refugee struggling to make a life for himself in Lebanon’s Ain El-Helweh camp, being sold internationally by 3.14 Collectif. He previously made an award-winning documentary about his own experience as a refugee. The short film was also selected as the Berlin Short Film Nominee for the European Film Awards.
The Ecumenical Jury awarded the Forum Prize to Saudi filmmaker Mahmoud Sabbagh for his well-received romantic comedy “Barakah Yoqabil Barakah”/ “Barakah Meets Barakah”, a social commentary on the lives of young people in Saudi Arabia. It shared the prize with Danish production “Les Sauteurs”/ “Those Who Jump” – a film that also highlights the plight of Europe-bound refugees.
Egyptian filmmaker Tamer El-Said’s feature film “Akher Ayam El-Madina”/ “In the Last Days of the City” won the Caligari Film Prize. The film looks at a young filmmaker’s struggle to complete a film about Cairo. It was the only Egyptian film to participate in the 2016 Berlinale Forum.
Lebanese filmmaker Maher Abi Samra’s documentary “Makhdoumin”/ “A Maid for Each”, a look at the legal system that controls the lives of Lebanon’s foreign domestic workers, won the Peace Film Prize.
“Zinzana”/ “Rattle the Cage” director, Majid al Ansari, from the Arab Emirates, was honored with Variety’s Mid-East Filmmaker of the Year Award at the Berlinale. The film is the first genre movie of its kind produced in the UAE. It was financed and produced by Abu Dhabi’s ImageNation. It is repped for Us by Cinetic and international sales are by Im Global.
Projects “Mawlana”, based on Ibrahim Issa’s best-selling novel and shortlisted for the Arabic Booker Prize and director’s Mohamed Yassein’s “Wedding Song” based on Naguib Mahfouz’s novel, the Nobel Prize Winner for Literature were being promoted at the Arab Cinema Center at the Market. Reflecting a decadent Egypt from the 1970s, “Wedding Song” is one of the largest TV productions in the Arab World in 2016.
“Theeb”, a Jordanian Epic about Bedouins, is the Academy Award nomination for Best Foreign Language Film. It played in Venice. International sales agent Fortissimo has licensed it to Film Movement for U.S., ABC for Benelux, New Wave for U.K., As Fidalgo for Norway, Jiff for Australia, trigon-film for Switzerland. Mad Solutions is handling the Middle East. “Ave Maria” a 14-minute Palestine satirical short is the Academy Award nomination for Best Short Fiction and is being sold internationally by Ouat Media. “ The Idol” (Palestine) played Tiff 2015 and other top fests and has sold widely throughout the world through Canada-based international sales agent Seville. Not since Elia Suleiman won the Grand Jury Prize at the 2002 Cannes Film Festival for “Divine Intervention” has a Palestinian film director made as much of an impact as “The Idol” director Hany Abu-Assad whose “Paradise Now” and “Omar” both went to the Academy Awards.
Kudos for much of the success of Arab cinema go to Mad Solutions, the Cairo, Abu Dhabi and New York based marketing and distribution company for its marketing and social media strategies as well as its release of “Theeb”, “Zinzana” and “Ave Maria”. It also helped create the Arab Cinema Center which was launched last year at the Berlinale and Efm.
In all, 20 Mena films played in the Festival and Market this year.
And what of that other small country in the region called Israel (and/ or Palestine) which is not included in the term Mena? While Israeli films that showed in Berlin received international praise, they will never show in any of the Arab countries and are sometimes boycotted by international film festivals who succumb to censorship tactics.
Most of the larger Israeli features go to Cannes, Venice and Toronto; “Afterthought” went to Cannes, “Mountain” to Venice, “Barash” to San Sebastian”, “Wedding Doll” to London and “A.K.A. Nadia” to Talinn Black Nights Film Festival. In Berlin many are screened as German Premieres.
What Israeli films have won acclaim lately? Is it possible that our hero, Katriel Schory, head of the Israel Film Fund, whose stand for true art has earned him Israeli government censure at home (A prophet is never honored in his own land) and fame abroad with new countries striving to create national cinema, is being eclipsed by the growth of “Arab” cinema?
“Sandstorm” directed by Elite Zexer (international sales by Beta) made its way to Panorama from its world premiere in Sundance where it won the Best Actress Award for Palestinian actress Lamis Ammar’s portrayal of a young Bedouin woman forced to choose between modern freedom or traditional societal strictures within an arranged marriage.
Panorama also screened “Junction 48” (international sales by The Match Factory) which received international praise and audience acclaim. The Israeli-Palestinian hip-hop movie by Israeli-American filmmaker, Udi Aloni, was supported by the Israel-based Rabinovich Foundation. The story is about Kareem who lives in a mixed Jewish-Arab crime-ridden ghetto outside Tel Aviv. He deals drugs and lives dangerously until he discovers hip-hop and decides to express his life as a Palestinian youth along with young singer Manar. Palestinian and Israeli musicians drive this music movie and for Aloni, just seeing the film made, and then shown at the Berlin Film Festival proves its success.
“Suddenly a group of people just choose to make a film and the film is extremely professional. It’s very important that this bi-national energy can create high quality stuff, the high quality is almost the symbol of the resistance. We should not even have to tell the story about the issue. The fact that we could create it is amazing,” Aloni told Euronews.
Thirty-seven-year-old Arab-Israeli rapper Tamer Nafar plays the lead role, and has known the 56-year-old Aloni for some time. “We have been on the same demonstrations, in the parties since 2000, so we live in each other’s world. He has been to my concerts many times, he directed a video clip, I was in his movies as a producer a few times. It’s not about an old generation and new generation, it’s just about creating the right generation,” he said. “He has that gift of being a good story teller and director but he gives us the stage, no, he doesn’t give us a stage, we are building a stage together… he has his own perspective but we are all on the same level,” said actress Samar Qupty. The struggle for equal rights for Palestinians or Arab Israelis inside Israel is at its crux.
Panorama Documents screened “Who’s Gonna Love Me Now?” directed by Tomer Haymann and Barak Heymann co-directed by Alexander Bodin Saphir and being sold by Austria’s Autlook. Forum showed “ Inertia” by Idan Haguel being sold by Oration Films’ Timothy O’Brian of the U.S., and “Between Fences” by Avi Mograbi, being sold by Docs & Film’s Daniela Elstner of France. Culinary Cinema showed “Café Nagler” by Mor Kaplansky and Yariv Barel is being sold internationally by Go2Films.
Teddy 30 (the retrospective of Teddy Award winners over the past 30 years) honored Dan Wolman’s 1979 film “Hide and Seek”/ “Machboim”. Berlinale Shorts screened Rotem Murat’s “Winds Junction” from Sapir College which also holds international rights; Generation 14 Plus screened “Mushkie” by Aleeza Chanowitz from the Jerusalem San Spiegel Film School, being sold by Cinephil. Seven other films were sold in the market by various sales agents.
One of the very special events I attended at the Berlinale this year was the Shabbat Dinner, held the first Friday in the Festival and hosted by Nicola Galliner, Founder and Force of the Berlin Jewish Film Festival. There was a table full of Jews: the new Director of the Jerusalem Film Festival, Noa Regev, PhD; Jay Rosenblatt, Program Director of San Francisco’sJewish Film Institute and its former Director, Peter Stein, now the Senior Programmer of Frameline, San Francisco’s Lgbtq Film Festival; Judy Ironside, the Founder and President of UK Jewish Film and of the sixth edition of the Geneva and Zurich Jewish Film Festivals, the new young director of the Boston Jewish Film Festival, Ariana Cohen-Halberstam who recently moved from the New York Jcc to Boston, the prolific Israeli director, filmmaker Dan Wolman whose new film will soon be out and whose 1979 film “Hide and Seek”/ “Machboim” was part of the Teddy 30th Anniversary Retrospective held by the Berlinale Panorama.
Talk was about films, about politics including gender politics, about our concerns, (we Jews are better worriers than warriors) and just plain gossip.
Now if my readers will excuse my interjecting myself into this article:
It is my opinion that the region of the world called the Middle East, and the three major monotheistic religions of the world whose origin is there had better learn to do more than merely co-exist peacefully if we are to see peaceful and fruitful consequences which will set the world back upon its proper axis.
Art breaks down borders; it is subversive rather than observant of the exigencies of ever changing governments. It creates new perspectives and breaks down old ways of seeing. What I call “Cinema” is Art. Other movies may simply entertain and not aspire to more or they may propagate dogmas, but Art serves no master; it is not tethered; it is freedom of expression which should be honored with freedom to travel.
More than 10 Arab films participated in the Berlinale’s Forum and Forum Expanded programs this year, in addition to the ones which participated in the Official Competition (“Inhebek Hedi”/ “Hedi” from Tunisia and “A Dragon Arrives!” by Mani Haghighi from Iran). This makes an especially remarkable year for Arab cinema’s presence in Berlin.
The Forum focus on Arab cinema, represented with films from Egypt, Palestine, Lebanon, Syria and Saudi Arabia highlights mostly young directors whose works explore both the past and present of their homelands.
The films included: “A Magical Substance Flows into Me” by artist Jumana Manna (Palestine), “Akher ayam el madina”/ “In the Last Days of the City” (Egypt) by Tamer El Said (international sales by Still Moving), documentary “Makhdoumin”/ “A Maid for Each” (Lebanon) by Maher Abi Samra (Isa: Docs & Film), “Barakah yoqabil Barakah”/ “Barakah Meets Barakah” (Saudi Arabia) by Mahmoud Sabbagh and Manazil (Isa: Mpm), “Bela abwab”/ “Houses without Doors” by Syrian-Armenian director Avo Kaprealian. Of course the 46th Berlinale Forum also screens films from European, Latin American and Asian directors.
The Tunisian film in Competition “Inhebek Hedi”/ “Hedi” by Mohamed Ben Attia, won the Best First Feature Award and its leading man, Majd Mastoura, received the prestigious Silver Bear for Best Actor for his role as Hedi. Attia’s debut feature film is a thoughtful love story about identity and independence in Tunisian society. It is being sold internationally by Luxbox.
Palestinian director Mahdi Fleifel won the Silver Bear Jury Prize for Short Film for “ A Man Returned”, a 30-minute portrayal of a young refugee struggling to make a life for himself in Lebanon’s Ain El-Helweh camp, being sold internationally by 3.14 Collectif. He previously made an award-winning documentary about his own experience as a refugee. The short film was also selected as the Berlin Short Film Nominee for the European Film Awards.
The Ecumenical Jury awarded the Forum Prize to Saudi filmmaker Mahmoud Sabbagh for his well-received romantic comedy “Barakah Yoqabil Barakah”/ “Barakah Meets Barakah”, a social commentary on the lives of young people in Saudi Arabia. It shared the prize with Danish production “Les Sauteurs”/ “Those Who Jump” – a film that also highlights the plight of Europe-bound refugees.
Egyptian filmmaker Tamer El-Said’s feature film “Akher Ayam El-Madina”/ “In the Last Days of the City” won the Caligari Film Prize. The film looks at a young filmmaker’s struggle to complete a film about Cairo. It was the only Egyptian film to participate in the 2016 Berlinale Forum.
Lebanese filmmaker Maher Abi Samra’s documentary “Makhdoumin”/ “A Maid for Each”, a look at the legal system that controls the lives of Lebanon’s foreign domestic workers, won the Peace Film Prize.
“Zinzana”/ “Rattle the Cage” director, Majid al Ansari, from the Arab Emirates, was honored with Variety’s Mid-East Filmmaker of the Year Award at the Berlinale. The film is the first genre movie of its kind produced in the UAE. It was financed and produced by Abu Dhabi’s ImageNation. It is repped for Us by Cinetic and international sales are by Im Global.
Projects “Mawlana”, based on Ibrahim Issa’s best-selling novel and shortlisted for the Arabic Booker Prize and director’s Mohamed Yassein’s “Wedding Song” based on Naguib Mahfouz’s novel, the Nobel Prize Winner for Literature were being promoted at the Arab Cinema Center at the Market. Reflecting a decadent Egypt from the 1970s, “Wedding Song” is one of the largest TV productions in the Arab World in 2016.
“Theeb”, a Jordanian Epic about Bedouins, is the Academy Award nomination for Best Foreign Language Film. It played in Venice. International sales agent Fortissimo has licensed it to Film Movement for U.S., ABC for Benelux, New Wave for U.K., As Fidalgo for Norway, Jiff for Australia, trigon-film for Switzerland. Mad Solutions is handling the Middle East. “Ave Maria” a 14-minute Palestine satirical short is the Academy Award nomination for Best Short Fiction and is being sold internationally by Ouat Media. “ The Idol” (Palestine) played Tiff 2015 and other top fests and has sold widely throughout the world through Canada-based international sales agent Seville. Not since Elia Suleiman won the Grand Jury Prize at the 2002 Cannes Film Festival for “Divine Intervention” has a Palestinian film director made as much of an impact as “The Idol” director Hany Abu-Assad whose “Paradise Now” and “Omar” both went to the Academy Awards.
Kudos for much of the success of Arab cinema go to Mad Solutions, the Cairo, Abu Dhabi and New York based marketing and distribution company for its marketing and social media strategies as well as its release of “Theeb”, “Zinzana” and “Ave Maria”. It also helped create the Arab Cinema Center which was launched last year at the Berlinale and Efm.
In all, 20 Mena films played in the Festival and Market this year.
And what of that other small country in the region called Israel (and/ or Palestine) which is not included in the term Mena? While Israeli films that showed in Berlin received international praise, they will never show in any of the Arab countries and are sometimes boycotted by international film festivals who succumb to censorship tactics.
Most of the larger Israeli features go to Cannes, Venice and Toronto; “Afterthought” went to Cannes, “Mountain” to Venice, “Barash” to San Sebastian”, “Wedding Doll” to London and “A.K.A. Nadia” to Talinn Black Nights Film Festival. In Berlin many are screened as German Premieres.
What Israeli films have won acclaim lately? Is it possible that our hero, Katriel Schory, head of the Israel Film Fund, whose stand for true art has earned him Israeli government censure at home (A prophet is never honored in his own land) and fame abroad with new countries striving to create national cinema, is being eclipsed by the growth of “Arab” cinema?
“Sandstorm” directed by Elite Zexer (international sales by Beta) made its way to Panorama from its world premiere in Sundance where it won the Best Actress Award for Palestinian actress Lamis Ammar’s portrayal of a young Bedouin woman forced to choose between modern freedom or traditional societal strictures within an arranged marriage.
Panorama also screened “Junction 48” (international sales by The Match Factory) which received international praise and audience acclaim. The Israeli-Palestinian hip-hop movie by Israeli-American filmmaker, Udi Aloni, was supported by the Israel-based Rabinovich Foundation. The story is about Kareem who lives in a mixed Jewish-Arab crime-ridden ghetto outside Tel Aviv. He deals drugs and lives dangerously until he discovers hip-hop and decides to express his life as a Palestinian youth along with young singer Manar. Palestinian and Israeli musicians drive this music movie and for Aloni, just seeing the film made, and then shown at the Berlin Film Festival proves its success.
“Suddenly a group of people just choose to make a film and the film is extremely professional. It’s very important that this bi-national energy can create high quality stuff, the high quality is almost the symbol of the resistance. We should not even have to tell the story about the issue. The fact that we could create it is amazing,” Aloni told Euronews.
Thirty-seven-year-old Arab-Israeli rapper Tamer Nafar plays the lead role, and has known the 56-year-old Aloni for some time. “We have been on the same demonstrations, in the parties since 2000, so we live in each other’s world. He has been to my concerts many times, he directed a video clip, I was in his movies as a producer a few times. It’s not about an old generation and new generation, it’s just about creating the right generation,” he said. “He has that gift of being a good story teller and director but he gives us the stage, no, he doesn’t give us a stage, we are building a stage together… he has his own perspective but we are all on the same level,” said actress Samar Qupty. The struggle for equal rights for Palestinians or Arab Israelis inside Israel is at its crux.
Panorama Documents screened “Who’s Gonna Love Me Now?” directed by Tomer Haymann and Barak Heymann co-directed by Alexander Bodin Saphir and being sold by Austria’s Autlook. Forum showed “ Inertia” by Idan Haguel being sold by Oration Films’ Timothy O’Brian of the U.S., and “Between Fences” by Avi Mograbi, being sold by Docs & Film’s Daniela Elstner of France. Culinary Cinema showed “Café Nagler” by Mor Kaplansky and Yariv Barel is being sold internationally by Go2Films.
Teddy 30 (the retrospective of Teddy Award winners over the past 30 years) honored Dan Wolman’s 1979 film “Hide and Seek”/ “Machboim”. Berlinale Shorts screened Rotem Murat’s “Winds Junction” from Sapir College which also holds international rights; Generation 14 Plus screened “Mushkie” by Aleeza Chanowitz from the Jerusalem San Spiegel Film School, being sold by Cinephil. Seven other films were sold in the market by various sales agents.
One of the very special events I attended at the Berlinale this year was the Shabbat Dinner, held the first Friday in the Festival and hosted by Nicola Galliner, Founder and Force of the Berlin Jewish Film Festival. There was a table full of Jews: the new Director of the Jerusalem Film Festival, Noa Regev, PhD; Jay Rosenblatt, Program Director of San Francisco’sJewish Film Institute and its former Director, Peter Stein, now the Senior Programmer of Frameline, San Francisco’s Lgbtq Film Festival; Judy Ironside, the Founder and President of UK Jewish Film and of the sixth edition of the Geneva and Zurich Jewish Film Festivals, the new young director of the Boston Jewish Film Festival, Ariana Cohen-Halberstam who recently moved from the New York Jcc to Boston, the prolific Israeli director, filmmaker Dan Wolman whose new film will soon be out and whose 1979 film “Hide and Seek”/ “Machboim” was part of the Teddy 30th Anniversary Retrospective held by the Berlinale Panorama.
Talk was about films, about politics including gender politics, about our concerns, (we Jews are better worriers than warriors) and just plain gossip.
Now if my readers will excuse my interjecting myself into this article:
It is my opinion that the region of the world called the Middle East, and the three major monotheistic religions of the world whose origin is there had better learn to do more than merely co-exist peacefully if we are to see peaceful and fruitful consequences which will set the world back upon its proper axis.
Art breaks down borders; it is subversive rather than observant of the exigencies of ever changing governments. It creates new perspectives and breaks down old ways of seeing. What I call “Cinema” is Art. Other movies may simply entertain and not aspire to more or they may propagate dogmas, but Art serves no master; it is not tethered; it is freedom of expression which should be honored with freedom to travel.
- 3/6/2016
- by Sydney Levine
- Sydney's Buzz
Israeli directors win both top awards; runners-up include Steve Coogan’s Shepherds And Butchers and Madonna dancer documentary Strike A Pose.Scroll down for full list of winners
At the Berlinale, the 18th Panorama Audience Awards are to be presented to Junction 48 by Udi Aloni for best fiction film and Who’s Gonna Love Me Now? by Tomer and Barak Heymann for best documentary. Both films were made by Israeli directors.
Aloni has presented all of his films at the festival since 2003 and Junction 48 marked his sixth production to premiere in the Panorama section.
It is his first feature since Art/Violence, which premiered at the festival in 2013 and won the Cinema Fairbindet Prize.
Junction 48 follows two young hip-hop artists who use their music to battle the oppression they encounter in Israeli society. Israeli-American director Oren Moverman (Rampart, The Messenger) co-wrote the screenplay with Tamer Nafar. Sales are handled by The Match Factory.
Documentary...
At the Berlinale, the 18th Panorama Audience Awards are to be presented to Junction 48 by Udi Aloni for best fiction film and Who’s Gonna Love Me Now? by Tomer and Barak Heymann for best documentary. Both films were made by Israeli directors.
Aloni has presented all of his films at the festival since 2003 and Junction 48 marked his sixth production to premiere in the Panorama section.
It is his first feature since Art/Violence, which premiered at the festival in 2013 and won the Cinema Fairbindet Prize.
Junction 48 follows two young hip-hop artists who use their music to battle the oppression they encounter in Israeli society. Israeli-American director Oren Moverman (Rampart, The Messenger) co-wrote the screenplay with Tamer Nafar. Sales are handled by The Match Factory.
Documentary...
- 2/20/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
As if new films from the Coens and Jeff Nichols weren’t enough, the 2016 Berlin Film Festival has further expanded their line-up, adding some of our most-anticipated films of the year. Mia Hansen-Løve, following up her incredible, sadly overlooked drama Eden, will premiere the Isabelle Huppert-led Things to Come, while Thomas Vinterberg, Lav Diaz, André Téchiné, and many more will stop by with their new features. Check out the new additions below, followed by some previously announced films, notably John Michael McDonagh‘s War on Everyone.
Competition
Cartas da guerra (Letters from War)
Portugal
By Ivo M. Ferreira (Na Escama do Dragão)
With Miguel Nunes, Margarida Vila-Nova
World premiere
Ejhdeha Vared Mishavad! (A Dragon Arrives!)
Iran
By Mani Haghighi (Modest Reception, Men at Work)
With Amir Jadidi, Homayoun Ghanizadeh, Ehsan Goudarzi, Kiana Tajammol
International premiere
Fuocoammare (Fire at Sea) – documentary
Italy / France
By Gianfranco Rosi (Sacro Gra, El Sicario...
Competition
Cartas da guerra (Letters from War)
Portugal
By Ivo M. Ferreira (Na Escama do Dragão)
With Miguel Nunes, Margarida Vila-Nova
World premiere
Ejhdeha Vared Mishavad! (A Dragon Arrives!)
Iran
By Mani Haghighi (Modest Reception, Men at Work)
With Amir Jadidi, Homayoun Ghanizadeh, Ehsan Goudarzi, Kiana Tajammol
International premiere
Fuocoammare (Fire at Sea) – documentary
Italy / France
By Gianfranco Rosi (Sacro Gra, El Sicario...
- 1/11/2016
- by Jordan Raup
- The Film Stage
Debut feature directors Yossi Atia, Maysaloun Hamoud and Roman Shumunov pick up prizes.
Debut feature directors Yossi Atia, Maysaloun Hamoud and Roman Shumunov have picked up prizes at the 10th edition of Pitch Point, aimed at connecting Israeli productions with international partners.
Performance artist and filmmaker Atia’s Born In Jerusalem And Still Alive won the $4,400 Wouter Barendrecht — Lia Van Leer award.
A dark comedy based on Atia’s per- sonal experiences, the film revolves around a man who organises terror tours along Jaffa Road in west Jeru- salem, the site of a number of deadly suicide attacks during the second Intifada.
The jury — which included Us distribution guru Ira Deutchman, Fortissimo Films’ MD Nelleke Driessen and German producer Thanassis Karathanos — praised the project for its “unique and original take on a tough and emotional subject matter.”
Shumunov clinched the $5,300 Van Leer Foundation award for No Future, about Israeli rappers and graffiti artists of Russian origin struggling...
Debut feature directors Yossi Atia, Maysaloun Hamoud and Roman Shumunov have picked up prizes at the 10th edition of Pitch Point, aimed at connecting Israeli productions with international partners.
Performance artist and filmmaker Atia’s Born In Jerusalem And Still Alive won the $4,400 Wouter Barendrecht — Lia Van Leer award.
A dark comedy based on Atia’s per- sonal experiences, the film revolves around a man who organises terror tours along Jaffa Road in west Jeru- salem, the site of a number of deadly suicide attacks during the second Intifada.
The jury — which included Us distribution guru Ira Deutchman, Fortissimo Films’ MD Nelleke Driessen and German producer Thanassis Karathanos — praised the project for its “unique and original take on a tough and emotional subject matter.”
Shumunov clinched the $5,300 Van Leer Foundation award for No Future, about Israeli rappers and graffiti artists of Russian origin struggling...
- 7/16/2015
- ScreenDaily
HeyUGuys brings you the latest in World Cinema film trailers in association with Film Dates UK.
Each week we’ll be showcasing some of most anticipated foreign releases as well as highlighting a few hidden gems which may have fallen off your radar. It’s no surprise that Hollywood has turned to World Cinema for inspiration in recent years with the number of remakes getting more and more popular.
Whilst it remains to be seen how many of these remakes go on to succeed or stay true to their original story counterparts, we decided it was high-time we turned the spotlight onto the next wave of foreign films to grace our screens.
This week we have 7 new trailers for your viewing pleasure. Enjoy!
Au Revoir Taipei (Yi ye Taibei) UK Cinema Release Date: Sunday 13th March 2011
Synopsis: A love story takes place over the course of one evening in Taipei.
Each week we’ll be showcasing some of most anticipated foreign releases as well as highlighting a few hidden gems which may have fallen off your radar. It’s no surprise that Hollywood has turned to World Cinema for inspiration in recent years with the number of remakes getting more and more popular.
Whilst it remains to be seen how many of these remakes go on to succeed or stay true to their original story counterparts, we decided it was high-time we turned the spotlight onto the next wave of foreign films to grace our screens.
This week we have 7 new trailers for your viewing pleasure. Enjoy!
Au Revoir Taipei (Yi ye Taibei) UK Cinema Release Date: Sunday 13th March 2011
Synopsis: A love story takes place over the course of one evening in Taipei.
- 3/8/2011
- by Andy Petrou
- HeyUGuys.co.uk
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