Just when you thought you’d seen everything… here comes another 55 insane trailers to whip you into a frenzy in this collection of sick, depraved and hysterically brilliant movie previews from the golden age of Grindhouse cinema in Grindhouse Trailer Classics 4.
Following the successful and critically-acclaimed release of Grindhouse Trailer Classics 1, 2 & 3, Nucleus Films will once again take you on trip back to the “gory days” of cult and exploitation cinema with their latest unseen compilation of audacious theatrical trailers from the sleazy cinematic sub-genre known as “grindhouse”.
I’m a Huge fan of this series (check out this pic of my signed copies of the first 3 releases) so I’m super-excited to see what stupefyingly awesome trailers this collection has to offer. According to the press release, all of the trailers in this collection have been sourced from ultra-rare 35mm prints, many of which haven’t been seen since they...
Following the successful and critically-acclaimed release of Grindhouse Trailer Classics 1, 2 & 3, Nucleus Films will once again take you on trip back to the “gory days” of cult and exploitation cinema with their latest unseen compilation of audacious theatrical trailers from the sleazy cinematic sub-genre known as “grindhouse”.
I’m a Huge fan of this series (check out this pic of my signed copies of the first 3 releases) so I’m super-excited to see what stupefyingly awesome trailers this collection has to offer. According to the press release, all of the trailers in this collection have been sourced from ultra-rare 35mm prints, many of which haven’t been seen since they...
- 4/16/2014
- by Phil Wheat
- Nerdly
Never Fear, Pam Grier Is Here! Pam Grier started her career in a number of women-in-prison films which lead to a fruitful stint of starring roles in Blaxploitation cinema. Grier created an intelligent, sensual, and tough on-screen persona with her starring roles, the likes to which few actresses are comparable. She has since gone from Blaxploitation to a forty-year career spanning film and television. She has worked with such great filmmakers as John Carpenter, Tim Burton, Jack Hill, and Quentin Tarantino – whose own film Jackie Brown is a love letter to both Grier and Blaxploitation cinema. Here is a look at the top five films of Grier’s early seventies work:
# 5 Black Mama, White Mama 1973
Written by H.R. Christian, Joe Viola, and Jonathan Demme
Directed by Eddie Romero
“A terrorist and a hooker…you two should have a lot to talk about.”
This is a women-in-prison film (Wip) aimed at a racially diverse audience.
# 5 Black Mama, White Mama 1973
Written by H.R. Christian, Joe Viola, and Jonathan Demme
Directed by Eddie Romero
“A terrorist and a hooker…you two should have a lot to talk about.”
This is a women-in-prison film (Wip) aimed at a racially diverse audience.
- 11/27/2012
- by Gregory Day
- SoundOnSight
Saxophonist David S. (Spencer) Ware was a towering presence on the New York free jazz scene, an artist of compelling gravity and musical intensity. Even after health problems that culminated in a 2009 kidney transplant, he came back strong, his post-operation return coming in a completely solo concert that was a strong statement. This year, the kidney problems returned, and he passed away last night after being hospitalized.
As I once wrote here, Ware united two strands of free jazz: the powerfully full-toned tenor sax blower, and the intellectual craftsman. Although Ware was classified as a free jazz player, he was mentored by Sonny Rollins (who among other things taught him circular breathing), and Ware's music looked back to some earlier jazz styles, though almost always in a fully assimilated way that had no revivalism about it.
Ware started playing around age 11. Oddly, while he played alto and baritone saxes plus bass in school,...
As I once wrote here, Ware united two strands of free jazz: the powerfully full-toned tenor sax blower, and the intellectual craftsman. Although Ware was classified as a free jazz player, he was mentored by Sonny Rollins (who among other things taught him circular breathing), and Ware's music looked back to some earlier jazz styles, though almost always in a fully assimilated way that had no revivalism about it.
Ware started playing around age 11. Oddly, while he played alto and baritone saxes plus bass in school,...
- 10/19/2012
- by SteveHoltje
- www.culturecatch.com
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