- (2013) The Trip to Bountiful- Original Score - Broadway Play - Stephen Sondheim Theatre, New York Tony Nomination
- (2011 - 2012) Scored six Broadway plays in one season, including Gore Vidal's The Best Man starring James Earl Jones & Angela Lansbury; Theresa Rebeck's Seminar, starring Alan Rickman; The Columnist, starring John Lithgow; Man and Boy, with Frank Langella; and The Road to Mecca, with Rosemary Harris and Jim Dale. Also this season designed sound for the Tony winning Clybourne Park by Bruce Norris.
- (October 27, 2011 - May 6, 2012) "Seminar" written by Theresa Rebeck; Directed by Sam Gold; original music by John Gromada; with Alan Rickman (as Leonard); Hamish Linklater (as Martin); Jerry O'Connell (as Douglas); Hettienne Park (as Izzy); and Lily Rabe & Zoe Lister-Jones (as Zoe Lister-Jones) (as Kate); on Broadway at the John Golden Theatre in Manhattan, New York City, New York for 216 performances (including 25 previews beginning October 27, 2011).
- (2014 - 2015) Composed an original score for the Broadway and London productions of The Elephant Man, starring Bradley Cooper.
- (1990-1991 season) He was composer for Joyce Carol Oates' play, "How Do You Like Your Meat?," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Gordon Edelstein was director. Hugh Landwehr was set designer. David Murin was costume designer. Arden Fingerhut was lighting designer.
- (1992-1993 season) He was composer and sound designer for Eduardo Machado's play, "The Day The Bronx Died," in a world premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Hugh Landwehr was set designer. Candice Donnelly was costume designer. Donald Holder was lighting designer.
- (Spring 1996) He was sound designer for Eugene O'Neill's play, "Hughie," in a Spring bonus production at the Long Wharf Theatre in New Haven, Connecticut. Al Pacino was director. David Gallo was set designer. Candice Donnelly was costume designer. Don Holder was lighting designer.
- (2001-2002 season) He was sound designer and composer for William Shakespeare's play, "Twelfth Night," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. David Warren was director. James Youmans was set designer. Toni-Leslie James was costume designer. Peter Maradudin was lighting designer. Sean Curran was choreographer.
- (2002-2003 season) He was composer and sound designer for Eugene O'Neill's play, "Mourning Becomes Electra," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Andrew Jackness was set designer. Paul Tazewell was costume designer. Jennifer Tipton was lighting designer. Gordon Edelstein was director.
- (2003-2004 season) He was composer and sound designer for Ron Jenkins' translation of Dario Fo's play, "We Won't Pay! We Won't Pay!," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Allen Moyer was set designer. Candice Donnelly was costume designer. Pat Collins was lighting designer.
- (2003-2004 season) He was composer and sound designer for William Shakespeare's play, "Hamlet," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Mladen Kiselov was director. Douglas Stein was set designer. Paul Tazewell and Michael McAleer were costume designers. Jennifer Tipton was lighting designer. Rick Sordelet was fight choreographer. Walton Wilson was voice work.
- (2004-2005 season) He was sound designer for Tom Stoppard's play, "Travesties," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gregory Boyd was director. Neil Patel was set designer. Judith Dolan was costume designer. Rui Rita was lighting designer.
- (2004-2005 season) He was sound designer for Noah Haidle's play, "Rag and Bone," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Tina Landau was director. George W. Mercier was set designer. Candace Donnelly was costume designer. Scott Zielinski was lighting designer.
- (September 14 to October 9, 2005) He was sound designer for Wililam Shakespeare's play, "A Midsummer's Night Dream," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kim Rubinstein was director. G. W. Mercier was scenic and costume designer. Joel Moritz was lighting designer. Stephen Beucscher was choreographer.
- (March 28 to April 28, 2007) He was sound designer and composer for the musical, "The Blue Album," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. David Cale and Dael Orlandersmith were writers. Joe Mantello was adapter. Gordon Edelstein was director. David Cale was composer. Neil Patel was scenic designer. Anita Yavich was costume designer. Jennifer Tipton was lighting designer.
- (October 24 to November 18, 2007) He was composer for Arthur Miller's play, "The Price," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Eugene Lee was scenic designer. Jessica Ford was costume designer. Michael Chybowski was lighting designer. Corrine K. Livingston was sound designer.
- (April 1 to 26, 2009) He was composer for Eric Ting and Craig Siebel's adaptation of Ernest Hemingway's novel, "The Old Man and The Sea," in a world premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Eric Ting was also director. Craig Siebels was also set designer. Kaye M. Voyce was costume designer. Michael Chybowski was lighting designer. He and Ryan Rumery were co-sound designers. Charles M. Turner III was stage manager. Amy Patricia Stern was assistant stage manager. April Donahower was Dramaturg.
- (October 27 to November 21, 2010) He was sound designer for Athol Fugard's play, "The Train Driver," in an East Coast premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Eugene Lee was set designer. Susan Hilferty was costume designer. Christopher Akerlind was lighting designer. Stephen Gabis was dialect coach. Cale Bonenberger was stage manager. Amy Patricia Stern was assistant stage manager.
- (January 19 to February 13, 2011) He was composer and sound designer for Simon Gray's play, "The Old Masters," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Michael Rudman was director. Alexander Dodge was set designer. Toni Leslie James was costume designer. Peter Kaczorowski was lighting designer. Jack Doulin was casting director. Bonnie Brady was stage manager. Amy Patricia Stern was assistant stage manager.
- (October 8 to November 2014) He was sound designer and composer for Thornton Wilder's play, "Our Town," at the Long Wharf Theatre (Claire Tow Stage in the C. Newton Schenck III Theatre) in New Haven, Connecticut. Gordon Edelstein was director. Eugene Lee was set designer. Emily Rebhotz was costume designer. James F. Ingalls was lighting designer. Hope Rose Kelly was production stage manager. Amy Patricia Stern was production stage manager. Michelle Lauren Tutte was assistant stage manager. James Calleri was casting director.
- (May 6 to 31, 2015) He was sound designer and composer for Joe DiPietro's play, "The Second Mrs. Wilson," in a world premiere at the Long Wharf Theatre on Claire Tow Stage in the C. Newton Schenck Theatre in New Haven, Connecticut. Gordon Edelstein was director. Alexander Dodge was set designer. Linda Cho was costume designer. Christopher Akerlind was lighting designer. Leah Lucas was wig and makeup designer. Peter Van Dyke was production stage manager. Amy Patricia Stern was assistant stage manager. James Calleri was casting director.
- (November 27 to December 2, 2013) He was sound designer for August Wilson's play, "Fences," at the Long Wharf Theatre on Claire Tow Stage in the C. Newton Schenck III Theatre in New Haven, Connecticut. Phylicia Rashad was director. John Iacovelli was set designer. ESosa was costume designer. Xavier Pierce was lighting designer. J. Jared Janas and Rob Greene were hair and wig designers. MIchael Rossmy was fight director. David Blackwell was production stage manager. Amy Patricia Stern was assistant stage manager. James Calleri was casting director.
- (March 26 to April 27, 2014) He was sound designer for Athol Fugard's play, "The Shadow of the Hummingbird," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Paula Fourie wrote the introductory scene with extracts from his unpublished notebooks. Gordon Edelstein was director. Eugene Lee was set designer. Susan Hilferty was costume designer. Michael Chybowski was lighting designer. Jason Kaiser was production stage manager.
- (October 3 to November 4, 2012) He was sound designer for Terry Teachout's play, "Satchmo at the Waldorf," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Gordon Edelstein and John Douglas Thompson were directors. Lee Savage was set designer. Ilona Somogyi was costume designer. Stephen Strawbridge was lighting designer. Hope Rose Kelly was stage manager.
- (November 28 to December 23, 2012) He was sound designer and composer for Jeffrey Hatcher's new adaptation of Frank Marcus' play, "The Killing of Sister George," at the Long Wharf Theatre on the Claire Tow Stage in the C. Newton Schenck III Theatre in New Haven, Connecticut with Kathleen Turner in the cast. Jeffrey Hatcher was adapter. Kathleen Turner was also director. Allen Moyer was set designer. Jane Greenwood was costume designer. John Lasiter was lighting designer. Paul Huntley was wig designer. Deborah Hecht was dialect coach, Bryce McDonald was stage manager. Amy Patricia Stern was assistant stage manager. Pat McCorkle was casting director.
- (December 7 to 30, 2011) He was sound designer for Joe Landry's play, "It's A Wonderful: A Live Radio Show," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Eric Ting was director. Mikiko Suzuki Macadams was set designer. Jessica Ford was costume designer. Stephen Strawbridge was lighting designer. Nathan Roberts was Foley artist. Lori Lundquist was stage manager. Amy Patricia Stern was assistant stage manager. James Calleri was casting director.
- (May 2 to 27, 2012) He was composer and sound designer for Aaron Posner's adaptation of Chaim Potok's novel, "My Name is Asher Lev," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Eugene Lee was set designer. Ilona Somogyi was costume designer. Chris Akerlind was lighting designer. Dave Bova was wig designer. Bonnie Brady was stage manager. Amy Patricia Stern was assistant stage manager. James Calleri was casting director.
- (1990 to 1991 season) He was sound designer for Terence McNally's play, "Frankie and Johnny in the Clair De Lune," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Cynthia Strickland and Peter Gerety in the cast. Leonard Foglia was director. Robert D. Soule was set designer. John F. Custer was lighting designer. Marilyn Salvatore was costume designer.
- (2008 to 2009 season) He was composer and sound designer for Laura Shellhardt's play, "Shapeshifter," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Laura Kepley was director. Loy Arcenas was set designer. William Lane was costume designer. Brian J. Lilienthal was lighting designer.
- (2009 to 2010 season) He was composer and sound designer for Pamela Gien's play, "The Syringa Tree," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Laura Kepley was director. Antje Ellerman was set designer. William Lane was costume designer. Brian J. Lilienthal was lighting designer.
- (April 10, 2009 - May 17, 2009) "The Singing Forest," written by Craig Lucas, directed by Mark Wing-Davey, original music composed by John Gromada, and assistant direction by Scott Illingworth; with Olympia Dukakis (portraying Loë Rieman), Mark Blum (portraying Dr. Oliver Pfaff / Martin Rieman), Rob Campbell (portraying Shar Unger / Max Schur), Rob Campbell (portraying Jules Ahmad / Simon Hirsch), Pierre Epstein (portraying Bill / Sigmund Freud), Jonathan Groff (portraying Gray Korankyi / Walter Rieman), Randy Harrison (portraying Laszlo Fickles / Gerhardt Zeitzler), Deborah Offner (portraying Bertha Ahmad / Anna Freud), and Susan Pourfar (portraying Beth Adler / Young Loë) in A Public Theatre production; artistic director - Oskar Eustis, associate producer - Jenny Gersten, and associate artistic director - Mandy Hackett; produced and performed Off-Broadway at the Joseph Papp Public Theater/Martinson Theater, Manhattan, New York City, New York, USA.
- (September 1988) He was sound designer for Terrence McNally's play, "Frankie and Johnny in the Clair De Lune," in a Jujamcyn Theaters/Margo Lion presentation of the Manhattan Theatre Club production at the Westside Arts Theatre Upstairs in New York City with Bonnie Franklin (Frankie); Tony Musante (Johnny) and Dominic Cuskern (voice of radio announcer) in the cast. Paul Benedict was director. James Noone was set designer. David Woolard was costume designer. David Noling was lighting designer. Pamela Singer was production stage manager. John Lyons and Donna Isaacson were castings directors. Leonard Foglia was assistant director. Steven Baruch, Richard Frankel, Margo Lion, Thomas Viertel were producers. Craig Palanker was stage manager. Thomas Shilhanek was technical director. Joshua Jenkins was master electrician. Matthew Osborne was sound operator. Anna Maria Paolucci was wardrobe supervisor. Alexander T. Wardwell and David Baer were management assistants. Terry Foster was assistant set designer. Nancy Collings was assistant lighting designer. Kate Loeward was assistant to producer. David Hollander, Patricia Crown and John Sloss were legal counsel. R.A. Boyar was insurance. Lutz and Carr were accountants. Serino, Coyne and Nappi were advertisers. Fifi Schuettich was press assistant. Gerry Goodstein and Peter Cunningham were photographers. Caryl Goldsmith was group sales director. Raymond L. Gaspard was theatre producing director. Clover Swann was theatre managing director. Jeannie Holland was box office treasurer. Abby Feder was theatre Dramaturg. Dick Swanson was theatre technical director. Gustin Reichbach was theatre attorney. Sam Feldman was theatre insurance.
- (September 30 to October 8, 2017) He was sound designer for Truman Capote and Andy Warhol's play, "Warholcapote (a non-fiction invention)," at the American Repertory Theatre production at the Loeb Drama Center in Cambridge, Massachusetts with Stephen Spinella (Warhol) and Dan Butler (Capote) in the cast. Diana Paulus was artistic director. Rob Roth was adapter. Stanley A. Meyer was scenic designer. Clint Ramos was costume designer. Kevin Adams was lighting designer. Darrel Maloney was projections designer. Charles G. LaPointe was hair and wig designer. Cookie Jordan was makeup designer. Erika Bailey was dialect coach. Johanna McKeon was associate director. Rick Steiger was production stage manager.
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