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Fifth-generation Chinese filmmaker Chen Kaige’s “Farewell My Concubine” wowed the Cannes jury under president Louis Malle in 1993 — all the way to a Palme d’Or win. But by the time the three-hour epic set in the world of the Peking Opera reached U.S. theaters that year, Miramax’s Harvey Weinstein had cut 20 minutes from the movie that left even Malle puzzled. According to Peter Biskind‘s influential “Down and Dirty Pictures,” Malle said the new version seemed “longer because it doesn’t make any sense. It was better before those guys made cuts.”
At last, “Farewell My Concubine,” the only Chinese-language film ever to win the Palme, is now being returned to theaters in its full 171-minute glory, courtesy of Film Movement Classics. IndieWire exclusively announces that the distributor will release a newly restored 4K version in North American theaters beginning September 22 at Film Forum in New York City.
At last, “Farewell My Concubine,” the only Chinese-language film ever to win the Palme, is now being returned to theaters in its full 171-minute glory, courtesy of Film Movement Classics. IndieWire exclusively announces that the distributor will release a newly restored 4K version in North American theaters beginning September 22 at Film Forum in New York City.
- 8/3/2023
- by Ryan Lattanzio
- Indiewire
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Sexual obsession is well-worn territory for Erotic Thrillers, a subgenre that often features men who think with their libido rather than their brain. When you spend your life thinking about screwing, it tends to screw with your life.
This is the central premise of Josephine Hart’s 1991 novel Damage, which was transformed in the 1992 film of the same name, and, most recently, was adapted into the four part Netflix series Obsession.
In both adaptations, a wealthy, powerful, middle-aged married man becomes sexually obsessed with his son’s new girlfriend. They begin an affair, and the sexual desire costs the man everything: his job, his marriage, and the life of his son, who dies tragically when he falls over a banister after witnessing his father fucking his fiancé.
What’s interesting about both Damage and Obsession is how both texts adopt the tropes of an Erotic Thriller, albeit by substituting criminal or murderous activity for melodrama.
This is the central premise of Josephine Hart’s 1991 novel Damage, which was transformed in the 1992 film of the same name, and, most recently, was adapted into the four part Netflix series Obsession.
In both adaptations, a wealthy, powerful, middle-aged married man becomes sexually obsessed with his son’s new girlfriend. They begin an affair, and the sexual desire costs the man everything: his job, his marriage, and the life of his son, who dies tragically when he falls over a banister after witnessing his father fucking his fiancé.
What’s interesting about both Damage and Obsession is how both texts adopt the tropes of an Erotic Thriller, albeit by substituting criminal or murderous activity for melodrama.
- 5/30/2023
- by Joe Lipsett
- bloody-disgusting.com
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